Culture Making items tagged race

The peculiar job of a politician

2009-01-07T15:43:49Z

Andy: “David Heim reviews Shelby Steele's new book about Obama, A Bound Man, and offers this intriguing thought on the limits of "authenticity" as a test for political leadership. Politics may be the realm where attention to the actual, concrete cultural goods produced, rather than vague appeals to values or identity, is most necessary—worth remembering as the fall presidential campaign moves into high gear.”

Steele’s deepest worries about Obama are not about his political chances but about his personal authenticity. Whether as bargainer or challenger or some creative mix of the two, Steele thinks, a black leader must don a mask, forging a persona that will charm or manipulate whites. In taking on this task, Steele contends, black leaders lose themselves, for they are never able to locate what they themselves really think. Steele wonders: Is Obama running for president because of his deep convictions or simply because he is aware of “his power to enthrall whites”?

But questions of authenticity can be raised about every politician. The peculiar job of a politician is to fashion repeatedly points of agreement between people with different and shifting points of view and to project a public persona that can elicit action and be the vehicle for people’s hopes. If personal authenticity is your quest, politics is the wrong medium. We can wish for congruence between the inner and the outer person of the politician, but in the end what matters for the voters is the direction of the policies chosen and the decisions made.

from "Obama's Bind," by David Heim, The Christian Century, 26 August 2008 :: via TitusOneNine

Flight cancellation

2009-01-07T15:43:49Z

Andy: “Two comments on this important article from the Journal. First, when my children and grandchildren are seeking the way to radical discipleship and racial reconciliation (as I hope they will be), they will be moving to the inner-ring suburbs, not to the "inner cities," many of which are well on their way to becoming islands of affluence. Second, this article is unfortunately stuck in a "black–white" model of ethnicity in which whites are the majority and blacks stand in for "minorities." Very soon we white people will be a plurality, not a majority, in America. Even the best journalism has yet to catch up with this reality.”

Today, cities are refashioning themselves as trendy centers devoid of suburban ills like strip malls and long commutes. In Atlanta, which has among the longest commute times of any U.S. city, the white population rose by 26,000 between 2000 and 2006, while the black population decreased by 8,900. Overall the white proportion has increased to 35% in 2006 from 31% in 2000.

In other cities, whites are still leaving, but more blacks are moving out. Boston lost about 6,000 black residents between 2000 and 2006, but only about 3,000 whites. In 2006, whites accounted for 50.2% of the city’s population, up from 49.5% in 2000. That’s the first increase in roughly a century.

from The End of White Flight, by Conor Dougherty, WSJ.com, 19 July 2008

How to be a black movie star

2009-01-07T15:43:49Z

Andy: “Hancock is a hit with a black star . . . but does it do anything to move the horizons of how we see black stars?”

Smith’s rules for how to be a global black superstar, then?

1. Keep it easy and breezy. Heroes must work for the good of the white folks (especially families and romantic pairings) in the movie, often to their own detriment.

2. Don’t risk putting off the white folks/foreigners in the audience with an excess of what pundit John McWhorter might derisively describe as “a surfeit of explicitly black presentation.” (Unless, like Denzel in Training Day, you are playing a degraded, corrupt cop; then you get an Oscar.)

3. Do not—EVER—make a movie whose subject matter treats or concerns the facts of black life in America in an accurate or illuminated way, this even when said facts are somehow encoded or embedded in the conventions of genre or some other filmmaking trick.

from ”Smith’s Rules for Global Domination,” by Gary Dauphin, TheRoot.com, 11 July 2008

Stuff white people like: writing

2009-01-07T15:43:49Z

Nate: “A question-behind-the-question is, what's the racial breakdown of the audiences of all those under-35 artists and writers? Does willingness to cross cultural boundries in our art appreciation vary by medium?”

a Tomorrow Museum post by Joanne, 18 June 2008

NYT reports on an NEA census: “Among artists under 35, writers are the only group in which 80 percent or more are non-Hispanic white.” Tayari Jones responds, “A question worth thinking about is whether this means times are good or hard for writers of color. On the one hand being so darn rare makes us attractive, or at least it does, theoretically. But on the other hand, the scarcity suggests steep challenges.”