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    <title type="text">Culture Making</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tumblelog/atom/" />
    <updated>2008-08-21T18:24:49Z</updated>
    <rights>Copyright (c) 2008, Andy Crouch</rights>
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    <id>tag:culture-making.com,2008:08:21</id>


    <entry>
      <title>The individual Lewis</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_individual_lewis/" />
      <id>tag:culture-making.com,2008:author/9.672</id>
      <published>2008-08-21T13:50:49Z</published>
      <updated>2008-08-21T18:24:49Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Andy: </b><em>“This week I will be posting several insightful excerpts from John Stackhouse's new book <a href="http://www.amazon.com/exec/obidos/ASIN/0195173589/cmcom-20"><em>Making the Best of It: Following Christ in the Real World</em></a>, which I will be reviewing, with great pleasure, for <em>Books &amp; Culture</em> this fall. Stackhouse's book is a marvelous counterpoint and companion for <em>Culture Making</em>, not least for its careful and thoughtful readings of three major thinkers on Christians and culture of the twentieth century: C. S. Lewis, Reinhold Niebuhr, and Dietrich Bonhoeffer. Stackhouse notes that Lewis, for all the ways he offers a joyful and intelligent model of cultural engagement, was in some ways strikingly individualistic. (To Stackhouse's credit, later in the book he makes a compelling case that the currently fashionable tendency among evangelicals and others to decry "individualism" is way too simplistic.) Is "heaven" for C. S. Lewis the countryside rather than the city?”</em><br />		
		<p>It is interesting . . . to ask what Lewis thought about cities, those symbols of human social life. Wesley Kort avers, “While Lewis affirms the importance of social spaces that accommodate and stimulate the potentials of persons and grant to persons a sense of being a home, he offers no realistic models of social space equivalent to those he gives for personal spaces and open landscapes.” Compare also the testimonial of Helen Gardner, as Meilander introduces it: “Despite the fact that much of his [academic] work concerned the debt of English literature to the literature of the Renaissance, no vision of ‘cities, large and small, with splendid public monuments’ ever played a large role in his imagination. For Lewis, she suggests, the simple loyalties of the <i>comitatus</i> were never replaced by the more complex loyalties of the ‘city.’” . . .</p><p>London itself appears in the Narnia chronicles, but always as negative (particularly in <i>The Magician&#8217;s Nephew,</i> but it is also war-torn London from which the children must be sent away in <i>The Lion, the Witch, and the Wardrobe</i> as well). All of the other cities in the Narnia chronicles are evil—from Charn to Calormen. Hell itself is a city in <i>The Great Divorce,</i> but Heaven is a countryside. I shall leave as homework for Lewis aficionados this question: does anything good happen in a city in any of Lewis&#8217;s writings? One wonders if C. S. Lewis himself stood in need of some imaginative conversion by the Bible&#8217;s own images of the New Jerusalem.
</p><hr />
<div class="author" style="font-size: -1">from John Stackhouse, <a href="http://www.amazon.com/exec/obidos/ASIN/0195173589/cmcom-20"><em>Making the Best of It: Following Christ in the Real World</em></a>, p. 56, 77</div>		

	
			
			
			
