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    <title type="text">Culture Making items tagged middle+east</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2012-02-08T19:38:35Z</updated>
    <rights>Copyright (c) 2012, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2012:02:08</id>


    <entry>
      <title>Sana’a sunset: a panoramic view of Yemen’s capital city</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/sanaa_sunset_a_panoramic_view_of_yemens_capital_city/" />
      <id>tag:culture-making.com,2012:author/9.1776</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p align="center"><object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,28,0" id="_360_krpano_id_958200" name="_360_krpano_name_958200" width="425" height="315"><param name="movie" value="http://www.360cities.net/javascripts/krpano/krpano.swf"/><param name="quality" value="autohigh"/><param name="allowScriptAccess" value="always"/><param name="flashvars" value="pano=http://www.360cities.net/krpano/external_embed/sanaa-sunset.xml&epd=http://www.360cities.net/data/embed/plugin_data/sanaa-sunset"/><param name="allowFullScreen" value="true"/><embed src="http://www.360cities.net/javascripts/krpano/krpano.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" width="425" height="315" allowFullScreen="true" allowScriptAccess="always" quality="autohigh" flashvars="pano=http://www.360cities.net/krpano/external_embed/sanaa-sunset.xml&epd=http://www.360cities.net/data/embed/plugin_data/sanaa-sunset"></embed></object></p><br />
<b>Nate: </b><em>“An amazing interactive view of Yemen's capital, a city that has been continuously inhabited for more tha 2500 years. I love the infinite variablity of the vernacular style, the contrast of all those arches and windows and carved gypsum fanlights on facade after facade. Though they look quite contemporary, many of the flat-roofed multistory buildings in the old city are hundreds of years old. For much much more, see this lovely free-to-download book, <a href="">The old walled city of San'a'</a>.”</em><br /><hr />
<span style="font-size: -1">"<a href="http://www.360cities.net/image/sanaa-sunset">Sana'a: View from a rooftop at sunset panorama in Yemen</a>," panoramic photo by Stefan Geens, <a href="http://www.360cities.net/image/sanaa-sunset">360 Cities</a>, 2 May 2009 :: via <a href="http://www.good.is/post/incredible-interactive-panorama-of-sana-a-rooftops-at-sunset">GOOD Blog</a></span>

	
			
			
			
		
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    <entry>
      <title>Old cities, still kicking</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/old_cities_still_kicking/" />
      <id>tag:culture-making.com,2012:author/9.1542</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<b>Nate: </b><em>“The linked post's writeup is a bit too breezy to withstand a lot of scrutiny, alas. For instance, I'd guess that Varanasi can see a million tourists on a single festival weekend, not just annually. <a href="http://en.wikipedia.org/wiki/List_of_cities_by_time_of_continuous_habitation">This Wikipedia page</a> has a longer and more credible list.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://www.kottke.org/09/07/old-cities-still-kicking">kottke.org</a> post, 22 July 2009</div><hr />		
		<p><a href="http://weburbanist.com/2009/07/09/senior-city-zens-the-10-oldest-still-inhabited-cities/">The 10 oldest cities which are still inhabited</a>. Includes a few you've probably heard of (Damascus, Jericho, Jerusalem) and a couple of surprises.</p>
		

	
			
			
			
		
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    <entry>
      <title>Spice souk, Deira Creek, Dubai</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/spice_souk_deira_creek_dubai/" />
      <id>tag:culture-making.com,2012:author/9.1096</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“I like that the spices aren't ground in this array, giving a bit more of a sense of what each spice might be.”</em><br />		
		<a href="http://www.flickr.com/photos/27307454@N02/3055098585/in/pool-495413@N25"><img src="http://culture-making.com/media/3055098585_a2906841a0_b.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.flickr.com/photos/27307454@N02/3055098585/in/pool-495413@N25">Spice Display</a>," by <a href="http://www.flickr.com/photos/27307454@N02/">Aldo36</a>, 19 November 2008 :: via <a href="http://www.flickr.com/groups/intelligent_travel/pool/">Flickr/Intelligent Travel</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>&#8220;Gaviota,&#8221; performed Amália Rodrigues</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/gaviota_performed_amalia_rodrigues/" />
      <id>tag:culture-making.com,2012:author/9.1072</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p align="center"><object width="420" height="340"><param name="movie" value="http://www.youtube.com/v/bhagDjqN_ww&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/bhagDjqN_ww&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="420" height="340"></embed></object></p><br />
<b>Nate: </b><em>“A lovely performance from the late diva of the <a href="http://en.wikipedia.org/wiki/Fado">fado</a>, a longing-infused Portuguese song-style. I'm particularly taken with the almost warbling high flourishes, which call to mind flamenco singing and, behind it all, deep roots in Arabic music.”</em><br /><hr /><span style="font-size: -1">"<a href="http://www.youtube.com/watch?v=bhagDjqN_ww&feature=related">Gaivota</a>," live TV performance by Amália Rodrigues</span>

