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    <title type="text">Culture Making items tagged food+and+drink</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2009-01-07T20:43:49Z</updated>
    <rights>Copyright (c) 2009, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>Eating and absorbing a technological tradition</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/eating_and_absorbing_a_technological_tradition/" />
      <id>tag:culture-making.com,2009:author/9.1205</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Sometimes cultural objects—homespun cloth in Independence-era India, the predominance (in spite of pressure to import cheaper international varities) of locally-grown rice in postwar Japan—take their most profound meanings not so much from the object itself as from the technology (actual or implied) that is used to produce the object.”</em><br />		
		<p>When a modern Japanese family sits round the supper table eathing their bowls of Japanese-grown rice, they are not simply indulging a gastronomic preference for short-grain and slightly sticky Japonica rice over long-grain Indica rice from Thailand. They are eating and absorbing a tradition—in the sense of an invented and reinvented past. While the television beside the dining table pours out a stream of images of the here-and-now, of an urbanized, capitalist, and thoroughly internationalized Japan, each mouthful of rice offers communion with eternal and untainted Japanese values, with a rural world of simplicity and purity, inhabited by peasants tending tiny green farms in harmony with nature and ruled over by the emperor, descendant of the Sun Goddess, who plants and harvests rice himself each year in a special sacred plot. Simple peasant rice farmers are as marginal in contemporary Japan as hand-spinners are in India, but the small rice farm, like the <i>swadeshi</i> [homespun-style cloth] industry, lives on as a powerful symbol.
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</p><hr />
<div class="author" style="font-size: -1">from <i><a href="http://books.google.com/books?id=fhmN7zqh6A0C&printsec=frontcover&dq=technology+gender+fabrics+power&ei=0QtlSbfuMYrIlQTzzf3aCg#PPA23,M1">Technology and Gender: Fabrics of Power in Late Imperial China</a></i>, by Francesca Bray (University of California Press, 1997)</div>		

	
			
			
			
		
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    <entry>
      <title>Food stamps and farmers markets</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/food_stamps_and_farmers_markets/" />
      <id>tag:culture-making.com,2009:author/9.1192</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Here's a way of fighting hunger and obesity at the same time, by incentivising (or perhaps just enabling) healthier food choices for those on public assistance. But I wonder how many people who'd like to take advantage of such a program would actually have a farmer's market they could easily get to? And there's the issue that, if you're poor and your job, time, and home situations are less stable, canned goods and fast food may be (as noted <a href="http://www.culture-making.com/post/the_food_here_is_awful/">earlier</a>) a better fit for your short-term needs.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/PH2008122302669_210.jpg" alt="image"></div><p>In the 2008 farm bill, Congress allocated $20 million for a pilot program to explore how to create incentives to purchase fruits, vegetables or other healthful foods in order to improve the diets of food stamp recipients and potentially reduce obesity. Several nonprofit groups and foundations are experimenting with similar incentives.</p><p>One is the Wholesome Wave Foundation, an organization that works to make locally grown food more widely available. In the spring, it launched a program that doubles the value of food stamps and fruit and vegetable vouchers of low-income mothers and seniors who use them at farmers markets in Connecticut, Massachusetts and California.The Wholesome Wave matching grants were an instant hit at the City Heights market in San Diego. On the first day that matching funds became available, sales using government-issued electronic benefit cards soared by more than 200 percent. In subsequent weeks, the line to receive matching vouchers formed at 7:30 a.m., and the available funds were exhausted by 9:30 a.m., just 30 minutes after the market opened.</p><p>“We’re not taking away your benefits because you spend them on Twinkies,” said Michel Nischan, a Connecticut chef and president of Wholesome Wave. “But if you decide you want to spend it on fresh tomatoes, you’ll get double your money.”
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</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/12/23/AR2008122302423.html?referrer=emailarticle">Obama Administration May Tie Improved Nutrition to Food Assistance Programs</a>," by Jane Black, <a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/12/23/AR2008122302423.html?referrer=emailarticle"><i>The Washington Post</i></a>, 24 December 2008 :: via <a href="http://nudges.wordpress.com/2008/12/29/farmers-market-nudges/">Nudges</a></div>		

	
			
			
			
