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    <title type="text">Culture Making</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2009-07-02T19:32:45Z</updated>
    <rights>Copyright (c) 2009, Nate Barksdale</rights>
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      <title>Untitled, by Joseph Cornell</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/untitled_by_joseph_cornell/" />
      <id>tag:culture-making.com,2009:author/9.1505</id>
      <published>2009-07-02T15:15:44Z</published>
      <updated>2009-07-02T19:32:45Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
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					<b>Nate: </b><em>“This morning's reading: an Octavio Paz poem, translated by Elizabeth Bishop. '<a href="http://www.poesia-inter.net/op15021uk.htm">Objects & Apparitions, For Joseph Cornell</a>.' Here's a pair of stanzas to whet the appetite:<br><br>
'"One has to commit a painting," said Degas,<br>"the way one commits a crime." But you constructed<br>boxes where things hurry away from their names.<br><br>Slot machine of visions,<br>condensation flask for conversations,<br>hotel of crickets and constellations.'”</em><br />		
		<a href="http://www.ibiblio.org/wm/paint/auth/cornell/"><img src="http://culture-making.com/media/cornell.1942.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1"><a href="http://www.ibiblio.org/wm/paint/auth/cornell/"><i>Untitled</i></a> (13 1/8 x 10 x 3 1/2 in; private collection), by Joseph Cornell, 1942</div>		

	
			
		
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      <title>We want our voices heard</title>
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      <id>tag:culture-making.com,2009:author/9.1504</id>
      <published>2009-07-02T13:00:38Z</published>
      <updated>2009-07-01T15:10:39Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
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					<b>Andy: </b><em>“It is risky to attempt to analyze, let alone criticize, a technology you do not have firsthand experience with and (to use Polanyi's phrase) "personal knowledge" of. Unfortunately most of Melissa Wiginton's short essay on Twitter illustrates those perils, complete with the awkward generational self-consciousness that seems to be de rigeur in these sorts of critiques. But this comment on the difference between "self-expression" and "being heard" is absolutely spot on. I would add, too, that "self-expression" requires a self worth expressing, and it is very doubtful whether such a self is formed in units of 140 characters.”</em><br />		
		<p>Some young pastors want to posts tweets on a screen where everyone can see them during worship, I guess to connect by knowing what others are thinking. One said, “You know our generation. We want our voices heard.”</p><p>Now, I have learned a few things along the way and one is this: We all want our voices heard. But self-expression is what happens when we tweet. Being <i>heard </i>happens when we <i>listen</i>. It’s not the same thing.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.faithandleadership.com/blog/07-01-2009/melissa-wiginton-down-twitter">Down with Twitter</a>," by Melissa Wiginton, <a href="http://www.faithandleadership.com/blog/">Duke Divinity Call & Response Blog</a>, 1 July 2009</div>		

	
			
		
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