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    <title type="text">Culture Making items tagged travel</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2009-01-07T16:07:34Z</updated>
    <rights>Copyright (c) 2009, Andy Crouch</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>Passport census</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/passport_census/" />
      <id>tag:culture-making.com,2009:author/9.1154</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“Used to be the passport was (or became, with travel) an album of other countries' weird juxtaposed iconography. For now, though, we can get the same without leaving home.”</em><br />		
		<p>I also admire the State Department’s evident desire to create an Album of America—a collection of snapshots that, over the course of the passport’s twenty-eight pages, catalogues the members of our national family. And I am impressed with the diversity the State Department has achieved. Aside from (i) the distant silhouettes of the passengers and crew of the Mississippi Steamer and the Yankee Clipper, (ii) a shadowy herd of cows, and (iii) the identification photograph of the passport holder, the new passport depicts American life in the following numbers:</p><p align="center"><table border="0" cellpadding="1" cellspacing="1"><tbody><tr><td> Geese:</td><td align="right">13</td></tr><tr><td> Male Humans:</td><td align="right">11</td></tr><tr><td> Longhorn Cattle: </td><td align="right">8 or 9 </td></tr><tr><td> Bald Eagles:</td><td align="right">6</td></tr><tr><td> Horses:</td><td align="right">3</td></tr><tr><td> Totemic Spirits:</td><td align="right">3</td></tr><tr><td> Bison:</td><td align="right">2 </td></tr><tr><td> Oxen:</td><td align="right">2</td></tr><tr><td> Seagulls:</td><td align="right">1 </td></tr><tr><td> Grizzlies:</td><td align="right">1</td></tr><tr><td> Salmon:</td><td align="right">1 </td></tr><tr><td> Female Humans: </td><td align="right">1 </td></tr></tbody></table></p><p>Of the eleven men, nine are white. The other two are cowboys whose race is rendered indeterminate by their Stetson hats. The lone woman is the Statue of Liberty.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://nplusonemag.com/delson-piece">Open Letter to Senator Clinton</a>," by Rudolph Delson, <a href="http://nplusonemag.com/delson-piece">n+1</a>, 18 December 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Arrivals and departures</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/arrivals_and_departures/" />
      <id>tag:culture-making.com,2009:author/9.1128</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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<b>Andy: </b><em>“Every commercial airline flight in the world, over a twenty-four hour period—a visual reminder of the scale and scope of culture, and the unprecedented ways that air travel connects us to one another. Also a reminder that prosperity and connectivity go together, and their distribution is uneven, to say the least.”</em><br /><hr /><span style="font-size: -1">from "<a href="http://www.youtube.com/watch?v=oR00_uLfGVE">airtraffic</a>," by Karl Rege et al., <a href="http://www.zhaw.ch/en.html">The Zurich School for Applied Sciences</a>:: via <a href="http://blog.wired.com/cars/2008/12/earlier-this-ye.html">Autopia</a></span>

	
			
			
			
		
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    <entry>
      <title>One week in July</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/one_week_in_july/" />
      <id>tag:culture-making.com,2009:author/9.1106</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
<p>Every year there is a terrific lineup of <a href="http://www.regent-college.edu/academics/summer/summerCourses.php">summer courses</a> at Regent College, in Vancouver, British Columbia. There may be no better place in North America to find inspiration and education for Christian culture making.</p><p>This coming year Week 5 (27–31 July 2009) is especially rich, including Michael Ward, author of the extraordinary book <a href="http://www.amazon.com/Planet-Narnia-Seven-Heavens-Imagination/dp/0195313879/cmcom-20"><i>Planet Narnia: The Seven Heavens in the Imagination of C. S. Lewis,</i></a> and Calvin College’s <a href="http://www.quentinschultze.com/">Quentin Schultze</a>. The erudite and wide-ranging theologian <a href="http://stackblog.wordpress.com/">John Stackhouse</a> will be teaching a course called “The Ethics of Filmmaking and Other Media” with producer Ralph Winter (X-MEN, <i>et multa cetera</i>). “It will cover how money, sex, power, and ideology affect commercial filmmaking,” John writes on his blog, “with particular reference to Hollywood but to other other film centres (such as Vancouver itself) and, indeed, to other media as well.” If you’re an aspiring filmmaker, I suspect it will be well worth the trip.</p><p>In a sign of the embarrassment of riches available these days, the very same week I will be in Santa Fe, New Mexico, at IMAGE magazine’s incomparable <a href="http://imagejournal.org/page/events/the-glen-workshop/">Glen Workshop,</a> teaching a week-long seminar on “Culture Making: Meaning in the Material World.” Other faculty include Makoto Fujimura, Lauren Winner, Barry Moser, and Over the Rhine. Wow. I’ll post more information when it’s available. Whether it&#8217;s Vancouver or Santa Fe, maybe a summer course registration should be on your Christmas wishlist this year.
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    <entry>
      <title>The mind is also a landscape</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_mind_is_also_a_landscape/" />
      <id>tag:culture-making.com,2009:author/9.1035</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“From Rebecca Solnit's wonderfully peripatetic book-length meditation on walking. A few years back I was struck by what exactly it might mean that at the time my favorite writer was Walker Percy and my favorite photographer was Walker Evans.”</em><br />		
		<p>Walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord. Walking allows us to be in our bodies and in the world without being made busy by them. It leaves us free to think without being wholly lost in our thoughts....</p><p>The rhythm of walking generates a kind of rhythm of thinking, and the passage through a landscape echoes or stimulates the passage through a series of thoughts. This creates an odd consonance between internal and external passage, one that suggests that the mind is also a landscape that was there all along, as though thinking were traveling rather than making.
</p><hr />
<div class="author" style="font-size: -1">from <i><a href="http://books.google.com/books?id=g1jIkcOH18gC&printsec=frontcover&dq=rebecca+solnit&ei=ODwbSZypIImesgOjo6XABQ#PPA5,M1">Wanderlust: A History of Walking</a></i>, by Rebecca Solnit, 2001</div>		

