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    <title type="text">Culture Making items tagged technology</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2009-01-07T20:43:49Z</updated>
    <rights>Copyright (c) 2009, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>Objectified</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/objectified/" />
      <id>tag:culture-making.com,2009:author/9.1204</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p><object width="420" height="340" style="margin: auto"><param name="movie" value="http://www.youtube.com/v/S9E2D2PaIcI&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;feature=player_embedded&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/S9E2D2PaIcI&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;feature=player_embedded&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object>
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<b>Andy: </b><em>“Filmmaker Gary Hustwit's most celebrated work is <a href="http://www.helveticafilm.com/">Helvetica,</a> a documentary film about, yes, the typeface. His new project, <a href="http://www.objectifiedfilm.com/">Objectified,</a> looks very promising. I couldn't help noticing that all the voices, and very nearly all the designers pictured, were male . . . perhaps because the "objects" chosen as salient were mostly technological devices. It will be interesting to see how broadly the final film explores the range of objects that actually shape our horizons.”</em><br /><hr /><span style="font-size: -1">from "<a href="http://www.objectifiedfilm.com/objectified-trailer-quicktime/">Objectified: A Documentary Film by Gary Hustwit</a>," 5 January 2009 :: via <a href="http://daringfireball.net">Daring Fireball</a></span>

	
			
			
			
		
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    <entry>
      <title>Namaste in six key presses</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/namaste_in_six_key_presses/" />
      <id>tag:culture-making.com,2009:author/9.1191</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Andy: </b><em>“File under unintended (or nearly so) beneficial consequences. Could the txt msg, sometimes decried as the end of careful writing, end up saving languages? Also file under beneficial Christian culture making: SIL, cited here as "a Dallas organization that works to preserve languages," which is exactly what it is, receives substantial funding from Wycliffe Bible Translators, who have done more than anyone else to preserve these unique and irreplaceable parts of culture. But a note of caution: elsewhere in the article an expert says that "200 languages have enough speakers to justify development of cellphone text systems." That would leave, it seems, some 6,632 languages to go.”</em><br />		
		<p>Texting is the cheapest and most popular mode of cellphone communication in most of the world, and last year text messages topped voice calls even in the U.S. The world’s three billion cellphones far surpass the Internet as a universal communications medium, and they are vital to business development in less-developed economies.</p><p>But companies that develop predictive text say they have created cellphone software for fewer than 80 of the world’s 6,912 languages cataloged by SIL International, a Dallas organization that works to preserve languages.</p><p>One key to using the languages is the availability of a technology called predictive text, which reduces the number of key taps necessary to create a word when using a limited keypad. Market research shows that text messaging soars after predictive text becomes available. . . .</p><p>In Hindi, a language with 11 vowels and 34 consonants that is spoken by 40% of the Indian population, texting “Namaste,” which means “hello,” can take 21 key presses. . . . Typing “Namaste” with predictive text takes just six key presses. Nuance Corp. of Burlington, Mass., which dominates the predictive-text market, says that in 2006 cellphone users in India with predictive text in their handsets averaged 70 messages a week; those without it averaged 18.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://online.wsj.com/article/SB123085399947547573.html">How the Lowly Text Message May Save Languages That Could Otherwise Fade</a>," by William M. Bulkeley, <a href="http://online.wsj.com/">WSJ.com</a>, 2 January 2009</div>		

	
			
			
			
