<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">

    <title type="text">Culture Making items tagged transport</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2012-02-08T19:38:35Z</updated>
    <rights>Copyright (c) 2012, Nate Barksdale</rights>
    <generator uri="http://www.pmachine.com/" version="1.7.0">ExpressionEngine</generator>
    <id>tag:culture-making.com,2012:02:08</id>


    <entry>
      <title>Forever Bicycles, by Ai Weiwei</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/forever_bicycles_by_ai_weiwei/" />
      <id>tag:culture-making.com,2012:author/9.2018</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Chinese artist and activist <a href="http://en.wikipedia.org/wiki/Ai_Weiwei">Ai Weiwei</a> has an exhibition running through the end of this month at the Taipei Fine Art Museum—his first large-scale solo show, apparently, in the Chinese world. The show features a wide range of works in the border zone between sculpture and found object assembly. The knockout piece is undoubtedly this one, a layered vertical labyrinth of 1200 bicycles (sans seats and handlebars). The exhibition, incidentally, is titled <em>Absent</em> because Ai remains under a travel ban in China and won't be able to attend.”</em><br />		
		<a href="http://www.fastcodesign.com/1665720/ai-weiwei-piles-1200-bikes-on-top-of-each-other-for-dazzling-effect"><img src="http://www.culture-making.com/media/foreverbicycles.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.tfam.museum/TFAM_Exhibition/exhibitionDetail.aspx?PMN=1&ExhibitionId=417&PMId=417t">Forever Bicycles</a>," by Ai Weiwei, <a href="http://www.tfam.museum/TFAM_Exhibition/exhibitionDetail.aspx?PMN=1&ExhibitionId=417&PMId=417">Taipei Art Museum</a>, 2011 :: via <a href="http://www.fastcodesign.com/1665720/ai-weiwei-piles-1200-bikes-on-top-of-each-other-for-dazzling-effect">Co.Design</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Where have all the livery stables gone?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/where_have_all_the_livery_stables_gone/" />
      <id>tag:culture-making.com,2012:author/9.525</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
		<p>Not that long ago, a vast cultural infrastructure made it possible to travel the 300 miles from Boston to Philadelphia by horse. There were roads, wayside inns, stables, and turnpikes along which travelers could make a slow but steady journey from one city to the other. For more than a century, these cultural goods made interstate horse travel possible. But I dare say it would be impossible now.
</p><br />
		<p><small>	&mdash;<i>Culture Making</i>, p.28</small></p>

