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    <title type="text">Culture Making items tagged south+america</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2009-01-07T20:43:49Z</updated>
    <rights>Copyright (c) 2009, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>The Arabic Singing Diaspora, by Brian Eno</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_arabic_singing_diaspora_by_brian_eno/" />
      <id>tag:culture-making.com,2009:author/9.1034</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“In homage to their treasured 1931 blackboard full of Einstein equations, Oxford's Museum of the History of Science asked scientists, artists, etc. to each fill up a blackboard with something interesting. Here's what musician Brian Eno came up with: "This is the depiction of a theory that Arabic singing bounced around the world in several directions creating what we call popular music, and how the British Isles were central to this." Astute geographers will notice that Asia seems to have been omitted ... I'm sure there are plenty of arrows to be drawn up the Silk Road, down into India, across to the Indonesian archipelago ... culture, after all, gets around.”</em><br />		
		<a href="http://www.mhs.ox.ac.uk/blackboard/gallery.htm"><img src="http://culture-making.com/media/eno-l.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.mhs.ox.ac.uk/blackboard/gallery.htm">The Arabic Singing Dispora</a>," by Brian Eno, in the exhibit <i><a href="http://www.mhs.ox.ac.uk/blackboard/gallery.htm">Bye bye blackboard ... from Einstein and others</a></i>, April–September 2005 :: via <a href="http://www.veryshortlist.com/science/daily.cfm/review/791/Website/bye-bye-blackboard/?tp">VSL Science</a></div>		

	
			
			
			
		
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    <entry>
      <title>The places we live</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_places_we_live/" />
      <id>tag:culture-making.com,2009:author/9.973</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
<div class="author" style="font-size: -1">the <a href="http://www.veryshortlist.com/web/daily.cfm/review/712/Photograph/the-places-we-live/?tp">VSL:Web</a> post for 23 October 2008</div><hr />		
		<p>One <i>billion</i> people live in slums. Their numbers are supposed to double over the next quarter-century. So: Who <i>are</i> those people — and what must their lives be like?</p><p>The Norwegian photojournalist Jonas Bendiksen has spent a good deal of time in Indian, Kenyan, Indonesian, and Venezuelan slums, and his website, The Places We Live, features <a href="http://theplaceswelive.com/">dazzling 360-degree photos of homes and shanties, navigable and altogether immersive,</a> along with audio recordings made by the inhabitants. Prepare yourself to gape, gasp, laugh, cry, and experience every emotion in between: In Mumbai, you’ll meet the Shilpiri family (15 people crammed into a tiny space through which floodwater and garbage regularly stream). In Nairobi, the head of the Dirango household takes great pride in his cramped abode, giving a tour that takes just seconds. “You have to visit somewhere before you judge,” he explains. Thanks, Mr. Bendiksen, for starting us on the journey.
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    <entry>
      <title>Necessity &gt; custom &gt; obligation &gt; institution</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/necessity_custom_obligation_institution/" />
      <id>tag:culture-making.com,2009:author/9.970</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“One man's dedicated quest to alter the horizons of the possible in his home region. I like his description of how the project (or how he and his neighbors saw it) changed over time.”</em><br />		
		<p align=center><img src="http://culture-making.com/media/20burro01-600.jpg" alt="biblioburro"></p><p>In a ritual repeated nearly every weekend for the past decade here in Colombia’s war-weary Caribbean hinterland, Luis Soriano gathered his two donkeys, Alfa and Beto, in front of his home on a recent Saturday afternoon. Sweating already under the unforgiving sun, he strapped pouches with the word “Biblioburro” painted in blue letters to the donkeys’ backs and loaded them with an eclectic cargo of books destined for people living in the small villages beyond. His choices included “Anaconda,” the animal fable by the Uruguayan writer Horacio Quiroga that evokes Kipling’s “Jungle Book”; some Time-Life picture books (on Scandinavia, Japan and the Antilles); and the Dictionary of the Royal Academy of the Spanish Language.</p><p>“I started out with 70 books, and now I have a collection of more than 4,800,” said Mr. Soriano, 36, a primary school teacher who lives in a small house here with his wife and three children, with books piled to the ceilings. “This began as a necessity; then it became an obligation; and after that a custom,” he explained, squinting at the hills undulating into the horizon. “Now,” he said, “it is an institution.”</p><p> A whimsical riff on the bookmobile, Mr. Soriano’s Biblioburro is a small institution: one man and two donkeys. He created it out of the simple belief that the act of taking books to people who do not have them can somehow improve  this impoverished region, and perhaps Colombia.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/10/20/world/americas/20burro.html?_r=1&sq=biblioburro&st=cse&oref=slogin&scp=1&pagewanted=print">Acclaimed Colombian Institution Has 4,800 Books and 10 Legs</a>," by Simon Romero, photo by Scott Dalton, <a href="http://www.nytimes.com/2008/10/20/world/americas/20burro.html?_r=1&sq=biblioburro&st=cse&oref=slogin&scp=1&pagewanted=print"><i>The New York Times</i></a>, 19 October 2008 :: via <a href="http://www.boston.com/bostonglobe/ideas/brainiac/2008/10/bookmobile_meet.html">Brainiac</a></div>		