		
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    <entry>
      <title>Life is elsewhere</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/life_is_elsewhere/" />
      <id>tag:culture-making.com,2009:author/9.1190</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Andy: </b><em>“This is one of those essays I thought I had already read, since it had been quoted so many times. But actually it had escaped my attention until Santiago Ramos named it one of his <a href="http://imagejournal.org/page/blog/five-favorite-essays-of-2008">favorite essays of 2008.</a> And it is in fact, you might say, all about escaping attention. As with so many semi-jeremiads written by people a decade or so older than me, I find myself more hopeful than Mark Edmundson. (He obliquely refers to the interactive <a href="http://mazur-www.harvard.edu/education/educationmenu.php">teaching techniques</a> of Eric Mazur at Harvard—my wife's postdoctoral advisor—in a way that largely misses the point of the remote-control-like devices that Mazur uses.) But if what Edmundson says about teaching, learning, and reading applies doubly so to preaching, worship, and prayer, and it does, this is must reading for Christian leaders.”</em><br />		
		<p>A Romantic, says Nietzsche, is someone who always wants to be elsewhere. If that&#8217;s so, then the children of the Internet are Romantics, for they perpetually wish to be someplace else, and the laptop reliably helps take them there — if only in imagination. The e-mailer, the instant messenger, the Web browser are all dispersing their energies and interests outward, away from the present, the here and now. The Internet user is constantly connecting with people and institutions far away, creating surrogate communities that displace the potential community at hand.</p><p>Then too, booking by computer has made travel easier and, by eliminating a certain number of middlemen, kept it reasonably cheap. So there&#8217;s an inducement to take off physically as well. The Internet is perhaps the most centrifugal technology ever devised. The classroom, where you sit down in one space at one time and ponder a text or an issue in slow motion, is coming to feel ever more antiquated. What&#8217;s at a premium now is movement, making connections, getting all the circuitry fizzing and popping.</p><p>For students now, life is elsewhere. Classes matter to them, but classes are just part of an ever-enlarging web of activities and diversions. Students now seek to master their work — not to be taken over by it and consumed. They want to dispatch it, do it well and quickly, then get on to the many other things that interest them. For my students live in the future and not the present; they live with their prospects for success and pleasure. They dwell in possibility.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://chronicle.com/free/v54/i27/27b00701.htm">Dwelling in Possibilities</a>," by Mark Edmundson, <a href="http://chronicle.com/">ChronicleReview.com</a>, 14 March 2008 :: via <a href="http://imagejournal.org/page/blog/five-favorite-essays-of-2008">Santiago Ramos at Good Letters</a></div>		

	
			
			
			
		
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    <entry>
      <title>Achtung!</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/achtung/" />
      <id>tag:culture-making.com,2009:author/9.1185</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Andy: </b><em>“In the first decade of the 2000s, speakers celebrated when listeners emailed, blogged, IMed, and tweeted reactions during their talks because they were so good. In the second decade, speakers will celebrate that no one tweets, IMs, blogs, or emails during their talks—because they are so good.”</em><br />		
		<p>In a world in which entire industries bet their businesses on gaining access to our attention, which value leads to better personal success: hard work or the ability to control attention?</p><p>A person who works six hours a day but with total focus has an enormous advantage over a 12-hour-per-day workaholic who’s “multi-tasking” all day, answering every phone call, constantly checking Facebook and Twitter, and indulging every interruption.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.internetnews.com/commentary/article.php/3793561">Work Ethic 2.0: Attention Control</a>," by Mike Elgan, <a href="http://www.internetnews.com/commentary/article.php/3793561">InternetNews Realtime IT News</a>, 29 December 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>The tiniest culture war</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_tiniest_culture_war/" />
      <id>tag:culture-making.com,2009:author/9.1121</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“The same issue of Nature Nanotechnology has two additional articles about public perceptions of the field's promises and pitfalls, including one that <a href="http://www.nature.com/nnano/journal/vaop/ncurrent/abs/nnano.2008.361.html">correlates religious belief with skepticism</a> about all things nano—because, <a href="http://news.bbc.co.uk/2/hi/science/nature/7767192.stm">reports the BBC</a>, of its "potential to create life at a nano scale without divine intervention." Which better fits the typical science-journalism narrative than peopling being skeptical because they're worried about, say, economic inequality or justice issues.”</em><br />		
		<p>Rather than infer that nanotechnology is safe, members of the public who learn about this novel science tend to become sharply polarized along cultural lines, according to a study conducted by the Cultural Cognition Project at Yale Law School in collaboration with the Project on Emerging Nanotechnologies. The report is published online in the journal Nature Nanotechnology.</p><p>These findings have important implications for garnering support of the new technology, say the researchers.</p><p>The experiment involved a diverse sample of 1,500 Americans, the vast majority of whom were unfamiliar with nanotechnology, a relatively new science that involves the manipulation of particles the size of atoms and that has numerous commercial applications. When shown balanced information about the risks and benefits of nanotechnology, study participants became highly divided on its safety compared to a group not shown such information.</p><p>The determining factor in how people responded was their cultural values, according to Dan Kahan, the Elizabeth K. Dollard Professor at Yale Law School and lead author of the study. &#8220;People who had more individualistic, pro-commerce values, tended to infer that nanotechnology is safe,&#8221; said Kahan, &#8220;while people who are more worried about economic inequality read the same information as implying that nanotechnology is likely to be dangerous.&#8221;</p><p>According to Kahan, this pattern is consistent with studies examining how people&#8217;s cultural values influence their perceptions of environmental and technological risks generally. &#8220;In sum, when they learned about a new technology, people formed reactions to it that matched their views of risks like climate change and nuclear waste disposal,&#8221; he said.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.physorg.com/news147884089.html">Nanotechnology 'culture war' possible, study says</a>," <a href="http://www.physorg.com/news147884089.html">PhysOrg.com</a>, 7 December 2008 :: via <a href="http://polymeme.com/node/69369">Polymeme</a>, <a href="http://www.boingboing.net/2008/12/09/religion-and-nanotec.html">Boing Boing</a></div>		

