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    <title type="text">Culture Making items tagged creation+and+cultivation</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2008-11-21T22:39:26Z</updated>
    <rights>Copyright (c) 2008, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2008:11:21</id>


    <entry>
      <title>Gourdon’s Garden, Provence, France</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/gourdons_garden_provence_france/" />
      <id>tag:culture-making.com,2008:author/9.865</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“From the flickr caption: "The Castle of Gourdon is close by <a href="http://maps.google.com/maps?ll=43.697222,7.123056&spn=0.1,0.1&t=h&q=43.697222,7.123056">Saint Paul de Vence, Provence</a>, on the top of a mountain. Its gardens were designed by Le Notre, Louix XIV's gardener who also did Versailles park." I love the perspective—looking down from the cultivated area into the wilderness of the canyon—and how it shows the gardeners hard at work on the hedges (and careful enough to use a drop-cloth for the clippings). Cultivation indeed.”</em><br />		
		<a href="http://www.flickr.com/photos/feuilllu/4920772/"><img src="http://culture-making.com/media/4920772_b2c71f378f_b.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.flickr.com/photos/feuilllu/4920772/">Gourdon's Garden</a>," Provence, France, by Flickr user <a href="http://www.flickr.com/photos/feuilllu/">Feuillu</a>, 8 August 2003 :: via <a href="http://www.flickr.com/groups/intelligent_travel/pool/">Intelligent Travel</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Type specimen: Blaktur</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/type_specimen_blaktur/" />
      <id>tag:culture-making.com,2008:author/9.833</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I just liked the look of this, and the great stream of associations—from apple pie to heavy metal—that are referenced by this contemporary, computerized take on old-style German blackletter calligraphy. [<b>Andy</b> cannot help adding: do my eyes deceive me, or do I see a reference to the Christian-subculture product par excellence, "<a href="http://www.testamints.net/">Testamints</a>"?!?]”</em><br />		
		<a href="http://www.tdc.org/news/2008Results/Blaktur.html"><img src="http://culture-making.com/media/Blaktur.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.tdc.org/news/2008Results/Blaktur.html">Type Specimen: Blaktur</a>," designed by Ken Barber for <a href="http://www.houseind.com/">House Industries</a> :: via <a href="http://www.tdc.org/news/2008Results/Blaktur.html">Type Directors Club</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>The Rosetta Disk</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_rosetta_disk/" />
      <id>tag:culture-making.com,2008:author/9.679</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Concieved as a modern-day Rosetta Stone, the Rosetta Disk aims to preserve linguistic knowledge for the long-term future, well after DVD and even paper may decay. This side contains the teaser: “Languages of the World: This is an archive of over 1,500 human languages assembled in the year 02008 C.E. Magnify 1,000 times to find over 13,000 pages of language documentation.” The chosen text for the microengraved parallel translations: the book of Genesis.”</em><br />		
		<a href="http://blog.longnow.org/2008/08/20/very-long-term-backup/"><img src="http://culture-making.com/media/Rosettaball-1.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">photo from "<a href="http://blog.longnow.org/2008/08/20/very-long-term-backup/">Very Long-Term Backup</a>," by Kevin Kelly, <a href="http://blog.longnow.org/2008/08/20/very-long-term-backup/">The Long Now Blog</a>, 20 August 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Onion field, rural Washington, by Emily Gatch</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/onion_field_rural_washington_by_emily_gatch/" />
      <id>tag:culture-making.com,2008:author/9.655</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“This photo arrived in an email from a good friend who's in plant pathology grad school. I had to email her to ask what it was. Turns out it's just a field of plain old ordinary onions that've been allowed to mature and go to seed. She wrote, "Onions that have gone to seed are so cool -- you may have seen ornamental alliums around town, with big bulbous balls, often purple.  A field of onion flowers looks like an outerspace commodity."”</em><br />		
		<a href="http://www.culture-making.com/post/601/"><img src="http://culture-making.com/media/DSCF0073.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Onion field, rural Washington," by Emily Gatch</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Untitled, by Pasquale Ottaiano</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/untitled_by_pasquale_ottaiano/" />
      <id>tag:culture-making.com,2008:author/9.620</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I'm not sure I'm as into this particular painting as this young woman in the photo, but I love the depiction of art-contemplation -- and the bodily symmetry: is the art falling into her, or is she falling into the art? I also appreciate the fact that she's away from the museum description on the wall, taking it in on her own (well, and the bench-placement-department's) terms.”</em><br />		
		<a href="http://www.filemagazine.com/thecollection/archives/2008/08/untitled_489.html"><img src="http://www.culture-making.com/media/Stedelijk_Museum-1.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Untitled" (Stedelijk Museum 1, 2008), by <a href="http://www.astinenzacreativa.it">Pasquale Ottaiano</a> :: via <a href="http://www.filemagazine.com/thecollection/archives/2008/08/untitled_489.html">FILE Magazine</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Choose and lose</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/choose_and_lose/" />
      <id>tag:culture-making.com,2008:author/9.548</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Insight into the hard work of creativity -- not just coming up with or considering myriad possibilitys, but deciding which is the one worth pursuing and pruning away the rest.”</em><br />		
		<p>Why is making a determination so taxing? Evidence implicates two important components: commitment and tradeoff resolution. The first is predicated on the notion that committing to a given course requires switching from a state of deliberation to one of implementation. In other words, you have to make a transition from thinking about options to actually following through on a decision. This switch, according to Vohs, requires executive resources. In a parallel investigation, Yale University professor Nathan Novemsky and his colleagues suggest that the mere act of resolving tradeoffs may be depleting. For example, in one study, the scientists show that people who had to rate the attractiveness of different options were much less depleted than those who had to actually make choices between the very same options.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.sciam.com/article.cfm?id=tough-choices-how-making">Tough Choices: How Making Decisions Tires Your Brain</a>," by On Amir, <a href="http://www.sciam.com/"><i>Scientific American</i></a>, 22 July 2008 :: via <a href="http://www.boingboing.net/2008/07/22/science-of-brain-fat.html">Boing Boing</a></div>		

	
			
			
			
		
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    </entry>


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