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    <title type="text">Culture Making items tagged sculpture</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2012-02-08T19:38:35Z</updated>
    <rights>Copyright (c) 2012, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2012:02:08</id>


    <entry>
      <title>Forever Bicycles, by Ai Weiwei</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/forever_bicycles_by_ai_weiwei/" />
      <id>tag:culture-making.com,2012:author/9.2018</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Chinese artist and activist <a href="http://en.wikipedia.org/wiki/Ai_Weiwei">Ai Weiwei</a> has an exhibition running through the end of this month at the Taipei Fine Art Museum—his first large-scale solo show, apparently, in the Chinese world. The show features a wide range of works in the border zone between sculpture and found object assembly. The knockout piece is undoubtedly this one, a layered vertical labyrinth of 1200 bicycles (sans seats and handlebars). The exhibition, incidentally, is titled <em>Absent</em> because Ai remains under a travel ban in China and won't be able to attend.”</em><br />		
		<a href="http://www.fastcodesign.com/1665720/ai-weiwei-piles-1200-bikes-on-top-of-each-other-for-dazzling-effect"><img src="http://www.culture-making.com/media/foreverbicycles.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.tfam.museum/TFAM_Exhibition/exhibitionDetail.aspx?PMN=1&ExhibitionId=417&PMId=417t">Forever Bicycles</a>," by Ai Weiwei, <a href="http://www.tfam.museum/TFAM_Exhibition/exhibitionDetail.aspx?PMN=1&ExhibitionId=417&PMId=417">Taipei Art Museum</a>, 2011 :: via <a href="http://www.fastcodesign.com/1665720/ai-weiwei-piles-1200-bikes-on-top-of-each-other-for-dazzling-effect">Co.Design</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Watts Towers, photo by Ryan Dickey</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/watts_towers_photo_by_ryan_dickey/" />
      <id>tag:culture-making.com,2012:author/9.1984</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“The Watts Towers, a towering cathedral of folk art built as a passion project by Simon Rodilla, an Italian immigrant, are one of my favorite things about Los Angeles. I'd lived in the region for years before finding out about them in the companion book to Jacob Bronowski's BBC series <a href="http://en.wikipedia.org/wiki/The_Ascent_of_Man">The Ascent of Man</a>. I was reminded of it all by this headline yesterday: <a href="http://www.nytimes.com/2011/02/08/us/08watts.html?_r=1&hp">Budget Cuts Threaten a Hidden Treasure in Watts</a>. Part and parcel to the threat is that few Angelinos visit the Towers; when people come, they're usually foreign tourists.”</em><br />		
		<a href="http://www.flickr.com/photos/meesterdickey/3357821107/sizes/z/in/photostream/"><img src="http://www.culture-making.com/media/3357821107_f53d5d2d46_z.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.flickr.com/photos/meesterdickey/3357821107/sizes/z/in/photostream/">Untitled</a>" (Watts Towers), by Ryan Dickey, <a href="http://www.flickr.com/photos/meesterdickey/3357821107/sizes/z/in/photostream/">Wallula Junction/Flickr</a>, 2009</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Re&#45;kindling, by Shawn Smith</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/re-kindling_by_shawn_smith/" />
      <id>tag:culture-making.com,2012:author/9.1929</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Texas artist Shawn Smith creates sculptures inspired by low-resolution computer imagery, made from painted plywood rods. Fire and animals are his most common subjects.”</em><br />		
		<a href="http://www.shawnsmithart.com/images.htm"><img src="http://culture-making.com/media/Rekindling.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.shawnsmithart.com/images.htm">Re-kindling</a>," plywood, ink, spray paint, and acrylic paint, by <a href="http://www.shawnsmithart.com/images.htm">Shawn Smith</a>, 2008 :: via <a href="http://waxy.org/links/">Waxy.org</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>MorningStar (detail), by Alison Stigora</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/morningstar_detail_by_alison_stigora/" />
      <id>tag:culture-making.com,2012:author/9.1919</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I love Alison Stigora's moving nearly-monochrome <a href="http://alisonstigora.com/section/57557_Drawings.html">drawings</a> and <a href="http://alisonstigora.com/section/57537_Sculpture_Installation.html">sculptural installations</a>—in particular how she creates her thickets, nests, and networks of bleached or darkened branches equally well in two and three dimensions. ArtPneuma has posted a <a href="http://www.youtube.com/user/ArtPneuma#p/u/2/GtNyIC6hy-s">ten-minute interview</a> with Alison about her creative process and her thoughts about the aesthetics of natural destruction.”</em><br />		
