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    <title type="text">Culture Making items tagged kenya</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2008-11-21T22:39:26Z</updated>
    <rights>Copyright (c) 2008, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2008:11:21</id>


    <entry>
      <title>Secular praise songs from Western Kenya</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/secular_praise_songs_from_western_kenya/" />
      <id>tag:culture-making.com,2008:author/9.1044</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“This is from a really wonderful blog (my <a href="http://www.voanews.com/english/africa/blog/">tax dollars at work</a>!) that posts decades-old African pop music, accompanied by lengthy history and commentary. Here's the brief background: "The Kawere Boys were formed by Cheplin Ngode Kotula in Kericho, Kenya in 1974, and over the next four years became one of the more popular Benga groups in Luo land. ... These recordings were not only popular throughout Luo land, but also sold well in Tanzania, Malawi, South Africa, Nigeria, Cameroun, and West Africa." It's fascinating and heartening to learn these tales of cultural spread that bypass the usual centers of power (Europe, the U.S., heck, even Nairobi). Also—fascinating relationship between artist and patron: the patron doesn't just make the song possible, he is the song's subject.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/pd_africanblog_kaweremuma_420.jpg" alt="image"></div><p><a href="http://www.voanews.com//english/africa/blog/images/Media/KAWERE_BOYS_Muma_Ben.Mp3">The Kawere Boys ‘Muma Ben’ (1974) mp3</a></p>
<p>Most of the songs in the Kawere repertoire seem to be praise songs for patrons who had invited the group to perform. These songs can be thought of as pre-internet age social networking. The singer usually starts by introducing himself, goes on to introduce the object of his praise, as well as the patron’s relatives, friends, and neighbors, before explaining the nature of his relationship to the patron in question. For example, in ‘Muma Ben’, the song starts with an introduction of ‘Muma Ben from Saye Konyango’, then introduces Muma Ben’s family, and ends with praise for the hospitality the singer received when he was invited to Muma Ben’s house. If you were to map out all of the relationships outlined in the Kawere Boys singles in our collection, and if you had a deep understanding of Luo culture, you could get a good idea of the social networks the Kawere Boys relied upon for their livelihood.
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<div class="author" style="font-size: -1">from "<a href="http://www.voanews.com/english/africa/blog/index.cfm?mode=entry&entry=9176649F-F9A9-411F-29F74F07F256F725">The Kawere Boys</a>," by Matthew LaVoie, <a href="http://www.voanews.com/english/africa/blog/index.cfm?mode=entry&entry=9176649F-F9A9-411F-29F74F07F256F725">Voice of America African Music Treasures Blog</a>, 12 November 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Getting beyond “I don’t know”</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/getting_beyond_i_dont_know/" />
      <id>tag:culture-making.com,2008:author/9.1021</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Earlier today in Kenya, my friend Megan hosted the Nairobi launch party for her new non-profit, <a href="http://www.zanaafrica.org/">ZanaAfrica</a>, which (in development-speak) focuses on "simple, sustainable business solutions to solve complex health and social problems throughout Africa to alleviate poverty." Or, to quote the page of <i>Culture Making</i> where Andy mentions Megan's work: "So where are we called to create culture? At the intersection of grace and cross. Where do we find our work and play bearing awe-inspiring fruit—and, at the same time, find ourselves able to identify with Christ on the cross? That intersection is where we are called to dig into the dirt, cultivate, and create."”</em><br />		
		<p>This organization, and this sanitary pads project, comes as a result of many years of working with girls in Kenya, seeing problems, and searching for solutions. And it comes from living in Kenya for more than seven years now, and revising the way I see the world in light of new information and new experiences. </p><p>When I worked for five years with former street children, our organization’s biggest costs per child were bread and sanitary pads. I realized this was a national problem, that girls across the country went through horrible things during their periods.</p><p>This to me was a question of social justice. The poverty that mires 64% of Kenyans is unjust. To allow girls and their future families to sink further into poverty because they lack the funds necessary to stem the flow of their monthly menstruation and sit out of school four days a month—I cannot be the person who knows but remains on the sidelines. I believe the words of my high school mentor, Denise Fuller, who said, “the easiest words for someone to say are ‘I don’t know’. Because, once we know, we are required to do something.”
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<div class="author" style="font-size: -1">from a <a href="http://www.zanaafrica.org/zinner.asp?pcat=&cat=news&sid=31">blog post</a> by Megan White, <a href="http://www.zanaafrica.org/default.asp">ZanaA :: Tools for Transformation</a>, 10 September, 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The places we live</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_places_we_live/" />
      <id>tag:culture-making.com,2008:author/9.973</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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<div class="author" style="font-size: -1">the <a href="http://www.veryshortlist.com/web/daily.cfm/review/712/Photograph/the-places-we-live/?tp">VSL:Web</a> post for 23 October 2008</div><hr />		
		<p>One <i>billion</i> people live in slums. Their numbers are supposed to double over the next quarter-century. So: Who <i>are</i> those people — and what must their lives be like?</p><p>The Norwegian photojournalist Jonas Bendiksen has spent a good deal of time in Indian, Kenyan, Indonesian, and Venezuelan slums, and his website, The Places We Live, features <a href="http://theplaceswelive.com/">dazzling 360-degree photos of homes and shanties, navigable and altogether immersive,</a> along with audio recordings made by the inhabitants. Prepare yourself to gape, gasp, laugh, cry, and experience every emotion in between: In Mumbai, you’ll meet the Shilpiri family (15 people crammed into a tiny space through which floodwater and garbage regularly stream). In Nairobi, the head of the Dirango household takes great pride in his cramped abode, giving a tour that takes just seconds. “You have to visit somewhere before you judge,” he explains. Thanks, Mr. Bendiksen, for starting us on the journey.
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    <entry>
      <title>A bit of 1990s Kenyan public transit hip&#45;hop</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_bit_of_1990s_kenyan_public_transit_hip_hop/" />
      <id>tag:culture-making.com,2008:author/9.546</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p><center><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/XVu96x-SRdM&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/XVu96x-SRdM&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object></center>
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<b>Nate: </b><em>“There's quite a lot of cultural info and aspiration packed into this video. I'm not sure whether its plea for greater public safety fell, or would fall, on the young men who work for Nairobi's privately-provided public transit.”</em><br /><hr /><span style="font-size: -1"><a href="http://www.youtube.com/watch?v=XVu96x-SRdM&amp;eurl=http://africanhiphop.com/">Look, Think, Stay Alive</a>, by Jimmy Gathu, 1993 :: via  <a href="http://africanhiphop.com/">Africanhiphop.com</a></span>

	
			
			
			
		
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