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    <title type="text">Culture Making items tagged war</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2009-01-07T16:07:34Z</updated>
    <rights>Copyright (c) 2009, Andy Crouch</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>The abomination of desolation</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_abomination_of_desolation/" />
      <id>tag:culture-making.com,2009:author/9.1107</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Andy: </b><em>“Think about the most shameful thing that has ever happened to you. It may have been years, even decades, ago, but I guarantee it still causes almost physical pain to remember it. Now consider the cultural effects of a calculated program of shame, directed not so much at individuals as at what they hold most sacred. Even if one does not grant unquestioned credibility to all the sources Michael Peppard draws upon in this sobering article, the United States' casual use of "religious torture" at Abu Ghreib and Guantánamo may have unintended consequences for millennia to come.”</em><br />		
		<p>The United States has desecrated what most Muslims consider God’s presence on earth (the Qur’an), drowned out the call to prayer with the American anthem and rock songs, used grotesque sexual assaults to undermine piety, mocked religious holidays, and engaged in freelance proselytism.</p><p>How long can we expect the memory of such abuse to endure? Does it qualify as torture according to the definition offered in John Yoo’s famous Justice Department memo—“significant psychological harm of significant duration, e.g., lasting for months or even years”? History suggests that the collective memory of this abuse will last far longer than that. Millennia ago, another religious group with strict codes of ritual purity and devotion to God underwent physical and religious torture at the hands of occupying forces, prompting insurrection. More than two thousand years later, the events accompanying that revolt are still commemorated annually. The people are the Jews, and the holiday is Hanukkah.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.commonwealmagazine.org/article.php3?id_article=2390">The Secret Weapon: Religious Abuse in the War on Terror</a>," by Michael Peppard, <a href="http://www.commonwealmagazine.org/">Commonweal</a>, 5 December 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Correct method to raise a soldier</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/correct_method_to_raise_a_soldier/" />
      <id>tag:culture-making.com,2009:author/9.918</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“From the New York Public Library's Digital Gallery, which has over 600,000 images from the NYPL's collections. I was searching around with keywords like gesture and posture, and found this: "Three soldiers carry a fourth to demonstrate one stage of the correct method to raise a soldier from a reclining position for carrying." It's clearly not so easy to hoist a comrade and then hold absolutely still for the many seconds necessary to make an 1860s photo.”</em><br />		
		<a href="http://digitalgallery.nypl.org/nypldigital/dgkeysearchdetail.cfm?trg=1&strucID=444865&imageID=1150162&word=posture&s=1&notword;=&d;=&c;=&f;=&lWord;=&lField;=&sScope;=&sLevel;=&sLabel;=&total=8&num=0&imgs=12&pNum;=&pos=7#"><img src="http://culture-making.com/media/woundedcarry.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://digitalgallery.nypl.org/nypldigital/dgkeysearchdetail.cfm?trg=1&strucID=444865&imageID=1150162&word=posture&s=1&notword;=&d;=&c;=&f;=&lWord;=&lField;=&sScope;=&sLevel;=&sLabel;=&total=8&num=0&imgs=12&pNum;=&pos=7#">Lifting a wounded or sick soldier</a>," photographer unknown, from <i>United States Sanitary Commission records (1861-1865)</i>, <a href="http://digitalgallery.nypl.org/nypldigital/dgkeysearchdetail.cfm?trg=1&strucID=444865&imageID=1150162&word=posture&s=1&notword;=&d;=&c;=&f;=&lWord;=&lField;=&sScope;=&sLevel;=&sLabel;=&total=8&num=0&imgs=12&pNum;=&pos=7#">NYPL Digital Gallery</a> :: via <a href="http://www.typography.com/ask/showBlog.php?blogID=136">Hoefler & Frere-Jones</a></div>		

	
			
			
			
		
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    <entry>
      <title>Security wall mural, Sadr City</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/security_wall_mural_sadr_city/" />
      <id>tag:culture-making.com,2009:author/9.799</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“AP caption: "A painter decorates a security wall sealing off the southern section of the Shiite enclave of Sadr City in Baghdad, Iraq on Wednesday, Aug. 6, 2008." I love the particular choice of scenery, which I'd guess is as foreign to Baghdadis as ... well, as this particular type of wall itself.”</em><br />		
		<a href="http://www.boston.com/bigpicture/2008/09/scenes_from_iraq.html#photo24"><img src="http://culture-making.com/media/iraq25.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">AP Photo by Karim Kadim, from "<a href="http://www.boston.com/bigpicture/2008/09/scenes_from_iraq.html#photo24">Scenes from Iraq</a>," <a href="http://www.boston.com/bigpicture/">The Big Picture</a>, 3 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Everything from military strategy to songwriting</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/everything_from_military_strategy_to_songwriting/" />
      <id>tag:culture-making.com,2009:author/9.654</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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		<p>The whole of the Hebrew Bible, from Genesis 12 to Malachi 4, can be seen as a record of Israel’s education in faith—not “faith” as a purely spiritual or religious enterprise, but as a cultural practice of dependence on the world’s Creator that encompasses everything from military strategy to songwriting.
</p><br />
		<p><small>	&mdash;<i>Culture Making</i>, p.131</small></p>

	
			
