Posts tagged gestures and postures

Andy:

The sense of success and inclusion is harder to resist than the wrath of the state. Carrots are more corrupting than sticks. This phenomenon is powerfully described in Vasily Grossman’s novel “Life and Fate” (1960). One of its central characters is Viktor, a talented physicist who stoically defends his science in the face of likely arrest, but becomes weak and submissive when Stalin calls him to wish him success. “Viktor had found the strength to renounce life itself—but now he seemed unable to refuse candies and cookies.” . . .

Russia today is much freer than it was for most of the Soviet era. However undemocratic it may be, it is not a totalitarian state. The room for honest speaking is far greater than Russian intellectuals make use of. As Marietta Chudakova, a historian of Russian literature and courageous public figure, puts it, “Nobody has been commanded to lie down—and everyone is already on the ground.” The media is suffocated by self-censorship more than by the Kremlin’s pressure. Nikolai Svanidze, a Russian journalist who works for a state TV channel, admits: “There is no person who tells [me] what you can and what you can’t do. It is in the air. If you know what is permitted and what is not, you’re in the right place. If you don’t, you are not.”

photo
"Eiffel Tower, Paris," by Mojca Vilfan :: via Intelligent Travel
Nate:

When critique becomes a posture, we end up strangely passive, waiting for culture to deliver us some new item to talk about. Critique as a posture, while an improvement over condemnation as a posture, can leave us strangely unable simply to enjoy cultural goods, preoccupied with our interrogation of their “worldview” and “presuppositions.”

Culture Making, p.93

Andy:
from The Apostolic Tradition 16, by Hippolytus of Rome, ca. 215 AD

They will inquire concerning the works and occupations of those are who are brought forward for instruction. If someone is a pimp who supports prostitutes, he shall cease or shall be rejected. If someone is a sculptor or a painter, let them be taught not to make idols. Either let them cease or let them be rejected. If someone is an actor or does shows in the theater, either he shall cease or he shall be rejected. If someone teaches children (worldly knowledge), it is good that he cease. But if he has no (other) trade, let him be permitted. A charioteer, likewise, or one who takes part in the games, or one who goes to the games, he shall cease or he shall be rejected. If someone is a gladiator, or one who teaches those among the gladiators how to fight, or a hunter who is in the wild beast shows in the arena, or a public official who is concerned with gladiator shows, either he shall cease, or he shall be rejected. If someone is a priest of idols, or an attendant of idols, he shall cease or he shall be rejected. A military man in authority must not execute men. If he is ordered, he must not carry it out. Nor must he take military oath. If he refuses, he shall be rejected. If someone is a military governor, or the ruler of a city who wears the purple, he shall cease or he shall be rejected. The catechumen or faithful who wants to become a soldier is to be rejected, for he has despised God. The prostitute, the wanton man, the one who castrates himself, or one who does that which may not be mentioned, are to be rejected, for they are impure. A magus shall not even be brought forward for consideration. An enchanter, or astrologer, or diviner, or interpreter of dreams, or a charlatan, or one who makes amulets, either they shall cease or they shall be rejected. If someone’s concubine is a slave, as long as she has raised her children and has clung only to him, let her hear. Otherwise, she shall be rejected. The man who has a concubine must cease and take a wife according to the law. If he will not, he shall be rejected.

excerpt Oops
Andy:
from "The Louvain Consultation on China," Pro Mundi Vita 54 (1975) : : via Lamin Sanneh, Disciples of All Nations, p. 253–254

“Love your neighbour to the point of denying yourself” is the ethical core of the Gospel. “Fight selfishness; serve the people” is the ethical core of Mao Tse-Tung Thought. “By their fruits you shall know them” is the decisive criterion of the Gospel. Marxism has sworn by the same test of “fruits” or “practice,” and in the case of China at least has both preached and practiced “continuing revolution” in its name. . . .

The social and political transformations brought about in China through the application of the Thought of Mao Tse-Tung have unified and consolidated a quarter of the world population into a form of society and life-style at once pointing to some of the basic characteristics of the kingdom of God. . . .

Christians . . . have to free themselves from the parochial Western context in which many of their Churches have developed and realize that the Gospel might be more powerfully expressed and fulfilled in the new type of society which is promoted in China.

photo
"Tarzan and Jan," Baden Württemberg, Germany, by Jan Von Holleben, from the series Dreams of Flying (2001-2007) :: via Flak Photo
Nate:
Nate:
a tumblr post by Keith Gessen, 25 July 2008

Speaking of literary critics, I was thinking yesterday of Rozanov’s devastating critique of Herzen: He is so good, wrote Rozanov, so reasonable, so sane—and yet he will never make a young girl cry over a page of his prose.

But then I thought, as I do whenever I think of that line: What’s so great about making young girls cry?

But also, this time: If a young girl ran into Herzen in the comments section of a blog, he would almost certainly make her cry.

Are you happy now, Rozanov?

photo
from The Prayer Book of Claude de France, illuminated pocket manuscript, c.1517, at The Morgan Library & Museum, New York City :: via BibliOdyssey
Nate:
Andy:
from "The Long, Dark Knight of the Soul," by Brant Hansen, Letters from Kamp Krusty, 19 July 2008 :: via Charlie Park

At one level, this movie is a bunch of violent, purposeless noise.

But there is a second deeper level.  At that level, “The Dark Knight” is a discourse on the nature of evil.

And then . . . there is a third, still deeper, final level. 

At that final level, this movie is a bunch of violent, purposeless noise. . . .

“The Dark Knight” is cultural rigor mortis.  It’s what happens when we are done, and we are done.  Jacques Barzun had it right, when he wrote a history of western culture up through the 1990s, and said, certainly, that our age is defined by boredom.  We are excited by nothing, really, but maybe for a moment here, or a moment there, we can try to be turned on.  Sex can do it (or fake sex, much more likely) but brutal violence can work, too, if for a short time.

Nate:
a Jezebel post by SadieStein, 27 June 2008

Researchers at Northwestern have found that feeling powerless leads people to shell out for expensive status items to bolster their egos — explaining why those deep in debt continue to spend. “After recalling situations where they were powerless, participants were willing to pay more for items that signal status, like silk ties and fur coats, but not products like minivans and dryers. They also agreed to pay more for a framed picture of their university if it was portrayed as rare and exclusive.” Okay, can’t really comprehend a situation demeaning enough that we’d be willing to pay any amount of money for a framed picture of our alma mater but who hasn’t restored a flagging sense of self with a handsome necktie from time to time? [Science Daily]

photo
"Carillon, Amsterdam, September 2006," by David Urbano, at Les Rencontres d'Arles Photographie :: via lens culture
Nate: