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    <title type="text">Culture Making items tagged government</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2009-01-07T16:07:34Z</updated>
    <rights>Copyright (c) 2009, Andy Crouch</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>Food stamps and farmers markets</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/food_stamps_and_farmers_markets/" />
      <id>tag:culture-making.com,2009:author/9.1192</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Here's a way of fighting hunger and obesity at the same time, by incentivising (or perhaps just enabling) healthier food choices for those on public assistance. But I wonder how many people who'd like to take advantage of such a program would actually have a farmer's market they could easily get to? And there's the issue that, if you're poor and your job, time, and home situations are less stable, canned goods and fast food may be (as noted <a href="http://www.culture-making.com/post/the_food_here_is_awful/">earlier</a>) a better fit for your short-term needs.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/PH2008122302669_210.jpg" alt="image"></div><p>In the 2008 farm bill, Congress allocated $20 million for a pilot program to explore how to create incentives to purchase fruits, vegetables or other healthful foods in order to improve the diets of food stamp recipients and potentially reduce obesity. Several nonprofit groups and foundations are experimenting with similar incentives.</p><p>One is the Wholesome Wave Foundation, an organization that works to make locally grown food more widely available. In the spring, it launched a program that doubles the value of food stamps and fruit and vegetable vouchers of low-income mothers and seniors who use them at farmers markets in Connecticut, Massachusetts and California.The Wholesome Wave matching grants were an instant hit at the City Heights market in San Diego. On the first day that matching funds became available, sales using government-issued electronic benefit cards soared by more than 200 percent. In subsequent weeks, the line to receive matching vouchers formed at 7:30 a.m., and the available funds were exhausted by 9:30 a.m., just 30 minutes after the market opened.</p><p>“We’re not taking away your benefits because you spend them on Twinkies,” said Michel Nischan, a Connecticut chef and president of Wholesome Wave. “But if you decide you want to spend it on fresh tomatoes, you’ll get double your money.”
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</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/12/23/AR2008122302423.html?referrer=emailarticle">Obama Administration May Tie Improved Nutrition to Food Assistance Programs</a>," by Jane Black, <a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/12/23/AR2008122302423.html?referrer=emailarticle"><i>The Washington Post</i></a>, 24 December 2008 :: via <a href="http://nudges.wordpress.com/2008/12/29/farmers-market-nudges/">Nudges</a></div>		

	
			
			
			
