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    <title type="text">Culture Making items tagged infrastructure</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2009-01-07T16:07:34Z</updated>
    <rights>Copyright (c) 2009, Andy Crouch</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>Shoddy plumbing</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/shoddy_plumbing/" />
      <id>tag:culture-making.com,2009:author/9.1152</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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		<p>The society which scorns excellence in plumbing because plumbing is a humble activity, and tolerates shoddiness in philosophy because philosophy is an exalted activity, will have neither good plumbing nor good philosophy. Neither its pipes nor its theories will hold water.
</p><br />
		<p><small>	&mdash;John Gardner, in <a href="http://www.amazon.com/dp/0393312879/cmcom-20"><i>Excellence</i></a> (1961)</small></p>

	
			
			
			
		
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    <entry>
      <title>Arrivals and departures</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/arrivals_and_departures/" />
      <id>tag:culture-making.com,2009:author/9.1128</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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			<p align="center"><object width="420" height="261"><param name="movie" value="http://www.youtube.com/v/oR00_uLfGVE&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/oR00_uLfGVE&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="420" height="260"></embed></object>
</p><br />
<b>Andy: </b><em>“Every commercial airline flight in the world, over a twenty-four hour period—a visual reminder of the scale and scope of culture, and the unprecedented ways that air travel connects us to one another. Also a reminder that prosperity and connectivity go together, and their distribution is uneven, to say the least.”</em><br /><hr /><span style="font-size: -1">from "<a href="http://www.youtube.com/watch?v=oR00_uLfGVE">airtraffic</a>," by Karl Rege et al., <a href="http://www.zhaw.ch/en.html">The Zurich School for Applied Sciences</a>:: via <a href="http://blog.wired.com/cars/2008/12/earlier-this-ye.html">Autopia</a></span>

	
			
			
			
		
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    <entry>
      <title>Where productivity comes from</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/where_productivity_comes_from/" />
      <id>tag:culture-making.com,2009:author/9.980</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“The most penetrating idea in this column by former Treasury Secretary Lawrence Summers is stated obliquely, but it's crucial. "Finance-led growth is problematic." Economies grow when real innovations—Summers mentions my favorite example of a complex cultural good, the interstate highway system—help human beings cultivate and create the real world. They become frothy and unstable when finance becomes the primary arena where wealth is made and talent is invested. One of the most promising side effects of the current crisis is the likelihood that a generation of Ivy League students will shy away from investment banking and put their skills to work elsewhere. Unless, of course, they all become lawyers. :)”</em><br />		
		<p>Economists do not understand what drives productivity growth very well. However, we know these facts: productivity grew rapidly after the second world war and then sometime between the late 1960s and mid-1970s it slowed dramatically only to re-accelerate to record levels in the mid-1990s. Unfortunately, even before the downturn, underlying productivity growth appeared to be slowing.</p><p>The most plausible explanation is that an array of transforming investments and technologies – the interstate highway system, widespread air travel and the expansion of electronics – were spurs to growth during the postwar period. Eventually their impact dissipated and, as energy costs rose, growth slowed until the information technology revolution kicked in during the 1990s. Unfortunately, the IT supply shock that powered the economy in the 1990s and early part of this decade appears to be diminishing.</p><p>So there is a need to ensure that the pressure to increase spending is directed at areas where it will have the most transformational impact. We need to identify those investments that stimulate demand in the short run and have a positive impact on productivity. These include renewable energy technologies and the infrastructure to support them, the broader application of biotechnologies and expanding broadband connectivity, an area where the US has fallen behind.</p><p>The crisis has also reminded us of the lessons of the technology bubble, Japan’s experience in the 1990s and of the US Great Depression – that finance-led growth is problematic. The wealth and income gains from the easy availability of credit were highly concentrated in the hands of a fortunate few. The benefits also proved temporary. In retrospect, the fact that 40 per cent of American corporate profits in 2006 went to the financial sector, and the closely related outcome – a doubling of the share of income going to the top 1 per cent of the population – should have been signs something was amiss.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.ft.com/cms/s/0/d775399a-a38e-11dd-942c-000077b07658.html">The pendulum swings towards regulation</a>," by Lawrence Summers, <a href="http://www.ft.com/">FT.com</a>, 26 October 2008 :: via <a href="http://gregmankiw.blogspot.com/">Gregory Mankiw</a></div>		

