For much of my post-college reading life, I‘ve been interested in the experience of shifting between texts, in particular the way that, for a short spell, the text I shift to inhabits the same mental space as the one I’ve just left, so that the second book feels like an increasingly improbable continuation of the previous narrative. Say you’re reading Great Expectations and just as your expectations begin to flag, you switch volumes and the scenery becomes more agreeable, the prose less stultifying, the seedy incidental characters more plausibly named, till at last you give in to reality and admit that you’ve abandoned Dickens for Graham Greene. Better yet, you can shift genres entirely. Sociological surveys may suddenly, with a little sleight of hand, contain sonnets.
Foucault’s pendulum has fallen. On April 6, the steel cable snapped and sent it crashing onto the polished floor of the Musée des Artes et Metiers in Paris. The 28 kilogram brass weight ended its 159-year career—the dented bob is, a museum spokesperson affirmed, beyond repair—doing what it was meant to do: obeying the law of gravity. I have to admit I shed a tear (or at least the idea of a tear) for the fallen bit of scientific history, not because I’d visited the pendulum myself, or even read the 1988 Umberto Eco novel which takes its title and climax from the now-not-swinging orb. I have my own tangled history with pendulums—one stretching back, depending how you count it, decades, even centuries. It’s quite a bit of weight to bear, but a tale worth telling.
Thomas Chisholm, who sometimes described himself as “just an old shoe,” was born in a Kentucky log cabin in 1866. He was converted when he was 27, became a pastor at 36, but had to retire one year later due to poor health. He spent the majority of the rest of his life as a life insurance agent in New Jersey. He died in 1960 at the age of 93. During his life he wrote over 1200 poems, most of which no one will ever hear.
But back in 1923, at the “beyond his prime” age of 57, Thomas Chisholm sent a few of his poems to William Runyan at the Hope Publishing Company. One of them was "Great is Thy Faithfulness," based on Lamentations 3:22-23.
According to the conventional wisdom still taught in schools and repeated by many public intellectuals, Galileo bravely spoke truth (science) to power (the Church), and paid dearly for it, spending his dying days in prison. Except that it's not true. Ronald L. Numbers' Galileo Goes to Jail: And Other Myths About Science and Religion, just out from Harvard University Press, is only the most recent attempt to set the historical record straight on "myths", including its Number Eight: That Galileo Was Imprisoned and Tortured for Advocating Copernicanism. Apparently Carl Sagan's quip that Galileo was "in a Catholic dungeon threatened with torture" has all the academic rigor of the Indigo Girls song that begins "Galileo's head was on the block."
Consider: Galileo's Dialogue Concerning the Two Chief World Systems, the source of controversy, previously had been read and approved by the Church's censors; and Pope Urban VIII, who presided over the trial, was Galileo's friend and admirer. Consider also: prior to the trial, Galileo stayed in the Tuscan embassy; during the trial, he was put up in a six-room apartment, complete with servant; following the trial, his "house arrest" consisted of being entertained at the palaces of the grand duke of Tuscany and the Archbishop of Siena. Galileo, apparently, was no ordinary heretic.
Zhang, the former journalist who brought the students to the square, has taken a different path. Once, he preached for democracy; now he preaches for Jesus. Formerly No. 17 on Beijing's most-wanted list, Zhang today is a pastor at a Chinese church in Fairfax, Va.
After the clampdown, Zhang spent two years in hiding, much of it in a remote mountain cabin near the frozen Russian border, where he lived off wildlife that he caught. He also spent a month in a Russian prison. It was at that time that he found God.
"I read the Bible and began to know God," Zhang remembers. "I gained sustenance from it. People really needed God then. They needed a future. I couldn't see the future with my bare eyes."
Zhang finally escaped China through Hong Kong and sought asylum in the United States. These days, he throws himself into ministering his flock. He is planning to build a 16,000-square-foot church for his congregation, which currently numbers about 300.
By improving access to a worldwide market, eBay has inadvertently created a vast market for copies of antiquities, diverting whole villages from looting to producing fake artifacts, Stanish writes. The proliferation of these copies also has added new risks to buying objects billed as artifacts, which in turn has worked to depress the market for these items, further reducing incentives to loot.
I could form a human bridge between me and Jesus, or Caesar, or Hero of Alexandria with only 26 people reaching out finger tip to finger tip across time. Those 26 people could fit into one room.
Calculated this way 1,000, or even 2,000 years doesn’t seem so distant. To span 1,000 years we need only 13 lifespans. We can hold a list of 13 names connecting us to the year 1000 AD in our head, and many people in the past have done so.
Going in the opposite direction we can imagine only 13 lives (and perhaps fewer if longevity increases), linking us and the year 3000 AD. Between you and the year 3000 AD stand only 13 lifetimes. In terms of lifetimes — which are steadily increasing due to medical progress — 10 centuries is just next door.
Creative ideas are not always solo strokes of genius, argues Ed Catmull, the computer-scientist president of Pixar and Disney Animation Studios, in the current issue of the Harvard Business Review. Frequently, he says, the best ideas emerge when talented people from different disciplines work together.
This week, Nature begins a series of six Essays that illustrate Catmull’s case. Each recalls a conference in which a creative outcome emerged from scientists pooling ideas, expertise and time with others — especially policy-makers, non-governmental organizations and the media. Each is written by someone who was there, usually an organizer or the meeting chair. Because the conferences were chosen for their societal consequences, we’ve called our series ‘Meetings that Changed the World’.
This week, François de Rose relives the drama of the December 1951 conference at the UNESCO headquarters in Paris that led to the creation of CERN, the European particle-physics laboratory based near Geneva (see page 174). De Rose, then France’s representative to the United Nations Atomic Energy Commission, chaired the meeting. He had got caught up in the process after becoming friends with Robert Oppenheimer, one of CERN’s earliest proponents. De Rose said in a separate interview with Nature that CERN was the result of the capacity of scientists such as Oppenheimer to propose grand ideas, and worry about obstacles later.
Although this approach does not always work, the next few weeks will show that it really has changed the world. In the ensuing half-century, CERN has revolutionized our understanding of the subatomic world; with the switching-on this week of the Large Hadron Collider (see page 156) it promises to scale new heights.
[The cave at] Chauvet was a bombshell. . . . Its earliest paintings are at least thirty-two thousand years old, yet they are just as sophisticated as much later compositions. What emerged with that revelation was an image of Paleolithic artists transmitting their techniques from generation to generation for twenty-five millennia with almost no innovation or revolt. A profound conservatism in art, [author George] Curtis notes, is one of the hallmarks of a “classical civilization.” For the conventions of cave painting to have endured four times as long as recorded history, the culture it served, he concludes, must have been “deeply satisfying”—and stable to a degree it is hard for modern humans to imagine.