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    <title type="text">Culture Making items tagged community</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2008-11-21T22:39:26Z</updated>
    <rights>Copyright (c) 2008, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2008:11:21</id>


    <entry>
      <title>Beauty aid</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/beauty_aid/" />
      <id>tag:culture-making.com,2008:author/9.1053</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“What does your neighborhood beauty salon make possible? What new forms of culture are created in response?”</em><br />		
		<p>The police have tried doing outreach to victims by, among other things, setting up domestic violence education tables at community events, only to find that no one wants to be seen near them. But the atmosphere is different in the safety of a beauty salon.</p><p>“The salon may be one of the few places women might be without their abuser around,” said Laurie Magid, a former state prosecutor who is acting United States attorney for the Eastern District of Pennsylvania. “This program really addresses a need. You don’t have a case unless you have a crime reported in the first place and that is the difficult area of domestic violence.”</p><p>While Cut it Out trains stylists offsite, the Washington Heights workshops, conducted in Spanish, take place inside beauty parlors during the hours that clients are served, which not only makes it easier for people to participate, but also enhances the comfort factor. </p><p>“The salon is a place where everyone already feels at home,” said Sharon Kagawa of the <a href="http://www.nyc.gov/html/acs/html/home/home.shtml" title="ACS Web site">Administration for Children’s Services</a>, the agency that recruits salons for the program. “So they can be more honest.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/11/20/nyregion/20salons.html">Cutting Hair, While Cutting to the Chase on Clients’ Domestic Abuse</a>," by Leslie Kaufman, <a href="http://www.nytimes.com/2008/11/20/nyregion/20salons.html"><i>The New York Times</i></a>, 19 November 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Hermit&#45;sacristans of this information age</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/hermit_sacristans_of_this_information_age/" />
      <id>tag:culture-making.com,2008:author/9.1055</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“It's easy to think of the hermit as someone who chooses to remove themselves from culture. While I suppose by Andy's definition it's difficult to make a culture of one, few hermits are truly that alone—nor should they be. There is culture-among-hermits, as in even the most removed contemplative orders; but the hermit's place in the larger culture has often been one not of culture-rejecter but culture-keeper.”</em><br />		
		<p>Buddhist-Christian dialogue seems awfully passé to me in an era when positive dialogue seems all too scarce among Muslims, Christians, and Jews, on the one hand, and between crusading atheists and theists of all stripes, on the other. But I do appreciate Thomas Merton’s appreciation of the hermit life—the need to get away from it all—even though he may have been one of the most outspoken <a href="http://trappist.net/">Trappists</a> who ever lived (as my father is one of the more talkative Quakers I’ve ever met). The editor of <i>Buddhist-Christian Studies,</i> however, thinks Merton ignored one vital class of hermits (p. viii, n. 5):</p><p>“Merton’s model of the hermit life does not exhaust the phenomenon within Western Christianity. Historically speaking, the hermit life was embraced by far more people than the limited number of professed monks whose spiritual growth had taken them beyond the life of the <a href="http://saints.sqpn.com/ncd02145.htm">coenobium</a>. For example, hermit shrine keepers were numerous throughout Christian cultures for centuries; most of these were simple laity without whom many pilgrimage sites would simply not have existed, and their identity has not yet found a modern voice. The massively popular pilgrimage churches of traditional Catholicism had at their heart the hermit-sacristan who tended the lamps and swept the floors. The professed hermit monk, the monastic hermit order, and the shrine hermit all found expression in the legal and the architectural boundaries of medieval and early modern societies.”</p><p>Perhaps lay bloggers, photographers, and Wikipedists can be considered the hermit-sacristans of this information age, quietly tending our quirky little shrines that attract pilgrims who seek to escape the self-referential obsessions of the cloistered academies and the hourly tolling of alarm bells from the cathedrals of the major media.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://faroutliers.blogspot.com/2008/11/on-vital-role-of-hermits.html">On the Vital Role of Hermits</a>," by Joel, <a href="http://faroutliers.blogspot.com/2008/11/on-vital-role-of-hermits.html">Far Outliers</a>, 15 November 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Call + Response</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/call_response/" />
      <id>tag:culture-making.com,2008:author/9.1041</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p align="center"><object width="420" height="340"><param name="movie" value="http://www.youtube.com/v/6H9HFpD3azs&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/6H9HFpD3azs&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="420" height="340"></embed></object>
</p><br />
<b>Nate: </b><em>“A documentary (er, "feature rockumentary") about the modern-day slave trade and what can be done to end it—including concert footage and interviews with the likes of Cornell West, Moby, Madeline Albright, and <a href="http://www.ijm.org">International Justice Mission</a> founder Gary Haugen.”</em><br /><hr /><span style="font-size: -1"><a href="http://www.callandresponse.com/">Call + Response</a>, directed by Justin Dillon, in <a href="http://www.callandresponse.com/tickets.html">select theaters</a> nationwide :: thanks Jake!</span>

