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    <title type="text">Culture Making items tagged makoto+fujimura</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2012-02-08T19:38:35Z</updated>
    <rights>Copyright (c) 2012, Nate Barksdale</rights>
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    <entry>
      <title>Fallen subjects in redemptive light</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/redemptive_light/" />
      <id>tag:culture-making.com,2012:author/9.1713</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Christy: </b><em>“The twentieth-century Fauvist/Expressionist painter Georges Rouault was one of the most significant early influences on contemporary abstract painter Makoto Fujimura (founder of my employer, International Arts Movement). Rouault played a key role in the Parisian Sacred Art movement and influenced Picasso and Matisse. Last night a new exhibition opened at Dillon Gallery that pairs works by Rouault with new work by Fujimura—two painters seeking to portray fallen subjects in a redemptive light.”</em><br />		
		<a href="http://dillongallery.com/"><img src="http://www.culture-making.com/media/rouault_automne.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">Georges Rouault, "Automne" (1946), from "<a href="http://dillongallery.com/index.php?p=exhibits&id=current&exh=200911_soliloquies&i=3">Soliloquies</a>," an exhibition of work by Makoto Fujimura and Georges Rouault, at <a href="http://dillongallery.com/">Dillon Gallery</a> through 24 December 2009</div>		

	
			
			
			
		
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    <entry>
      <title>Water Flames Passage II, by Makoto Fujimura</title>
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      <id>tag:culture-making.com,2012:author/9.540</id>
      <published>2012-02-08T14:29:34Z</published>
      <updated>2012-02-08T19:38:35Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“In the book Andy talks about Fujimura's use of very basic elements--mineral pigments rather than paints, and of course gold leaf--in his paintings, something that echoes the seeming overabundance of natural resources in the Biblical accounts both of Eden and, more glaringly, in the New Jerusalem. Our task as humans is to make something--ideally, something beautiful--from those very basic elements.”</em><br />		
		<a href="http://www.dillongallery.com/index.php?p=exhibits&id=current&exh=200807_charis&i=6"><img src="http://horizonsofthepossible.com/media/6.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1"><i><a href="http://www.dillongallery.com/index.php?p=exhibits&id=current&exh=200807_charis">Water Flames Passage II</a></i>
(10 x 10 in., gold and mineral pigments on paper), by <a href="http://www.makotofujimura.com/">Makoto Fujimura</a>, from the exhibition <a href="http://www.dillongallery.com/index.php?p=exhibits&id=current&exh=200807_charis">Charis</a>, at the <a href="http://www.dillongallery.com/">Dillon Gallery</a>, New York City, through 2 Aug 2008</div>		

	
			
			
			
		
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