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    <title type="text">Culture Making items tagged sport</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2009-01-07T20:43:49Z</updated>
    <rights>Copyright (c) 2009, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>The counter&#45;intuitive comparison of all things</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_counter_intuitive_comparison_of_all_things/" />
      <id>tag:culture-making.com,2009:author/9.994</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<b>Nate: </b><em>“The video, for all its self-knowingly unironic earnestness (parse that!) is a little longwinded, and at times sounds like an unedited section of a Wes Anderson opening act—but I must say it fared exceedingly well with the small test audience I forwarded the link to yesterday. And, as Andy points out in the book, culture making is all about not just creating new stuff, but about careful and thoughtful cultivation and celebration of the good stuff that's already there.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://www.kottke.org/08/10/the-counterintuitive-comparison-of-all-things">kottke.org</a> post, 29 October 2008</div><hr />		
		<p>The goal of the creators of The Big Chart, The Counter-Intuitive Comparison Institute of North America (CICINA), is to find the single best thing in the world through an NCAA basketball tournament-style bracketing system. <a href="http://homepage.mac.com/clintwynn/thebigchart/thebigchart.html">This video explains their plans</a>.</p><p>&#8220;Is the Bilbao Guggenheim better than McDonald&#8217;s french fries?Are penguins better than Miracle Grow? Can anything beat heated seats on a cold November day?&#8221;</p><p>(via <a href="http://designobserver.com/">design observer</a>)
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    <entry>
      <title>From Polynesia with love</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/from_polynesia_with_love/" />
      <id>tag:culture-making.com,2009:author/9.920</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<b>Nate: </b><em>“Rugby fan that I am, I find it odd to think of American football teams performing their own versions of the Polynesian pregame <i><a href="http://www.youtube.com/watch?v=83U_Vg1GRvA">haka</a></i> (here in Oregon I think it was brought over by Hawaiian football recruits). Still, it's a step in the right direction—now they just need to ditch the pads, helmets, and forward passes.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://www.kottke.org/08/10/intimidating-cultural-appropriation">kottke.org</a> post,  7 October 2008</div><hr />		
		<p><a href="http://www.ethanzuckerman.com/blog/2008/10/04/cultural-appropriation-of-the-kick-ass-kind/">The high school football team in Euless, TX (population 52,900) starts their games by performing the haka</a>, a chanting dance used to <a href="http://www.youtube.com/watch?v=AtDOwbahKjE">intimidating effect</a> by New Zealand&#8217;s All Blacks rugby team. What&#8217;s odd/interesting about this is that the Maori chant was appropriated by the team&#8217;s contingent of Tongan players&#8212;whose parents moved to the town to work at DFW airport&#8212;and has led to a greater sense of acceptance of the Tongans into the larger community. How&#8217;s that for multiculturalism?
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    <entry>
      <title>Reconciliation and the oval ball</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/reconciliation_and_the_oval_ball/" />
      <id>tag:culture-making.com,2009:author/9.849</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“One of my favorite Nelson Mandela moments was his brilliant conciliatory gesture when South Africa won the first post-Apartheid Rugby World Cup—donning a Springboks jersey (a symbol par excellance of Afrikaner cultural pride) and coming onto the field to join in the celebrations. I didn't remember the story below, which gets at the beginnings of Mandela's canny and graceful relation to the game.”</em><br />		
		<p>Towards the end of his 27 years in jail, Nelson Mandela began to yearn for a hotplate. He was being well fed by this point, not least because he was the world’s most famous political prisoner. But his jailers gave him too much food for lunch and not enough for supper. He had taken to saving some of his mid-day meal until the evening, by which time it was cold, and he wanted something to heat it up.</p><p>The problem was that the officer in charge of Pollsmoor prison’s maximum-security “C” wing was prickly, insecure, uncomfortable talking in English and virtually allergic to black political prisoners. To get around him, Mr Mandela started reading about rugby, a sport he had never liked but which his jailer, like most Afrikaner men, adored. Then, when they met in a corridor, Mr Mandela immediately launched into a detailed discussion, in Afrikaans, about prop forwards, scrum halves and recent games. His jailer was so charmed that before he knew it he was barking at an underling to “go and get Mandela a hotplate!”
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<div class="author" style="font-size: -1">from "<a href="http://www.economist.com/books/displaystory.cfm?story_id=12202525">Nelson Mandela | Rugby's role in his rise</a>," <a href="http://www.economist.com/"><i>The Economist</i></a>, 11 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>A long way from the rec room</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_long_way_from_the_rec_room/" />
      <id>tag:culture-making.com,2009:author/9.661</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“I've been so mesmerized by the online coverage of archery and weightlifting (no joke!) that I've yet to delve much into the table tennis archive at <a href="http://www.nbcolympics.com/tabletennis/index.html">nbcolympics.com</a> Though the action's a bit too quick to show up well on my broadband, alas.”</em><br />		
		<p>Doubles table tennis is so entertaining because it defies the laws of geometry. As anyone who’s played in a rec room fully understands, a Ping-Pong table simply isn’t big enough to accommodate four people. The key skill that every doubles team must master has nothing to do with shot-making or defense. Rather, it’s having the agility to get the hell out of the way of your partner.</p><p>In doubles table tennis, partners must alternate shots. That means the goal of any team is to sow confusion in the enemy—to make it so the player whose turn it is to hit has to get through his or her partner to do so. The highlight of a doubles match is when partners kick, trip, or smash into one another. I once saw a Malaysian duo knock heads so hard the match was delayed nearly half an hour. Also fun: when one player swings for the ball and hits his or her partner instead.</p><p>Sadly, at the Olympic level, the players are too accomplished for this to happen. Maybe it’s just as well, then, that doubles has been eliminated as an Olympic event.
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<div class="author" style="font-size: -1">from "<a href="http://www.slate.com/id/2197722/?from=rss">In praise of doubles table tennis</a>," by Robert Weintraub, <a href="http://www.slate.com/id/2197722/?from=rss"><i>Slate</i></a>, 18 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The claims we make on nature and beauty</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_claims_we_make_on_nature_and_beauty/" />
      <id>tag:culture-making.com,2009:author/9.625</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“An Olympic critique by one of the most insightful current writers about the confluence of art, nature, and technology.”</em><br />		
		<p>Sports bring us the human body as a manifestation of nature—not just the elegant forms of athletes, but their animal ability to move through air and water. At the Olympics, these bodies are co-opted by a political culture that wants to be seen as natural, legitimate, stirring, beautiful. Beautiful bodies are just one kind of nature that nations like to claim. After all, this country invented the idea of “national” parks and claims the sublimity of the Grand Canyon (which preceded it by hundreds of millions of years) and all those purple mountains’ majesty as part of its identity. Corporations too like pristine landscapes, particularly for advertisements in which an SUV perches on some remote ledge, or a high-performance car zips along a winding road through landscape splendor. Few car commercials portray gridlock or even traffic—that your car is just a car among cars—let alone the vehicle’s impact on those pristine environments. Of course most of us have become pretty well versed in critiquing advertisements as such—we assume they are coverups if not outright lies. But the Olympics have not been subjected to the same level of critique.
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<div class="author" style="font-size: -1">from "<a href="http://www.orionmagazine.org/index.php/articles/article/3058/">Looking Away from Beauty</a>," by Rebecca Solnit, <a href="http://www.orionmagazine.org/"><i>Orion Magazine</i></a>, July/August 2008 :: via <a href="http://web.ncf.ca/ek867/wood_s_lot.html">wood s lot</a></div>		