	
			
			
			
		
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    <entry>
      <title>Think globally, lunch locally</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/think_globally_lunch_locally/" />
      <id>tag:culture-making.com,2008:author/9.1022</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“What if every office worker vowed to buy lunch only from people they know?”</em><br />		
		<p>Several years ago, I lost my patience with our alienated, unattached world at lunch one day. I was waiting to get a sandwich at a place called Au Bon Pain. It’s a chain, it’s cheap enough, it’s fine. I was in a bit of a hurry. I eat late and the place was empty. There was no one in line, but I obediently stood in the proper place between the stanchions and waited to be told to approach the counter. Two sandwich makers were talking to each other behind the counter. They looked up, and I stepped forward meekly, and they continued their conversation. Fine, I waited. And waited. They laughed, I presume at me. I gave the customary attention-seeking cough and laser stare. Eventually one of them asked what I wanted in a surly tone and with a put-out look. The other guy slowly made the sandwich. I went back to the office to eat. The sandwich had tomato on it. I asked for no tomato.</p><p>I vowed never, ever buy lunch on a workday from a stranger again. It was a solemn vow that I break only under drastic circumstances. So, now I get lunch from Frank, Art, or Tommy, guys I have come to be friends with who run three different places. I like them. I think all three are funny, and they usually laugh at my jokes, which is key. I don’t see them except for lunch, but that’s fine. I enjoy spending money where I know the people. Lunch is now a little social part of my day, and I feel like I work in a real neighborhood, which it really isn’t. I love being a regular. I love purposefully limiting my choices instead of expanding them. Most of all, I think that I enjoy being loyal just for the sake of being loyal.</p><p>I don’t ever hate lunch anymore. I consider lunch one of my greatest triumphs.
</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.amazon.com/dp/0307406628/cmcom-20">Why We Hate Us: American Discontent in the New Millennium</a> (Crown, 2008), by Dick Meyer :: via <a href="http://www.theweek.com/home">The Week</a>, 31 October 2008, via Steve Froelich</div>		

	
			
			
			
		
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    <entry>
      <title>The more we make, the less we give</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_more_we_make_the_less_we_give/" />
      <id>tag:culture-making.com,2008:author/9.1008</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“One of the terrible paradoxes of American church life is that generosity declines (on a percentage basis) with income. The richer we become, the less we feel able or willing to give money away. There is no surer evidence that Mammon is, as Jesus suggested, more a devious demon than a neutral force. That is one of many reasons that our family gives away 10% of the gross income from our first salary (Catherine's) and my writing and speaking income, and started giving away 20% of the gross income when we added a second salary (mine). (We also save somewhat more on a percentage basis.) I have been tithing since I was 18 and am far wealthier (in assets and income, but most of all in friends and joy) than I ever imagined becoming. I mention these personal specifics because when it comes to money, as mentioned in this excerpt, American Christians are afflicted with a deadly vagueness and unhealthy notions of privacy. We need to bear public witness to just how good it is to give money away. I admit I am sometimes daunted by the amount we give—it is hard to give it effectively and it means that we forego, for example, private education for our children, which would otherwise be within our means. But it is worth it, every penny, and our goal is to give away even more.”</em><br />		
		<p>[According to the new book <a href="http://www.amazon.com/dp/0195337115/cmcom-20"><i>Passing the Plate</i></a>,] twenty percent of American Christians (19 percent of Protestants; 28 percent of Catholics) give <i>nothing</i> to the church. Among Protestants, 10 percent of evangelicals, 28 percent of mainline folk, 33 percent of fundamentalists, and 40 percent of liberal Protestants give nothing. The vast majority of American Christians give very little—the mean average is 2.9 percent. Only 12 percent of Protestants and 4 percent of Catholics tithe.</p><p>A small minority of American Christians give most of the total donated. Twenty percent of all Christians give 86.4 percent of the total. The most generous five percent give well over half (59.6 percent) of all contributions. But higher-income American Christians give less as a percentage of household income than poorer American Christians. In the course of the 20th century, as our personal disposable income <i>quadrupled</i>, the percentage donated by American Christians actually declined.</p><p>In Chapter 3, the authors evaluate nine frequently offered hypotheses to explain this modest giving. They conclude that five have substantial validity: 1) many Christians have not seriously wrestled with their own tradition’s theological teaching on giving; 2) many churches simply accept low expectations for giving and therefore provide little communal support for generosity; 3) some Christians question the reliability of the churches and organizations requesting funds; 4) because of near total privatization and lack of accountability in the area of charitable giving, there are no real consequences for stinginess; 5) most Christians give on an occasional basis when they feel like it, rather than in a disciplined, planned, structured way.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.christianitytoday.com/bc/2008/006/5.11.html">A Lot of Lattés</a>," by Ron Sider, <a href="http://www.christianitytoday.com/bc/">Books & Culture</a>, November/December 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Geography of longing</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/geography_of_longing/" />
      <id>tag:culture-making.com,2008:author/9.1004</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Here's an alternative to the state-by-state maps we're being bombarded with in these latter electoral days: "Of the latest fifty craigslist missed connections posts per state, as beginning on midnight of the most recent Sunday, not including spam, responses or miscategorized posts."”</em><br />		
		<a href="http://www.verysmallarray.com/?p=521"><img src="http://culture-making.com/media/080714_clistmis04local.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.verysmallarray.com/?p=521">Missed Connections: Where, Exactly</a>," by <a href="http://www.verysmallarray.com/?p=521">very small array</a>, 14 July, 2008.</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Frankenstein&#8217;s editor</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/frankensteins_editor/" />
      <id>tag:culture-making.com,2008:author/9.1002</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“Honestly, I'm not sure I care that much about the Halloween "shocker" that Mary Shelly got substantial help in revising her famous novel for publication. I'm reminded of Tess Gallhager's comments about how she and Raymond Carver collaborated on many of his (and also her) short stories. Fun fact: the published Frankenstin text does not contain the phrase "I've created a monster!" at all. It must be from the movie: when the two words appear in the same sentence in the book. It's always "the monster whom I had created" ... the "whom" being the crucial element.”</em><br />
<div class="author" style="font-size: -1">from "<a href="http://ideas.blogs.nytimes.com/2008/10/31/who-wrote-the-original-frankenstein/">Who Wrote the Original ‘Frankenstein’?</a>," <a href="http://ideas.blogs.nytimes.com/2008/10/31/who-wrote-the-original-frankenstein/">NYTimes.com Ideas blog</a>, 31 October 2008</div><hr />		
		<p><b>Literature | </b>Mary Shelley created a monster out of her “waking dream,” but how much of the original “Frankenstein” was actually written by her husband, Percy? A new edition of the earliest recoverable manuscript of this much-altered novel shows his writing and editing were substantial. [<a href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/article5035717.ece">TLS</a>]
</p>
		