		<a href="http://alisonstigora.com/artwork/1057110_MorningStar_detail.html"><img src="http://culture-making.com/media/MorningStar.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://alisonstigora.com/artwork/1057110_MorningStar_detail.html">MorningStar</a>" (detail; full image <a href="http://alisonstigora.com/artwork/998320_MorningStar.html">here</a>), India ink, acrylic, graphite, wax marker on photo collage, by <a href="http://alisonstigora.com/home.html">Alison Stigora</a>, 2009 :: thanks <a href="http://jaywalkergallery.com/home.html">Jay Walker</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Dollar 009, by lolay</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/dollar_009_by_lolay/" />
      <id>tag:culture-making.com,2012:author/9.1778</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Christy: </b><em>“This picture was taken by IAM's <a href="http://www.internationalartsmovement.org/bangkok">Bangkok</a> liaison during a recent gallery tour in Thailand, and I found it to be quite startling. At first glance, the sculpture by Thai artist Lolay of a futuristic female figure sitting on a bucket like a <a href="http://en.wikipedia.org/wiki/Busking">busker</a> was pretty interesting to me on its own. But then I noticed the little people walking around under her and realized the huge scale of this piece, which stands over twenty feet tall at the <a href="http://www.bacc.or.th/">Bangkok Arts and Culture Center</a>. According to the artist's statement, she represents human beings adapting to unpredictable changes in the economy, environment, politics, technology, etc., and the 'Dollar' name pertains to the United States and how it affects the rest of the world in so many aspects.”</em><br />		
		<a href="http://lolaytoon.exteen.com/"><img src="http://culture-making.com/media/dollar009_lolay_photo_tim-mills.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Dollar 009," fiberglass and coated enamel, 6.3 by 2.6 meters, by <a href="http://lolaytoon.exteen.com/">lolay</a>, photo by Tim Mills, IAM Bangkok</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>HIV, by Luke Jerram</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/hiv_by_luke_jerram/" />
      <id>tag:culture-making.com,2012:author/9.1642</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Nearly all the images we see of viruses use false coloration, either for illustrative or aesthetic purposes. Glass sculptor Luke Jerram makes clear, colorless models of viruses and bacteria, working in consultation with microbiologests and under the glass-given physical constraints of gravity and fragility. The resulting works (including all the big names: E. coli, swine flu, Ebola, smallpox, and HIV) are stunning and sobering. Jerret's website quotes a note he received from an unnamed viewer: "I just saw a photo of your glass sculpture of HIV. I can't stop looking at it. Knowing that millions of those guys are in me, and will be a part of me for the rest of my life. Your sculpture, even as a photo, has made HIV much more real for me than any photo or illustration I've ever seen. It's a very odd feeling seeing my enemy, and the eventual likely cause of my death, and finding it so beautiful."”</em><br />		
		<a href="http://www.lukejerram.com/projects/glass_microbiology"><img src="http://culture-making.com/media/large_hiv_luke_jerram.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.lukejerram.com/projects/glass_microbiology">HIV</a>," 22cm, from the sculpture series <a href="http://www.lukejerram.com/projects/glass_microbiology">Glass Microbiology</a>, by Luke Jerram <a href="http://www.thesmithfieldgallery.com/">Smithfield Gallery, London</a>, 22 September–9 October 2009 :: via <a href="http://freakonomics.blogs.nytimes.com/2009/09/22/smallpox-as-art/">Freakonomics Blog</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Woven and torn</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/woven_and_torn/" />
      <id>tag:culture-making.com,2012:author/9.1639</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“A few weeks ago I had the great pleasure of visiting with the faculty of the Department of Art at Azusa Pacific University—the only member of the Council of Christian Colleges and Universities that that offers an M.F.A. in studio art. Among the exceptional artists and scholars I met was Joo Kim, a visiting scholar at APU this year, whose show "Recent Works" is at the university's Heritage Gallery through this week. Her handsewn works in linen and other fabric are both accessible and difficult explorations of pain, loss, separation, and redemption—very much worth a visit if you are near Azusa, California, in the next few days.”</em><br />		