		
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    <entry>
      <title>Already on the ground</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/already_on_the_ground/" />
      <id>tag:culture-making.com,2008:author/9.671</id>
      <published>2008-08-21T13:15:52Z</published>
      <updated>2008-08-21T17:25:52Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Andy: </b><em>“One of the pleasures of being away for two weeks is coming back to several issues of the <i>Economist</i> to read at once. (Yes, I am a geek.) In the issue of 7 August is this remarkable article about the decline of Russia's "intelligentsia." Even by the <i>Economist's</i> high standards it is an unusually penetrating study of cultural change, and a reminder that "soft power" is often more effective than brute force—in this case, effective in restraining criticism of the state. And while the situation in the United States could not be more different in some respects, I still find these closing paragraphs worth pondering: a warning for any movement that seeks to be, in Tim Keller's phrase, "a counterculture for the common good."”</em><br />		
		<p>The sense of success and inclusion is harder to resist than the wrath of the state. Carrots are more corrupting than sticks. This phenomenon is powerfully described in Vasily Grossman’s novel “Life and Fate” (1960). One of its central characters is Viktor, a talented physicist who stoically defends his science in the face of likely arrest, but becomes weak and submissive when Stalin calls him to wish him success. “Viktor had found the strength to renounce life itself—but now he seemed unable to refuse candies and cookies.” . . .</p><p>Russia today is much freer than it was for most of the Soviet era. However undemocratic it may be, it is not a totalitarian state. The room for honest speaking is far greater than Russian intellectuals make use of. As Marietta Chudakova, a historian of Russian literature and courageous public figure, puts it, “Nobody has been commanded to lie down—and everyone is already on the ground.” The media is suffocated by self-censorship more than by the Kremlin’s pressure. Nikolai Svanidze, a Russian journalist who works for a state TV channel, admits: “There is no person who tells [me] what you can and what you can’t do. It is in the air. If you know what is permitted and what is not, you’re in the right place. If you don’t, you are not.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.economist.com/world/europe/displaystory.cfm?story_id=11880594">The hand that feeds them</a>," <a href="http://www.economist.com/">The Economist</a>, 7 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>One leg on earth</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/one_leg_on_earth/" />
      <id>tag:culture-making.com,2008:author/9.650</id>
      <published>2008-08-20T20:52:10Z</published>
      <updated>2008-08-15T00:56:10Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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		<p>I fear that Christians who stand with only one leg on earth also stand with only one leg in heaven.
</p><br />
		<p><small>	&mdash;Dietrich Bonhoeffer, in a letter from prison to his fiancée</small></p>

	
			
			
			
		
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    <entry>
      <title>Carbonation nation</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/carbonation_nation/" />
      <id>tag:culture-making.com,2008:author/9.670</id>
      <published>2008-08-20T18:28:42Z</published>
      <updated>2008-08-20T22:40:42Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
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					<b>Nate: </b><em>“Results of an online survey which got more than 120,000 answers to the question, "What's your local name for a generic soft drink?" Click through for a slightly-less-shrunken version; the yellow varients are "soda"; the blues are "pop"; the reds are (of course) "coke", the greens are "other" (e.g. "dope," "tonic," and of course "soft drink"). I'd love to see an international version of the survey, with my favorite "cooldrink" predominating in India and elsewhere.”</em><br />		
		<a href="http://strangemaps.wordpress.com/2008/08/18/308-the-pop-vs-soda-map/"><img src="http://culture-making.com/media/total-county.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"Generic Names for Soft Drinks by County," map by Matthew T. Campbell, from "<a href="http://popvssoda.com:2998/">The Pop Vs Soda Page</a>," by Alan McConchie :: via <a href="http://strangemaps.wordpress.com/2008/08/18/308-the-pop-vs-soda-map/">Strange Maps</a></div>		

	
			
			
			