	
			
			
			
		
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    <entry>
      <title>Keeping the Internet at bay</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/keeping_the_internet_at_bay/" />
      <id>tag:culture-making.com,2009:author/9.1020</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“The great challenge of the technological age is how not to be swamped by technology. As Virginia Heffernan suggests in this marvelous piece, the Kindle accomplishes that by virtue of, well, strategically poor design. Hey, if it works . . .”</em><br />		
		<p>Really, it’s terrible. How this prototype ever made it into production I don’t know. It’s as if its creators had never seen an iPhone. Or a Walkman, for that matter. Where have they been? And the Internet capability that the device offers (almost exclusively so you can download books and other reading material from Amazon) is so poor — its parameters so hard to determine, its browser so ungracious and inaccessible — that you’re discouraged from ever exploiting it.</p><p>At the same time, and you’d be justified in thinking I’m just seeking a silver lining to rationalize my homely new purchase (it cost $360, after all), there’s some way in which the Kindle’s weak Internet connection and elusive browser are the best parts of the machine. As I said, the Kindle feels insular and remote from the wild world of commerce and buzzing data swarms. But the fact that it’s connected to the Web sort of — it has to be, right? Or how else could I download all these books? — makes the Kindle somehow better than a book. Because while I like a few hours on an airplane, I can’t say I want to move into a locked library carrel and never visit the Internet again. And I like that the Kindle, which connects to the Web through some proprietary Amazon entity called a Whispernet, is not completely out of it. The Kindle acknowledges the Internet; it hears its clamorous demands. It just ignores those demands. For the user, this means the Kindle bestows on the contemporary reader the ultimate grace: it keeps the Internet at bay.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/11/02/magazine/02wwln-medium-t.html?pagewanted=all">Amazon Kindle, Just the Right Mix of Book and Nonbook</a>," by Virginia Heffernan, <a href="http://www.nytimes.com/">NYTimes.com</a>, 31 October 2008 :: via <a href="http://delicious.com/ayjay">Alan Jacobs</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Huh? The most exciting word in science</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/huh_the_most_exciting_word_in_science/" />
      <id>tag:culture-making.com,2009:author/9.959</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“I admit I noticed this article about the development of "black silicon" because my wife's name is on <a href="http://tinyurl.com/673pue">one of the patents</a> from her time in the Mazur group. But it's a perfect example of how unpredictable cultural creativity can be.”</em><br />		
		<p>Black silicon was discovered because [Eric] Mazur started thinking outside the boundaries of the research he was doing in the late 1990s. His research group had been financed by the Army Research Organization to explore catalytic reactions on metallic surfaces.</p><p>“I got tired of metals and was worrying that my Army funding would dry up,” he said. “I wrote the new direction into a research proposal without thinking much about it — I just wrote it in; I don’t know why.” And even though there wasn’t an immediate practical application, he received the financing.</p><p>It was several years before he directed a graduate student to pursue his idea, which involved shining an exceptionally powerful laser light — briefly matching the energy produced by the sun falling on the surface of the entire earth — on a silicon wafer. On a hunch, the researcher also applied sulfur hexafluoride, a gas used by the semiconductor industry to make etchings for circuits.</p><p>The silicon wafer looked black to the naked eye. But when Dr. Mazur and his researchers examined the material with an electron microscope, they discovered that the surface was covered with a forest of ultra-tiny spikes.</p><p>At first, the researchers had no idea what they had stumbled onto, and that is typical of the way many scientific discoveries emerge. Cellophane, Teflon, Scotchgard and aspartame are among the many inventions that have emerged through some form of fortunate accident or intuition.</p><p>“In science, the most exciting expression isn’t ‘Eureka!’ It’s ‘Huh?’” said Michael Hawley, a computer scientist based in Cambridge, Mass., and a board member and investor in SiOnyx.</p><p>Black silicon has since been found to have extreme sensitivity to light. It is now on the verge of commercialization, most likely first in night vision systems.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/10/12/business/12stream.html">Intuition + Money -  An Aha Moment</a>," by John Markoff, <a href="http://www.nytimes.com/">NYTimes.com</a>, 11 October 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The “pepper grinder” calculator</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_pepper_grinder_calculator/" />