		<a href="http://www.apu.edu/calendar/eventdetails/index.php?evt_id=22749"><img src="http://www.culture-making.com/media/jookimapu.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.apu.edu/calendar/eventdetails/index.php?evt_id=22749">Recent Works - Joo Kim</a>," <a href="http://www.apu.edu/">Azusa Pacific University</a>, 7 September–2 October 2009 :: image courtesy of the artist and Azusa Pacific University Department of Art</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Of the Peculiar, by Barry Krammes</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/of_the_peculiar_by_barry_krammes/" />
      <id>tag:culture-making.com,2012:author/9.1615</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Christy: </b><em>“Image Journal's current artist of the month is Barry Krammes, my favorite found-objects artist. This sculpture, <i>Of the Peculiar,</i> is an assemblage piece using an assortment of miniatures, scraps of toys, and other repurposed items which, when put together, create a scene somewhere between child's play and macabre theatre.”</em><br />		
		<a href="http://imagejournal.org/uploadedfiles/Image/visual_art/aom/Of%20The%20Peculiar%202.jpg"><img src="http://www.culture-making.com/media/Of-The-Peculiar-2.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://imagejournal.org/uploadedfiles/Image/visual_art/aom/Of%20The%20Peculiar%202.jpg">Of the Peculiar</a>," by Barry Krammes, <a href="http://imagejournal.org/page/artist-of-the-month/barry-krammes">Image</a>, September 2009</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Burnt wood and India ink</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/burnt_wood_and_india_ink/" />
      <id>tag:culture-making.com,2012:author/9.1580</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Christy: </b><em>“One of the emerging artists I'm most excited about these days is Philadelphia-based Alison Stigora. "MorningStar," her upcoming solo exhibition at <a href="http://www.sju.edu/resources/gallery/">Saint Joseph's University</a> (31 August–25 September), is sure to be rife with India ink and burnt wood—two of her favorite media.”</em><br />		
		<a href="http://alisonstigora.com/artwork/408558_with_expectancy_we_wait.html"><img src="http://culture-making.com/media/stigoraalison4.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://alisonstigora.com/artwork/408558_with_expectancy_we_wait.html">With Expectancy We Wait</a>," India ink 36" x 40", by <a href="http://alisonstigora.com/home.html">Alison Stigora</a>, 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Man on Flying Machine, by Yinka Shonibare</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/man_on_flying_machine_by_yinka_shonibare/" />
      <id>tag:culture-making.com,2012:author/9.1509</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“The Nigerian-British artist Yinka Shonibare has made a whole fascinating series of race/class remix sculptures featuring mannequins of 18th-century European dandies dressed in period clothing cut from "African" Dutch-wax fabrics (made in Manchester and the Netherlands, purchased by the artist in Brixton Market, London). He's currently got a big exhibition up at the <a href="http://www.brooklynmuseum.org/exhibitions/yinka_shonibare_mbe/">Brooklyn Museum</a>.”</em><br />		
		<a href="http://www.jamescohan.com/artists/yinka-shonibare-mbe/selected-works-all/"><img src="http://www.culture-making.com/media/e3154742.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.jamescohan.com/artists/yinka-shonibare-mbe/selected-works-all/">Man on Flying Machine</a>" (2008), by Yinka Shonibare, <a href="http://www.jamescohan.com/artists/yinka-shonibare-mbe/selected-works-all/">James Cohan Gallery</a> :: via <a href="#">Daily Serving</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Untitled, by Joseph Cornell</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/untitled_by_joseph_cornell/" />
      <id>tag:culture-making.com,2012:author/9.1505</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“This morning's reading: an Octavio Paz poem, translated by Elizabeth Bishop. '<a href="http://www.poesia-inter.net/op15021uk.htm">Objects & Apparitions, For Joseph Cornell</a>.' Here's a pair of stanzas to whet the appetite:<br><br>
