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    <title type="text">Culture Making items tagged neighborhoods</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2009-01-07T20:43:49Z</updated>
    <rights>Copyright (c) 2009, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>Let’s get together and push</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/lets_get_together_and_push/" />
      <id>tag:culture-making.com,2009:author/9.1172</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Andy: </b><em>“Just after my wife Catherine graduated from college, she spent a year volunteering at Harambee Christian Family Center, an urban ministry on the wrong side of the freeway in Pasadena, California. Another fresh-faced volunteer that year was Rodolpho Carrasco. Now Rudy is the executive director of Harambee and we are friends and supporters of the amazing variety of community development projects Rudy, his wife Kafi, and a talented, local staff oversee. Harambee is culture-making on a neighborhood scale, with dramatic and beautiful results. (We told part of the story in <a href="http://www.amazon.com/dp/031028094X/cmcom-20">"Where Faith and Culture Meet."</a>)”</em><br />		
		<p>In 1982, the neighborhood surrounding Harambee Center had the highest daytime crime rate in Southern California. The corner of Howard and Navarro, where we are located, was called “blood corner” because it was where the most drive-by shootings and failed drug deals occurred. Residents were held captive in their homes and there was little hope for change.</p><p>We believed the only legitimate way to become change-agents in this community was to become a part of it. Led by our founder, Dr. John Perkins, we moved into the community and became neighbors. For 20+ years we have served a 12-block target area, working with African American and Latino children and families.</p><p>“Harambee” means “Let’s get together and push” in Swahili. We seek to nurture and equip leadership that will wholistically minister to the community by sharing Biblical truths, in order to achieve the re-building of urban neighborhoods through relocation, reconciliation and redistribution.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.harambee.org/about/">About Harambee</a>"</div>		

	
			
			
			
		
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    <entry>
      <title>Beauty aid</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/beauty_aid/" />
      <id>tag:culture-making.com,2009:author/9.1053</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“What does your neighborhood beauty salon make possible? What new forms of culture are created in response?”</em><br />		
		<p>The police have tried doing outreach to victims by, among other things, setting up domestic violence education tables at community events, only to find that no one wants to be seen near them. But the atmosphere is different in the safety of a beauty salon.</p><p>“The salon may be one of the few places women might be without their abuser around,” said Laurie Magid, a former state prosecutor who is acting United States attorney for the Eastern District of Pennsylvania. “This program really addresses a need. You don’t have a case unless you have a crime reported in the first place and that is the difficult area of domestic violence.”</p><p>While Cut it Out trains stylists offsite, the Washington Heights workshops, conducted in Spanish, take place inside beauty parlors during the hours that clients are served, which not only makes it easier for people to participate, but also enhances the comfort factor. </p><p>“The salon is a place where everyone already feels at home,” said Sharon Kagawa of the <a href="http://www.nyc.gov/html/acs/html/home/home.shtml" title="ACS Web site">Administration for Children’s Services</a>, the agency that recruits salons for the program. “So they can be more honest.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/11/20/nyregion/20salons.html">Cutting Hair, While Cutting to the Chase on Clients’ Domestic Abuse</a>," by Leslie Kaufman, <a href="http://www.nytimes.com/2008/11/20/nyregion/20salons.html"><i>The New York Times</i></a>, 19 November 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Think globally, lunch locally</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/think_globally_lunch_locally/" />
      <id>tag:culture-making.com,2009:author/9.1022</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Andy: </b><em>“What if every office worker vowed to buy lunch only from people they know?”</em><br />		
		<p>Several years ago, I lost my patience with our alienated, unattached world at lunch one day. I was waiting to get a sandwich at a place called Au Bon Pain. It’s a chain, it’s cheap enough, it’s fine. I was in a bit of a hurry. I eat late and the place was empty. There was no one in line, but I obediently stood in the proper place between the stanchions and waited to be told to approach the counter. Two sandwich makers were talking to each other behind the counter. They looked up, and I stepped forward meekly, and they continued their conversation. Fine, I waited. And waited. They laughed, I presume at me. I gave the customary attention-seeking cough and laser stare. Eventually one of them asked what I wanted in a surly tone and with a put-out look. The other guy slowly made the sandwich. I went back to the office to eat. The sandwich had tomato on it. I asked for no tomato.</p><p>I vowed never, ever buy lunch on a workday from a stranger again. It was a solemn vow that I break only under drastic circumstances. So, now I get lunch from Frank, Art, or Tommy, guys I have come to be friends with who run three different places. I like them. I think all three are funny, and they usually laugh at my jokes, which is key. I don’t see them except for lunch, but that’s fine. I enjoy spending money where I know the people. Lunch is now a little social part of my day, and I feel like I work in a real neighborhood, which it really isn’t. I love being a regular. I love purposefully limiting my choices instead of expanding them. Most of all, I think that I enjoy being loyal just for the sake of being loyal.</p><p>I don’t ever hate lunch anymore. I consider lunch one of my greatest triumphs.
</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.amazon.com/dp/0307406628/cmcom-20">Why We Hate Us: American Discontent in the New Millennium</a> (Crown, 2008), by Dick Meyer :: via <a href="http://www.theweek.com/home">The Week</a>, 31 October 2008, via Steve Froelich</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Please sit on me</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/please_sit_on_me/" />
      <id>tag:culture-making.com,2009:author/9.819</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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<b>Andy: </b><em>“A group of friends—including one of <i>Culture Making</i>'s "early adopters," Jeff Shinabarger—makes a small good thing at an Atlanta bus stop. And then they make this video, which spreads the word. Sometimes cultural creativity is terribly complex and challenging. But sometimes it's so simple you wonder why we don't all spend our days off doing beautiful, fun things like this. Of course, the challenge will come over the coming months and years—will Jeff and his neighbors keep the paint fresh, the flowers watered, the mulch raked? That will be the true sign that this became a lasting cultural good. I hope they make a film about that, too.”</em><br /><hr /><span style="font-size: -1">from "<a href="http://vimeo.com/1666004?pg=embed&sec=1666004">Benched</a>," by Brandon McCormick :: via <a href="http://www.jeffshinabarger.com/?p=272">Jeff Shinabarger</a></span>