	
			
			
			
		
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    <entry>
      <title>American Drive</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/american_drive/" />
      <id>tag:culture-making.com,2009:/9.914</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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<i>Reflections on an exhilarating drive and the future of the American road.</i><br />
<p>The Blue Ridge Parkway winds along the ridges of the Appalachian Mountains, skirting Asheville and Roanoke above the hidden hollows and little towns. And on Thursday afternoon, thanks to Bayerische Motoren Werke, three friends and I were driving along the parkway, scattering wild turkeys left and right, carving turns and going flat out on the straightaways in a BMW 335Ci convertible. It seems that BMW periodically turns up at upscale resorts to let the (presumably free-spending) guests try the company’s cars for free, for no obligation beyond the painful duty of returning it at the end of the drive. We were attending a conference at a such a location, already stretching the limits of our decidedly middle-class budgets, at just the right time. After filling out a surprisingly informal questionnaire, the keys were ours and we were off. </p><p>As we gasped and laughed at the difference between our borrowed joyride and our real-life cars (as the owner of a base-model 2000 VW Passat, I have the most fly car of the bunch), we were well aware of several layers of irony. Down in the valley motorists were waiting in long lines for scarce gasoline at the stations that were open at all, due the supply crunch in the Southeast following Hurricane Ike. We, meanwhile, were burning gas like it was going out of style (which, come to think of it, it soon may). Then there was the improbable identity of the four merry riders: all of us activists in the growing environmental movement within evangelical Christianity, concerned not least with the reality of and remedies for human-induced climate change. That climate change is caused in part, of course, by the carbon dioxide that we were gleefully generating every time the Beemer let out a particularly gratifying growl. Let’s just say there was a hint of guilt in the pleasure.
</p><br />
<a href="http://www.culture-making.com/articles/american_drive#more" >Read more »</a>

			
			
		
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    <entry>
      <title>Security wall mural, Sadr City</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/security_wall_mural_sadr_city/" />
      <id>tag:culture-making.com,2009:author/9.799</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“AP caption: "A painter decorates a security wall sealing off the southern section of the Shiite enclave of Sadr City in Baghdad, Iraq on Wednesday, Aug. 6, 2008." I love the particular choice of scenery, which I'd guess is as foreign to Baghdadis as ... well, as this particular type of wall itself.”</em><br />		
		<a href="http://www.boston.com/bigpicture/2008/09/scenes_from_iraq.html#photo24"><img src="http://culture-making.com/media/iraq25.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">AP Photo by Karim Kadim, from "<a href="http://www.boston.com/bigpicture/2008/09/scenes_from_iraq.html#photo24">Scenes from Iraq</a>," <a href="http://www.boston.com/bigpicture/">The Big Picture</a>, 3 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Ear to the Ground, by David Van Tiegham</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/ear_to_the_ground_by_david_van_tiegham/" />
      <id>tag:culture-making.com,2009:author/9.757</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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			<p align="center"><object height="340" width="420"><param name="movie" value="http://www.youtube.com/v/aX5BJHmotD4&amp;hl=en&amp;fs=1"><param name="allowFullScreen" value="true"><embed src="http://www.youtube.com/v/aX5BJHmotD4&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" height="344" width="425"></object>
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<b>Nate: </b><em>“A few years before the likes of Blue Man Group and Stomp, a percussionist/performance artist takes to the street to sound out the local environment. I think the suit and tie really makes the performance.”</em><br /><hr /><span style="font-size: -1">"<a href="http://www.youtube.com/watch?v=aX5BJHmotD4">Ear to the Ground</a>" (1982), featuring David Van Tieghem, directed by John Sanborn and Kit Fitzgerald :: via <a href="http://www.boingboing.net/2008/08/25/david-van-tieghems-e.html">Boing Boing</a></span>