	
			
			
			
		
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    <entry>
      <title>Stone wall, Cuzco, Peru</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/stone_wall_cuzco_peru/" />
      <id>tag:culture-making.com,2009:author/9.927</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I'm familiar (but none the less amazed) with the look of Cuzco's famous mortarless Incan masonry (talk about a well-disciplined cultural offering!), the seams between the blocks at once organic and artificial. But whenever I see another image like this, I wonder what the seams look like on the inside—do the joints just go straight back? Do things get even more complex?”</em><br />		
		<a href="http://www.flickr.com/photos/io747/2539164551/"><img src="http://culture-making.com/media/2539164551_9a7571cd4c_o.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.flickr.com/photos/io747/2539164551/">the wall</a>," by flickr user <a href="http://www.flickr.com/photos/io747/2539164551/">lo747</a>, 13 March 2008 :: via <a href="http://www.flickr.com/groups/intelligent_travel/pool/">Intelligent Travel Flickr Pool</a></div>		

	
			
			
			
		
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    <entry>
      <title>Some of the loneliest languages</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/some_of_the_loneliest_languages/" />
      <id>tag:culture-making.com,2009:author/9.788</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Dispatches from (but not in) dying tongues. The author's book <a href="http://www.amazon.com/One-Thousand-Languages-Living-Endangered/dp/0520255607">1000 Languages</a> is presumably much more inclusive but, if the lone Amazon.com reviewer's to believed, heavier on anecdote than thoroughness and fact-checking, alas.”</em><br />		
		<p><b>5. Yuchi</b></p><p>Yuchi is spoken in Oklahoma, USA, by just five people all aged over 75. Yuchi is an isolate language (that is, it cannot be shown to be related to any other language spoken on earth). Their own name for themselves is Tsoyaha, meaning “Children of the Sun”. Yuchi nouns have 10 genders, indicated by word endings: six for Yuchi people (depending on kinship relations to the person speaking), one for non-Yuchis and animals, and three for inanimate objects (horizontal, vertical, and round). Efforts are now under way to document the language with sound and video recordings, and to revitalise it by teaching it to children.</p>
<p><b>6. Oro Win</b></p><p>
The Oro Win live in western Rondonia State, Brazil, and were first contacted by outsiders in 1963 on the headwaters of the Pacaas Novos River. The group was almost exterminated after two attacks by outsiders and today numbers just 50 people, only five of whom still speak the language. Oro Win is one of only five languages known to make regular use of a sound that linguists call “a voiceless dental bilabially trilled affricate”. In rather plainer language, this means it’s produced with the tip of the tongue placed between the lips which are then vibrated (in a similar way to the brrr sound we make in English to signal that the weather is cold).</p><p><b>7. Kusunda</b></p><p>
The Kusunda are a former group of hunter-gatherers from western Nepal who have intermarried with their settled neighbours. Until recently it was thought that the language was extinct but in 2004 scholars at Tribhuvan University in Kathmandu located eight people who still speak the language. Another isolate, with no connections to other languages.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.guardian.co.uk/books/2008/aug/27/endangered.languages">Top 10 endangered languages</a>," by Peter K. Austin, <a href="http://www.guardian.co.uk/books/2008/aug/27/endangered.languages">guardian.co.uk</a>, 27 August 2008 :: via <a href="http://www.languagehat.com/archives/003233.php">languagehat.com</a></div>		

	
			
			
			