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Gotham’s bike boom</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/gothams_bike_boom/" />
      <id>tag:culture-making.com,2012:author/9.1576</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Christy: </b><em>“I bought a used mountain bike on Craigslist three weeks ago and I've quickly become addicted to riding around my city—to work, church, the farmers' market and grocery store. As this article points out, there are plenty of dangers involved, but the exhilaration and delight far outweigh the close calls with car doors. Not to mention that my commute by bike/ferry is slightly shorter—and cheaper—than my commute by bus/ferry/subway.”</em><br />		
		<p>In a metropolis known for its aggressive traffic, noise and fumes, cyclists crisscross New York City on two wheels while dodging cars, trucks, cabs, pedestrians—and even other bikers tearing around with no hands on the bar.</p><p>Despite the dangers, biking is New York City's "fastest growing mode of transportation," says City Transportation Commissioner Janette Sadik-Khan, who herself bikes to work in lower Manhattan, about a mile from her Greenwich Village home.</p><p>The number of cyclists has jumped by 80 percent in the past decade—to 185,000 among the more than 8 million city denizens. City officials say they've worked to make the city more biker friendly. They note the hundreds of miles of marked bike paths created in recent years, safety awareness campaigns and handouts of free helmets to unprotected cyclists.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://wcbstv.com/local/biking.around.nyc.2.1130374.html">Biking 'Fastest Growing' Way To Get Around NYC</a>," AP Article/<a href="http://wcbstv.com">WCBS</a>, 15 August 2009</div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Fido and Fifi take to the skies in style</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/fido_and_fifi_take_to_the_skies_in_style/" />
      <id>tag:culture-making.com,2012:author/9.1519</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Christy: </b><em>“The economy may be tanking, but here's one industry that is really "taking off": an airline for pets. Being a devoted pet-owner, I can appreciate this service. But with tickets averaging $250 a pop, plus delivery and overnight boarding costs, I have to wonder: when people from impoverished nations (and impoverished people in our own nation) read about something like this, what conclusions might they draw about our culture?”</em><br />		
		<p>Dan Wiesel and his wife, Alysa Binder, remember the guilt they felt after their Jack Russell terrier Zoe had to fly cross country in the cargo area of a plane when they moved from the San Francisco Bay area to Florida. "When she came out she just wasn't herself," Binder said. "We thought there had to be a better way." The couple's answer is Pet Airways, a new airline just for cats and dogs that the couple founded. The airline had its inaugural flights Tuesday from several airports, including BWI Marshall Airport.</p><p>There are no human passengers aboard Pet Airways flights, just animals, which are called "pawsengers..." </p><p>The airline is sold out for its first two months, Binder said. Pet Airways serves Baltimore, New York, Chicago, Denver and Los Angeles, but Binder said the company hopes to expand to 25 cities in a couple of years. Ticket prices average $250, Binder said. Other airlines charge $75 to $275 for pets, with prices varying depending on where the pets ride. In May, Southwest began allowing people to bring small pets on board for $75.</p><p>One airline expert said there is a niche for people who want to take their pets on vacation and other travels. But it is unclear if this airline is the answer.</p><p>It may be complicated for passengers to plan their flights with their pet's flights, said Robert Mann, president of airline consulting firm R.W. Mann & Co. Inc.</p><p>"It's an interesting concept," Mann said. "There is a need for it. The key question is if this particular concept really meets that need. Time will tell, as it usually does." </p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.baltimoresun.com/business/bal-bz.petairways15jul15,0,6472165.story">A new idea in travel: Airline for pets</a>," by Andrea K. Walker, <a href="http://www.baltimoresun.com/">Baltimore Sun</a>, 15 July 2009</div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Poverty Is Not Economics, by John Kofi Ayree</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/poverty_is_not_economics_by_john_kofi_ayree/" />
      <id>tag:culture-making.com,2012:author/9.1241</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Sometimes buses say the darndest things, especially in Africa (and throughout the developing world). John Kofi Ayree is self-taught painter from western Ghana, based currently at the National Museum in Accra. This painting is from the collection of some good friends of mine.”</em><br />		
		<a href="http://flickr.com/photos/koranteng/3204166211/"><img src="http://culture-making.com/media/3204166211_e0f5500299_b.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://flickr.com/photos/koranteng/3204166211/">Poverty Is Not Economics</a>," by <a href="http://www.africancrafts.com/artisan.php?id=aryee">John Kofi Aryee</a>, 2006 :: via  <a href="http://flickr.com/photos/koranteng/sets/220629/">Koranteng's art collection</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>What do airplanes make possible?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/what_do_airplanes_make_possible/" />
      <id>tag:culture-making.com,2012:author/9.1228</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“I fly all the time and way too much—I've been doing so for about fifteen years now—and the vast majority of flights are absolutely banal and boring. (And happily, none have featured the slightest bit of danger or drama that we witnessed in New York yesterday afternoon.) But three times I have had conversations with a stranger that I will never, ever forget—moments that are on a very short list of the most treasured and important events of my life. This essay by Lindsey Crittenden is a lovely and evocative reminder of the possibilities that surround us—even when they remain only possibilities.”</em><br />		
		<p>His name was Peter, and he carried an L.L. Bean canvas bag, monogrammed and trimmed in forest green. It was December 28, 1988, and I noticed him at the gate. Preppy, but kind of cute. And then we boarded, and he took the seat next to mine. American Airlines; JFK to SFO; a DC-10, which meant a layout of two-five-two. I had the window, and he the aisle. We gave each other brief, courteous nods, he stashed his L.L. Bean bag, and I turned back to my book, sneaking an occasional glance his way.</p><p>The flight attendants did their familiar demonstration. The plane pulled away from the gate and taxied onto the runway. The plane stopped. The captain came on and made a lame joke. Peter (although I didn’t know his name yet) and I exchanged glances, rolling our eyes in shared wariness. He said something, I said something, and we didn’t stop talking for the next six hours, during which I didn’t look at my book or attempt the movie.</p><p>By the time the plane landed at SFO, we knew each other’s names, hometowns, employers, current neighborhoods, and how our mothers didn’t approve of the people we were dating—in my case, because the guy, in Mom’s words, “acted like a kindergartener,” and in Peter’s because the woman wasn’t WASPy enough, a fact Peter underlined by gesturing toward the L.L. Bean bag at his feet.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://imagejournal.org/page/blog/strangers-in-the-air">Strangers in the Air</a>," by Lindsey Crittenden, <a href="http://imagejournal.org/page/blog/">Good Letters: The IMAGE Blog</a>, 16 January 2009</div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Adieu, S.U.V.’s</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/adieu_suvs/" />
      <id>tag:culture-making.com,2012:author/9.1187</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Is persistence in spite of uncoolness a sign that a cultural artifact is genuinely useful?”</em><br />		
		<p>Here is the puzzling thing. The apparent cause of death for S.U.V.’s was high gas prices. Doesn’t that mean that with low gas prices S.U.V. sales should come back to life? I can think of a few reasons why that might not be the case:</p>
<p>1) Consumers think that the low current gas prices are temporary, and in general gas prices will be high in the future. Thus, they don’t want to get stuck with a vehicle that gets poor gas mileage. The question this raises is why consumers were so sure six months ago that gas prices were going to be high forever (which turned out to be wrong), but don’t believe now that gas prices will stay low.</p><p>2) The uncertainty of fluctuating gas prices takes the fun out of owning an S.U.V. Even if gas prices won’t be that high on average, it is so unpleasant to have an S.U.V. when gas prices are high that people don’t want to have them if gas prices are volatile. This explanation seems kind of dumb to me, but maybe it is possible.</p>
<p>3) When gas prices got high, it became uncool to own an S.U.V. Perhaps the process for going from cool to uncool is not easily reversible. Once something is uncool, it remains uncool for a long time, even when the forces that caused it to be uncool recede. This might explain why the demand for pickup trucks remains strong, even as S.U.V.’s fade. Somehow the spike in gas prices didn’t make pickup trucks uncool in the same way as S.U.V.’s. Similarly, minivans have never been cool (or at least not for a long time); so if this explanation is right, minivan sales should stay strong.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://freakonomics.blogs.nytimes.com/2008/12/24/why-the-death-of-suvs/">Why the Death of S.U.V.’s?</a>," by Steven D. Levitt, <a href="http://freakonomics.blogs.nytimes.com/2008/12/24/why-the-death-of-suvs/">NYTimes.com Freakonomics Blog</a>, 24 December 2008</div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Arrivals and departures</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/arrivals_and_departures/" />
      <id>tag:culture-making.com,2012:author/9.1128</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p align="center"><object width="420" height="261"><param name="movie" value="http://www.youtube.com/v/oR00_uLfGVE&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/oR00_uLfGVE&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="420" height="260"></embed></object></p><br />
<b>Andy: </b><em>“Every commercial airline flight in the world, over a twenty-four hour period—a visual reminder of the scale and scope of culture, and the unprecedented ways that air travel connects us to one another. Also a reminder that prosperity and connectivity go together, and their distribution is uneven, to say the least.”</em><br /><hr /><span style="font-size: -1">from "<a href="http://www.youtube.com/watch?v=oR00_uLfGVE">airtraffic</a>," by Karl Rege et al., <a href="http://www.zhaw.ch/en.html">The Zurich School for Applied Sciences</a>:: via <a href="http://blog.wired.com/cars/2008/12/earlier-this-ye.html">Autopia</a></span>