		
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    <entry>
      <title>Bringing back the New Deal for writers</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/bringing_back_the_new_deal_for_writers/" />
      <id>tag:culture-making.com,2009:author/9.1118</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“The output of the 1930s Federal Writers Project, especially some of the oral histories, looks <a href="http://books.google.com/books?lr=&ei=1t4-SbSrLIX6kgTC5fjWBw&q=inauthor:%22+Federal+Writers%27+Project%22&as_brr=0&sa=N&start=40">pretty interesting</a>.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://ideas.blogs.nytimes.com/2008/12/09/am-edition-a-new-deal-program-for-writers/">NYTimes.com ideas blog</a> post, 9 December 2008</div><hr />		
		<p><b>Journalism | </b>While we’re on the subject of a New New Deal, an unemployed newsman <a href="http://www.tnr.com/politics/story.html?id=428819dc-f4bf-4db3-a6e8-1b601c8fe273">says</a>, how about resurrecting F.D.R.’s Federal Writers Project to tide over all the laid-off journalists displaced by the turmoil in their industry? They could chronicle “the ground-level impact of the Great Recession” or the transition to a green economy. And who knows? There might be a Steinbeck, Terkel or Ellison among them too. [<a href="http://www.tnr.com/politics/story.html?id=428819dc-f4bf-4db3-a6e8-1b601c8fe273">New Republic</a>]
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    <entry>
      <title>The high cost of identity politics</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_high_cost_of_identity_politics/" />
      <id>tag:culture-making.com,2009:author/9.1100</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“One of the only benefits of horrific attacks like last week's terrorism in India is the opportunity they give societies to honestly assess their own horizons of possibility and impossibility. This commentary by the University of Chicago's Dipesh Chakrabarty is a good example. One can only hope against hope that India's response is more effective than our own country's after 11 September 2001, which, as the years go by, seems more and more to me to have truly missed the best opportunities for change—most of all in our hardened attitudes towards immigrants and even simply students and visitors from the majority of the world.”</em><br />		
		<p>To have an effective <i>cordon sanitaire</i> against terror would require India to inject a degree of efficiency, alertness, and performance into an administrative apparatus that simply has not delivered on these scores for decades. For many interesting historical reasons (that need not detain us here), government and public institutions in India gradually ceased to be effective deliverers of goods and services, beginning in the 1970’s. There is much that democracy in India has achieved, including the famous overturning of the autocratic Emergency Rule that Mrs. Gandhi once imposed and the sense of participation many low-caste communities have in the country’s governmental institutions. But democracy in India has also become predominantly a means of electoral empowerment of different groups—low-castes, dalits, minorities, or even majoritarian Hindus who claim to have been “weakened” by the “privileges” accorded to minorities.</p><p>The growth of this politics of identity has made elections into the mainstay of Indian democracy. It has distanced politics from issues of governance, and has gone hand in hand with a deepening degree of corruption, financial and otherwise, on the part of politicians and officials. A large number of the elected members of parliament have criminal cases pending against them, and media reports suggest an elephantine, unaccountable, inefficient bureaucracy mired in the self-indulgent use of resources (corruption and inefficiency often going together). There was, as last week’s events made clear, no effective coast guard force on the Indian seas, in spite of the government having been warned of possible terror attacks on Mumbai from the sea. When the Taj Hotel caught fire, it took the first lot of firefighters three hours to respond. The commando force had to be dispatched from Delhi and it took about nine hours to mobilize them, as they are usually kept busy providing “security” to politicians, many of whom see such security as a matter of status and prestige.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.ssrc.org/blogs/immanent_frame/2008/12/04/reflections-on-the-future-of-indian-democracy/">Reflections on the future of Indian democracy</a>," by Dipesh Chakrabarty, <a href="http://www.ssrc.org/blogs/immanent_frame/">The Immanent Frame</a>, 4 December 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The ring of power</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_ring_of_power/" />
      <id>tag:culture-making.com,2009:author/9.981</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“I might cavil with some of the presuppositions in this article. Is the presidency, or any other role in a political system constructed of checks and balances, really very much like Tolkien's "One Ring to rule them all"? Does not the free market tend to generate its own loci of unchecked power? What is the author's position on the ultimate expression of "government social engineering," namely warfare? Still, this is a compelling summary of an important argument that cannot be simply waved away. And in a moment when it is very possible that one political party will command a supermajority beginning in January, it may be all too timely.”</em><br />		
		<p>It is no longer shameful to lust after power so long as one lusts for the good of the people. In the words of Boromir, speaking of the One Ring, “For you seem to think of its power only in the hands of the enemy: of its evil uses not of its good.” The only rejoinder, in Frodo’s words to Boromir, is that “we cannot use it, and what is done with it turns to evil.” Yes, it’s that simple. And as you ascend the levels of authority, from city to state to nation, it only becomes more true.</p><p>There are several reasons. One, already alluded to, is the corruption of power. No matter for what noble ends power may be sought, at some point it always becomes an end in itself, and then the jig is up . . . but the power and its abuses live on. This is why even the most flagrantly failed government programs are nearly impossible to kill.</p><p>Another reason that centralized government social engineering simply doesn’t work is what F.A. Hayek called “the knowledge problem.” Hayek was the only Austrian economist ever to win a Nobel Prize. He won it partly for a brief essay called “The Use of Knowledge in Society,” in which he explained that government is intrinsically helpless before most social and economic problems because the knowledge needed to solve them is too widely dispersed among the members of society. It cannot ever be made known in a timely fashion to a central authority, and even if it could, that authority would lack the godlike coordinating ability needed to use that knowledge effectively. Adding to the difficulty, much of this knowledge is tacit knowledge, not consciously known or articulated by the individuals who have it.</p><p>What can make effective use of the knowledge distributed locally among the members of society? Only the free market system and its accompanying structure of voluntary trades and changing prices. Freely determined market prices are what send signals to individuals telling them how to best use their unique knowledge to their own, and ultimately society’s, advantage. Without a free market, the only way to allocate resources is by government fiat–a few, far-removed individuals making choices for us all, perhaps with the best of intentions but in near-total ignorance.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.firstthings.com/onthesquare/?p=1207">Frodo in a World of Boromirs</a>," by Kurt Luchs, <a href="http://www.firstthings.com/onthesquare/">FIRST THINGS: On the Square</a>, 27 October 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Public sentiment</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/public_sentiment/" />
      <id>tag:culture-making.com,2009:author/9.837</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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		<p>In this age, and this country, public sentiment is everything. <i>With</i> it, nothing can fail; <i>against</i> it, nothing can succeed. Whoever molds public sentiment, goes deeper than he who enacts statutes, or pronounces judicial decisions. He makes possible the inforcement of these, else impossible.
</p><br />
		<p><small>	&mdash;Abraham Lincoln, 1858, via <a href="http://www.firstthings.com/onthesquare/?p=1168">Richard John Neuhaus</a></small></p>