	
			
			
			
		
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    <entry>
      <title>Want safer roads? Make them seem more dangerous.</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/want_safer_roads_make_them_seem_more_dangerous/" />
      <id>tag:culture-making.com,2009:author/9.678</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Note that when there are fewer traffic signs, suddenly there are more driver (and rider) signals -- people apparently become both more aware of their environment and more eager to share that awareness with others.”</em><br />		
		<p>Monderman certainly changed the landscape in the provincial city of Drachten, with the project that, in 2001, made his name. At the town center, in a crowded ­four-­way intersection called the Lawei­plein, Monderman removed not only the traffic lights but virtually every other traffic control. Instead of a space cluttered with poles, lights, “traffic islands,” and restrictive arrows, Monderman installed a radical kind of roundabout (a “squareabout,” in his words, because it really seemed more a town square than a traditional roundabout), marked only by a raised circle of grass in the middle, several fountains, and some very discreet indicators of the direction of traffic, which were required by ­law.</p><p>As I watched the intricate social ballet that occurred as cars and bikes slowed to enter the circle (pedestrians were meant to cross at crosswalks placed a bit before the intersection), Monderman performed a favorite trick. He walked, backward and with eyes closed, into the Laweiplein. The traffic made its way around him. No one honked, he wasn’t struck. Instead of a binary, mechanistic process—stop, go—the movement of traffic and pedestrians in the circle felt human and ­organic.</p><p>A year after the change, the results of this “extreme makeover” were striking: Not only had congestion decreased in the ­intersection—­buses spent less time waiting to get through, for ­example—­but there were half as many accidents, even though total car traffic was up by a third. Students from a local engineering college who studied the intersection reported that both drivers and, unusually, cyclists were using ­signals—­of the electronic or hand ­variety—­more often. They also found, in surveys, that residents, despite the measurable increase in safety, perceived the place to be more dangerous. This was music to Monderman’s ears. If they had not felt less secure, he said, he “would have changed it immediately.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.wilsoncenter.org/index.cfm?fuseaction=wq.essay&amp;essay_id=462572">The Traffic Guru</a>," by Tom Vanderbilt, <a href="http://www.wilsoncenter.org/index.cfm?fuseaction=wq.essay&amp;essay_id=462572"><i>Wilson Quarterly</i></a>, Summer 2008 :: via <a href="http://www.boingboing.net/2008/08/21/profile-of-hans-mond.html">Boing Boing</a></div>		

	
			
			
			
		
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    <entry>
      <title>Playful spaces, by Bruno Taylor</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/playful_spaces_by_bruno_taylor/" />
      <id>tag:culture-making.com,2009:author/9.666</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p align="center"><object height="319" width="400"><param name="movie" value="http://www.youtube.com/v/nDqbb0eHVXA&amp;hl=en&amp;fs=1" /><param name="allowFullScreen" value="true" /><embed src="http://www.youtube.com/v/nDqbb0eHVXA&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" height="319" width="400" /></object>
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<b>Nate: </b><em>“Here's a young UK designer's attempt to inject a bit of play back into a boring urban space -- in this case by hanging a swing from a bus shelter. It seems like a pretty temporary, for-video-only installation and probably having an approved, permanant swing in that space might raise all sorts of liability issues (not least: it's not clear how easy/tempting it would be to jump off the swing into traffic!) But it's fun to see how passersby react to the little remaking of their everyday urban world -- and interesting that only women seem willing to have a swing on it.”</em><br /><hr /><span style="font-size: -1">"Playful Spaces" by Bruno Taylor :: via <a href="http://www.designboom.com/weblog/cat/8/view/3682/playful-spaces-by-bruno-taylor.html"> designboom</a></span>

	
			
			
			
