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    <title type="text">Culture Making Articles items tagged heaven</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Perfect boredom</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/perfect_boredom" />
      <id>tag:culture-makers.com,2025:author/1.1820</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Nate: </b><em>?On of the more facile critiques of the idea of heaven is that, what with all the sitting around on clouds strumming harps to no end, it'll be boring. That's hardly the true picture of the culture-packed-and-meaningful-work-filled New Jerusalem of the Bible's final chapters, but one wonders whether there will be room for boredom in a place without sorrow or pain. What will redeemed bordom look like? Perhaps something like this or, more to the point, something like peace: the lion shall laze with the lamb.?</em><br />
		
		<p>There’s something exquisite about boredom. Like melancholy and its darker cousin sadness, boredom is related to emptiness and meaninglessness, but in a perfectly enjoyable way. It’s like wandering though the National Gallery, being surrounded by all those great works of art, and deciding not to look at them because it’s a pleasure just walking from room to room enjoying the squeak of your soles on the polished floor. Boredom is the no-signal sound on a blank television, the closed-down monotone of a radio in the middle of the night. It’s an uninterrupted straight line.</p><p>Actually, my idea of boredom has little to do with wealthy surroundings. It’s about a certain mindset. Perfect boredom is the enjoyment of the moment of stasis that comes between slowing down and speeding up – like sitting at a traffic light for a particularly long time. It’s at the cusp of action, because however enjoyable it may be, boredom is really not a long-term aspiration. It’s for an afternoon before a sociable evening. It marks that point in a holiday when you’ve shrugged off all the concerns of work and home, explored the hotel and got used to the swimming pool, and everything has become totally familiar. ‘I’m bored’ just pops into your mind one morning as you’re laying your towel over the sunlounger before breakfast, and then you think ‘How lovely.’ It’s about the stillness and familiarity of that precise moment before the inevitable anxiety about packing up and heading back to God-knows-what.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.philosophynow.org/issue77/77bisset.htm">La Vie D’Ennui</a>," by Colin Bisst, <a href="http://www.philosophynow.org/issue77/77bisset.htm">Philosophy Now</a>, February/March 2010 :: via <a href="http://www.aldaily.com/">Arts & Letters Daily</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The epic of the universe, the ballad they sing in the streets</title>
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      <id>tag:culture-makers.com,2025:author/1.950</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?A lovely passage on the here and hereafter from the novel that's currently (and belatedly, given the strength of my friends' recommendations) on my bedside table.?</em><br />
		
		<p>I feel sometimes as if I were a child who opens its eyes on the world once and sees amazing things it will never know any names for and then has to close its eyes again. I know this is all mere apparition compared to what awaits us, but it is only lovelier for that. There is a human beauty to it. And I can&#8217;t believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us. In eternity this world will be Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets. Because I don&#8217;t imagine any reality putting this one in the shade entirely, and I think piety forbids me to try.</p><hr />
<div class="author" style="font-size: -1">from <i><a href="http://books.google.com/books?id=d-f--2Lth_QC&printsec=frontcover&dq=gilead&ei=Nu74SNe2G4u8tAPattSmDA#PPA57,M1">Gilead</a></i>, by Marilynne Robinson, 2004</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>“Red Clay Halo,” by Gillian Welch and David Rawlings</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/red_clay_halo_by_gillian_welch_and_david_rawlings" />
      <id>tag:culture-makers.com,2025:author/1.690</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<p align="center"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/i7knB3VtAqY&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/i7knB3VtAqY&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object></p><br />
<b><p>Nate</p>: </b><em>?Here's a lovely riff on the notion that, come eternity, all creation—including the red earth formed during those geologic eras where there was dry land but no plants, causing the whole surface to oxidize to a rusty, Martian hue—will be redeemed. And that our own songs about dirt might find their place in heaven.?</em><br />
<hr /><span style="font-size: -1">"<a href="http://www.youtube.com/watch?v=i7knB3VtAqY">Red Clay Halo</a>," by Gillian Welch and David Rawlings, from the abum <i><a href="http://www.amazon.com/Time-Revelator-Gillian-Welch/dp/B00005N8CQ/ref=sr_1_1?ie=UTF8&s=music&qid=1219519354&sr=8-1">Time (The Revelator)</a></i>, preformed here in a BBC broadcast from St. Luke's in London, 2 August 2004</span>
	
			
			
			

		
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    </entry>    <entry>
      <title>Stephen Colbert interviews N.T. Wright</title>
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      <id>tag:culture-makers.com,2025:author/1.454</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<p><center><embed FlashVars='videoId=174352' src='http://www.comedycentral.com/sitewide/video_player/view/default/swf.jhtml' quality='high' bgcolor='#cccccc' width='332' height='316' name='comedy_central_player' align='middle' allowScriptAccess='always' allownetworking='external' type='application/x-shockwave-flash' pluginspage='http://www.macromedia.com/go/getflashplayer'></embed></center></p><br />
<b><p>Nate</p>: </b><em>?Given the constraints of the interview -- super-short, and with against a man in character whose main goal is to be funny -- Wright holdes his own on Life After Heaven. It helps that both men are great wits and, in their way, know their stuff.?</em><br />
<hr /><span style="font-size: -1"><a href="http://www.comedycentral.com/colbertreport/">The Colbert Report</a></span>
	
			
			
			

		
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