	
			
			
			
		
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    <entry>
      <title>The peculiar job of a politician</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_peculiar_job_of_a_politician/" />
      <id>tag:culture-making.com,2009:author/9.802</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“David Heim reviews Shelby Steele's new book about Obama, <a href="http://www.amazon.com/exec/obidos/ASIN/1416559175/cmcom-20"><i>A Bound Man</i></a>, and offers this intriguing thought on the limits of "authenticity" as a test for political leadership. Politics may be the realm where attention to the actual, concrete cultural goods produced, rather than vague appeals to values or identity, is most necessary—worth remembering as the fall presidential campaign moves into high gear.”</em><br />		
		<p>Steele’s deepest worries about Obama are not about his political chances but about his personal authenticity. Whether as bargainer or challenger or some creative mix of the two, Steele thinks, a black leader must don a mask, forging a persona that will charm or manipulate whites. In taking on this task, Steele contends, black leaders lose themselves, for they are never able to locate what they themselves really think. Steele wonders: Is Obama running for president because of his deep convictions or simply because he is aware of “his power to enthrall whites”?</p><p>But questions of authenticity can be raised about every politician. The peculiar job of a politician is to fashion repeatedly points of agreement between people with different and shifting points of view and to project a public persona that can elicit action and be the vehicle for people’s hopes. If personal authenticity is your quest, politics is the wrong medium. We can wish for congruence between the inner and the outer person of the politician, but in the end what matters for the voters is the direction of the policies chosen and the decisions made.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.christiancentury.org/article.lasso?id=5134">Obama's Bind</a>," by David Heim, <a href="http://www.christiancentury.org/">The Christian Century</a>, 26 August 2008 :: via <a href="http://www.kendallharmon.net/t19/">TitusOneNine</a></div>		

	
			
			
			
		
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    <entry>
      <title>Cell phones and African elections</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/cell_phones_and_african_elections/" />
      <id>tag:culture-making.com,2009:author/9.781</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Cell phones are a transformative technology all over the world, but in different ways in different regions. In Africa, the newfound possibility of rapid communication and reporting makes it a lot easier to track—and prevent—election mischief.”</em><br />		
		<p>The humble mobile phone is driving a new revolution which some experts hope could bring fairer elections and democracy to some African states. Many African countries have struggled against rigged elections and authoritarian rule since gaining independence last century.</p><p>However, African observers say the growth of simple communication technologies like cell phones are assisting many states to progress towards open and fair elections in increasingly democratic systems. Senegal is one of a number of African countries to hold successful elections by keeping voting and counting in check through independent communication.</p><p>Former United Nations Secretary-General Kofi Annan said many African nations now had a “very open society” and the increasing success of elections owed a lot to the existence of mobile phones. “With communication and cell phones, this is where it is difficult to cheat in elections now. You are announced at the district level and cell phones go wild so by the time you go to the capital, if you have changed the figures, they will know and you will be caught out.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.cnn.com/2008/WORLD/europe/08/25/Cellphonedemocracy/">Cell phones promise fairer elections in Africa</a>," by Mike Steere, <a href="http://www.cnn.com/">CNN.com</a>, 25 August 2008 :: via <a href="http://polymeme.com/node/64690">Polymeme</a></div>		

