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    <title type="text">Culture Making items tagged safety</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2008-11-21T22:39:26Z</updated>
    <rights>Copyright (c) 2008, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2008:11:21</id>


    <entry>
      <title>Safety through beauty</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/safety_through_beauty/" />
      <id>tag:culture-making.com,2008:author/9.937</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“UK group Women's Design Service offers a critique of and alternative to technology- and enforcement-centered approaches to safety in public spaces: fewer barren plazas, more friendly uniformed ... toilet attendants.”</em><br />		
		<div style="float:right; margin:15px 5px 5px 5px;"><img src="http://www.culture-making.com/media/cs4_hb.jpg" alt="gendersite.org"></div><p>The women took issue with mainstream UK initiatives to ‘design out crime’ in their dislike of the surveillance culture and technology promoted in the name of community safety.  This government-promoted approach includes felling trees to ensure clear sightlines for CCTV cameras,  erecting railings around steps and public monuments where people like to linger and chat, covering public spaces with ugly signage prohibiting everyday activities,  or installing “mosquitos” (high-pitched sounds) to deter young people from congregating in the street.</p><p>The very presence of CCTV made women feel that an area must be unsafe.  Although many wanted to see more uniformed people in public spaces, they preferred the sight of park wardens, bus conductors, and toilet attendants rather than police.  Fenced-off areas and barriers made them feel trapped. Security guards, overseeing privatized public spaces, were also seen as a problem - concerned primarily with the profitability of the enterprise, and not the well-being of the visitor.</p><p>The factor that contributed most highly to women’s sense of safety was ‘a variety of/ lots of other people about’; often they would add ‘smiling people’, ‘happy people’, ‘the sound of children laughing’. WDS therefore does not support the current mainstream approach to community safety. Designers and decision-makers need to think more about how to attract a wide range of different people to come and enjoy themselves in the public spaces of towns and cities.  One way of achieving this is simply through making such places beautiful - a concept rarely discussed in the context of safety. It is this quality above all which will draw people out of their homes and cars to occupy and enjoy a sense of well-being in public urban space.
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<div class="author" style="font-size: -1">from "<a href="http://www.gendersite.org/pages/safety_in_public_urban_space_the_work_of_womens_design_service.html">Safety in Public Urban Space: The Work of Women's Design Service</a>," by Wendy Davis, <a href="http://www.gendersite.org/">Gender and the Built Environment Database</a>, 2008 :: via <a href="http://www.veryshortlist.com/science/">VSL Science</a></div>		

	
			
			
			
		
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    <entry>
      <title>Tell&#45;my&#45;mom.com</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/tell_my_momcom/" />
      <id>tag:culture-making.com,2008:author/9.856</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“An interesting idea: applying fleet-management techniques to teenage drivers. I wonder, though, whether having the person who recieves the complaint be a parent rather than a manager effects the outcome (both in terms of deterrance and of punishment)? Somehow I doubt you'd get yelled at in quite the same way.”</em><br />		
		<p>By placing our How’s My Driving sticker on your car, other drivers now have an easy way to provide feedback about your teen’s driving. Utilizing this information, concerned parents can work with their teen to correct poor driving skills and reinforce safe driving behavior.</p><p>Every year nearly 10,000 teens die violently in automobile crashes. Young drivers account for 18% of all police reported automobile or truck crashes. This staggering fact should scare the parents of every teen driver.</p><p>When a report is received, parents are contacted via mail or e-mail with information regarding your teen’s driving behavior. Utilize this information to teach your teen accident reduction and defensive driving techniques.</p><p>Trucking companies utilizing  “How’s My Driving?” driver monitoring programs have reported a 20% decrease in accidents and ticketing. It’s our hope that Tell-My-Mom.com can increase safety in teen driving in a similar fashion.
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<div class="author" style="font-size: -1">from "<a href="http://www.tell-my-mom.com/">How's Your Teen's Driving? Would You Like to Know?</a>," <a href="http://www.tell-my-mom.com/">www.tell-my-mom.com</a> :: via <a href="http://freakonomics.blogs.nytimes.com/2008/09/17/a-bumper-sticker-that-saves-lives/">NYTimes.com Freakonomics blog</a></div>		

	
			
			
			
		
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    <entry>
      <title>Want safer roads? Make them seem more dangerous.</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/want_safer_roads_make_them_seem_more_dangerous/" />
      <id>tag:culture-making.com,2008:author/9.678</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Note that when there are fewer traffic signs, suddenly there are more driver (and rider) signals -- people apparently become both more aware of their environment and more eager to share that awareness with others.”</em><br />		
		<p>Monderman certainly changed the landscape in the provincial city of Drachten, with the project that, in 2001, made his name. At the town center, in a crowded ­four-­way intersection called the Lawei­plein, Monderman removed not only the traffic lights but virtually every other traffic control. Instead of a space cluttered with poles, lights, “traffic islands,” and restrictive arrows, Monderman installed a radical kind of roundabout (a “squareabout,” in his words, because it really seemed more a town square than a traditional roundabout), marked only by a raised circle of grass in the middle, several fountains, and some very discreet indicators of the direction of traffic, which were required by ­law.</p><p>As I watched the intricate social ballet that occurred as cars and bikes slowed to enter the circle (pedestrians were meant to cross at crosswalks placed a bit before the intersection), Monderman performed a favorite trick. He walked, backward and with eyes closed, into the Laweiplein. The traffic made its way around him. No one honked, he wasn’t struck. Instead of a binary, mechanistic process—stop, go—the movement of traffic and pedestrians in the circle felt human and ­organic.</p><p>A year after the change, the results of this “extreme makeover” were striking: Not only had congestion decreased in the ­intersection—­buses spent less time waiting to get through, for ­example—­but there were half as many accidents, even though total car traffic was up by a third. Students from a local engineering college who studied the intersection reported that both drivers and, unusually, cyclists were using ­signals—­of the electronic or hand ­variety—­more often. They also found, in surveys, that residents, despite the measurable increase in safety, perceived the place to be more dangerous. This was music to Monderman’s ears. If they had not felt less secure, he said, he “would have changed it immediately.”
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<div class="author" style="font-size: -1">from "<a href="http://www.wilsoncenter.org/index.cfm?fuseaction=wq.essay&amp;essay_id=462572">The Traffic Guru</a>," by Tom Vanderbilt, <a href="http://www.wilsoncenter.org/index.cfm?fuseaction=wq.essay&amp;essay_id=462572"><i>Wilson Quarterly</i></a>, Summer 2008 :: via <a href="http://www.boingboing.net/2008/08/21/profile-of-hans-mond.html">Boing Boing</a></div>		

	
			
			
			
		
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    <entry>
      <title>A bit of 1990s Kenyan public transit hip&#45;hop</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_bit_of_1990s_kenyan_public_transit_hip_hop/" />
      <id>tag:culture-making.com,2008:author/9.546</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p><center><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/XVu96x-SRdM&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/XVu96x-SRdM&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object></center>
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<b>Nate: </b><em>“There's quite a lot of cultural info and aspiration packed into this video. I'm not sure whether its plea for greater public safety fell, or would fall, on the young men who work for Nairobi's privately-provided public transit.”</em><br /><hr /><span style="font-size: -1"><a href="http://www.youtube.com/watch?v=XVu96x-SRdM&amp;eurl=http://africanhiphop.com/">Look, Think, Stay Alive</a>, by Jimmy Gathu, 1993 :: via  <a href="http://africanhiphop.com/">Africanhiphop.com</a></span>

	
			
			
			
		
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