		
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    <entry>
      <title>More than playgrounds</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/more_than_playgrounds/" />
      <id>tag:culture-making.com,2008:author/9.669</id>
      <published>2008-08-20T18:12:59Z</published>
      <updated>2008-08-20T22:20:59Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“The Boston Schoolyard Initiative aims to transform the city's largely paved-over schoolyards into something more suitable for play -- and for learning. I love the teacher's observation about the kids' behavior in their new outdoor classroom.”</em><br />		
		<p>Since 1995, Boston has reconstructed 71 schoolyards, covering 125 acres and serving more than 25,000 children a day, Mr. Comart says. The yearly capital investment is about $1.2 million from the city and $600,000 from the Funders Collaborative, which also gives about $450,000 for operating expenses and professional development for teachers. By 2010, 87 yards should be complete, he says, and 27 will include outdoor classrooms. The hope now is to complete the 10 remaining elementary- and middle-school yards.</p><p>The teachers on hand during the tour made it easy for visitors to imagine children’s delight in the outdoor classroom at the William Monroe Trotter Elementary School in Boston’s Dorchester neighborhood. Third-grade teacher Christine Whittemore’s face lit up as she explained the concept of the garden she stood in: Corn, beans, and squash all grow in one plot – a “three sisters” garden like the kind the Wampanoag Indians showed to the Pilgrims. It ties in well with social studies lessons, she said.</p><p>The area used to be a vacant, trashy lot and now nurtures plants that attract butterflies. A square wooden pole sports a weather vane and thermometers, so students can correlate temperature to where the sun is.</p><p>“[The kids] sort of recognize this as kind of a special place. They’re quieter, more orderly,” Ms. Whittemore said.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.csmonitor.com/2008/0820/p03s03-usgn.html">Boston's newest classrooms: schoolyards</a>," by Stacy Teicher Khadroo, <a href="http://www.csmonitor.com/"><i>Christian Science Monitor</i></a>, 20 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Tokyo vintage</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/tokyo_vintage/" />
      <id>tag:culture-making.com,2008:author/9.668</id>
      <published>2008-08-20T18:01:19Z</published>
      <updated>2008-08-20T22:08:19Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
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					<b>Nate: </b><em>“I guess the transcontinental vintage clothing trade counts as a form of cultivating culture: pruning, honing, preserving (and, oh yeah, marking up the price). It's nice to know Westerners can go to Tokyo to experience a version of both our near-future (technology-wise) and the not-too-distant past.”</em><br />		
		<p>The story about vintage clothes in Tokyo goes like this: A Hollywood actress, after a successful crash diet, sold her size 6 wardrobe to a thrift shop in Santa Monica. Three months later she came to Tokyo to promote her latest movie and one afternoon wandered into one of the city’s landmark vintage clothing shops, called Santa Monica. What should she find there but her own shorts and several party dresses, unobtrusively displayed under a sign that read: “Santa Monica Style.”</p> <p>The story is credible for the simple reason that Tokyo has now reached a point where it’s safe to call it Planet Vintage. Among the 400-plus shops scattered over the city, myths like this abound.</p><p>The good news is that it’s not all rumor and folklore - according to a fashion stylist, Keiko Okura, “the quality of Tokyo vintage products are unmatched.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.iht.com/articles/2008/08/18/style/FVINTAGE.php">Toyko hones its vintage clothing market</a>," by Kaori Shoji, <a href="http://www.iht.com/articles/2008/08/18/style/FVINTAGE.php"><i>International Herald-Tribune</i></a>, 18 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Playful spaces, by Bruno Taylor</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/playful_spaces_by_bruno_taylor/" />
      <id>tag:culture-making.com,2008:author/9.666</id>
      <published>2008-08-20T15:49:40Z</published>
      <updated>2008-08-20T19:49:40Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p align="center"><object height="319" width="400"><param name="movie" value="http://www.youtube.com/v/nDqbb0eHVXA&amp;hl=en&amp;fs=1"><param name="allowFullScreen" value="true"><embed src="http://www.youtube.com/v/nDqbb0eHVXA&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" height="319" width="400"></object>
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<b>Nate: </b><em>“Here's a young UK designer's attempt to inject a bit of play back into a boring urban space -- in this case by hanging a swing from a bus shelter. It seems like a pretty temporary, for-video-only installation and probably having an approved, permanant swing in that space might raise all sorts of liability issues (not least: it's not clear how easy/tempting it would be to jump off the swing into traffic!) But it's fun to see how passersby react to the little remaking of their everyday urban world -- and interesting that only women seem willing to have a swing on it.”</em><br /><hr /><span style="font-size: -1">"Playful Spaces" by Bruno Taylor :: via <a href="http://www.designboom.com/weblog/cat/8/view/3682/playful-spaces-by-bruno-taylor.html"> designboom</a></span>

	
			
			
			