	
			
			
			
		
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    <entry>
      <title>Gomez II Bail Bond, Lubbock, TX</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/gomez_ii_bail_bond_lubbock_tx/" />
      <id>tag:culture-making.com,2009:author/9.756</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p><iframe width="420" height="240" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" src="http://maps.google.com/maps/sv?cbp=1,189.66018640230305,,1,-3.3711964638328076&amp;cbll=33.584517,-101.842785&amp;v=1&amp;panoid=W4o8RFosMOzKtmL_ZOGxVw&amp;gl=&amp;hl="></iframe>
</p><br />
<b>Nate: </b><em>“I happend on this interesting chain of cultural implications encompassed within a couple blocks in downtown Lubbock: if you swivel to the right from this view you'll see: bail bonds, jail, Sheriff's department, courthouse, bus transit plaza, bail bonds. All of these represent different interdependent cultural spheres.”</em><br /><hr />
<span style="font-size: -1"><a href="http://maps.google.com/?ie=UTF8&ll=33.585559,-101.843777&spn=0.007374,0.015203&t=h&z=17&layer=c&cbll=33.584517,-101.842785&panoid=W4o8RFosMOzKtmL_ZOGxVw&cbp=1,183.77999999999977,,0,5">Google Street view</a> (hit 'refresh' to load if the frame is blank), Broadway and Ave. G, Lubbock, TX</span>

	
			
			
			
		
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    <entry>
      <title>Never mind the propaganda, let’s dance!</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/never_mind_the_propaganda_lets_dance/" />
      <id>tag:culture-making.com,2009:author/9.601</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Sometimes the medium does transcend the message. My friend <a href="http://koranteng.blogspot.com/2005/04/strange-bedfellows-and-journalistic.html">Koranteng</a> notes that the dictatorship of Mobutu Sese Seko stands out among evil regimes for having produced a body of self-serving propaganda that people actually liked, even outside the country and after the fact: lots of very excellent <i>sokous</i> tunes. From the dispatch below, it sounds like the national tradition of ignoring the lyrics is alive and well.”</em><br />		
		<p>A French aid worker in Congo, Cabiau admits that he has trouble telling Werrason apart from Wazekwa, but that he’s “developed a taste for this joyous cacaphony.”</p>
<p><i>Lorsque les décibels s’affolent, impossible de rester assis. Si l’on se donne la peine de s’aventurer sur la piste, au milieu des miroirs et des déhanchements endiablés, on ne peut que succomber. On est alors entraîné dans des chorégraphies délirantes que tout bon kinois connaît sur le bout des doigts. C’est le feu. De la folie furieuse. C’est Kinshasa.</i></p>
<p><i>When the decibels reach a panic, it’s impossible to stay seated.  If make the effort to get out there on the dance floor, among the mirrors and the frenzy of swaying hips, you cannot help but give in.  You are led out into wild dance moves that every good kinois knows at the edge of his fingertips.  It’s on fire.  It’s madness.  It’s Kinshasa.</i></p>
<p>Cabiau also writes about the phenomenon of “libanga.”  Libanga is to Congolese music what product placement is to American film and television.  For a few thousand dollars, “a company, a brand of beer, a politicians, or an officer in the army” can see his name placed in a song.  Several dozen such paid shoutouts might be in a single song.  “Curiously, that doesn’t seem to bother many people,” Cabiau writes.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://globalvoicesonline.org/2008/07/27/kinshasas-baroque-style/">Kinshasa’s 'baroque' style</a>, by Jennifer Brea, <a href="http://globalvoicesonline.org/">Global Voices Online</a>, 27 July 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Naming and photography</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/naming_and_photography/" />
      <id>tag:culture-making.com,2009:author/9.636</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
		<p>Doctored photographs are the least of our worries.  If you want to trick someone with a photograph, there are lots of easy ways to do it. You don’t need Photoshop. You don’t need sophisticated digital photo-manipulation.  You don’t need a computer.  All you need to do is <i>change the caption</i>.
</p><br />
		<p><small>	&mdash;Errol Morris, documentary filmmaker, <a href="http://morris.blogs.nytimes.com/2008/08/11/photography-as-a-weapon/">NYTimes.com</a></small></p>