		
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    <entry>
      <title>Chand Baori (stepwell), India, by Doron</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/chand_baori_stepwell_india_by_doron/" />
      <id>tag:culture-making.com,2009:author/9.659</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“This is a 9th-century stepwell in western India, 100 feet deep, with 3500 steps in 13 tiers. Though it would take some sort of Q-bert-style planning to actually go up and down all 3500. The multiple approaches to the water source hint at the well's social function -- lots of people can descend at once to the cool (and, perhaps in its day somewhat less greenish) waters.”</em><br />		
		<a href="http://en.wikipedia.org/wiki/Image:ChandBaori.jpg"><img src="http://culture-making.com/media/ChandBaori.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Chand Baori (stepwell), Abhaneri, Rajasthan, India," by <a href="http://commons.wikimedia.org/wiki/User:Doron">Doron</a>, September 2003 :: via <a href="http://www.darkroastedblend.com/2008/08/love-song-italy.html">Dark Roasted Blend</a></div>		

	
			
			
			
		
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    <entry>
      <title>Unix, five hundred years on</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/unix_five_hundred_years_on/" />
      <id>tag:culture-making.com,2009:author/9.640</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“We simply can't know which of our cultural offerings will be lasting, and which will quickly fade away. I think, actually, there's something good to be found in that tension, allowing us to work and create with foresight, care and seriousness, but also with a humble lightness, a willingness to let go.”</em><br />		
		<p>Very few infrastructure details begin with the idea that they will last 1,000 years. Strange as it sounds it is very likely that some basic software running inside computers  today will be running in computers 500 years from now. We see that conservation in cells, where very primitive metabolic cycles present in archaic cells are still operating in cells today. All the fancy “recent” improvements run upon them. One could imagine that in 5 centuries, parts of unix will be found operating in servers.  But it is clear that no one would be more surprised than the creators of unix. Most creations, including software, are written in less than optimal conditions. Creators always have the idea that they will go back later to fix the many known imperfections. Of course they are never fixed because the shipped rev is “good enough” — and so the temporary good enough becomes a permanent good enough.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://blog.longnow.org/2008/08/13/temporary-becomes-permanent/">Temporary Becomes Permanent</a>," by Kevin Kelly, <a href="http://blog.longnow.org/2008/08/13/temporary-becomes-permanent/">The Long Now Blog</a>, 13 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Billboard no.02, by Branislav Kropilak</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/billboard_no02_by_branislav_kropilak/" />
      <id>tag:culture-making.com,2009:author/9.578</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“I love Kropilak's beautiful (though admittedly severe) photos of the infrastructure of advertising, a reminder that bilboards aren't just about the surface.”</em><br />		
		<a href="http://www.kropilak.com/?go=billboards.02"><img src="http://horizonsofthepossible.com/media/billboards.02.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.kropilak.com/?go=billboards.02">Billboards  no.02</a>," giclee photo print on aluminum (2008), by <a href="http://www.kropilak.com/">Branislav Kropilak</a> :: via <a href="http://www.coolhunting.com/archives/2008/07/branislav_kropi.php">Cool Hunting</a></div>		

	
			
			
			
		
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    <entry>
      <title>A sofa revolution</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_sofa_revolution/" />
      <id>tag:culture-making.com,2009:author/9.594</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Actually, the throw-the-furniture-in-the-streets model of social protest has a long history, especially in Europe, where narrow streets make barricades easier to set up. Also when "changing the world" means changing your neighborhood, the chances of success are generally better.”</em><br />		
		<p>A group of frustrated neighbors in the Dutch city of Delft finally got fed up about autos speeding down their street. One night, they dragged old couches and tables into the middle of the road, strategically arranging them so that motorists could still pass—but only if they drove slowly. The police eventually arrived and had to admit that this scheme, although clearly illegal, was a good idea. Soon the city was installing its own devices to slow traffic, and the idea of traffic calming was born—an innovative solution now used across the globe to make streets safer.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.worldchanging.com/archives/008293.html">Changing the World One Block at a Time</a>," by Jay Walljasper, <a href="http://www.worldchanging.com/">WorldChanging</a>, 29 July 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Where have all the livery stables gone?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/where_have_all_the_livery_stables_gone/" />
      <id>tag:culture-making.com,2009:author/9.525</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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		<p>Not that long ago, a vast cultural infrastructure made it possible to travel the 300 miles from Boston to Philadelphia by horse. There were roads, wayside inns, stables, and turnpikes along which travelers could make a slow but steady journey from one city to the other. For more than a century, these cultural goods made interstate horse travel possible. But I dare say it would be impossible now.
<br />