		
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    <entry>
      <title>Sinatra songs and the Salve Regina</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/sinatra_songs_and_the_salve_regina/" />
      <id>tag:culture-making.com,2009:author/9.1170</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“This bit from the close of Walker Percy's novel is about as good an example I can recall of a sort of sublime cultural layering—the lovely, humble juxtaposition of the transcendent and the everyday, of fallenness and grace, and of taking our cues from the best of all that culture has to offer.”</em><br />		
		<p>Barbecuing in my sackcloth.</p><p>The turkey is smoking well. The children have gone to bed, but they’ll be up at dawn to open their presents.</p><p>The night is clear and cold. There is no moon. The light of the transmitter lies hard by Jupiter, ruby and diamond in the plush velvet sky. Ellen is busy in the kitchen fixing stuffing and sweet potatoes. Somewhere in the swamp a screech owl cries.</p><p>I’m dancing around to keep warm, hands in pockets. It is Christmas Day and the Lord is here, a holy night and surely that is all one needs.</p><p>On the other hand, I want a drink. Fetching the Early Times from a clump of palmetto, I take six drinks in six minutes. Now I’m dancing and singing old Sinatra songs and the <i>Salve Regina</i>, cutting the fool like David before the ark or like Walter Huston doing a jig when he struck it rich in the Sierra Madre.
</p><hr />
<div class="author" style="font-size: -1">from <i><a href="http://books.google.com/books?id=UoLcPax1WKMC&pg=PA402&dq=barbequeing+in+my+sackcloth&ei=pJpSSdaLKoPKkQSmiJk6">Love in the Ruins</a></i>, by Walker Percy</div>		

	
			
			
			
		
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    <entry>
      <title>Ben&#8217;s Chili Bowl, by Christian Tribastone</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/bens_chili_bowl_by_christian_tribastone/" />
      <id>tag:culture-making.com,2009:author/9.1165</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I actually had a <a href="http://www.flickr.com/photos/dracisk/265636236/in/pool-495413@N25">photo</a> of this <a href="http://www.benschilibowl.com/history.html">famous D.C. eatery</a>, located on the U Street corridor then known as "Black Broadway," all queued up for eventual posting, but this charming painting/sketch showed up and trumped it.”</em><br />		
		<a href="http://www.flickr.com/photos/cbtribastone/3091955279/"><img src="http://culture-making.com/media/3091955279_da37fdc3fa_b.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.flickr.com/photos/cbtribastone/3091955279/">Ben's Chili Bowl</a>," by Christian Tribastone, <a href="http://www.flickr.com/photos/cbtribastone/3091955279/">Flickr</a>, 8 December 2008 :: via <a href="http://www.urbansketchers.com/2008/12/bens-chili-bowl.html">Urban Sketchers</a></div>		

	
			
			
			
		
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    <entry>
      <title>Ontbijtje, by Robert Amesbury</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/ontbijtje_by_robert_amesbury/" />
      <id>tag:culture-making.com,2009:author/9.1125</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Last year I helped my friend Rob with the artist's statement to cover his then-latest gallery show, called "Pronk," an old Dutch word used to describe, among other things, a certain sort of exuberant, luxuruious still-life painting popular in the 17th century Netherlands (pronken being a verb that means "to strut"; ontbitje, "little breakfast," is generally food-related still life subcategory). It's been a great joy to have a personal front-row seat to Rob's continual vibrant exploration of the surprising intersection between old Dutch masters and contemporary pop and visual culture. Back in the day, Andy and I used one of Rob's early paintings for the very popular cover of <a href="http://yeedesign.com/portfolio/p_rq.html"><i>re:generation quarterly</i></a>'s "Evangelism" issue, linked here via the portfolio of our then-art directors (and designers of this very website), <a href="http://yeedesign.com/portfolio/p_rq.html">Yee Design</a>.”</em><br />		
		<a href="http://www.bernardtoalegallery.com/"><img src="http://culture-making.com/media/Ontbijtje.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"Ontbijtje," gouache on paper, by Robert Amesbury,  from the 2007 show "Pronk" at the <a href="http://www.bernardtoalegallery.com/">Bernard Toale Gallery</a>, Boston, <a href="http://www.bernardtoalegallery.com/">Bernard Toale Gallery</a></div>		

	
			
			
			