	
			
			
			
		
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    <entry>
      <title>Taggers abhor a vacuum</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/taggers_abhor_a_vacuum/" />
      <id>tag:culture-making.com,2009:author/9.639</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“The best way to change culture is by making more of it. So, beset by continual graffiti on their Highland Park, LA storefront, the Antonio family hired a crew of muralists to decorate their market with something the taggers might respect. The end result, as LA Times columnist Steve Lopez reports, wasn't quite what they had in mind, but the taggers stayed away ... that is, until the city cited the business for excessive signage and had the mural covered over with dull beige paint. Presented with a blank canvas, the taggers soon returned.”</em><br />		
		<a href="http://www.latimes.com/news/local/la-me-lopez13-2008aug13,0,1207133.column"><img src="http://culture-making.com/media/41592138.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">photo by Jacob Antonio Jr., from the article "<a href="http://www.latimes.com/news/local/la-me-lopez13-2008aug13,0,1207133.column">Los Angeles thwarts family in fight over graffiti</a>," by Steve Lopez, <i><a href="http://www.latimes.com/">Los Angeles Times</a></i>, 13 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Cafeteria v. dentist’s office</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/cafeteria_v_dentists_office/" />
      <id>tag:culture-making.com,2009:author/9.621</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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		<p>The culture of each building, and the culture of the more abstract sphere they represent—retail, water treatment, banking, undergraduate education, and so on—has its own history of making and remaking, of possibility and impossibility. Many things that are entirely possible in a cafeteria—say, a food fight—are all but impossible in a dentist’s office, and vice versa.
</p><br />
		<p><small>	&mdash;<i>Culture Making</i>, p.44</small></p>

	
			
			
			
		
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    <entry>
      <title>From NASA to McDonald’s</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/from_nasa_to_mcdonalds/" />
      <id>tag:culture-making.com,2009:author/9.577</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“Performance artist Laurie Anderson on the importance of getting outside your own identity. I love her three-tiered description of how she sees the world.”</em><br />		
		<p><strong>In 2002 you were NASA’s first artist in residence, Why you?</strong><br>Because I have a reputation for being a gear head and a wire head. It was a really great gig. I went to mission control in Pasadena, and I met the guy who figures out how to color the stars in the photos taken by the Hubble Space Telescope. </p>
<p>The opportunity came about completely out of the blue, as many things are in my life. Somebody called and said “Do you want to be the first artist in residence at NASA?” and I said “What does that mean in a space program?” and they said “ Well, we don’t know what that means. What does it mean to you?” I was like “Who are you people? What does it mean to me? What are you talking about?”</p>
<p><strong>You’ve also worked at McDonald’s.</strong><br>Yeah. I began to think, “How can I escape this trap of just experiencing what I expect?” I decided maybe I would just try to put myself in places where I don’t know what to do, what to say, or how to act. So, I did things like working at McDonald’s and on an Amish farm, which had no technology whatsoever.
<br />
</p>
<p><strong>What do you need to “escape” from?</strong><br />At heart, I’m an anthropologist. I try to jump out of my skin. I normally see the world as an artist first, second as a New Yorker and third as a woman. That’s a perspective that I sometimes would like to escape. It’s why in my performances I use audio filters to change my voice. That’s a way to escape as well.
<br />