      <id>tag:culture-making.com,2009:author/9.956</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Andy: </b><em>“It's been a while since I've seen a device quite as engaging as this entirely mechanical calculator, the "Curta," designed by a prisoner in the Nazi concentration camp at Buchenwald. Elegant and designed with extraordinary (quintessentially German?) precision, the unsettling fact is that it could have given German field artillery a huge advantage had its design been completed before the camp was liberated by the Allies. Yet with the characteristic neutrality of many devices, whatever their potential misuse, it is essentially beautiful in its own right, a triumph of ingenuity under many kinds of pressure.”</em><br />		
		<a href="http://www.darkroastedblend.com/2008/09/stunningly-intricate-curta-mechanical.html"><img src="http://www.culture-making.com/media/curta_420.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.darkroastedblend.com/2008/09/stunningly-intricate-curta-mechanical.html">Stunningly Intricate: Curta Mechanical Calculator</a>," by Avi Abrams, <a href="http://www.darkroastedblend.com/">Dark Roasted Blend</a>, 6 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Love and science</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/love_and_science/" />
      <id>tag:culture-making.com,2009:author/9.854</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Andy: </b><em>“This blog post from pediatrician and teacher Brian Volck, prompted by "a recent NPR puff piece" on the video game Spore (puff pieces on NPR? perish the thought!), is about as packed with insight as a short piece can be.”</em><br />		
		<p>Armchair philosophers sometimes defend the purity of “Science” by distinguishing it from technology or applied science, a move resembling hip America’s affection for the idea of soccer, but not the game itself. Separate scientists from tools and applications, and what’s left? A feeble enterprise, a succession of conjectures.</p><p>When applied, science sometimes delivers but always—always—graces humanity with unexpected consequences. Nothing infuriates my literature and medicine students as much as Wendell Berry’s observation that “medicine is an exact science until applied,” and nothing they learn in their four years of medical school is more urgent and more true.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://imagejournal.org/page/blog/love-calls-us-to-the-things-of-this-world">Love Calls Us to the Things of This World</a>," by Brian Volck, <a href="http://imagejournal.org/page/blog/">Good Letters: The IMAGE Blog</a>, 17 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Post&#45;digital at the Rhode Island School of Design</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/post_digital_at_the_rhode_island_school_of_design/" />
      <id>tag:culture-making.com,2009:author/9.795</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“John Maeda has just left a professorship at the prestigious MIT Media Lab to become president of the Rhode Island School of Design. As he says at the end of this fascinating and important interview, "I've already been digital. I want to focus on being human."”</em><br />		
		<p>A RISD education is classical and rigorous; first-year students are required to practice the fundamentals of drawing and sculpture. Foundation Studies are taught in rooms filled to the ceilings with thousands of skeletons, taxidermy, minerals, reptiles, birds. (A sign warns “The doves are out so please close the door.") Other departments cover everything from photography to ceramics. The curriculum is so conservative as to be radical.</p><p>Some of RISD’s studios probably haven’t changed in a hundred years. The stuff of art and design is everywhere, in the charcoal dust, the heaps of wet clay, the scraps of wood. A RISD education focuses on what you can do with your hands; an architecture student is expected to be able to draw, a print-maker to use a press. . . .</p><p>“A designer is someone who constructs while he thinks, someone for whom planning and making go together,” says Mr. Maeda, cocking his head, widening his eyes, moving his hands as if he were shaping a pot. Mr. Maeda considers himself post-digital; he has outgrown his fascination with hardware and is driven by ideas. “I want to reform technology. All the tools are the same; people make the same things with them. Everyone asks me, ‘Are you bringing technology to RISD?’ I tell them, no, I’m bringing RISD to technology.” He describes a visit to the campus by an executive from Yahoo. Mr. Maeda took him to see the visual resources center in the new library. Hundreds of thousands of drawings, photographs and news clippings, and images of art, architecture and decorative arts—on slides—are cataloged and stored in old-fashioned metal and wood file cabinets. The Yahoo executive was stunned. “This is a real live Google!” Better, says Mr. Maeda.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://online.wsj.com/article/SB122031259187688831.html">A Cultural Conversation with John Maeda</a>," by Dominique Browning, <a href="http://online.wsj.com/">WSJ.com</a>, 2 September 2008 <i>(Non-subscribers can access this article through 9 September 2008 <a href="http://www.emailthis.clickability.com/et/emailThis?clickMap=viewThis&etMailToID=2032241669">here</a>)</i></div>		