</p><br />
		<p><small>	&mdash;<i>Culture Making</i>, p.28</small></p>

	
			
			
			
		
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    <entry>
      <title>Train crossing, Bangalore, South India</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/train_crossing_bangalore_south_india/" />
      <id>tag:culture-making.com,2009:author/9.446</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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			<p><embed src="http://www.youtube.com/v/w5wmO9dV_yc&amp;hl=en" allowScriptAccess="never" height="344" width="425"></embed>
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</p><br />
<b>Nate: </b><em>“Interesting how watching this video triggers slight and not unpleasant olfactory memories of my own times in B'lore in the late '90s.”</em><br /><hr /><span style="font-size: -1">via <a href="http://feeds.boingboing.net/~r/boingboing/iBag/~3/309877543/video-of-busy-train.html">Boing Boing</a></span>

	
			
			
			
		
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    </entry>

    <entry>
      <title>Bolivia&#8217;s volunteer zebras</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/bolivias_volunteer_zebras/" />
      <id>tag:culture-making.com,2009:author/9.430</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“A fun quick way to address (or at least bring attention to) a public safety concern. It does seem like the zebra costumes' restricted vision might be a problem. Also ironic given that real-life zebras' stripes function as camouflage ...”</em><br />
<div class="author" style="font-size: -1">a <a href="http://www.kottke.org/remainder/08/06/15786.html">kottke.org</a> post, 8 June 2008</div><hr />		
		<p><a href="http://www.lonelyplanet.tv/Clip.aspx?key=F6C841FC760DECE9">A video clip of La Paz, Bolivia’s crossing guard zebras</a>, the Cebra Voluntaria. Traffic in La Paz is so dangerous that its mayor started a program to have youths dressed as zebras help people across the city’s busiest intersections. From <a href="http://www.monocle.com/sections/affairs/Magazine-Articles/Mane-street---La-Paz/">the recent issue of Monocle</a>:</p><blockquote><p>It doesn’t get much busier than La Paz’s Plaza San Francisco of a Friday afternoon. Two zebras stand on the curb chatting with a teenage girl. Then something remarkable happens: the traffic light turns red, and at the sight of the zebras, the cars actually stop. One driver, however, is a little slow and the nose of his car is left hanging over the crossing. One of the zebras skips over to the offending car and mimes pushing it backwards. Then he continues skipping across to the other side of the street.</p></blockquote> (<a href="http://www.kottke.org/remainder/08/06/15786.html">link</a>)

		

	
			
			
			
		
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    <entry>
      <title>Parking diplomacy</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/parking_diplomacy/" />
      <id>tag:culture-making.com,2009:author/9.431</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Technically he's leaving his car on African soil. The strange rules of diplomatic privilige and structural neglect.”</em><br />		
		<p>Steve Gifford has found a bright side to living next to an eyesore—in his case, Congo’s former embassy. In exchange for Gifford and his partner spending $200 a month cutting the grass and cleaning up, Congo granted that most elusive of city perks: parking in the embassy’s driveway. “Everybody wins,” Gifford said.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/06/07/AR2008060700926_3.html?sid=ST2008060700985">Once Grand, Now Bedraggled: City Officials and Neighbors Peeved by Abandoned Embassy Properties</a>," by Paul Schwartzman, <a href="http://www.washingtonpost.com/"><i>The Washington Post</i></a>, 8 June 2008</div>		

	
			
			
			
		
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