	
			
			
			
		
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    <entry>
      <title>The Station Nigeria</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_station_nigeria/" />
      <id>tag:culture-making.com,2012:author/9.1056</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p align="center"><object width="420" height="340"><param name="movie" value="http://www.youtube.com/v/ZFNZhGObPwg&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/ZFNZhGObPwg&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="420" height="340"></embed></object></p><br />
<b>Nate: </b><em>“Here's a popular Nigerian soap opera, produced with funding from one of my favorite NGOs, <a href="http://www.sfcg.org/">Search for Common Ground</a>: "Developed and written by a team of young Nigerians, The Station addresses issues that have been identified as the main impediments to the country's development, including tribal violence, domestic abuse, corruption, unemployment and HIV/AIDS. About The Station The backdrop of the show is Action News, a fictional Nigerian television news station. Through the eyes of the many people that work at the station—journalists, anchors, cameramen, businesspeople—the viewer experiences the problems and conflicts that exist among Nigeria's ethnically diverse population." Other country-specific radio and tv versions of The Station currently being produced throughout Africa and the Middle East.”</em><br /><hr /><span style="font-size: -1">"<a href="http://www.youtube.com/watch?v=ZFNZhGObPwg">HIV/AIDS episode compilation</a>," <i>The Station Nigeria</i>, produced by Common Ground Productions, Lagos, Nigeria</span>

	
			
			
			
		
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    <entry>
      <title>The Arabic Singing Diaspora, by Brian Eno</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_arabic_singing_diaspora_by_brian_eno/" />
      <id>tag:culture-making.com,2012:author/9.1034</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“In homage to their treasured 1931 blackboard full of Einstein equations, Oxford's Museum of the History of Science asked scientists, artists, etc. to each fill up a blackboard with something interesting. Here's what musician Brian Eno came up with: "This is the depiction of a theory that Arabic singing bounced around the world in several directions creating what we call popular music, and how the British Isles were central to this." Astute geographers will notice that Asia seems to have been omitted ... I'm sure there are plenty of arrows to be drawn up the Silk Road, down into India, across to the Indonesian archipelago ... culture, after all, gets around.”</em><br />		
		<a href="http://www.mhs.ox.ac.uk/blackboard/gallery.htm"><img src="http://culture-making.com/media/eno-l.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.mhs.ox.ac.uk/blackboard/gallery.htm">The Arabic Singing Dispora</a>," by Brian Eno, in the exhibit <i><a href="http://www.mhs.ox.ac.uk/blackboard/gallery.htm">Bye bye blackboard ... from Einstein and others</a></i>, April–September 2005 :: via <a href="http://www.veryshortlist.com/science/daily.cfm/review/791/Website/bye-bye-blackboard/?tp">VSL Science</a></div>		

	
			
			
			
		
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    <entry>
      <title>Worship first, then farm</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/worship_first_then_farm/" />
      <id>tag:culture-making.com,2012:author/9.1024</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Religion, rather than agriculture, may have been the catalyst for the formation of early neolithic societies, about 11,000 years ago.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/gobeklitepe_nov08_388_210.jpg" alt="image"></div><p>To Schmidt and others, these new findings suggest a novel theory of civilization. Scholars have long believed that only after people learned to farm and live in settled communities did they have the time, organization and resources to construct temples and support complicated social structures. But Schmidt argues it was the other way around: the extensive, coordinated effort to build the monoliths literally laid the groundwork for the development of complex societies.</p>
<p>The immensity of the undertaking at Gobekli Tepe reinforces that view. Schmidt says the monuments could not have been built by ragged bands of hunter-gatherers. To carve, erect and bury rings of seven-ton stone pillars would have required hundreds of workers, all needing to be fed and housed. Hence the eventual emergence of settled communities in the area around 10,000 years ago. “This shows sociocultural changes come first, agriculture comes later,” says Stanford University archaeologist Ian Hodder, who excavated Catalhoyuk, a prehistoric settlement 300 miles from Gobekli Tepe. “You can make a good case this area is the real origin of complex Neolithic societies.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.smithsonianmag.com/history-archaeology/gobekli-tepe.html?c=y&page=2">Gobekli Tepe: The World’s First Temple?</a>," by Andrew Curry, <a href="http://www.smithsonianmag.com/history-archaeology/gobekli-tepe.html?c=y&page=2"><i>Smithsonian</i></a>, November 2008 :: via <a href="http://ideas.blogs.nytimes.com/2008/11/08/the-worlds-oldest-temple/">NYTimes.com Ideas blog</a></div>		

	
			
			
			