'"One has to commit a painting," said Degas,<br>"the way one commits a crime." But you constructed<br>boxes where things hurry away from their names.<br><br>Slot machine of visions,<br>condensation flask for conversations,<br>hotel of crickets and constellations.'”</em><br />		
		<a href="http://www.ibiblio.org/wm/paint/auth/cornell/"><img src="http://culture-making.com/media/cornell.1942.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1"><a href="http://www.ibiblio.org/wm/paint/auth/cornell/"><i>Untitled</i></a> (13 1/8 x 10 x 3 1/2 in; private collection), by Joseph Cornell, 1942</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Storm King Wavefield, by Maya Lin</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/storm_king_wavefield_by_maya_lin/" />
      <id>tag:culture-making.com,2012:author/9.1429</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Earthworks beauty in upstate New York, from the architect of the Vietnam Veterans Memorial.”</em><br />		
		<a href="http://www.stormking.org/2009_exhibition.html"><img src="http://culture-making.com/media/WAVE-FIELD-EB97_LG.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1"><i><a href="http://www.stormking.org/2009_exhibition.html">Storm King Wavefield</a></i> (2007–2008), 11 acres of earth and grass, by Maya Lin, part of the exhibition <i>Maya Lin: Bodies of Water</i> at the <a href="http://www.stormking.org/2009_exhibition.html">Storm King Art Center</a>, New Windsor, NY, 9 May–15 November 2009, photograph by Jerry L. Thompson :: via <a href="http://www.nytimes.com/2009/05/08/arts/design/08lin.html">NYTimes.com</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Making wonderful curves</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/making_wonderful_curves/" />
      <id>tag:culture-making.com,2012:author/9.1231</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Inspired in part by reading Gandhi, Martin Luther King, and Nelson Mandela, an artist has created a fruitful long-term creative partnership with the residents of an inner-city neighborhood in North Philadelphia.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/lilyinfrontofher41db71_210.jpg" alt="image"></div><p>Twenty years later, this area is still poor, with high unemployment but hope can be found at the <a target="new" href="http://www.villagearts.org/">Village of Arts and Humanities</a>.&nbsp; That’s what the small art park has grown into—a tangible symbol of renewal that covers more than 120 formerly abandoned lots with murals, sculpture gardens, mosaics, flowers, community gardens, playgrounds, performance spaces, basketball courts, art studios, even a tree farm.&nbsp; </p><p>“The entire community seems to take part in the use of the spaces,” writes Kathleen McCarthy, who nominated the Village for Project for Public Space’s authoritative list of the world’s <a target="new" href="http://www.pps.org/great_public_spaces/">Great Public Spaces</a>. “As we walked down the street, trying to find one of the parks, a man walking beside us directed us to the Park, and told us the history of it and the wonderful artist, Lily Yeh who started the park. He spoke with pride that this was a part of his community. We sat on the benches made of smashed tile and mirror, making wonderful curves and places to sit. Across from us, women sat and smiled, waved. Children ran over and asked us to hide them during a game of hide-and-seek…. I’ve never felt more welcomed in an unfamiliar place.” </p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.worldchanging.com/archives/009275.html">An Artist Whose Masterpiece Is a Neighborhood Transformed</a>," by Jay Walljasper, <a href="http://www.worldchanging.com/archives/009275.html">Worldchanging</a>, 7 January 2009</div>		

	
			
			
			
		
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    <entry>
      <title>Fighting time with marble</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/fighting_time_with_marble/" />
      <id>tag:culture-making.com,2012:author/9.1215</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
<div class="author" style="font-size: -1">"To the Stone-Cutters," by Robinson Jeffers (1887–1962) :: via <a href="http://page2rss.com/95518b72534f65cfd70c29e2202484d7/4223379_4226987">wood s lot</a></div><hr />		
		<p>Stone-cutters fighting time with marble, you foredefeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain. The poet as well
Builds his monument mockingly;
For man will be blotted out, the blithe earth die, the brave sun
Die blind and blacken to the heart:
Yet stones have stood for a thousand years, and pained thoughts found
The honey of peace in old poems.</p>