	
			
			
			
		
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    <entry>
      <title>Children practicing gymnastics, by Qiu Yan</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/children_practicing_gymnastics_by_qiu_yan/" />
      <id>tag:culture-making.com,2009:author/9.630</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“This image goes well with Mike Hickerson's answer to the question "What new culture is created in response to the Olympics?", over on our <a href="http://www.culture-making.com/five_questions/">five questions</a> page.”</em><br />		
		<a href="http://freakonomics.blogs.nytimes.com/2008/08/11/todays-china-communist-millionaires-kissing-contests-and-oh-yes-the-olympics/"><img src="http://culture-making.com/media/ChinaGym.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Children practicing gymnastics at a special school for athletes in Hubei province" (2004), by Qiu Yan, from <i><a href="http://www.amazon.com/China-Portrait-Country-James-Kynge/dp/383650569X/ref=pd_bbs_sr_1?ie=UTF8&s=books&qid=1218409044&sr=1-1">China: Portrait of a Country</a></i>, edited by Liu Heung Shing :: via <a href="http://freakonomics.blogs.nytimes.com/2008/08/11/todays-china-communist-millionaires-kissing-contests-and-oh-yes-the-olympics/">NYTimes.com Freakonomics blog</a></div>		

	
			
			
			
		
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    <entry>
      <title>The only pro game in Cambodia</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_only_pro_game_in_cambodia/" />
      <id>tag:culture-making.com,2009:author/9.592</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“An excellent use of disabled sport for culture-restoring. Click through for the pretty-good embedded mini-documentary ... with narration and background music provided/selected by non-Cambodians, which is kind of what you'd expect, though maybe not what you'd ultimately hope.”</em><br />		
		<p>Decades of war and internal strife have left Cambodia with one of the highest proportions of people disabled by land mines in the world. The country&#8217;s only professional sports league is the Cambodian National Volleyball League (Disabled), a network of volleyball teams whose players once fought against each other in times of civil war and now face each other on the court. They also sponsor a wheelchair racing program which empowers women who would traditionally be confined to their homes. Currently, the national volleyball team is ranked number three in the world, and regularly defeats non-disabled teams including an Australian navy squad which has tasted defeat three years running. These national heroes may have lost limbs to land mines, but they&#8217;ll still whoop you in volleyball.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.goodmagazine.com/section/Look/cambodian_sports">Cambodian Sports</a>," by Daniel Milder, <a href="http://www.goodmagazine.com/">GOOD Magazine</a>, 30 July 2008</div>		

	
			
			
			
		
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