</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.smithsonianmag.com/arts-culture/atm-qa-anderson.html?c=y&page=1">Laurie Anderson Q&A</a>, by Kenneth R. Fletcher, <a href="http://www.smithsonianmag.com/"><i>Smithsonian Magazine</i></a>, Auguest 2008 :: via <a href="http://www.boingboing.net/2008/07/29/laurie-anderson-inte.html">Boing Boing</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Legitimizing the ß</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/legitimizing_the_eszet/" />
      <id>tag:culture-making.com,2009:author/9.478</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Pity the plight of vulnerable European letters! Really, though, one thing I love about the web in recent years is how, more and more, non-latin alphabets are rendering correctly, without fuss or extra downloads, in my browser window. May the increase continue!”</em><br />		
		<p>In practical terms the ISO ruling now means that in future it should be easier to find the Eszett on computer keyboards and in programmes. But it remains to be seen how keyboard manufacturers will react. Other vulnerable European letters have come under threat in the internet era, such as the Scandinavian vowels æ, ø and å. However, official recognition for the Eszett should mean that it is protected, at least for the time being, and cannot be scrapped as it has been in Swiss German.</p><p>Kerstin Güthert, managing director of the Council for German Spelling Reform, said: “It’s up to the people to decide whether or not they will use it.”</p><p>Germany’s typographers, at least, are predicting its comeback and celebrating the Eszett’s new-found status.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.guardian.co.uk/world/2008/jun/27/germany?gusrc=rss&feed=networkfront">'More than just a pumped up B': Germany celebrates recognition of the letter ß
</a>," by Kate Connolly, <a href="http://www.guardian.co.uk/">guardian.co.uk</a>, 27 June 2008</div>		

	
			
			
			
		
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    <entry>
      <title>This violence God delights in</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/this_violence_god_delights_in/" />
      <id>tag:culture-making.com,2009:author/9.447</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Andy: </b><em>“Wait a minute. We pray 'for the delay of the final consummation'? What happened to hoping to hurry up and have the rapture? As Tertullian explains earlier, "we know that a mighty shock impending over the whole earth— in fact, the very end of all things threatening dreadful woes— is only retarded by the continued existence of the Roman empire. We have no desire, then, to be overtaken by these dire events; and in praying that their coming may be delayed, we are lending our aid to Rome's duration." Fascinating.”</em><br />		
		<p>I shall at once go on, then, to exhibit the peculiarities of the Christian society, that, as I have refuted the evil charged against it, I may point out its positive good.  We are a body knit together as such by a common religious profession, by unity of discipline, and by the bond of a common hope. We meet together as an assembly and congregation, that, offering up prayer to God as with united force, we may wrestle with Him in our supplications. This violence God delights in. We pray, too, for the emperors, for their ministers and for all in authority, for the welfare of the world, for the prevalence of peace, for the delay of the final consummation.
<br />

</p><hr />
<div class="author" style="font-size: -1">from <i><a href="http://www.newadvent.org/fathers/0301.htm">Apology</a></i>, chapter xxxix, by Tertullian (Rev. S. Thelwall, trans.), 197 A.D.</div>		

	
			
			
			
		
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    <entry>
      <title>When is a Text not a Text? When is a Reader not a ‘Reader’?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/when_is_a_text_not_a_text_when_is_a_reader_not_a_reader/" />
      <id>tag:culture-making.com,2009:author/9.448</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