			
			
		
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    <entry>
      <title>ah&#45;SEE&#45;shə</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/ah_see_sh/" />
      <id>tag:culture-making.com,2009:author/9.628</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“Now, I guess, I can pray for peace with the proper pronunciation.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://www.languagehat.com/archives/003213.php">languagehat.com</a> post, 10 August 2008</div><hr />		
		<p>I&#8217;m not going to get into the politics of the mess in the north Caucasus except to say that there are no good guys, but I have to get a minor linguistic gripe off my chest: all the news broadcasts are talking about &#8220;ah-SET-ee-ə&#8221; and the &#8220;ah-SET-ee-ənz.&#8221;  What&#8217;s next, cro-AT-ee-ə? ve-NET-ee-ən art?&nbsp; I realize none of the broadcasters and reporters have ever heard of Ossetia before, but you&#8217;d think the patterns of English spelling would clue them in to its proper pronunciation, ah-SEE-shə.&nbsp; I suppose it&#8217;s another case of hyperforeignification, like &#8221;<a href="http://www.languagehat.com/archives/002167.php">bei-ZHING</a>.&#8221;</p>
<p>Incidentally, <a href="http://en.wikipedia.org/wiki/Ossetic_language">Ossetian</a> (as every schoolboy knows) is an Iranian language, and the Ossetian name for Ossetia is <i>Iryston</i>, based on <i>Ir</i>, the self-designation meaning &#8216;an Ossetian&#8217; (well, actually it specifically refers to the majority group of Ossetians, and the minority Digors resent the use of that name for the whole people, causing some Ossetes to identify with the medieval Alans and call Ossetia &#8220;Alania,&#8221; but let&#8217;s set that aside—if you&#8217;re interested in the messy politics of Caucasian ethnic nomenclature and the Alans, read &#8220;The Politics of a Name: Between Consolidation and Separation in the Northern Caucasus&#8221; [<a href="http://src-h.slav.hokudai.ac.jp/publictn/acta/23/02_shnirelman.pdf">pdf</a>, <a href="http://64.233.167.104/search?q=cache:LiJb-rfqtZ4J:src-h.slav.hokudai.ac.jp/publictn/acta/23/02_shnirelman.pdf">html</a>] by Victor Shnirelman); it used to be thought that <i>Ir</i> was derived from <i>*arya-</i> &#8216;Aryan&#8217; and thus related to <i>Iran</i>, but Ronald Kim denies this in &#8220;On the Historical Phonology of Ossetic: The Origin of the Oblique Case Suffix,&#8221; <i>Journal of the American Oriental Society</i>, Vol. 123 (Jan. - Mar. 2003), pp. 43-72 (<a >2.0.CO;2-5">JSTOR</a>); the relevant discussion is on p. 60, fn. 42.&nbsp; Kim says it may be from a Caucasian language, or it may be descended from PIE <a href="http://www.bartleby.com/61/roots/IE588.html"><i>*wiro-</i></a> &#8216;man.&#8217;  (The word <i>Ossetian</i> is based on a Russian borrowing of the Georgian term <i>Oseti</i>.)
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    <entry>
      <title>Ugandan hip&#45;hop doc</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/ugandan_hip_hop_doc/" />
      <id>tag:culture-making.com,2009:author/9.600</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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			<p align="center"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/SvRXmm6ZNxk&amp;hl=en&amp;fs=1"></param><param name="wmode" value="transparent"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/SvRXmm6ZNxk&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" wmode="transparent" width="425" height="344"></embed></object>
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</p><br />
<b>Nate: </b><em>“Trailer for "Diamonds in the Rough," a documentary about anti-war and -corruption themed hip-hop in Uganda. Looks fascinating and inspiring, though I'm just a tad troubled that, as with Wim Winders' wonderful "Buena Vista Social Club" film, the transcendent climax involves the musicians from the developing world making a triumphant and adulatory tour in the West.”</em><br /><hr /><span style="font-size: -1">via <a href="http://www.boingboing.net/2008/08/02/diamonds-in-the-roug.html">Boing Boing</a></span>

	
			
			
			
		
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    <entry>
      <title>Arthur Galston (1920–2008)</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/arthur_galston_19202008/" />
      <id>tag:culture-making.com,2009:author/9.474</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Andy: </b><em>“One of the most vexing things about being an experimental scientist is the possibility of your discoveries—as with all cultural goods—having horrific unintended consequences, as this obituary of the inventor of a precursor of Agent Orange reminds us.”</em><br />		
		<p>He once thought, he said, that the way to be a moral scientist was to avoid projects with bad applications. But he had changed his mind. The vital thing was to stay involved; to speak, write, testify, and make sure that research was turned not to evil, but to good. For more than 20 years he taught bioethics at Yale, a course he had started and which, by his last year, was one of the most popular in the college. His country forgot, but he did not, the mangrove ghosts.
</p>
<hr />
<div class="author" style="font-size: -1">from ”<a href="http://www.economist.com/obituary/displayStory.cfm?source=hptextfeature&story_id=11613789">Arthur Galston, botanist, died on June 15th, aged 88</a>,” <a href="http://economist.com/"><i>The Economist</i></a>, 26 June 2008</div>		

	
			
			
			
		
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