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Old man, look at my ride</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/old_man_look_at_my_ride/" />
      <id>tag:culture-making.com,2012:author/9.1018</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Here's one Kansas mechanic-savant's technique for bridging the red/blue state stereotypes: huge cars with great mileage.”</em><br />		
		<p>This is the sort of work that&#8217;s making Goodwin famous in the world of underground car modders. He is a virtuoso of fuel economy. He takes the hugest American cars on the road and rejiggers them to get up to quadruple their normal mileage and burn low-emission renewable fuels grown on U.S. soil&#8212;all while doubling their horsepower. The result thrills eco-evangelists and red-meat Americans alike: a vehicle that&#8217;s simultaneously green and mean. And word&#8217;s getting out. In the corner of his office sits Arnold Schwarzenegger&#8217;s 1987 Jeep Wagoneer, which Goodwin is converting to biodiesel; soon, Neil Young will be shipping him a 1960 Lincoln Continental to transform into a biodiesel&#8212;electric hybrid.</p><p>His target for Young&#8217;s car? One hundred miles per gallon.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.fastcompany.com/magazine/120/motorhead-messiah.html">Motorhead Messiah</a>," by Clive Thompson, <a href="http://www.fastcompany.com/magazine/120/motorhead-messiah.html"><i>Fast Company</i></a>, November 2007 :: via <a href="http://ideas.blogs.nytimes.com/2008/11/06/motorhead-messiah/">NYTimes.com Ideas blog</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Glamour and grace</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/glamour_and_grace/" />
      <id>tag:culture-making.com,2012:author/9.949</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p align="center"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" width="420" height="270" id="VE_Player" align="middle"><param name="movie" value="http://static.videoegg.com/ted2/flash/loader.swf"><PARAM NAME="FlashVars" VALUE="bgColor=FFFFFF&amp;file=http://static.videoegg.com/ted/movies/VirginiaPostrel_2004-embed_high.flv&amp;autoPlay=false&amp;fullscreenURL=http://static.videoegg.com/ted/flash/fullscreen.html&amp;forcePlay=false&amp;logo=&amp;allowFullscreen=true"><param name="quality" value="high"><param name="allowScriptAccess" value="always"><param name="bgcolor" value="#FFFFFF"><param name="scale" value="noscale"><param name="wmode" value="window"><embed src="http://static.videoegg.com/ted2/flash/loader.swf" FlashVars="bgColor=FFFFFF&amp;file=http://static.videoegg.com/ted/movies/VirginiaPostrel_2004-embed_high.flv&amp;autoPlay=false&amp;fullscreenURL=http://static.videoegg.com/ted/flash/fullscreen.html&amp;forcePlay=false&amp;logo=&amp;allowFullscreen=true" quality="high" allowScriptAccess="always" bgcolor="#FFFFFF" scale="noscale" wmode="window" width="420" height="270" name="VE_Player" align="middle" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"></object></p><br />
<b>Nate: </b><em>“This is a fascinating word- and image-history of the idea of glamour, from renaissance saints to high-speed trains to Hollywood starlets to the fancy hats of African-American woman at church.”</em><br /><hr /><span style="font-size: -1">"<a href="http://www.ted.com/index.php/talks/virginia_postrel_on_glamour.html">Virginia Postrel on glamour</a>," <a href="http://www.ted.com/index.php/talks/virginia_postrel_on_glamour.html">TED.com</a>, February 2004</span>