		
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    <entry>
      <title>unCultured</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/uncultured/" />
      <id>tag:culture-making.com,2008:author/9.667</id>
      <published>2008-08-20T07:18:02Z</published>
      <updated>2008-08-20T11:19:02Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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<p>One of the interesting consequences of writing a Christian book is that you end up doing a lot of interviews with Christian media. I enjoy almost all of these conversations. For one thing, I love the voices of people who work in radio! And I consistently find that my interviewers are intrigued by the topic of my book and genuinely eager to talk about it.</p><p>Still, there is one pattern to my interviews with Christian media that perplexes me, and that is my hosts’ relentless sense of pessimism about “the culture.” One of my favorite Christian radio hosts, a super-bright guy with whom I’ve talked several times, said in our most recent interview, “When we were in high school [I think he’s maybe a few years older than me] it seemed like the culture was a mixed bag. But now doesn’t it seem like it’s just gotten worse and worse?”</p><p>I had to answer that honestly, that’s not how it seems to me. For example, when I was in high school I remember hearing about the horrifyingly high incidence of drunk driving. But a mother named Candy Lightner, whose daughter had been killed by a drunk driver, started Mothers Against Drunk Driving. (People my age will remember yellow ribbons tied to car antennas, inspired by MADD—come to think of it, people my age will remember car antennas.) Two decades later, the cultural horizons have shifted decisively on this issue. <a href="http://www.nationalreview.com/comment/comment-mathewes-green012203.asp">As Frederica Mathewes-Green has pointed out,</a> films from the “innocent” 1950s regularly portray drunkenness (and its corollary, violence against women) with a lightheartedness that we now find inconceivable. Overall, it seems to me that culture, like Wall Street, is a random walk—improving in some ways, declining in others. The Christian job is simply to assess our current moment and cultivate and create within it. But when I express this on the air, I’m almost always greeted with disbelief, even when my hosts find the idea appealing.</p><p>What accounts for this Christian-radio pessimism about “the culture”? It occurs to me it’s strikingly similar to something documented by Dave Kinnaman and Gabe Lyons: the culture’s pessimism about “the Christians.” In their book <a href="http://www.amazon.com/gp/product/0801013003?ie=UTF8&amp;tag=cmcom-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0801013003"><i>unChristian</i></a>, Gabe and Dave show just how negatively most secular Americans view Christians when they are asked to characterize them as a group—even though the same people will report that their personal encounters with Christians have been much more positive. While some of this pessimism can certainly be traced to the way we Christians are presented in mainstream media, some of it seems to come from that media filling a vacuum of experience. People just don’t have enough encounters with self-identified Christians who are not wildly judgmental, homophobic right-wingers to realize that their stereotypes are untrue. When they meet an actual Christian who doesn’t fit their expectations, they are more likely to dismiss him or her as an exception than to revise their rule of thumb.</p><p>And that, it seems to me, is exactly what Christians—especially those who by vocation spend a lot of time immersed in the Christian subculture—are doing with the culture itself. In the absence of sustained encounters with our neighbors who don’t share our faith, cocooning in our own media and social groups, we fall into pessimistic stereotypes about “the culture” out there. When we happen to actually get to know an unbelieving neighbor and find that they are not wildly permissive, atheistic left-wingers, we just file them in the “exception to the rule” category.</p><p>The most basic solution to the challenge posed by <i>unChristian</i>, it seems to me, is for a lot more of us to get involved, as Christians, in the structures and institutions where our neighbors spend their time. But perhaps that will change more than just our neighbors’ attitudes. We, too, may discover that “the culture” is full of grace and heartbreak and beauty and folly—not so different, after all, from the church herself.
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    <entry>
      <title>Whiskey Devil, decor crew, Burning Man Center Camp</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/whiskey_devil_decor_crew_burning_man_center_camp/" />
      <id>tag:culture-making.com,2008:author/9.665</id>
      <published>2008-08-19T18:11:34Z</published>
      <updated>2008-08-19T22:28:34Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