		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Electronic Superhighway: Continental U.S., by Nam June Paik</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/electronic_superhighway_continental_us_by_nam_june_paik/" />
      <id>tag:culture-making.com,2012:author/9.1194</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I like how the Mississippi River seems to glow extra-brightly, a nod perhaps to a superhighway of a different era.”</em><br />		
		<a href="http://www.flickr.com/photos/aon/1577071815/"><img src="http://culture-making.com/media/1577071815_12c03a177f_b.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.flickr.com/photos/aon/1577071815/">Electronic Superhighway: Continental U.S.</a>," by <a href="http://en.wikipedia.org/wiki/Nam_June_Paik">Nam June Paik</a>, Smithsonian Museum of American Art, photo by <a href="http://www.flickr.com/photos/aon/1577071815/">angela n</a> (Flickr), 8 October 2007 :: via <a href="http://www.flickr.com/groups/intelligent_travel/pool/">Intelligent Travel</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Making of a chair</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/making_of_a_chair/" />
      <id>tag:culture-making.com,2012:author/9.1146</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p align="center"><embed src="http://services.brightcove.com/services/viewer/federated_f8/1316333565" bgcolor="#FFFFFF" flashVars="videoId=1586418314&amp;playerId=1316333565&amp;viewerSecureGatewayURL=https://console.brightcove.com/services/amfgateway&amp;servicesURL=http://services.brightcove.com/services&amp;cdnURL=http://admin.brightcove.com&amp;domain=embed&amp;autoStart=false&amp;" base="http://admin.brightcove.com" name="flashObj" width="420" height="356" seamlesstabbing="false" type="application/x-shockwave-flash" swLiveConnect="true" pluginspage="http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash"></embed>
</p><br />
<b>Andy: </b><em>“This (longish) video on the making of Eames fiberglass chairs circa 1970 is striking for its juxtaposition of tools and techniques that range from the quintessentially modern to the surprisingly old-fashioned (to the alarming—I don't think you're supposed to handle fiberglass with your bare hands!). And for the unbearably 1970s flute soundtrack. And for the chairs themselves, still cool and cozy after all these years.”</em><br /><hr /><span style="font-size: -1">from "<a href="http://blog.robustflavor.com/2008/11/18/the-shell-chair-by-charles-eames">The Shell Chair by Charles Eames</a>," <a href="http://blog.robustflavor.com/">Robust Flavor</a>, 18 November 2008 :: via <a href="http://www.37signals.com/svn/">37 Signals</a> via <a href="http://www.coudal.com/">Coudal</a> ad infinitum</span>

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Cartonlandia, by Ana Serrano</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/cartonlandia_by_ana_serrano/" />
      <id>tag:culture-making.com,2012:author/9.1067</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“<div style="float:right; padding:5px 5px 5px 5px"><img src="http://culture-making.com/media/shapeimage_2_210.jpg" alt="image"></div> I love the color and use of flatness and space in this collage-like sculpture by the young L.A. artist Ana Serrano.”</em><br />		
		<a href="http://www.designboom.com/weblog/cat/10/view/4591/artist-ana-serrano.html"><img src="http://culture-making.com/media/ana02-1.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1"><a href="http://www.anaserrano.com/ANA_SERRANO/cartonlandia.html">Cartonlandia</a> (detail), by Ana Serrano, 2008 :: via <a href="http://www.designboom.com/weblog/cat/10/view/4591/artist-ana-serrano.html">designboom</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Fig Leaf Wardrobe, by Tord Boontje</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/fig_leaf_wardrobe_by_tord_boontje/" />
      <id>tag:culture-making.com,2012:author/9.806</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Here's a witty if not-super-practical Dutch furniture designer's play on the first post-Fall human cultural product. In this case it's the fig tree's own nakedness that's being covered up.”</em><br />		
		<a href="http://mocoloco.com/archives/005493.php"><img src="http://culture-making.com/media/fig-cabinet_tord_boontje.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">Fig Leaf Wardrobe, by <a href="http://www.tordboontje.com/">Tord Boontje</a> for <a href="http://www.madebymeta.com/pages/products.html">Meta</a>, Copper, enamel, bronze, and hand-dyed silk :: via <a href="http://mocoloco.com/archives/005493.php">MoCo Loco</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>


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