		
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    <entry>
      <title>The meals on the bus go round and round</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_meals_on_the_bus_go_round_and_round/" />
      <id>tag:culture-making.com,2009:author/9.662</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“A great example of making the most of a captive audience (and somewhat lax boarding and vending rules). I recall similar parades (but with beggars and musicians included) on Indian trains and -- do I remember right? -- New York subways.”</em><br />		
		<p>In <a href="http://travel.nytimes.com/travel/guides/central-and-south-america/ecuador/overview.html?inline=nyt-geo" title="Go to the Ecuador Travel Guide.">Ecuador</a>, the sources of some of the best bargain eating can’t be marked in a guidebook or circled on a map. In fact, even a well-versed local won’t be able to tell you exactly when and where to find these particular meals. Mostly, you just have to sit back until they find you, which they inevitably do, courtesy of a series of one-person mobile-food-stand entrepreneurs who hop aboard public buses, sell their delicious and amazingly varied wares and hop out until the next group of captive diners rolls by. </p><p>These gray-market vendors thrive on the ridership on Ecuador’s efficient and extensive bus system. In Cumandá terminal in <a href="http://travel.nytimes.com/travel/guides/central-and-south-america/ecuador/quito/overview.html?inline=nyt-geo" title="Go to the Quito Travel Guide.">Quito</a>, more than 30 competing bus companies vie for customers, shouting impending departures from their ticket windows, so the wait is never long and the price is right. Even at the extranjeros, or foreigners’, price, tickets average $1 per hour of travel (the American dollar has been the official currency since 2000). Besides the <a href="http://travel.nytimes.com/travel/guides/music/overview.html?inline=nyt-classifier" title="">music</a>, all buses come with air-conditioning — and a chance to acquaint yourself with local culture and cuisine.</p><p>On my recent three-and-a-half-hour bus journey down the Pan-American Highway, the ice-cream man was only one of dozens of people who jumped aboard at various stops as we beat a path southward from the capital city of Quito to the nation’s adventure mecca, Baños, through the valley known as Avenue of the Volcanoes. The vendors hawked everything from herbal cures to watches, but the real one-of-a-kind items were brought aboard by people clutching baskets or coolers, like the helado man. The homemade sweets and snacks they sell, along with the fast food cooked up at stands around markets and bus stations, offered a thorough sampling of regional specialties.
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</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://travel.nytimes.com/2008/08/17/travel/17journeys.html?ex=1376625600&en=d48ee2b240d50b3e&ei=5124&partner=permalink&exprod=permalink">Meals and Wheels on Ecuador’s Avenue of Volcanoes</a>," by Martina Sheehan, <a href="http://travel.nytimes.com/"><i>New York TImes</i></a>, 17 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Fruteria on the corner of Billinghurst and Mansilla, by Thomas Locke Hobbs</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/fruteria_on_the_corner_of_billinghurst_and_mansilla_by_thomas_locke_hobbs/" />
      <id>tag:culture-making.com,2009:author/9.623</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Of this photo, my friend Thomas writes: "Talk about a special pineapple! The straw that outlines the shape of this <i>fruta elegida</i> reminds me of a shimmering believer from some <a href="http://en.wikipedia.org/wiki/Image:2205grec.jpg">El Greco painting</a>." Indeed. I love the amount of care that must go in to the daily arranging and rearranging of these displays -- click through to the original photo to see it in its full-sized glory.”</em><br />		
		<a href="http://www.thomaslockehobbs.com/2008/08/fruteria-on-corner-of-billinghurst-and.html"><img src="http://culture-making.com/media/1075.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.thomaslockehobbs.com/2008/08/fruteria-on-corner-of-billinghurst-and.html">Fruteria on the corner of Billinghurst and Mansilla</a>" (Buenos Aires, Argentina), by <a href="http://www.thomaslockehobbs.com/">Thomas Locke Hobbs</a>, 1 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Community kitchens in Lima, Peru</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/community_kitchens_in_lima_peru/" />
      <id>tag:culture-making.com,2009:author/9.602</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“This reminds me of the community ovens that I've heard about in North Africa and Lebanon, where women make their dough at home and then drop it off to be baked. Though I think the savings there is mostly one of fuel and avoided kitchen heat.”</em><br />		
		<p>Steam rises into air thick with the scent of garlic as women prepare lunch for 120 of Peru’s neediest.
<br />
</p>
<p>
But this is no charity. Obaldina Quilca and Veronica Zelaya – who are on cooking duty today – are also beneficiaries of one of the estimated 5,000 community kitchens run by women in Peru’s capital, Lima.
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</p>
<p>
The kitchens started in the 1970s and persisted through the ‘80s and ‘90s, through dictatorship, terrorism, and hyperinflation that brought Peru to its knees. And now that global food prices have put basic staples out of reach for families across the region, the kitchens that feed an estimated half million residents of metropolitan Lima every day are again providing a refuge.
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</p>
<p>
But their work goes well beyond survival; the kitchens have become a vehicle for collective action, giving women the self-esteem to denounce government shortcomings and demand change. They have risen as one of the most significant women’s organizations in Latin America, and today are on the forefront of protests demanding solutions to a cost of living that many say is reversing recent progress in reducing poverty.
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</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.csmonitor.com/2008/0729/p01s01-woam.html">Peru's women unite in kitchen — and beyond</a>," by Sara Miller Llana, <a href="http://www.csmonitor.com/"><i>Christian Science Monitor</i></a>, 28 July 2008 :: via <a href="http://latimesblogs.latimes.com/laplaza/2008/07/community-kitch.html">La Plaza</a></div>		

