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    <title type="text">Culture Making items tagged fashion</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2008-11-21T22:39:26Z</updated>
    <rights>Copyright (c) 2008, Nate Barksdale</rights>
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    <entry>
      <title>Glamour and grace</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/glamour_and_grace/" />
      <id>tag:culture-making.com,2008:author/9.949</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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<b>Nate: </b><em>“This is a fascinating word- and image-history of the idea of glamour, from renaissance saints to high-speed trains to Hollywood starlets to the fancy hats of African-American woman at church.”</em><br /><hr /><span style="font-size: -1">"<a href="http://www.ted.com/index.php/talks/virginia_postrel_on_glamour.html">Virginia Postrel on glamour</a>," <a href="http://www.ted.com/index.php/talks/virginia_postrel_on_glamour.html">TED.com</a>, February 2004</span>

	
			
			
			
		
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    <entry>
      <title>God’s Close&#45;Up</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/gods_close_up/" />
      <id>tag:culture-making.com,2008:author/9.900</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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<b>Nate: </b><em>“Here's the promo for the third episode of the TV version of <a href="http://www.thislife.org/TV_Episode.aspx?episode=3">This American Life</a>, which I've been watching now that it's up on Netflix. The full 30min. story of this painter and his models is, as one would expect from Ira Glass and Nancy Updike, fascinating and beautiful. For me it was also a welcome reminder that it isn't that hard to see the image of the outcast even in such a cringingly Caucasian representation of Jesus.”</em><br /><hr /><span style="font-size: -1">Promo for "<a href="http://www.youtube.com/watch?v=6UAxcYCFapA&eurl=http://www.thislife.org/TV_Episode.aspx?episode=3">This American Life with Ira Glass</a>," 5 April 2007</span>

	
			
			
			
		
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    <entry>
      <title>Botox for teens</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/botox_for_teens/" />
      <id>tag:culture-making.com,2008:author/9.794</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p><img src="/media/teen_ps_420.jpg" alt="Excerpt of cosmetic surgery statistics table" />
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<b>Andy: </b><em>“More than 87,000 invasive surgical procedures were performed on teenagers for cosmetic reasons in 2007. Ten thousand 18–19-year-olds had breast augmentation. And Botox was used 11,000 times on teenagers (though because that counts injection sites, the number of patients was smaller). A few years ago I could get gasps from a crowd by reading a Wall Street Journal story about "Botox parties" hosted by 33-year-olds. Guess I'll have to revise that anecdote. Many of these procedures are no doubt a real source of mercy. I had a friend in high school with gynecomastia, and the corrective surgery made a marked difference in his self-esteem. Yet the fact that I have to resort to that wretched twentieth-century word "self-esteem" to explain the benefit of his surgery is telling, and troubling.”</em><br /><hr />
<span style="font-size: -1">from "<a href="http://www.plasticsurgery.org/media/statistics/loader.cfm?url=/commonspot/security/getfile.cfm&amp;PageID=29430">2007 Cosmetic Surgery Age Distribution</a>," by the American Society of Plastic Surgeons, <a href="http://www.plasticsurgery.org/media/statistics/index.cfm">Procedural Statistics Trends 2000–2007</a> :: via <a href="http://fulleryouthinstitute.org/2008/09/see-jane-deal-with-her-body/">Fuller Youth Institute</a></span>

	
			
			
			