		
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    <entry>
      <title>Cheese and ashes</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/cheese_and_ashes/" />
      <id>tag:culture-making.com,2009:author/9.1065</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Last month when Andy was in town we took hearty advantage of the chance for some (for us) rare face-to-face meeting and eating. He arrived at my doorstep, cheeses in hand. And yes, they were well-cultured to a wedge. The one that's stuck with me was the Morbier, as much for its resonant ash-stripe branding as the flavor (which was, of course, quite fine). Penitence never tasted so good.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/Morbier_cheese_two_views_420.jpg" alt="image"></div><p>Morbier is a semi-soft cows’ milk cheese of France named after the small village of Morbier in Franche-Comté. It is ivory colored, soft and slightly elastic, and is immediately recognizable by the black layer of tasteless ash separating it horizontally in the middle. It has a rind that is yellowish, moist, and leathery.</p>
<p>Traditionally, the cheese consists of a layer of morning milk and a layer of evening milk. When making Gruyère de Comté, cheesemakers would end the day with leftover curd that was not enough for an entire cheese. Thus, they would press the remaining evening curd into a mold, and spread ash over it to protect it overnight. The following morning, the cheese would be topped up with morning milk. Nowadays, the cheese is usually made from a single milking with the ash added for tradition.</p><p>The aroma of Morbier is found somewhat objectionable by some, though the flavor is rich and creamy, with a slightly bitter aftertaste.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://en.wikipedia.org/wiki/Morbier_(cheese)">Morbier (cheese)</a>," <a href="http://en.wikipedia.org/wiki/Morbier_(cheese)">Wikipedia</a></div>		

	
			
			
			
		
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    <entry>
      <title>Spice souk, Deira Creek, Dubai</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/spice_souk_deira_creek_dubai/" />
      <id>tag:culture-making.com,2009:author/9.1096</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“I like that the spices aren't ground in this array, giving a bit more of a sense of what each spice might be.”</em><br />		
		<a href="http://www.flickr.com/photos/27307454@N02/3055098585/in/pool-495413@N25"><img src="http://culture-making.com/media/3055098585_a2906841a0_b.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.flickr.com/photos/27307454@N02/3055098585/in/pool-495413@N25">Spice Display</a>," by <a href="http://www.flickr.com/photos/27307454@N02/">Aldo36</a>, 19 November 2008 :: via <a href="http://www.flickr.com/groups/intelligent_travel/pool/">Flickr/Intelligent Travel</a></div>		

	
			
			
			
		
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    <entry>
      <title>A timeline of food</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_timeline_of_food/" />
      <id>tag:culture-making.com,2009:author/9.1095</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<b>Nate: </b><em>“The site also has links to cookbooks and recipes (referring to date of publication rather than conception—hence the arrival, only last year when the <i>New York Times</i> found out about 'em, of <a href="http://www.foodtimeline.org/foodfaq2.html#koolaidpickles">Kool-Aid pickles</a>)”</em><br />
<div class="author" style="font-size: -1">a <a href="http://www.kottke.org/08/12/a-timeline-of-food">kottke.org</a> post, 2 December 2008</div><hr />		
		<p><a href="http://www.foodtimeline.org/">The Food Timeline</a> shows which foods were invented when. Ok, not invented, exactly, but first eaten. A tasting menu:</p><p>Pretzels, 5th century AD.<br>Pork and beans, 1475.<br>Foie gras, 1st century AD.<br>Croissants, 1686.<br>Chop suey, 1896.<br>Popcorn, 3600 BC.<br>Swedish meatballs, 1754.</p><p>(via <a href="http://snarkmarket.com/blog/">snarkmarket</a>)
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    <entry>
      <title>Chicken à la Queens</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/chicken_a_la_queens/" />
      <id>tag:culture-making.com,2009:author/9.1087</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“A neighborhood halal poultry store inadvertently serves a surprising intersection of communities.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/30HALA.LARGE_210.jpg" alt="image"></div><p>“This is the same chicken we have on the island,” Ms. Pierre said. “When my mother would make the chicken for dinner, I was right there at her feet helping her. Everything I learned to cook, I learned from her in Haiti.” To her surprise, she has found a taste of home and the perfect chicken at the Halal Live Meat and Poultry Market, a short bus ride from her house.</p><p>Muhammad Ali, the 41-year-old Bangladeshi owner of the market, is happy that Ms. Pierre is happy, even if it was never his intention to provide the ingredients for a homey Haitian dish. When he opened Halal Live two years ago, after deciding to forgo a doctorate in international politics, his only goal was to provide the mainly Pakistani Muslim community in the area with meat slaughtered under the traditions set forth in the Koran. Drawn to this bustling corner of Archer Avenue and 168th Street because of the pedestrian traffic — three buses stop outside his door — he had no idea that he would end up with such a polyglot clientele.</p><p> “I would say 50 percent of our business comes from people I never expected to come here,” said Mr. Ali, a shy, small-framed man, talking over the squawks of poultry and the chatter of customers. Among those who are keeping business booming are a Nigerian exchange student heading home from biology class at York College, a Salvadoran mango vendor who stops there after working the sidewalks of Jamaica Avenue, and Orthodox Jews who come accompanied by a shochet, a person trained to slaughter animals according to kosher ritual.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/11/30/nyregion/thecity/30hala.html?partner=permalink&exprod=permalink">In Queens, the Chicken Crossroads of the World</a>," article and photos by Greg Emerson Bocquet, <a href="http://www.nytimes.com/2008/11/30/nyregion/thecity/30hala.html?partner=permalink&exprod=permalink">NYTimes.com</a>, 28 November 2008 :: via <a href="http://delicious.com/amaah">Koranteng</a></div>		