							
		<p>[S]ometimes Mark’s Gospel has been called the first Christian book, in large part based on the reference in Mk. 13.14 where we find the parenthetical remark, “let the reader understand”, on the assumption that the ‘reader’ in question is the audience. But let us examine this assumption for a moment. Both in Mk. 13.14 and in Rev. 1.3 the operative Greek word is <i>ho anaginōskōn,</i> a clear reference to a single and singular reader, who in that latter text is distinguished from the audience who are dubbed the hearers (plural!) of John’s rhetoric. . . .  [N]ot even Mark’s Gospel should be viewed as a text, meant for private reading, much less the first real modern ‘text’ or ‘book’. Rather Mark is reminding the lector, who will be orally delivering the Gospel in some or several venues near to the time when this ‘abomination’ would be or was already arising that they needed to help the audience understand the nature of what was happening when the temple in Jerusalem was being destroyed. Oral texts often include such reminders for the ones delivering the discourse in question. So in fact it is not likely the case that the reference to ‘a reader’ in the NT functions like it would in a modern text.  The reader in question is not the audience of the discourse or document, but rather its presenter who knows the text in advance and can appropriately and effectively orally deliver its content to the intended audience or audiences.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://benwitherington.blogspot.com/2008/06/when-is-text-not-text-when-is-reader.html">When is a Text not a Text? When is a Reader not a 'Reader'? </a>," by <a href="http://benwitherington.blogspot.com/">Ben Witherington</a>, 22 June 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Fall from Graceland</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/fall_from_graceland/" />
      <id>tag:culture-making.com,2009:author/9.444</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“While I treasure the New Yorker for its prose and the Economist for its comprehensiveness, no other periodical comes as close to consistently unpacking the themes of Culture Making as the Atlantic. This story by Hanna Rosin is a perfect example.”</em><br />		
		<p>Falling crime rates have been one of the great American success stories of the past 15 years. New York and Los Angeles, once the twin capitals of violent crime, have calmed down significantly, as have most other big cities. Criminologists still debate why: the crack war petered out, new policing tactics worked, the economy improved for a long spell. Whatever the alchemy, crime in New York, for instance, is now so low that local prison guards are worried about unemployment.
<br />
</p>
<p>
Lately, though, a new and unexpected pattern has emerged, taking criminologists by surprise. While crime rates in large cities stayed flat, homicide rates in many midsize cities (with populations of between 500,000 and 1 million) began increasing, sometimes by as much as 20percent a year. In 2006, the Police Executive Research Forum, a national police group surveying cities from coast to coast, concluded in a report called “A Gathering Storm” that this might represent “the front end … of an epidemic of violence not seen for years.” The leaders of the group, which is made up of police chiefs and sheriffs, theorized about what might be spurring the latest crime wave: the spread of gangs, the masses of offenders coming out of prison, methamphetamines. But mostly they puzzled over the bleak new landscape. According to FBI data, America’s most dangerous spots are now places where Martin Scorsese would never think of staging a shoot-out—Florence, South Carolina; Charlotte-Mecklenburg, North Carolina; Kansas City, Missouri; Reading, Pennsylvania; Orlando, Florida; Memphis, Tennessee.</p>
<p>
Memphis has always been associated with some amount of violence. But why has Elvis’s hometown turned into America’s new South Bronx? Barnes thinks he knows one big part of the answer, as does the city’s chief of police. A handful of local criminologists and social scientists think they can explain it, too. But it’s a dismal answer, one that city leaders have made clear they don’t want to hear. It’s an answer that offers up racial stereotypes to fearful whites in a city trying to move beyond racial tensions. Ultimately, it reaches beyond crime and implicates one of the most ambitious antipoverty programs of recent decades.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.theatlantic.com/doc/200807/memphis-crime">American Murder Mystery</a>", by Hanna Rosin, <a href="http://www.theatlantic.com/"><i>Atlantic Monthly</i></a>, July/August 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Marry or be fired!</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/marry_or_be_fired/" />
      <id>tag:culture-making.com,2009:author/9.425</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A top-down approach to creating that basic unit of culture making: the family.”</em><br />		
		<p>A major Iranian state-owned company has told its single employees to get married by September or face losing their jobs, the press reported on Tuesday. “One of the economic entities in the south of the country has asked its single employees to start creating a family,” the hard-line <i>Kayhan</i> daily reported.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.mg.co.za/article/2008-06-10-marry-or-be-fired-iranian-state-firm-warns">Marry or be fired, Iranian state firm warns</a>", <a href="http://www.mg.co.za/">AFP - <i>Mail & Guardian</i></a> (South Africa), 10 June 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Parking diplomacy</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/parking_diplomacy/" />
      <id>tag:culture-making.com,2009:author/9.431</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Technically he's leaving his car on African soil. The strange rules of diplomatic privilige and structural neglect.”</em><br />		
		<p>Steve Gifford has found a bright side to living next to an eyesore—in his case, Congo’s former embassy. In exchange for Gifford and his partner spending $200 a month cutting the grass and cleaning up, Congo granted that most elusive of city perks: parking in the embassy’s driveway. “Everybody wins,” Gifford said.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/06/07/AR2008060700926_3.html?sid=ST2008060700985">Once Grand, Now Bedraggled: City Officials and Neighbors Peeved by Abandoned Embassy Properties</a>," by Paul Schwartzman, <a href="http://www.washingtonpost.com/"><i>The Washington Post</i></a>, 8 June 2008</div>		

	
			
			
			
		
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    </entry>


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