	
			
			
			
		
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    <entry>
      <title>Trips that make a difference</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/trips_that_make_a_difference/" />
      <id>tag:culture-making.com,2009:author/9.961</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“The next big "cultural good" I'm working on, with a host of partners, is the documentary film-based curriculum <a href="http://roundtripmissions.com">ROUND TRIP</a>, which will be released in January. <i>Philanthropy Action</i>'s Tim Ogden wrote this great article based on an interview with me about the growing discontent with short-term mission trips as they are all too often practiced—something we hope ROUND TRIP will help to change.”</em><br />		
		<p>[Some doubt] whether it’s even possible to achieve the goals of a real encounter with poverty in a week to 10 days. According to Crouch it is—if the trips are radically different. He suggests three ingredients for trips to have an impact:</p><p>1. Make trips a part of a lasting, organization-level partnership: Many youth groups feel they have to go someplace new each year to interest participants. Visiting the same place year after year allows the Americans to begin building more of an understanding of local context and needs, and increases the likelihood that the “help” they offer is actually helpful.</p><p>2. Properly set expectations: The more a trip is described as a learning experience rather than an opportunity for an unskilled teenager to “help”, the more likely the trip is to have an impact.</p><p>3. Small is beautiful: if personal contact is the sine qua non of such trips, they have to be small enough to allow actual personal contact between Americans and their counterparts.</p><p>Still, Crouch doubts that one trip can make a difference:</p><p>“The trips only make sense if they are part of a comprehensive program of changing people’s attitudes and behaviors. Evidence is shockingly clear that a single trip has no impact. No matter how well you do a trip, especially when you’re talking about teenagers, they are at such a high-velocity developmental stage that I don’t think any single experience is going to have an ‘impact.’ . . . The organizations that have thought about this the most and are doing the best job are making these trips part of a much longer engagement with the issues. For instance, there’s one organization that requires a year-long commitment and the trip occurs in the middle—they meet just as often after the trip as they do preparing for it. . . . The grooves in our culture are too deep for us to escape without that level of commitment.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.philanthropyaction.com/nc/the_end_of_service_trips/">The End of Service Trips?</a>," by Tim Ogden, <a href="http://www.philanthropyaction.com/">Philanthropy Action</a>, 15 October 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Spanish Catholic schoolgirl crushes</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/spanish_catholic_schoolgirl_crushes/" />
      <id>tag:culture-making.com,2009:author/9.890</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“When it comes to travel writing, it's out with the old, exotic cliches, in with the ... new, exotic cliches? I fear so, alas. Though in a weird way the example about the schoolgirls (with its circumvention of the old old center-to-margins model of cultural spread) gives me the most hope.”</em><br />		
		<p>Of course, the motifs and assumptions of well-told travel stories do change over the years. Twenty years ago, for example, books like Pico Iyer’s <a href="http://www.worldhum.com/weblog/item/no_8_video_night_in_kathmandu_by_pico_iyer_20060525/" title="Video Night in Kathmandu">Video Night in Kathmandu</a> showed how travel writers had a new duty to deal with the charms and challenges and complexities of globalization. By the time I started writing for a living in the late 1990s, it had come to the point where it was nearly impossible to write a travel story without acknowledging globalization in some way. It’s difficult, after all, to project the old exotic clichés onto foreign lands when you keep meeting Burmese Shan refugees who can quote West Coast hip-hop, or Spanish Catholic girls who have crushes on Chinese movie stars, or Jordanian teenagers who idolize Bill Gates.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.worldhum.com/qanda/item/rolf_potts_revelations_from_a_postmodern_travel_writer_20080918/">Rolf Potts: Revelations from a Postmodern Travel Writer</a>," interview by Michael Yessis, <a href="http://www.worldhum.com/qanda/item/rolf_potts_revelations_from_a_postmodern_travel_writer_20080918/">World Hum</a>, 19 September 2008 :: via <a href="http://ideas.blogs.nytimes.com/2008/09/29/travel-writing-has-moved-on/">NYTimes.com Ideas Blog</a></div>		