	
			
			
			
		
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    </entry>

    <entry>
      <title>The demographic inversion</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_demographic_inversion/" />
      <id>tag:culture-making.com,2009:author/9.626</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“This smart article from <i>The New Republic</i> about the return of affluent residents to downtowns makes some judicious points about the return of the (upper) middle classes to American cities. The bottom line remains that "the suburbs" are going to mean something quite different to our grandchildren than they meant to us: among other things, ethnic and economic diversity, lower incomes, and increased crime. And "the city" already means something completely different to a 22-year-old today than it meant to me when I was 22 years old (e.g., "Sex and . . .").”</em><br />		
		<p>What makes [Vancouver] unusual--indeed, at this point unique in all of North America--is that roughly 20 percent of its residents live within a couple of square miles of each other in the city&#8217;s center. Downtown Vancouver is a forest of slender, green, condo skyscrapers, many of them with three-story townhouse units forming a kind of podium at the base. Each morning, there are nearly as many people commuting out of the center to jobs in the suburbs as there are commuting in. Two public elementary schools have opened in downtown Vancouver in the past few years. A large proportion of the city&#8217;s 600,000 residents, especially those with money, want to live downtown.</p><p>No American city looks like Vancouver at the moment. But quite a few are moving in this direction. Demographic inversions of one sort or another are occurring in urban pockets scattered all across America, many of them in seemingly unlikely places. Charlotte, North Carolina, is in the midst of a downtown building boom dominated by new mixed-use high-rise buildings, with office space on the bottom and condos or rental units above. Even at a moment of economic weakness, the condos are still selling briskly.</p><p>We are not witnessing the abandonment of the suburbs or a movement of millions of people back to the city all at once. But we are living at a moment in which the massive outward migration of the affluent that characterized the second half of the twentieth century is coming to an end. For several decades now, cities in the United States have wished for a &#8220;24/7&#8221; downtown, a place where people live as well as work, and keep the streets busy, interesting, and safe at all times of day. This is what urbanist Jane Jacobs preached in the 1960s, and it has long since become the accepted goal of urban planners. Only when significant numbers of people lived downtown, planners believed, could central cities regain their historic role as magnets for culture and as a source of identity and pride for the metropolitan areas they served. Now that&#8217;s starting to happen, fueled by the changing mores of the young and by gasoline prices fast approaching $5-per-gallon. In many of its urbanized regions, an America that seemed destined for everincreasing individualization and sprawl is experimenting with new versions of community and sociability.
</p><hr />
<div class="author" style="font-size: -1">from <a href="http://tnr.com/story_print.html?id=264510ca-2170-49cd-bad5-a0be122ac1a9">Trading Places</a>, by Alan Erhenhalt, <a href="http://tnr.com/">The New Republic</a>, 13 August 2008 :: via <a href="http://www.bigcontrarian.com">Big Contrarian</a></div>		

	
			
			
			
		
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    <entry>
      <title>Flight cancellation</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/flight_cancellation/" />
      <id>tag:culture-making.com,2009:author/9.527</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“Two comments on this important article from the Journal. First, when my children and grandchildren are seeking the way to radical discipleship and racial reconciliation (as I hope they will be), they will be moving to the inner-ring suburbs, not to the "inner cities," many of which are well on their way to becoming islands of affluence. Second, this article is unfortunately stuck in a "black–white" model of ethnicity in which whites are the majority and blacks stand in for "minorities." Very soon we white people will be a plurality, not a majority, in America. Even the best journalism has yet to catch up with this reality.”</em><br />		
		<p>Today, cities are refashioning themselves as trendy centers devoid of suburban ills like strip malls and long commutes. In Atlanta, which has among the longest commute times of any U.S. city, the white population rose by 26,000 between 2000 and 2006, while the black population decreased by 8,900. Overall the white proportion has increased to 35% in 2006 from 31% in 2000.</p>
<p>
In other cities, whites are still leaving, but more blacks are moving out. Boston lost about 6,000 black residents between 2000 and 2006, but only about 3,000 whites. In 2006, whites accounted for 50.2% of the city’s population, up from 49.5% in 2000. That’s the first increase in roughly a century.
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</p><hr />
<div class="author" style="font-size: -1">from <a href="http://online.wsj.com/article/SB121642866373567057.html">The End of White Flight</a>, by Conor Dougherty, <a href="http://online.wsj.com/article/SB121642866373567057.html">WSJ.com</a>, 19 July 2008</div>		

	
			
			
			
		
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