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>American Drive</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/american_drive/" />
      <id>tag:culture-making.com,2012:/9.914</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			
<i>Reflections on an exhilarating drive and the future of the American road.</i><br />
<p>The Blue Ridge Parkway winds along the ridges of the Appalachian Mountains, skirting Asheville and Roanoke above the hidden hollows and little towns. And on Thursday afternoon, thanks to Bayerische Motoren Werke, three friends and I were driving along the parkway, scattering wild turkeys left and right, carving turns and going flat out on the straightaways in a BMW 335Ci convertible. It seems that BMW periodically turns up at upscale resorts to let the (presumably free-spending) guests try the company’s cars for free, for no obligation beyond the painful duty of returning it at the end of the drive. We were attending a conference at a such a location, already stretching the limits of our decidedly middle-class budgets, at just the right time. After filling out a surprisingly informal questionnaire, the keys were ours and we were off. </p><p>As we gasped and laughed at the difference between our borrowed joyride and our real-life cars (as the owner of a base-model 2000 VW Passat, I have the most fly car of the bunch), we were well aware of several layers of irony. Down in the valley motorists were waiting in long lines for scarce gasoline at the stations that were open at all, due the supply crunch in the Southeast following Hurricane Ike. We, meanwhile, were burning gas like it was going out of style (which, come to think of it, it soon may). Then there was the improbable identity of the four merry riders: all of us activists in the growing environmental movement within evangelical Christianity, concerned not least with the reality of and remedies for human-induced climate change. That climate change is caused in part, of course, by the carbon dioxide that we were gleefully generating every time the Beemer let out a particularly gratifying growl. Let’s just say there was a hint of guilt in the pleasure.</p><br />
<a href="http://www.culture-making.com/articles/american_drive#more" >Read more »</a>