	
			
			
			
		
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    <entry>
      <title>Church: for when you can’t buy booze</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/church_for_when_you_cant_buy_booze/" />
      <id>tag:culture-making.com,2009:author/9.1085</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“One of the arguments for the repeal of so-called <a href="http://en.wikipedia.org/wiki/Blue_law">blue laws</a> limiting alcohol purchase on Sundays is that they're an outmoded and inappropriate way of imposing one group's religiosity on those who don't share their beliefs. As this economic study indicates, though, repealing blue laws seems to have the most significant, and negative, effect on potential churchgoers, not on nonbelievers. (As a side note, the original <a href="http://en.wikipedia.org/wiki/Blue_Laws_(Connecticut)">Blue Laws</a>, passed in 1655 in New Haven, CT, forbade the following Sabbath activities: baby-kissing, shaving, pleasure walks, as well as this final, general restriction: "Every male shall have his hair cut round according to a cap.")”</em><br />		
		<p>In this paper we identify a policy-driven change in the opportunity cost of religious participation based on state laws that prohibit retail activity on Sunday, known as “blue laws.” Many states have repealed these laws in recent years, raising the opportunity cost of religious participation… We then use a variety of datasets to show that when a state repeals its blue laws religious attendance falls, and that church donations and spending fall as well… We find that repealing blue laws leads to an increase in drinking and drug use, and that this increase is found only among the initially religious individuals who were affected by the blue laws. The effect is economically significant; for example, the gap in heavy drinking between religious and non religious individuals falls by about half after the laws are repealed.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nd.edu/~dhungerm/w12410.pdf">The Church vs the Mall: What Happens When Religion Faces Increased Secular Competition?,</a>" by Jonathan Gruber and Daniel Hungerman,  <i>Quarterly Journal of Economics</i>, May 2008 :: via <a href="http://jamesjchoi.blogspot.com/2008/11/salutary-effect-of-blue-laws.html">The .Plan</a></div>		

	
			
			
			