	
			
			
			
		
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    <entry>
      <title>The world is their crib sheet</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_world_is_their_crib_sheet/" />
      <id>tag:culture-making.com,2009:author/9.676</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Making exams more like real life -- or how real life ought to be (source citations included).”</em><br />		
		<p>A Sydney girls’ school is redefining the concept of cheating by allowing students to “phone a friend” and use the internet and i-Pods during exams. Presbyterian Ladies’ College at Croydon is giving the assessment method a trial run with year 9 English students and plans to expand it to all subjects by the end of the year. An English teacher, Dierdre Coleman, who is dean of students in years 7 to 9, is co-ordinating the pilot which she believes has the potential to change the way the Higher School Certificate examinations are run. The Board of Studies is looking at ways it could incorporate the use of computers in the exams. Ms Coleman said her students were being encouraged to access information from the internet, their mobile phones and podcasts played on mp3s as part of a series of 40-minute tasks. But to discourage plagiarism, they are required to cite all sources they use.</p><p>“In terms of preparing them for the world, we need to redefine our attitudes towards traditional ideas of ‘cheating’,” Ms Coleman said. “Unless the students have a conceptual understanding of the topic or what they are working on, they can’t access bits and pieces of information to support them in a task effectively. In their working lives they will never need to carry enormous amounts of information around in their heads. What they will need to do is access information from all their sources quickly and they will need to check the reliability of their information.”
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.smh.com.au/news/national/phone-a-friend-in-exams/2008/08/19/1218911717490.html">Phone a friend in exams</a>," by Anna Patty, <a href="http://www.smh.com.au/"><i>Sydney Morning Herald</i></a>, 20 August 2008 :: via <a href="http://polymeme.com/node/63772">Polymeme</a></div>		

	
			
			
			
		
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    <entry>
      <title>Starry, starry not</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/starry_starry_not/" />
      <id>tag:culture-making.com,2009:author/9.566</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“Another candidate for five questions. What does outdoor lighting make possible? impossible? Last summer we were in Maine during the new moon and even there (no haven of darkness given its proximity to the Northeast Corridor) the night sky was jaw-dropping. The great irony is that most outdoor lighting is wasted: if anything, by providing a well-lit environment, it makes it easier for criminals to do their work, as <a href="http://www.newyorker.com/reporting/2007/08/20/070820fa_fact_owen?currentPage=all">a fascinating New Yorker article</a> argued last year.”</em><br />		
		<p>Around the world, the night sky is vanishing in a fog of artificial light, which a coalition of naturalists, astronomers and medical researchers consider one of the fastest growing forms of pollution, with consequences for wildlife, people’s health—and the human spirit.</p>
<p>About two-thirds of the world’s population, including almost everyone in the continental U.S. and Europe, no longer see a starry sky where they live. For much of the world, it never even gets dark enough for human eyes to adjust to night vision, reported an international team that mapped the geography of night lighting.
</p>
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<div class="author" style="font-size: -1">from <a href="http://online.wsj.com/article/SB121692767218982013.html?mod=googlenews_wsj">It's All About the Lighting</a>, by Robert Lee Hotz, <a href="http://online.wsj.com/">WSJ.com</a>, 25 July 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Txt in contxt</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/txt_in_contxt/" />
      <id>tag:culture-making.com,2009:author/9.507</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I've yet to convert fully to the texting lifestyle (mostly due to cost and thumb dexterity) but I agree that it's an opportunity for linguistic innovation rather than destruction. You have to know the norms to be able to creatively flaunt them.”</em><br />		
		<p>But the need to save time and energy is by no means the whole story of texting. When we look at some texts, they are linguistically quite complex. There are an extraordinary number of ways in which people play with language - creating riddles, solving crosswords, playing Scrabble, inventing new words. Professional writers do the same - providing catchy copy for advertising slogans, thinking up puns in newspaper headlines, and writing poems, novels and plays. Children quickly learn that one of the most enjoyable things you can do with language is to play with its sounds, words, grammar - and spelling.</p><p>The drive to be playful is there when we text, and it is hugely powerful. Within two or three years of the arrival of texting, it developed a ludic dimension. In short, it’s fun.</p><hr />
<div class="author" style="font-size: -1">from ”<a href="http://books.guardian.co.uk/departments/referenceandlanguages/story/0,,2289259,00.html">2b or not 2b?</a>”, by linguistics professor David Crystal, <a href="http://books.guardian.co.uk/">guardian.co.uk</a>, 5 July 2008 :: via <a href="http://www.languagehat.com/archives/003178.php#more">languagehat.com</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Would I be making a stronger statement with willow?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/would_i_be_making_a_stronger_statement_with_willow/" />
      <id>tag:culture-making.com,2009:author/9.506</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Real artists ship, dam it!”</em><br />		
		<p>Messner has already overthought and razed two dams this season alone. He dismissed the proportions of the first as “aesthetically dysfunctional,” and the second was built out of cottonwood, which he called “a mistake.” But, according to Messner, the latter experience got him thinking about different woods in ways he had never considered.</p>