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					<b>Nate: </b><em>“Somewhere out in the Nevada desert, Black Rock City is under (re)construction for the soon-to-start <a href="http://burningman.com/">Burning Man 2008</a>, which runs Aug 25 - Sep 1. In an earlier <a href="http://blog.burningman.com/?p=2205#more-2205">post</a>, John talks about the little-known "pre Burn" where the folks who've been working all week to set up the Burning Man encampment, getting ready for the crazy masses to arrive for the festival proper, burn their own mini-Burning-Man (or three of them). "I feel like I’ve been to Burning Man, circa 1993."”</em><br />		
		<a href="http://blog.burningman.com/?p=2233"><img src="http://culture-making.com/media/_mg_8263.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Whiskey Devil and the Decor crew were getting going at Center Camp," photo from a <a href="http://blog.burningman.com/?p=2233">Burning Blog</a> post by John Curley, 19 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Cuba&#8217;s generation y</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/cubas_generation_y/" />
      <id>tag:culture-making.com,2008:author/9.664</id>
      <published>2008-08-19T16:08:37Z</published>
      <updated>2008-08-19T20:39:37Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
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					<b>Nate: </b><em>“Naming can be an act of creative resistance. But, in the Cuban examples here ("Yampier, Yankiel. Yordenis, Yulieski"), this involves resistance to: the new strictures of communism? the old ones of Spanish and "white" domination of the isle? I wonder how much this parallels African-American traditions of bestowing ever-innovative names. (Or the majority-culture tradition of thinking that Jarell and Moesha sound odd but Logan and Madison don't). The article doesn't really get at my own theory for the increase of y-names: Cuba has quite a few towns and districts that start with y and even more that contain that letter -- atypical for Spanish-speaking lands; I think in many cases those y's are rooted in indigenous or early-colonial place-names. So it's not like Cubans had to go to Angola or Moscow to find inspiration for their y's.”</em><br />		
		<p>[Cuban philologist-cum-antigovernment blogger Yoani] Sánchez theorizes that in one of the world’s last remaining Stalinist regimes, fashioning a bizarre name from whole cloth has been one safe way of flexing creative muscles without running afoul of the authorities. “Cuba is a country where everything was rationed and controlled except the naming of your children,” she says. “The state would tell you what you would study and where, and creating names was a way of rebelling.” Jaime Suchlicki, a Cuba expert at the University of Miami, says many middle-aged Cubans spent their youth fighting Fidel Castro’s proxy wars in Ethiopia and Angola and may have given their kids African-sounding names in tribute to the continent. Similarly, the preponderance of names starting with the letter Y may reflect the contact Cubans had with Russian advisers sporting names like Yuri and Yevgeny in the years when the Soviet Union was bankrolling Castro’s revolution.</p><p>Cubans on both sides of the Florida Straits associate the practice with the Communist era. Suchlicki spent his formative years in pre-revolutionary Havana, and says his friends, relatives and neighbors all went by traditional, Spanish-language names. He left the island a year after Castro ousted a U.S.-backed dictator in 1959, and says the growing popularity of unconventional names among his younger countrymen came to his attention only after Castro had consolidated his grip on power. He speculates that this preference for unusual names might signify a denial on some level of the country’s Spanish Roman Catholic heritage. “This may be a rejection of the Spanish past since Cuba is much more black today than it once was,” he says, noting that an estimated 62 percent of all Cubans are of African descent (up from 40 percent 50 years ago).
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.newsweek.com/id/151672">Why Cubans Have Such Unusual Names</a>," by Joe Contreras, <a href="http://www.newsweek.com/id/151672">Newsweek.com</a>, 9 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Everything from military strategy to songwriting</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/everything_from_military_strategy_to_songwriting/" />
      <id>tag:culture-making.com,2008:author/9.654</id>
      <published>2008-08-19T14:41:55Z</published>
      <updated>2008-08-19T16:32:55Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
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		<p>The whole of the Hebrew Bible, from Genesis 12 to Malachi 4, can be seen as a record of Israel’s education in faith—not “faith” as a purely spiritual or religious enterprise, but as a cultural practice of dependence on the world’s Creator that encompasses everything from military strategy to songwriting.
</p><br />
		<p><small>	&mdash;<i>Culture Making</i>, p.131</small></p>