	
			
			
			
		
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    <entry>
      <title>Little India, Singapore</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/little_india_singapore/" />
      <id>tag:culture-making.com,2009:author/9.803</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“It is, after all, <a href="http://www.culture-making.com/five_questions/backpacks">backpacks week</a> at Culture Making. I don't think of the Prince of Wales as being much of a backpacker (except in the sense of toting your watercolors across the deer park). But then again I don't much think of Braveheart when I want to check my email, either.”</em><br />		
		<a href="http://www.flickr.com/photos/adforce1/2820252134/"><img src="http://culture-making.com/media/2820252134_93e7055158_o.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.flickr.com/photos/adforce1/2820252134/">Little India, Singapore</a>," by <a href="http://www.flickr.com/photos/adforce1/">williamcho</a>, 1 September 2008 :: via the <a href="http://www.flickr.com/groups/intelligent_travel/pool/">Intelligent Travel</a> flickr pool</div>		

	
			
			
			
		
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    <entry>
      <title>The meals on the bus go round and round</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_meals_on_the_bus_go_round_and_round/" />
      <id>tag:culture-making.com,2009:author/9.662</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A great example of making the most of a captive audience (and somewhat lax boarding and vending rules). I recall similar parades (but with beggars and musicians included) on Indian trains and -- do I remember right? -- New York subways.”</em><br />		
		<p>In <a href="http://travel.nytimes.com/travel/guides/central-and-south-america/ecuador/overview.html?inline=nyt-geo" title="Go to the Ecuador Travel Guide.">Ecuador</a>, the sources of some of the best bargain eating can’t be marked in a guidebook or circled on a map. In fact, even a well-versed local won’t be able to tell you exactly when and where to find these particular meals. Mostly, you just have to sit back until they find you, which they inevitably do, courtesy of a series of one-person mobile-food-stand entrepreneurs who hop aboard public buses, sell their delicious and amazingly varied wares and hop out until the next group of captive diners rolls by. </p><p>These gray-market vendors thrive on the ridership on Ecuador’s efficient and extensive bus system. In Cumandá terminal in <a href="http://travel.nytimes.com/travel/guides/central-and-south-america/ecuador/quito/overview.html?inline=nyt-geo" title="Go to the Quito Travel Guide.">Quito</a>, more than 30 competing bus companies vie for customers, shouting impending departures from their ticket windows, so the wait is never long and the price is right. Even at the extranjeros, or foreigners’, price, tickets average $1 per hour of travel (the American dollar has been the official currency since 2000). Besides the <a href="http://travel.nytimes.com/travel/guides/music/overview.html?inline=nyt-classifier" title="">music</a>, all buses come with air-conditioning — and a chance to acquaint yourself with local culture and cuisine.</p><p>On my recent three-and-a-half-hour bus journey down the Pan-American Highway, the ice-cream man was only one of dozens of people who jumped aboard at various stops as we beat a path southward from the capital city of Quito to the nation’s adventure mecca, Baños, through the valley known as Avenue of the Volcanoes. The vendors hawked everything from herbal cures to watches, but the real one-of-a-kind items were brought aboard by people clutching baskets or coolers, like the helado man. The homemade sweets and snacks they sell, along with the fast food cooked up at stands around markets and bus stations, offered a thorough sampling of regional specialties.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://travel.nytimes.com/2008/08/17/travel/17journeys.html?ex=1376625600&en=d48ee2b240d50b3e&ei=5124&partner=permalink&exprod=permalink">Meals and Wheels on Ecuador’s Avenue of Volcanoes</a>," by Martina Sheehan, <a href="http://travel.nytimes.com/"><i>New York TImes</i></a>, 17 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The newest internationalists</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_newest_internationalists/" />
      <id>tag:culture-making.com,2009:author/9.574</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“The next major "cultural artifact" I'm working on is a documentary on short-term mission trips called <a href="http://roundtripmissions.com/">Round Trip</a> (to be released in early 2009). Brian Howell, who is doing some excellent anthropological research on this burgeoning phenomenon, explores the way that short-term trips are changing North Americans' attitude toward other cultures and their own.”</em><br />		
