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Posts tagged lists

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from "New Year's Rulin's," by Woody Guthrie, 31 January1942, from the archives of the Woody Guthrie Foundation :: via Lists of Note
Nate:
by Nate Barksdale for Culture Making

This is the first of a series of posts from all three of this site’s current contributors, about our favorite books, music, and movies of 2009—not necessarily made in 2009, but consumed, pondered, enjoyed and treasured by each of us during the past year. Tomorrow we’ll hear from Christy Tennant, with Andy Crouch rounding out the series on Wednesday.

Movies (well, DVDs): Terrence Malick’s Days of Heaven; Fatih Akin’s The Edge of Heaven, Chang-dong Lee’s Oasis, and Akira Kurosawa’s Red Beard. 3/4 of the top tier have heaven-ish titles; all are about refuge in one way or another.

Honorable mention to Bette Davis in The Letter, the beautiful Apollo mission footage of For All Mankind, the sublime Flamenco of Carlos Saura’s Bodas de Sangre, and the quasi-New England cookiness of The Devil and Daniel Webster. I’ve also been trying to increase my Bollywood literacy, enjoying some 70s classics like Deewaar as well as, most recently, the hyperactive neon camp of Kutch Kutch Hota Hai, which is a bit like watching a revival of Grease in a gumdrop factory.

In my reading, the stand-out was Dave Eggers’ autobiography of a Sudanese ‘lost boy’, What Is the What. I also dug Barry Unsworth’s Sacred Hunger on the levels of both story and history, as well as Haruki Murakami’s The Wind-up Bird Chronicle and the first half of John Barth’s The Sot-Weed Factor.

Rachel Cohen’s A Chance Meeting: Intertwined Lives of American Writers and Artists, 1854–1967 was sublime and led me along all sorts of 19th-century-American-literary trails. Ted Gioia’s history, Delta Blues, got me thinking about music and filling out my playlists with Charley Patton and Skip James.

For a long time I’d been meaning to read Mungo Park’s 18th century Travels in the Interior of Africa, and now I have, and it was good. Ditto, except for the being-good part, for Mark Twain’s Life on the Mississippi. The hypothetical version I’d carried around in my head was so much better.

I could read nothing but Lawrence Weschler and be quite content. Somehow I didn’t get around to Vermeer in Bosnia till a few months ago. Well worth the wait, if that’s what it was.

Finally, a few of my favorite tracks that found their way into my music library in 2009. Coming up with the list, I was struck by how much more personal all the associations were for songs as compared to music or books that captured, in terms of focussed minutes, far less of my attention than most books or movies. The blessing and the curse of songs is that they’re generally what’s playing while other things and thoughts are happening. We invite them into our world; more often, books and movies invite us into theirs.

Nate:
from "Umberto Eco: We Like Lists Because We Don't Want to Die," interview by Susanne Beyer and Lothar Gorris, SPIEGEL ONLINE - News - International, 11 November 2009 :: via The Morning News

The list is the origin of culture. It's part of the history of art and literature. What does culture want? To make infinity comprehensible. It also wants to create order—not always, but often. And how, as a human being, does one face infinity? How does one attempt to grasp the incomprehensible? Through lists, through catalogs, through collections in museums and through encyclopedias and dictionaries. ... We also have completely practical lists—the shopping list, the will, the menu—that are also cultural achievements in their own right. ...

The list doesn't destroy culture; it creates it. Wherever you look in cultural history, you will find lists. In fact, there is a dizzying array: lists of saints, armies and medicinal plants, or of treasures and book titles. Think of the nature collections of the 16th century. My novels, by the way, are full of lists.

Nate:
from "The 50 best foods in the world and where to eat them," by Killian Fox, The Observer, 13 September 2009 :: via kottke.org

20. Best place to buy: Olive oil
Turkish embassy electrical supplies, London

The most unlikely olive oil vendor in the world? At his electrical supply shop in London's Clerkenwell, Mehmet Murat sells wonderful, intensely fruity oil from his family's olive groves in Cyprus and south-west Turkey. Now he imports more than a 1,000 litres per year. His lemon-flavoured oil is good enough to drink on its own.

76 Compton Street, London EC1, 020 7251 4721,www.planet mem.com

26. Best place to eat: Filipino cuisine
Lighthouse Restaurant, Cebu, Philippines

"The Lighthouse in Cebu in the Philippines is my favourite restaurant. We always eat bulalo (beef stew), banana heart salad, adobo (marinaded meat), baked oysters, pancit noodles, lechon de leche (suckling pig) and, to drink, green mango juice – my daughter is addicted to it! The staff are so friendly and welcoming. The chef has been there for more than 20 years, so the food is very consistent."

Gaisano Country Mall, Banilad, Cebu city, Philippines, 0063 32 231 2478

Nate:
a kottke.org post, 8 August 2008

A collection of books, compiled by Rex, by people who spent a year doing something and then wrote a book about it. Topics include competitive eating, not shopping, and reading the OED.

Nate:
from the All Known Metal Bands book site



The 300 page book All Known Metal Bands is a simple listing of every heavy metal band name that exists or has ever existed, in every genre, that I could find, in what turned out to be a year and a half of research. Where a name was used by more than one band, the name is listed once for each band. The pages are black, the type is silver, and it will make you want to do naughty things. Of the 51,000 bands listed, the most commonly used name is Legion. There are 24 bands named Legion. There are 20 bands named Genocide, and 20 called Requiem. There are 2 called Cryptic Stench, but there is only one Black Darkness.

Nate:
a more than 95 theses post by Alan Jacobs



Edge-notched cards were invented in 1896. These are index cards with holes on their edges, which can be selectively slotted to indicate traits or categories, or in our language today, to act as a field. Before the advent of computers were one of the few ways you could sort large databases for more than one term at once.