		
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    <entry>
      <title>Sorting olives</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/sorting_olives/" />
      <id>tag:culture-making.com,2012:author/9.943</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I wish I knew more about the olive-sorting process. Perhaps the dried-out ones drift away? Or is she just rearranging the bowl's contents so she can do a visual inspection once things have settled?”</em><br />		
		<a href="http://www.boston.com/bigpicture/2008/10/days_of_autumn.html"><img src="http://culture-making.com/media/aut15_16651199.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.boston.com/bigpicture/2008/10/days_of_autumn.html">A Palestinian woman sorts olives during the harvest in a grove next to Israel's separation barrier near the West Bank village of Abu Dis, on the outskirts of Jerusalem</a>," by Ashraf Abu Turk (AP), <a href="http://www.boston.com/bigpicture/2008/10/days_of_autumn.html">The Big Picture</a>, 15 October 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Arabesques</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/arabesques/" />
      <id>tag:culture-making.com,2012:author/9.940</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“From a lovely French collection of prints of "Arab art from the monuments of Cairo, from the 7th through the 19th centuries." I love how, though this is just a sheet of disparate samples, they've made a sort of pattern of patterns of it.”</em><br />		
		<a href="http://bibliodyssey.blogspot.com/2008/10/lart-arabe.html"><img src="http://culture-making.com/media/2936768421_f9e7204f56_o.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://bibliodyssey.blogspot.com/2008/10/lart-arabe.html">Arabesques: incrustations en stuc sur pierre (du XVIe. au XVIIIe. siècle)</a>," from <i>L'Art arabe d'après les monuments du Kaire depuis le VIIe siècle jusqu'à la fin du XVIIIe par Prisse d'Avennes</i>, <a href="http://bibliodyssey.blogspot.com/2008/10/lart-arabe.html">NYPL Digital Gallery</a> :: via <a href="http://bibliodyssey.blogspot.com/2008/10/lart-arabe.html">BibliOdyssey</a></div>		

	
			
			
			
		
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    <entry>
      <title>Security wall mural, Sadr City</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/security_wall_mural_sadr_city/" />
      <id>tag:culture-making.com,2012:author/9.799</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“AP caption: "A painter decorates a security wall sealing off the southern section of the Shiite enclave of Sadr City in Baghdad, Iraq on Wednesday, Aug. 6, 2008." I love the particular choice of scenery, which I'd guess is as foreign to Baghdadis as ... well, as this particular type of wall itself.”</em><br />		
		<a href="http://www.boston.com/bigpicture/2008/09/scenes_from_iraq.html#photo24"><img src="http://culture-making.com/media/iraq25.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">AP Photo by Karim Kadim, from "<a href="http://www.boston.com/bigpicture/2008/09/scenes_from_iraq.html#photo24">Scenes from Iraq</a>," <a href="http://www.boston.com/bigpicture/">The Big Picture</a>, 3 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Saudi salons: a brief history</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/saudi_salons_a_brief_history/" />
      <id>tag:culture-making.com,2012:author/9.778</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<b>Nate: </b><em>“Here's a fascinating explanation of how various cultural needs and strictures shaped the development of Saudi Arabian hair salons—which are descended from (and still named for) tailor's shops.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://saudiwoman.wordpress.com/2008/08/25/saudi-salons/">Saudiwoman's Weblog</a> post by Eman Al Nafjan, 25 August 2008 :: via <a href="http://globalvoicesonline.org/2008/08/27/saudi-arabia-the-history-of-salons/">Global Voices</a></div><hr />		
		<p>They are called <i>Mashghal</i>&nbsp; in Arabic which literally means a working place, from the Arabic noun <i>shoogal</i> (work in general). This term was coined to refer to little shops where a group of usually Pakistani tailors make women dresses. About 30 years ago readymade women clothes were mostly unavailable to the general public and women drew designs on paper and took then to these tailor shops with fabric bought by the meter from areas similar to outdoor malls. For measurement, they would give the tailor a previously made dress that fits and he would use it as a measurement model. And that’s to avoid any physical contact between the tailor and the customer. I know now you’re wondering where did women get there first well measured dress and I too wonder.</p><p>These little tailor shops started to evolve into closed women shops where the tailors are women from the Philippines. The shops became bigger and the décor slightly better. However these women only shops are pricier, so the male version stuck around. The women <i>mashghal</i> started to quickly expand into the beauty salon business. So a women could go get her hair done and have a dress made at the same time. But when Al Eissaee, a big name in the fabric import business, started  to also bring in quality readymade clothes, he started a huge trend that snowballed into our current mega malls. This in turn affected the tailor business for both the male and female shops. The male mostly went out of business except for a lucky few and the female shops concentrated more on the beauty salon side of the business, so much so that some even closed the dress making side. But for some unexplainable reason they are still called a <i>mashghal</i>&nbsp; even on official ministry of commerce licensing papers.
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