	
			
			
			
		
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    <entry>
      <title>All the countries that&#8217;re fit to print</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/all_the_countries_thatre_fit_to_print/" />
      <id>tag:culture-making.com,2009:author/9.552</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“With the exception of Mongolia, contries near the interior of ther respective continents seem to get a lot less coverage: Paraguay, Hungary, Congo and Niger.”</em><br />		
		<a href="http://www.verysmallarray.com/?p=527"><img src="http://www.culture-making.com/media/080721_nytimes1.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"The World as Reported by the <i>New York Times</i>", <a href="http://www.verysmallarray.com/?p=527">very small array</a>, 21 July 2008 :: via <a href="http://www.kottke.org">kottke.org</a></div>		

	
			
			
			
		
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    <entry>
      <title>Ingrid Betancourt’s amazing post&#45;rescue press conference</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/ingrid_betancourts_amazing_post_rescue_press_conference/" />
      <id>tag:culture-making.com,2009:author/9.502</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/4AkU6mesU6A&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/4AkU6mesU6A&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object>
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<b>Nate: </b><em>“To endure years of jungle captivity and then give a post-rescue press conference as graceful (in multiple senses) as this ... it's just amazing. Yes, it's all in Spanish, but just listen to her tone as she describes the moment of rescue (2:25 in). "The helicopter almost fell from the sky, because we were jumping, shouting, crying, embracing, we couldn't believe it. God has done a miracle for us -- and it's a miracle that I wanted to share with all of you, because all of you have suffered with my family, with my children, with me ..."”</em><br /><hr /><span style="font-size: -1"><a href="http://www.eltiempo.com/">ELTIEMPO.COM</a></span>

	
			
			
			
		
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    <entry>
      <title>Bolivia&#8217;s volunteer zebras</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/bolivias_volunteer_zebras/" />
      <id>tag:culture-making.com,2009:author/9.430</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“A fun quick way to address (or at least bring attention to) a public safety concern. It does seem like the zebra costumes' restricted vision might be a problem. Also ironic given that real-life zebras' stripes function as camouflage ...”</em><br />
<div class="author" style="font-size: -1">a <a href="http://www.kottke.org/remainder/08/06/15786.html">kottke.org</a> post, 8 June 2008</div><hr />		
		<p><a href="http://www.lonelyplanet.tv/Clip.aspx?key=F6C841FC760DECE9">A video clip of La Paz, Bolivia’s crossing guard zebras</a>, the Cebra Voluntaria. Traffic in La Paz is so dangerous that its mayor started a program to have youths dressed as zebras help people across the city’s busiest intersections. From <a href="http://www.monocle.com/sections/affairs/Magazine-Articles/Mane-street---La-Paz/">the recent issue of Monocle</a>:</p><blockquote><p>It doesn’t get much busier than La Paz’s Plaza San Francisco of a Friday afternoon. Two zebras stand on the curb chatting with a teenage girl. Then something remarkable happens: the traffic light turns red, and at the sight of the zebras, the cars actually stop. One driver, however, is a little slow and the nose of his car is left hanging over the crossing. One of the zebras skips over to the offending car and mimes pushing it backwards. Then he continues skipping across to the other side of the street.</p></blockquote> (<a href="http://www.kottke.org/remainder/08/06/15786.html">link</a>)

		

	
			
			
			
		
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