	
			
			
			
		
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    <entry>
      <title>The sedate solar system</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_sedate_solar_system/" />
      <id>tag:culture-making.com,2008:author/9.663</id>
      <published>2008-08-19T12:21:23Z</published>
      <updated>2008-08-19T16:32:23Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
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			<b>Andy: </b><em>“It's very hard to turn the anthropic principle into a slam-dunk argument for divine creation, but it has held up remarkably well in recent years. While the list of credible arguments for special creation in evolutionary biology keeps getting shorter, the list of "just the right conditions" required for life in physics and cosmology keeps getting longer—and is increasingly the subject of open discussion among physicists and cosmologists themselves.”</em><br />
<div class="author" style="font-size: -1">from "<a href="http://www.aip.org/pnu/2008/split/869-2.html">Maybe We Are Special, The Solar System Says</a>," by Phil Schewe, <a href="http://www.aip.org/pnu/2008/869.html">Physics News Update 869</a>, 15 August 2008</div><hr />		
		<p>Historically, humans have often felt the need to be special, and just as often have been disappointed. The Earth, as it turned out, wasn’t at the center of the universe. Humans are smart, but in the end, they evolve, live and die just like all the other living things on the planet. In astronomy, the prevailing theoretical models of how the solar system got here have assume that, based on past experience, we’re probably just an average solar system.</p><p>But according to a new study by Northwestern University astronomers looking at 300 planets orbiting other stars, we might really be special. “We now know that these other planetary systems don’t look like [our] solar system at all,” said Frederic Rasio, an astronomer at Northwestern, in Chicago. Computer simulations used by Rasio’s team showed that the birth of a planetary system is a very violent affair, with the gas disk that gives birth to the planets pushing them toward the central star, where they often crowd together to be engulfed. Gravitational encounters between growing planets fling some across the planetary system, or into deep space. “Such a turbulent history would seem to leave little room for the sedate solar system, and our simulations show exactly that,” said Rasio in a news release from Northwestern University. Our solar system “had to be born under just the right conditions to become the quiet place we see,” he said. “The vast majority of other planetary systems didn’t have these special properties at birth and became something very different.”
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    <entry>
      <title>A long way from the rec room</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_long_way_from_the_rec_room/" />
      <id>tag:culture-making.com,2008:author/9.661</id>
      <published>2008-08-18T18:10:12Z</published>
      <updated>2008-08-19T00:20:10Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
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					<b>Nate: </b><em>“I've been so mesmerized by the online coverage of archery and weightlifting (no joke!) that I've yet to delve much into the table tennis archive at <a href="http://www.nbcolympics.com/tabletennis/index.html">nbcolympics.com</a> Though the action's a bit too quick to show up well on my broadband, alas.”</em><br />		
		<p>Doubles table tennis is so entertaining because it defies the laws of geometry. As anyone who’s played in a rec room fully understands, a Ping-Pong table simply isn’t big enough to accommodate four people. The key skill that every doubles team must master has nothing to do with shot-making or defense. Rather, it’s having the agility to get the hell out of the way of your partner.</p><p>In doubles table tennis, partners must alternate shots. That means the goal of any team is to sow confusion in the enemy—to make it so the player whose turn it is to hit has to get through his or her partner to do so. The highlight of a doubles match is when partners kick, trip, or smash into one another. I once saw a Malaysian duo knock heads so hard the match was delayed nearly half an hour. Also fun: when one player swings for the ball and hits his or her partner instead.</p><p>Sadly, at the Olympic level, the players are too accomplished for this to happen. Maybe it’s just as well, then, that doubles has been eliminated as an Olympic event.
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<div class="author" style="font-size: -1">from "<a href="http://www.slate.com/id/2197722/?from=rss">In praise of doubles table tennis</a>," by Robert Weintraub, <a href="http://www.slate.com/id/2197722/?from=rss"><i>Slate</i></a>, 18 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Chand Baori (stepwell), India, by Doron</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/chand_baori_stepwell_india_by_doron/" />
      <id>tag:culture-making.com,2008:author/9.659</id>
      <published>2008-08-18T14:43:33Z</published>
      <updated>2008-08-18T19:04:33Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
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					<b>Nate: </b><em>“This is a 9th-century stepwell in western India, 100 feet deep, with 3500 steps in 13 tiers. Though it would take some sort of Q-bert-style planning to actually go up and down all 3500. The multiple approaches to the water source hint at the well's social function -- lots of people can descend at once to the cool (and, perhaps in its day somewhat less greenish) waters.”</em><br />		
		<a href="http://en.wikipedia.org/wiki/Image:ChandBaori.jpg"><img src="http://culture-making.com/media/ChandBaori.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Chand Baori (stepwell), Abhaneri, Rajasthan, India," by <a href="http://commons.wikimedia.org/wiki/User:Doron">Doron</a>, September 2003 :: via <a href="http://www.darkroastedblend.com/2008/08/love-song-italy.html">Dark Roasted Blend</a></div>		