		
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    <entry>
      <title>¡Tamales oaxaqueños!</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/tamales_oaxaquenos/" />
      <id>tag:culture-making.com,2009:author/9.1074</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“The sonic signature of a cultural (and culinary) world.”</em><br />		
		<p align="center"><object id="WNVideoCanvasDEFAULTdivWNVideoCanvas" width="420" height="270">    <param name="allowFullScreen" value="true">    <param name="quality" value="high">    <param name="wmode" value="windowless"></param>    <param name="allowScriptAccess" value="always">    <param name="allowFullScreen" value="true">    <param name="bgcolor" value="#FFFFFF">    <param name="movie" value="http://video.latimes.com/global/video/flash/widgets/WNVideoCanvas.swf"></param>    <embed         src="http://video.latimes.com/global/video/flash/widgets/WNVideoCanvas.swf"         type="application/x-shockwave-flash"         wmode="windowless"         width="500" height="321"         allowFullScreen="true"         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    ></embed></object></p><p>You hear it from a block away: an amplified, singsong call with an uncanny power to slice through the urban din. The tone is cheap and tinny—as kitschy as a sound can be. And it’s my favorite in Mexico City.</p><p>Listen now, as it nears, the nasal-toned male voice stretching out syllables and pauses, again and again, into a verse so familiar it could be the unofficial anthem of this vast city, a kind of culinary call to prayer. ”<i>Ri-costa-ma-les oaxa-que-ños!</i>” blares a loudspeaker on the vendor’s tamale cart. ”<i>Tamales oaxaqueños!</i>” ”<i>Tamales calien-ti-tos!</i>”</p><p>Go to any neighborhood in Mexico City, from gritty to grand, and at some point during the evening you might hear it. The recorded call, always in the same hypnotic voice, is pumped from countless speakers aboard countless tamalero pedal carts. Step up and order your delicious Oaxacan tamales.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.latimes.com/news/nationworld/world/latinamerica/la-fg-mexsounds23-2008nov23,0,7519473.story">A delicious sound above the din of Mexico City</a>," by Ken Ellingwood, <a href="http://www.latimes.com/news/nationworld/world/latinamerica/la-fg-mexsounds23-2008nov23,0,7519473.story"><i>Los Angeles Times</i></a>, 23 November 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Bean Broker Coffee Shop, Chadron, Nebraska, by Jake Stangel</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/bean_broker_coffee_shop_chadron_nebraska_by_jake_stangel/" />
      <id>tag:culture-making.com,2009:author/9.1054</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Enjoying culture on a local scale. From a series of photos Jake Stangel took during two cross-country bicycle trips in 2007–2008.”</em><br />		
		<a href="http://flak-photo.my-expressions.com/archives/6333_1646490288/315285"><img src="http://culture-making.com/media/1227017702.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Bean Broker Coffee Shop," Chadron, Nebraska, 2008, photo by <a href="http://www.jakestangel.com/">Jake Stangel</a>, from the series <a href="http://www.jakestangel.com/transamerica.html" target="_new">Transamerica</a> :: via <a href="http://flak-photo.my-expressions.com/archives/6333_1646490288/315285">Flak Photo</a>, 18 November 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Eating grasshoppers has gotten so commercial</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/eating_grasshoppers_has_gotten_so_commercial/" />
      <id>tag:culture-making.com,2009:author/9.1030</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Here's some bracing local culture—and cultural change—for you. I first heard about the festive Ugandan grasshopper harvest and consumption from a just-returned biologist who'd done some fieldwork there. He reported that the hoppers, fried in their own fat, tasted like popcorn shrimp. In any case, here's a recent update from a blogger in Kampala.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://www.culture-making.com/media/IMG_1422_5_1_210.JPG" alt="image"></div>
<br />