			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Tell&#45;my&#45;mom.com</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/tell_my_momcom/" />
      <id>tag:culture-making.com,2012:author/9.856</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“An interesting idea: applying fleet-management techniques to teenage drivers. I wonder, though, whether having the person who recieves the complaint be a parent rather than a manager effects the outcome (both in terms of deterrance and of punishment)? Somehow I doubt you'd get yelled at in quite the same way.”</em><br />		
		<p>By placing our How’s My Driving sticker on your car, other drivers now have an easy way to provide feedback about your teen’s driving. Utilizing this information, concerned parents can work with their teen to correct poor driving skills and reinforce safe driving behavior.</p><p>Every year nearly 10,000 teens die violently in automobile crashes. Young drivers account for 18% of all police reported automobile or truck crashes. This staggering fact should scare the parents of every teen driver.</p><p>When a report is received, parents are contacted via mail or e-mail with information regarding your teen’s driving behavior. Utilize this information to teach your teen accident reduction and defensive driving techniques.</p><p>Trucking companies utilizing  “How’s My Driving?” driver monitoring programs have reported a 20% decrease in accidents and ticketing. It’s our hope that Tell-My-Mom.com can increase safety in teen driving in a similar fashion.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.tell-my-mom.com/">How's Your Teen's Driving? Would You Like to Know?</a>," <a href="http://www.tell-my-mom.com/">www.tell-my-mom.com</a> :: via <a href="http://freakonomics.blogs.nytimes.com/2008/09/17/a-bumper-sticker-that-saves-lives/">NYTimes.com Freakonomics blog</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Please sit on me</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/please_sit_on_me/" />
      <id>tag:culture-making.com,2012:author/9.819</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p style="width: 420px; margin-left: auto; margin-right: auto"><object width="400" height="225">  <param name="allowfullscreen" value="true" />  <param name="allowscriptaccess" value="always" />  <param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=1666004&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" />&nbsp;   <embed src="http://vimeo.com/moogaloop.swf?clip_id=1666004&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="225"></embed></object></p><br />
<b>Andy: </b><em>“A group of friends—including one of <i>Culture Making</i>'s "early adopters," Jeff Shinabarger—makes a small good thing at an Atlanta bus stop. And then they make this video, which spreads the word. Sometimes cultural creativity is terribly complex and challenging. But sometimes it's so simple you wonder why we don't all spend our days off doing beautiful, fun things like this. Of course, the challenge will come over the coming months and years—will Jeff and his neighbors keep the paint fresh, the flowers watered, the mulch raked? That will be the true sign that this became a lasting cultural good. I hope they make a film about that, too.”</em><br /><hr /><span style="font-size: -1">from "<a href="http://vimeo.com/1666004?pg=embed&sec=1666004">Benched</a>," by Brandon McCormick :: via <a href="http://www.jeffshinabarger.com/?p=272">Jeff Shinabarger</a></span>

