Easy
Holy Condemnation!!
At one level, this movie is a bunch of violent, purposeless noise.
But there is a second deeper level. At that level, “The Dark Knight” is a discourse on the nature of evil.
And then . . . there is a third, still deeper, final level.
At that final level, this movie is a bunch of violent, purposeless noise. . . .
“The Dark Knight” is cultural rigor mortis. It’s what happens when we are done, and we are done. Jacques Barzun had it right, when he wrote a history of western culture up through the 1990s, and said, certainly, that our age is defined by boredom. We are excited by nothing, really, but maybe for a moment here, or a moment there, we can try to be turned on. Sex can do it (or fake sex, much more likely) but brutal violence can work, too, if for a short time.
The Butterfly Effect effect
In the 2004 movie “The Butterfly Effect” - we watched it so you don’t have to - Ashton Kutcher travels back in time, altering his troubled childhood in order to influence the present, though with dismal results. In 1990’s “Havana,” Robert Redford, a math-wise gambler, tells Lena Olin, “A butterfly can flutter its wings over a flower in China and cause a hurricane in the Caribbean. They can even calculate the odds.”
Such borrowings of Lorenz’s idea might seem authoritative to unsuspecting viewers, but they share one major problem: They get his insight precisely backwards. The larger meaning of the butterfly effect is not that we can readily track such connections, but that we can’t.