		
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    <entry>
      <title>Saudi salons: a brief history</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/saudi_salons_a_brief_history/" />
      <id>tag:culture-making.com,2008:author/9.778</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<b>Nate: </b><em>“Here's a fascinating explanation of how various cultural needs and strictures shaped the development of Saudi Arabian hair salons—which are descended from (and still named for) tailor's shops.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://saudiwoman.wordpress.com/2008/08/25/saudi-salons/">Saudiwoman's Weblog</a> post by Eman Al Nafjan, 25 August 2008 :: via <a href="http://globalvoicesonline.org/2008/08/27/saudi-arabia-the-history-of-salons/">Global Voices</a></div><hr />		
		<p>They are called <i>Mashghal</i>  in Arabic which literally means a working place, from the Arabic noun <i>shoogal</i> (work in general). This term was coined to refer to little shops where a group of usually Pakistani tailors make women dresses. About 30 years ago readymade women clothes were mostly unavailable to the general public and women drew designs on paper and took then to these tailor shops with fabric bought by the meter from areas similar to outdoor malls. For measurement, they would give the tailor a previously made dress that fits and he would use it as a measurement model. And that’s to avoid any physical contact between the tailor and the customer. I know now you’re wondering where did women get there first well measured dress and I too wonder.</p><p>These little tailor shops started to evolve into closed women shops where the tailors are women from the Philippines. The shops became bigger and the décor slightly better. However these women only shops are pricier, so the male version stuck around. The women <i>mashghal</i> started to quickly expand into the beauty salon business. So a women could go get her hair done and have a dress made at the same time. But when Al Eissaee, a big name in the fabric import business, started  to also bring in quality readymade clothes, he started a huge trend that snowballed into our current mega malls. This in turn affected the tailor business for both the male and female shops. The male mostly went out of business except for a lucky few and the female shops concentrated more on the beauty salon side of the business, so much so that some even closed the dress making side. But for some unexplainable reason they are still called a <i>mashghal</i>  even on official ministry of commerce licensing papers.
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    <entry>
      <title>Tokyo vintage</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/tokyo_vintage/" />
      <id>tag:culture-making.com,2008:author/9.668</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I guess the transcontinental vintage clothing trade counts as a form of cultivating culture: pruning, honing, preserving (and, oh yeah, marking up the price). It's nice to know Westerners can go to Tokyo to experience a version of both our near-future (technology-wise) and the not-too-distant past.”</em><br />		
		<p>The story about vintage clothes in Tokyo goes like this: A Hollywood actress, after a successful crash diet, sold her size 6 wardrobe to a thrift shop in Santa Monica. Three months later she came to Tokyo to promote her latest movie and one afternoon wandered into one of the city’s landmark vintage clothing shops, called Santa Monica. What should she find there but her own shorts and several party dresses, unobtrusively displayed under a sign that read: “Santa Monica Style.”</p> <p>The story is credible for the simple reason that Tokyo has now reached a point where it’s safe to call it Planet Vintage. Among the 400-plus shops scattered over the city, myths like this abound.</p><p>The good news is that it’s not all rumor and folklore - according to a fashion stylist, Keiko Okura, “the quality of Tokyo vintage products are unmatched.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.iht.com/articles/2008/08/18/style/FVINTAGE.php">Toyko hones its vintage clothing market</a>," by Kaori Shoji, <a href="http://www.iht.com/articles/2008/08/18/style/FVINTAGE.php"><i>International Herald-Tribune</i></a>, 18 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Perfectly unfashionable</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/perfectly_unfashionable/" />
      <id>tag:culture-making.com,2008:author/9.543</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Andy: </b><em>“One of those times when the phrase, "You go, girl," seems completely appropriate.”</em><br />		
		<p><a href="http://www.amazon.com/gp/product/1400064732?ie=UTF8&amp;tag=cmcom-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=1400064732" onclick="javascript:pageTracker._trackPageview('/outgoing/amazon/girls-gone-mild');"><i>Girls Gone Mild</i></a> pays tribute to young women who have tangled with corporations and campus authorities to challenge the status quo. One such heroine is Ella Gunderson, who at age 11 appealed to Nordstrom for more modest clothing selections. It began with a shopping trip with her mother, 13-year-old sister Robin, and friends. When Robin tried on jeans that they agreed were too tight, they asked for the next size up--only to have the Nordstrom clerk advise them, “No you don’t want <i>that</i> size, you want the smaller size, the tighter size, because it’s The Look.”
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That didn’t sit well with Ella. She wrote a letter to the company (her mother didn’t find out until Ella asked for help addressing it) expressing frustration at clothes cut too tight and too low and clerks too narrow in their concept of fashion. “I think you should change that,” Ella told Nordstrom.
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A few months later—while the Gundersons were helping produce a local Pure Fashion show—they were surprised to receive two apologetic responses from the company. Ella’s letter and the Nordstrom responses were added to press kits prepared for the fashion show. Soon the story made the front page of the <i>Seattle Times.</i> Radio and television interviews followed, including an interview on the <i>Today Show. Today</i>‘s Katie Couric also interviewed Pete Nordstrom, who acknowledged receiving such complaints from other teenage girls for some time. A question raised at a stockholder meeting pressed the matter further with the company: “What do you plan to do about the Ella Gunderson issue?”
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<div class="author" style="font-size: -1">from <a href="http://www.weeklystandard.com/Utilities/printer_preview.asp?idArticle=15333&amp;R=13B517742">
Ladies, Please</a>, by Jennifer A. Marshall, <a href="http://www.weeklystandard.com/">The Weekly Standard</a>, 28 July 2008 :: via <a href="http://aldaily.com">Arts &amp; Letters Daily</a></div>		

	
			
			
			
		
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