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>26 Alphabet Trucks, by Eric Tabuchi</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/26_alphabet_trucks_by_eric_tabuchi/" />
      <id>tag:culture-making.com,2012:author/9.764</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I'm always a fan of sets of photos of similar objects (typologies, they call them?). Even better: typographic typologies! How does the car-trip game go, "I spy with my little eye ..."”</em><br />		
		<a href="http://www.lensculture.com/webloglc/mt_files/archives/2008/08/-kids-game-typography-typology.html"><img src="http://culture-making.com/media/alphabet-truck.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from <a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=403831546"><i>Alphabet Truck</i></a>, by Eric Tabuchi, 2007 :: via <a href="http://www.lensculture.com/webloglc/mt_files/archives/2008/08/-kids-game-typography-typology.html">lens culture</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>A bit of 1990s Kenyan public transit hip&#45;hop</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_bit_of_1990s_kenyan_public_transit_hip_hop/" />
      <id>tag:culture-making.com,2012:author/9.546</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p><center><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/XVu96x-SRdM&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/XVu96x-SRdM&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object></center>
</p><br />
<b>Nate: </b><em>“There's quite a lot of cultural info and aspiration packed into this video. I'm not sure whether its plea for greater public safety fell, or would fall, on the young men who work for Nairobi's privately-provided public transit.”</em><br /><hr /><span style="font-size: -1"><a href="http://www.youtube.com/watch?v=XVu96x-SRdM&amp;eurl=http://africanhiphop.com/">Look, Think, Stay Alive</a>, by Jimmy Gathu, 1993 :: via  <a href="http://africanhiphop.com/">Africanhiphop.com</a></span>

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>The rage of stickers</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_rage_of_stickers/" />
      <id>tag:culture-making.com,2012:author/9.468</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
<div class="author" style="font-size: -1">a <a href="http://ayjay.tumblr.com/post/38742661">more than 95 theses</a> post by Alan Jacobs</div><hr />		
		<p>Bumper stickers such as “Make Love, Not War” and “More Trees, Less Bush” speak volumes about a vehicle’s driver — but maybe not in the way they might hope. People who customize their cars with stickers and other adornments are more prone to road rage than other people, according to researchers in Colorado… .</p><p>The researchers recorded whether people had added seat covers, bumper stickers, special paint jobs, stereos and even plastic dashboard toys… . People who had a larger number of personalized items on or in their car were 16% more likely to engage in road rage, the researchers report in the journal <i>Applied Social Psychology.</i></p><p>“The number of territory markers predicted road rage better than vehicle value, condition or any of the things that we normally associate with aggressive driving,” say Szlemko. What’s more, only the number of bumper stickers, and not their content, predicted road rage — so “Jesus saves” may be just as worrying to fellow drivers as “Don’t mess with Texas”.</p><p>Szlemko admits that he is not entirely surprised by the results. “We have to remember that humans are animals too,” he says. “It’s unrealistic to believe that we should not be territorial.”</p><p>[<a href="http://www.nature.com/news/2008/080613/full/news.2008.889.html">here</a>, via <a href="http://tech.slashdot.org/article.pl?sid=08/06/17/0148238&amp;from=rss">Slashdot</a>]
</p>
		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Train crossing, Bangalore, South India</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/train_crossing_bangalore_south_india/" />
      <id>tag:culture-making.com,2012:author/9.446</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p><embed src="http://www.youtube.com/v/w5wmO9dV_yc&amp;hl=en" allowScriptAccess="never" height="344" width="425"></embed>
</p><br />
<b>Nate: </b><em>“Interesting how watching this video triggers slight and not unpleasant olfactory memories of my own times in B'lore in the late '90s.”</em><br /><hr /><span style="font-size: -1">via <a href="http://feeds.boingboing.net/~r/boingboing/iBag/~3/309877543/video-of-busy-train.html">Boing Boing</a></span>