<p>“What woods are the sturdiest, or the most visually pleasing?” Messner said. “What does a birch dam say? Everyone seems to love sugar maple, but it’s such an overfamiliar scrub tree. Would I be making a stronger statement with willow? I don’t want this to be one of those generic McDams.”</p>

<p>“What do I have to say—as a beaver and as an artist?” he added. </p>

<p>After much thought, Messner decided to reconstruct the anterior section of the dam with poplar wood on Tuesday, after he finished “highly necessary” preparatory work chewing the branches into uniform-sized interlocking sticks. Yet such tasks struck fellow lodge members as excessive. </p>

<p>“Get to work, get to work, build the dam, build the dam,” Cyril Kyree said as he dragged a number of logs into the shallow lick of river where the rest of the lodge has built their nests. “Chew-chew-chew. Need a mate. Build the dam.” 

</p><hr />
<div class="author" style="font-size: -1">from ”<a href="http://www.theonion.com/content/news/beaver_overthinking_dam">Beaver Overthinking Dam</a>”, <a href="http://www.theonion.com/"><i>The Onion</i></a>, 19 April 2006 :: via <a href="http://www.3quarksdaily.com/">3quarksdaily</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>“Mona Lisa Fever”, by Rehan Shaikh</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/mona_lisa_fever_by_rehan_shaikh/" />
      <id>tag:culture-making.com,2009:author/9.501</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A prime example of the way that digital cameras are changing the way we look at things—it isn't as real when you aren't watching it on a screen.”</em><br />		
		<a href="http://www.filemagazine.com/thecollection/archives/2008/06/mona_lisa_fever.html"><img src="http://horizonsofthepossible.com/media/IMG_2083.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">“<a href="http://www.filemagazine.com/thecollection/archives/2008/06/mona_lisa_fever.html">Mona Lisa Fever</a>”, by <a href="http://www.flickr.com/rehanshaikh">Rehan Shaikh</a>, 2008 :: via <a href="http://www.filemagazine.com/">FILE Magazine</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Edge&#45;notched cards</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/edge_notched_cards/" />
      <id>tag:culture-making.com,2009:author/9.469</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“That great lover of paper ephemera Nicholson Baker would likely note all the extraneous, but scrutinizable data left on the edges of these cards in their handling and sorting—an unrecorded search history in the sections of card-edge gone dark and felty with repeated sorts.”</em><br />		
		<p><img src="http://media.tumblr.com/1MfGe5umUackm0hmMTT3hYsV_500.jpg"><br><br><a href="http://www.kk.org/thetechnium/archives/2008/06/one_dead_media.php">Edge-notched cards</a> were invented in 1896. These are index cards with holes on their edges, which can be selectively slotted to indicate traits or categories, or in our language today, to act as a field. Before the advent of computers were one of the few ways you could sort large databases for more than one term at once.
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<div class="author" style="font-size: -1">a <a href="http://ayjay.tumblr.com/post/38804565">more than 95 theses</a> post by Alan Jacobs</div>		

	
			
			
			
		
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    </entry>


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