		<p>Foreign missions have long been a significant element of Christianity, and everything from the popular books of Victorian missionaries to the stadium crusades of Billy Graham have brought a certain global consciousness to rank-and-file Christians. Unlike that removed and professionalized globalism, however, this is a globalism of the rank-and-file itself. As millions travel to various sites, and millions more hear from their friends and family members about these travels, they gain personal contact with a world that was once just so many pieces of yarn stretched from the picture of a missionary family to their location on the map of the Missionary Bulletin Board in a church basement.</p>
<p>Moreover, this is not a one-way globalism. It is not simply a neocolonial movement redux. These newest internationalists are part of more complex global flows that carry influence in multiple directions. In their article on the Global Issues Survey, Wuthnow and Offutt cite the flows of people, resources and knowledge as far more multidirectional than in the past. While acknowledging the enormous disparity of wealth and influence between American Christians and those in many other countries, they note examples of Brazilian Pentecostal broadcasts finding significant play in the New York City Spanish language market and Ghanaian gospel hip-hop gaining a hearing in Atlanta congregations. In my own research on short-term Christian volunteerism, I have found that those who make these trips or meet with foreign visitors in their home congregations often are struck by similarities. Statements such as “even though I couldn’t speak Spanish [or Portuguese or Chinese or Amharic], I knew we were worshipping the same God” reflect a belief in a unity and connection with non-Western Christians that few evangelicals personally experienced in the past.
</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.ssrc.org/blogs/immanent_frame/2008/07/28/the-global-evangelical/">The global evangelical</a>, by Brian Howell, <a href="http://www.ssrc.org/blogs/immanent_frame/2008/07/28/the-global-evangelical/">The Immanent Frame</a>, 28 July 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Take Your Family to Work Day</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/take_your_family_to_work_day/" />
      <id>tag:culture-making.com,2009:author/9.500</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A photo from the Apollo 16 mission, Charles Duke's family portrait. I love the juxtaposition of the iconic and the personal -- and the plastic bag protecting the photo.”</em><br />		
		<a href="http://www.boston.com/bigpicture/2008/07/man_on_the_moon_future_and_pas.html"><img src="http://horizonsofthepossible.com/media/luna14.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">NASA photo :: via the <i>Boston Globe</i>'s <a href="http://www.boston.com/bigpicture/2008/07/man_on_the_moon_future_and_pas.html">The Big Picture</a> blog.</div>		

	
			
			
			
		
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    <entry>
      <title>Everywhere magazine</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/everywhere_magazine/" />
      <id>tag:culture-making.com,2009:author/9.426</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“The former travel-book-editor in me wonders whether the online-community-created model might wind up lowering the generally low wages of pro travel writers.”</em><br />		
		<p><img src="http://www.boingboing.net/200806100851.jpg" alt="200806100851.jpg" style="float:left" height="295" width="500"><br><p>Readers of Todd Lappin’s Telstar Logistics blog are entitled to a free copy of the fantastic reader-made travel magazine, <span style="font-style:italic">Everywhere</span>.</p><blockquote><p><span style="font-style:italic">Everywhere</span> is a travel magazine that’s created from articles and photographs contributed by members of the online community at <a href="http://www.everywheremag.com/">everywheremag.com</a>. The community votes on their favorite contributions, then Telstar Logistics fleet management officer Todd Lappin (who also moonlights as the <a href="http://www.everywheremag.com/people/TelstarLogistics">editor-in-chief of Everywhere</a>) curates the best of the best to produce an inspiring travel magazine that looks fabulous on your coffee table or personal jet. Published contributors receive $100 and a free one-year subscription.</p></blockquote><a href="http://telstarlogistics.typepad.com/telstarlogistics/2008/05/get-everywhere.html">Link</a>
<hr />
<div class="author" style="font-size: -1">a <a href="http://feeds.boingboing.net/~r/boingboing/iBag/~3/308925985/free-copy-of-everywh.html">Boing Boing</a> post by Mark Frauenfelder, 10 June 2008</div>		

	
			
			
			
		
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