<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">

    <title type="text">Culture Making items tagged humor</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2008-11-21T22:39:26Z</updated>
    <rights>Copyright (c) 2008, Nate Barksdale</rights>
    <generator uri="http://www.pmachine.com/" version="1.6.4">ExpressionEngine</generator>
    <id>tag:culture-making.com,2008:11:21</id>


    <entry>
      <title>You don’t have to be Russian, but it helps</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/you_dont_have_to_be_russian_but_it_helps/" />
      <id>tag:culture-making.com,2008:author/9.1005</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I have to say from the examples I find the Western version of the holy fool a bit more attractive than the more common (and more exceedingly counter-cultural) Eastern counterpart. But holy foolishness is certainly a posture of culture-making, mixing elements condemnation and creation.”</em><br />		
		<p>It is not necessary to be Russian in order to appreciate holy fools however it seems to help.</p><p>There is a long tradition of fools for Christ’s sake in both Western and Eastern Christendom, containing both real fools and fools <i>ex officio</i>. In the West for example, St. Francis of Assisi exhibited some of the characteristics of holy folly, as did the order he founded. But it is Eastern Orthodoxy especially in Russia, that has produced the richest collection of holy fools. In the case of Russia the argument could actually be made that holy folly became a major theme in the national culture, both oil the popular and literary levels Dostoyevsky’s novel <i>The Idiot</i> being the undisputed literary climax of the tradition). Holy folly in the Eastern church may go back to the early days of the desert saints of Egypt, but the phenomenon became prominent in the sixth century Famous cases are those of Theophilus and Maria of Antioch, and of St. Symeon of Emesa Theophilus and Maria came from aristocratic families. They were engaged to be married, instead decided to become fools for Christ’s sake. They roamed the streets of the Syrian metropolis, he dressed as a jester, she as a prostitute, outraging the populace with bizarre and often obscene behavior. Gradually, it was recognized that this behavior was an expression of unusual piety. St. Symeon was an anchorite in the lands east of the river Jordan. He too began to roam through the towns and villages of this area. He would throw walnuts at people in church, overthrow the stalls of street vendors, dance with prostitutes in the street, burst into women’s bath houses and conspicuously eat on fast days. At first, of course, the reaction to this behavior was outrage. Then it came to be accepted that the behavior symbolized great religious mysteries…
</p><hr />
<div class="author" style="font-size: -1">from <i><a href="http://books.google.com/books?id=3bzB9Qk9emIC&printsec=frontcover&dq=peter+berger&as_brr=3&ei=DXQPSeO8B46KswPAl-HADg#PPA190,M1">Redeeming Laughter: The Comic dimension of Human Experience</a>,</i> by Peter Berger, 1997</div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Eighty percent of success &#8230;</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/eighty_percent_of_success/" />
      <id>tag:culture-making.com,2008:author/9.573</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
		<p>Eighty percent of success is showing up.
</p><br />
		<p><small>	&mdash;Woody Allen</small></p>

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Some classical humor</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/some_classical_humor/" />
      <id>tag:culture-making.com,2008:author/9.550</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Jokes are among the hardest things to translate well across time or languages; these are actually some of the funnier (or at least more comprehensible) jokes to be found in the Philogelos. I remember the college classmate who first told me about this late Roman joke book said he'd come to the conclusion that "Late Roman" was pretty good shorthand for "unfunny."”</em><br />		
		<p>Talkative barber to customer: “How shall I cut your hair?” Customer: “In silence.”</p><p>Bada-bing. </p><p>This knee-slapper comes from “Philogelos,” or “Laughter-Lover,” a Greek joke book, probably compiled in the fourth or fifth century A.D. Its 264 entries amount to an index of classical humor, with can’t-miss material on such figures of fun as the miser, the drunk, the sex-starved woman and the man with bad breath. </p><p>Let us not forget the “skolastikos,” or egghead: “An egghead was on a sea voyage when a big storm blew up, causing his slaves to weep in terror. ‘Don’t cry,’ he consoled them, ‘I have freed you all in my will.’”</p><p>Bada-boom.
<br />

</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.nytimes.com/2008/07/20/books/review/Grimes-t.html?ref=books">Funny Bone Anatomist</a>, by William Grimes, <a href="http://www.nytimes.com/2008/07/20/books/review/Grimes-t.html?ref=books"><i>New York Times</i> Book Review</a>, 20 July 2008 :: via <a href="http://3quarksdaily.blogs.com/3quarksdaily/2008/07/a-history-and-p.html">3quarksdaily</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Would I be making a stronger statement with willow?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/would_i_be_making_a_stronger_statement_with_willow/" />
      <id>tag:culture-making.com,2008:author/9.506</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Real artists ship, dam it!”</em><br />		
		<p>Messner has already overthought and razed two dams this season alone. He dismissed the proportions of the first as “aesthetically dysfunctional,” and the second was built out of cottonwood, which he called “a mistake.” But, according to Messner, the latter experience got him thinking about different woods in ways he had never considered.</p>

<p>“What woods are the sturdiest, or the most visually pleasing?” Messner said. “What does a birch dam say? Everyone seems to love sugar maple, but it’s such an overfamiliar scrub tree. Would I be making a stronger statement with willow? I don’t want this to be one of those generic McDams.”</p>

<p>“What do I have to say—as a beaver and as an artist?” he added. </p>

<p>After much thought, Messner decided to reconstruct the anterior section of the dam with poplar wood on Tuesday, after he finished “highly necessary” preparatory work chewing the branches into uniform-sized interlocking sticks. Yet such tasks struck fellow lodge members as excessive. </p>

<p>“Get to work, get to work, build the dam, build the dam,” Cyril Kyree said as he dragged a number of logs into the shallow lick of river where the rest of the lodge has built their nests. “Chew-chew-chew. Need a mate. Build the dam.” 

</p><hr />
<div class="author" style="font-size: -1">from ”<a href="http://www.theonion.com/content/news/beaver_overthinking_dam">Beaver Overthinking Dam</a>”, <a href="http://www.theonion.com/"><i>The Onion</i></a>, 19 April 2006 :: via <a href="http://www.3quarksdaily.com/">3quarksdaily</a></div>		

	
			
			
			
		
      ]]></content>
    </entry>

    <entry>
      <title>Stephen Colbert interviews N.T. Wright</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/stephen_colbert_interviews_nt_wright/" />
      <id>tag:culture-making.com,2008:author/9.454</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p><center><embed FlashVars='videoId=174352' src='http://www.comedycentral.com/sitewide/video_player/view/default/swf.jhtml' quality='high' bgcolor='#cccccc' width='332' height='316' name='comedy_central_player' align='middle' allowScriptAccess='always' allownetworking='external' type='application/x-shockwave-flash' pluginspage='http://www.macromedia.com/go/getflashplayer'></embed></center>
</p><br />
<b>Nate: </b><em>“Given the constraints of the interview -- super-short, and with against a man in character whose main goal is to be funny -- Wright holdes his own on Life After Heaven. It helps that both men are great wits and, in their way, know their stuff.”</em><br /><hr /><span style="font-size: -1"><a href="http://www.comedycentral.com/colbertreport/">The Colbert Report</a></span>

	
			
			
			
		
      ]]></content>
    </entry>


</feed>