	
			
			
			
		
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    <entry>
      <title>The meals on the bus go round and round</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_meals_on_the_bus_go_round_and_round/" />
      <id>tag:culture-making.com,2008:author/9.662</id>
      <published>2008-08-18T13:37:29Z</published>
      <updated>2008-08-18T22:27:29Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“A great example of making the most of a captive audience (and somewhat lax boarding and vending rules). I recall similar parades (but with beggars and musicians included) on Indian trains and -- do I remember right? -- New York subways.”</em><br />		
		<p>In <a href="http://travel.nytimes.com/travel/guides/central-and-south-america/ecuador/overview.html?inline=nyt-geo" title="Go to the Ecuador Travel Guide.">Ecuador</a>, the sources of some of the best bargain eating can’t be marked in a guidebook or circled on a map. In fact, even a well-versed local won’t be able to tell you exactly when and where to find these particular meals. Mostly, you just have to sit back until they find you, which they inevitably do, courtesy of a series of one-person mobile-food-stand entrepreneurs who hop aboard public buses, sell their delicious and amazingly varied wares and hop out until the next group of captive diners rolls by. </p><p>These gray-market vendors thrive on the ridership on Ecuador’s efficient and extensive bus system. In Cumandá terminal in <a href="http://travel.nytimes.com/travel/guides/central-and-south-america/ecuador/quito/overview.html?inline=nyt-geo" title="Go to the Quito Travel Guide.">Quito</a>, more than 30 competing bus companies vie for customers, shouting impending departures from their ticket windows, so the wait is never long and the price is right. Even at the extranjeros, or foreigners’, price, tickets average $1 per hour of travel (the American dollar has been the official currency since 2000). Besides the <a href="http://travel.nytimes.com/travel/guides/music/overview.html?inline=nyt-classifier" title="">music</a>, all buses come with air-conditioning — and a chance to acquaint yourself with local culture and cuisine.</p><p>On my recent three-and-a-half-hour bus journey down the Pan-American Highway, the ice-cream man was only one of dozens of people who jumped aboard at various stops as we beat a path southward from the capital city of Quito to the nation’s adventure mecca, Baños, through the valley known as Avenue of the Volcanoes. The vendors hawked everything from herbal cures to watches, but the real one-of-a-kind items were brought aboard by people clutching baskets or coolers, like the helado man. The homemade sweets and snacks they sell, along with the fast food cooked up at stands around markets and bus stations, offered a thorough sampling of regional specialties.
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<div class="author" style="font-size: -1">from "<a href="http://travel.nytimes.com/2008/08/17/travel/17journeys.html?ex=1376625600&en=d48ee2b240d50b3e&ei=5124&partner=permalink&exprod=permalink">Meals and Wheels on Ecuador’s Avenue of Volcanoes</a>," by Martina Sheehan, <a href="http://travel.nytimes.com/"><i>New York TImes</i></a>, 17 August 2008</div>		

	
			
			
			
		
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