<p>To those that have acquired the taste, nsenene is the object of undiluted greed for many Ugandans of all ages. A favourite joke is to tease a husband about finding himself on the receiving end of his pregnant wife’s tantrums if she asks for <i>nsenene</i> in the middle of the night, moreover on the wrong month.</p><p>During the month of <i>Musenene</i>, everyone was sure to get a mini harvest and neighbours would freely (maybe grudgingly too) share their catch.</p><p>Well, the romantic story of <i>nsenene</i> of old is no more. Today most of the grasshoppers that make the long trip from the Abyssinian heights end up at commercial harvesting rigs set up by ambitious greedy capitalists who have monopolized the catching of <i>nsenene</i>.</p><p>Weeks before the first insects are expected, building sites with top floors are booked and leased for the sole purpose of catching the most <i>nsenene</i> possible. The ‘combine harvesters’ consist of rows of huge barrels fitted with shiny new iron sheets and crudely wired light bulbs. The fluorescent lights bounce off the iron sheets, at once attracting and blinding the insects. When they hit the iron sheets the nsenene slide all the way down to the bottom of the barrel, literally. Security guards are hired to keep watch, and sometimes live electric cables are wired around the area to deter thieves. This way the monopolists lag home tonnes and tonnes of <i>nsenene</i>, and close out the ordinary people who used to get free ‘manna’ from heaven.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://onyamarks.blogspot.com/2008/11/nsenene-chronicle.html">A Nsenene Chronicle</a>," by Minty, <a href="http://onyamarks.blogspot.com/2008/11/nsenene-chronicle.html">Sunshine</a>, 2 November 2008 :: via <a href="http://globalvoicesonline.org/2008/11/08/uganda-locust-season-brings-crispy-treats/">Global Voices Online</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Think globally, lunch locally</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/think_globally_lunch_locally/" />
      <id>tag:culture-making.com,2009:author/9.1022</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“What if every office worker vowed to buy lunch only from people they know?”</em><br />		
		<p>Several years ago, I lost my patience with our alienated, unattached world at lunch one day. I was waiting to get a sandwich at a place called Au Bon Pain. It’s a chain, it’s cheap enough, it’s fine. I was in a bit of a hurry. I eat late and the place was empty. There was no one in line, but I obediently stood in the proper place between the stanchions and waited to be told to approach the counter. Two sandwich makers were talking to each other behind the counter. They looked up, and I stepped forward meekly, and they continued their conversation. Fine, I waited. And waited. They laughed, I presume at me. I gave the customary attention-seeking cough and laser stare. Eventually one of them asked what I wanted in a surly tone and with a put-out look. The other guy slowly made the sandwich. I went back to the office to eat. The sandwich had tomato on it. I asked for no tomato.</p><p>I vowed never, ever buy lunch on a workday from a stranger again. It was a solemn vow that I break only under drastic circumstances. So, now I get lunch from Frank, Art, or Tommy, guys I have come to be friends with who run three different places. I like them. I think all three are funny, and they usually laugh at my jokes, which is key. I don’t see them except for lunch, but that’s fine. I enjoy spending money where I know the people. Lunch is now a little social part of my day, and I feel like I work in a real neighborhood, which it really isn’t. I love being a regular. I love purposefully limiting my choices instead of expanding them. Most of all, I think that I enjoy being loyal just for the sake of being loyal.</p><p>I don’t ever hate lunch anymore. I consider lunch one of my greatest triumphs.
</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.amazon.com/dp/0307406628/cmcom-20">Why We Hate Us: American Discontent in the New Millennium</a> (Crown, 2008), by Dick Meyer :: via <a href="http://www.theweek.com/home">The Week</a>, 31 October 2008, via Steve Froelich</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Philosophy of leftovers</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/philosophy_of_leftovers/" />
      <id>tag:culture-making.com,2009:author/9.1000</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
		<p>I always like to work on leftovers, doing the leftover things. Things that were discarded, that everybody knew was no good, I always thought had a great potential to be funny ... I&#8217;m not saying that popular taste is bad and so that what&#8217;s left over from the bad taste is good: I&#8217;m saying that what&#8217;s left over is probably bad, but if you can take it and make it good or at least interesting, then you&#8217;re not wasting as much as you would otherwise. ... I deviate from my philosophy of using leftovers in two areas: (1) my pet, and (2) my food.
</p><br />
		<p><small>	&mdash;<i><a href="http://books.google.com/books?id=Rm6bwozwRaMC&printsec=frontcover&dq=andy+warhol+philosophy&lr;=&as_brr=0&ei=nmMLSciNLYu8tAOyjIzVBA#PPA93,M1">The Philosophy of Andy Warhol</a></i>, p.93–94</small></p>

