So how does one design a building where people actually use the stairs? There are three key features.
1) Fewer turns between the stairs and the closest entrance.
2) Stairs with large surface areas (not too narrow and steep).
3) Create a view, either up, down, or across, from the stairwell. No one wants to walk up a tiny, white box.
The Booth School of Business staircases meet all of these requirements (perhaps it’s no surprise the building won a major design award last year). For those who can’t build new stairwells, there are a few other nudges to try. Displaying motivational signs in the lobby and throughout the building, and playing music in the stairwell can increase stair use. Together, these two nudges can increase usage by as much as 9 percent. Hanging artwork on the stairwell walls, closing elevators occasionally, and offering incentives like fruit are also known to work.
This is the first portion of the talk I gave in Nashville this past week. I began the talk with a kinetic visual. For 30 seconds I danced in front of everyone. It was a very ridiculous-looking version of modern dance (and, c’mon, that’s a long time to look ridiculous). Then a professionally trained modern dancer (with Stillpoint Dance Theater) danced for 30 seconds. Hers was beautiful. I said, “Folks: exhibit A, exhibit B, this is the summary of my talk.” And with this my talk officially began.
She keeps the disciplines of a dancer. In her words:
“I start with Pilates warm-up in the mornings. I take 2 ballet classes per week and 3 modern dance classes per week along with improvisation and composition. I rehearse approximately 12-15 hours a week with StillPoint. I also use the YMCA 1-2 times per week for extra cardio and weight training. I teach dance as well so I am in the studio creating classes or working on choreography many hours of the day.I have to keep an anti-inflammatory diet in order to keep inflammation down in my body due to minor injuries and the intensity of the rehearsing. This means staying away from sugar, dairy and wheat, and it means eating lots of “superfoods,” such as blueberries, walnuts, and salads. I require more food and sleep whenever we are in an intense rehearsal season.”
I do none of them. She is free. I am not.
She has obeyed the laws of her craft, its “order,” and so earns the right to improvise in a way that reveals the beauty of the craft. I have obeyed none and so earn the right only to look like a fool.
My temptation based on my minimal experience and training is to say: “I caaan’t do it. It’s too hard. You can do it because of course you’re better than I.” In saying this I sanction both my ignorance and my unwillingness to learn about the craft.
Maybe if I simply imitate her movements, I say to myself, then perhaps I can dance like her. But without adopting the disciplines of modern dance I will not become a person for whom the movements and graces of modern dance come “naturally.” I will simply be attempting to behaviorally conform.