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Bolivia&#8217;s volunteer zebras</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/bolivias_volunteer_zebras/" />
      <id>tag:culture-making.com,2012:author/9.430</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“A fun quick way to address (or at least bring attention to) a public safety concern. It does seem like the zebra costumes' restricted vision might be a problem. Also ironic given that real-life zebras' stripes function as camouflage ...”</em><br />
<div class="author" style="font-size: -1">a <a href="http://www.kottke.org/remainder/08/06/15786.html">kottke.org</a> post, 8 June 2008</div><hr />		
		<p><a href="http://www.lonelyplanet.tv/Clip.aspx?key=F6C841FC760DECE9">A video clip of La Paz, Bolivia’s crossing guard zebras</a>, the Cebra Voluntaria. Traffic in La Paz is so dangerous that its mayor started a program to have youths dressed as zebras help people across the city’s busiest intersections. From <a href="http://www.monocle.com/sections/affairs/Magazine-Articles/Mane-street---La-Paz/">the recent issue of Monocle</a>:</p><blockquote><p>It doesn’t get much busier than La Paz’s Plaza San Francisco of a Friday afternoon. Two zebras stand on the curb chatting with a teenage girl. Then something remarkable happens: the traffic light turns red, and at the sight of the zebras, the cars actually stop. One driver, however, is a little slow and the nose of his car is left hanging over the crossing. One of the zebras skips over to the offending car and mimes pushing it backwards. Then he continues skipping across to the other side of the street.</p></blockquote><p> (<a href="http://www.kottke.org/remainder/08/06/15786.html">link</a>)
</p>
		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Parking diplomacy</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/parking_diplomacy/" />
      <id>tag:culture-making.com,2012:author/9.431</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Technically he's leaving his car on African soil. The strange rules of diplomatic privilige and structural neglect.”</em><br />		
		<p>Steve Gifford has found a bright side to living next to an eyesore—in his case, Congo’s former embassy. In exchange for Gifford and his partner spending $200 a month cutting the grass and cleaning up, Congo granted that most elusive of city perks: parking in the embassy’s driveway. “Everybody wins,” Gifford said.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/06/07/AR2008060700926_3.html?sid=ST2008060700985">Once Grand, Now Bedraggled: City Officials and Neighbors Peeved by Abandoned Embassy Properties</a>," by Paul Schwartzman, <a href="http://www.washingtonpost.com/"><i>The Washington Post</i></a>, 8 June 2008</div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Albert Borgmann on motorcycle maintenance</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/albert_borgmann_on_motorcycle_maintenance/" />
      <id>tag:culture-making.com,2012:author/9.441</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
		<p>When a great number of motorcycle functions are regulated by microelectronic rather than mechanical devices, the thoughtful inspection and tuning of the cycle beside a shady curbstone in Miles City, Montana, will have become a thing of the past. They will be impossible and unnecessary. A call for caring makes sense only within a reform proposal that recognizes and fruitfully counters the technological tendency to disburden and disengage us from the care of things.
</p><br />
		<p><small>	&mdash;Albert Borgmann on <a href="http://books.google.com/books?id=qS3pJL_BcdkC&pg=PA160&dq=Borgmann+Zen&ei=srJ3SOjNO5y4iQHplN2HCA&sig=ACfU3U12lRyT3Hdvatw9mp3Rg-4BSpMd2w">the limits</a> of <i>Zen and the Art of Motorcycle Maintenance</i>.</small></p>

	
			
			
			
		
      ]]></content>
    </entry>


</feed>