	
			
			
			
		
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    </entry>

    <entry>
      <title>A breath wafted from Paradise over the human world</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_breath_wafted_from_paradise_over_the_human_world/" />
      <id>tag:culture-making.com,2009:author/9.988</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“My favorite social historian writes on the place of spices—and the importance not just of their rarity but of their foreign-ness—in the culture of Medieval Europe.”</em><br />		
		<p>The one thing that pepper, cinnamon, cloves, nutmeg, ginger, saffron, and a whole series of other spices had in common was their non-European origin. They all came from the Far East. India and the Moluccas were the chief region for spices. But that’s only a prosaic description of their geographic origin. For the people of the Middle Ages, spices were emissaries from a fabled world. Pepper, they imagined, grew, rather like a bamboo forest, on a plain near Paradise. Ginger and cinnamon were hauled in by Egyptian fishermen casting nets into the floodwaters of the Nile, which in turn had carried them straight from Paradise. The aroma of spices was believed to be a breath wafted from Paradise over the human world.
</p><hr />
<div class="author" style="font-size: -1">from <i><a href="http://books.google.com/books?id=Ka--zm27PogC&q=schivelbusch+tastes+of+paradise&dq=schivelbusch+tastes+of+paradise&ei=q3kHSfLqKKDitQP3rOHrCA&client=firefox-a&pgis=1">Tastes of Paradise: A Social History of Spices, Stimulants, and Intoxicants</a></i>, p.6, by Wolfgang Schivelbusch, translated by David Jacobson, 1992</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Surf City, by Daniel Schludi</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/surf_city_by_daniel_schludi/" />
      <id>tag:culture-making.com,2009:author/9.977</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“An oddly de-branded fast food place, all lit up in the night. I can't decide whether this particular world reads "desolation" or "hospitality."”</em><br />		
		<a href="http://blog.danielschludi.de/index.php?/0009/"><img src="http://culture-making.com/media/14_020.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://blog.danielschludi.de/index.php?/0009/">020_surf city</a>," photo by <a href="http://blog.danielschludi.de/index.php?/0009/">Daniel Schludi</a>, 20 September 2008 :: via <a href="http://ffffound.com/image/ee9f5d4012751da0023f7ca9b57e36a2fa7a482f">FFFFOUND!</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Seed and feed store, Lincoln, Nebraska</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/seed_and_feed_store_lincoln_nebraska/" />
      <id>tag:culture-making.com,2009:author/9.974</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Interesting how oranges cost five times as much as grapefruit in 1942 Nebraska. And that people would think of grass and Sudan as connected terms.”</em><br />		
		<a href="http://flickr.com/photos/library_of_congress/2179172674/"><img src="http://culture-making.com/media/2179172674_126af0f6ca_o.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://flickr.com/photos/library_of_congress/2179172674/">Seed and feed store, Lincoln, Nebr.</a>," by John Vachon, 1942 :: via <a href="http://flickr.com/photos/library_of_congress/">Flickr / Library of Congress</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>The other Prohibition</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_other_prohibition/" />
      <id>tag:culture-making.com,2009:author/9.944</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“From a nice long article on the history and psychology of tipping—which is of course as much about the tipper's needs as it is the tipee's.”</em><br />		
		<p>In 1904, the Anti-Tipping Society of America sprang up in Georgia, and its 100,000 members signed pledges not to tip anyone for a year. Leagues of traveling salesmen opposed the tip, as did most labor unions. In 1909, Washington became the first of six states to pass an anti-tipping law. But tipping persisted. The new laws rarely were enforced, and when they were, they did not hold up in court. By 1926, every anti-tipping law had been repealed.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/10/12/magazine/12tipping-t.html?pagewanted=2&ei=5124&en=429091992bc8acdd&ex=1381377600&partner=digg&exprod=digg">Why Tip?</a>," by Paul Wachter, <a href="http://www.nytimes.com/2008/10/12/magazine/12tipping-t.html?pagewanted=2&ei=5124&en=429091992bc8acdd&ex=1381377600&partner=digg&exprod=digg"><i>The New York Times Magazine</i></a>, 12 October 2008 :: via <a href="http://www.neatorama.com/2008/10/12/why-we-tip/">Neatorama</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Sorting olives</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/sorting_olives/" />
      <id>tag:culture-making.com,2009:author/9.943</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I wish I knew more about the olive-sorting process. Perhaps the dried-out ones drift away? Or is she just rearranging the bowl's contents so she can do a visual inspection once things have settled?”</em><br />		
		<a href="http://www.boston.com/bigpicture/2008/10/days_of_autumn.html"><img src="http://culture-making.com/media/aut15_16651199.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.boston.com/bigpicture/2008/10/days_of_autumn.html">A Palestinian woman sorts olives during the harvest in a grove next to Israel's separation barrier near the West Bank village of Abu Dis, on the outskirts of Jerusalem</a>," by Ashraf Abu Turk (AP), <a href="http://www.boston.com/bigpicture/2008/10/days_of_autumn.html">The Big Picture</a>, 15 October 2008</div>		

	
			
			
			
		
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    </entry>


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