	
			
			
			
		
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    <entry>
      <title>New creation in the midst of brokenness</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/new_creation_in_the_midst_of_brokenness/" />
      <id>tag:culture-making.com,2008:author/9.985</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
		<p>Our calling is not to the maximum amount of suffering—in taking on the world’s fundamental alienation from God, Jesus has already been there and set us free from that. But our callings do mean that we will find ourselves at the places of pain, offering new creation in the midst of brokenness and forsakenness.
</p><br />
		<p><small>	&mdash;<i>Culture Making</i>, p.262</small></p>

	
			
			
			
		
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    <entry>
      <title>Cezanne’s dream team</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/cezannes_dream_team/" />
      <id>tag:culture-making.com,2008:author/9.983</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I've seen this article cited in a number of blogs this past week; generally the take-away seems to be what Gladwell starts with, that some artists (or writers, or whatever) do their best work seemingly right out of the blocks, while others are comparably late bloomers. What's perhaps most interesting in terms of culture-making, though, is the article's later sections, which deal with just what sort of necessary conditions allow for the emergence of a late bloomer. Such success is, indeed, "highly contingent," which I think you can take two ways: on the one hand, to despair a bit about the difficulty of any artistic or cultural greatness to ever get off the ground; but on the other, to rejoice that for every Cezanne who we know about, there must be scores we never will, going about their business in our midst.”</em><br />		
		<p>But for Zola, Cézanne would have remained an unhappy banker’s son in Provence; but for Pissarro, he would never have learned how to paint; but for Vollard (at the urging of Pissarro, Renoir, Degas, and Monet), his canvases would have rotted away in some attic; and, but for his father, Cézanne’s long apprenticeship would have been a financial impossibility. That is an extraordinary list of patrons. The first three—Zola, Pissarro, and Vollard—would have been famous even if Cézanne never existed, and the fourth was an unusually gifted entrepreneur who left Cézanne four hundred thousand francs when he died. Cézanne didn’t just have help. He had a dream team in his corner.</p><p>This is the final lesson of the late bloomer: his or her success is highly contingent on the efforts of others.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.newyorker.com/reporting/2008/10/20/081020fa_fact_gladwell?currentPage=all">Annals of Culture: Late Bloomers</a>," by Malcom Gladwell, <a href="http://www.newyorker.com/reporting/2008/10/20/081020fa_fact_gladwell?currentPage=all"><i>The New Yorker</i></a>, 20 October 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The root of real honor</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_root_of_real_honor/" />
      <id>tag:culture-making.com,2008:author/9.975</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“My method for remembering which pages of <i>Gilead</i> contained not just great and thoughtful narrative but <i>Culture Making</i>-worthy quotes was this: I remembered a phrase from the Psalm of the particular page's number. So I thought, "you have searched me and you known me," and was thus able to find this quote again. I don't know what I would have done if I'd wanted to excerpt something that came after page 150 ...”</em><br />		
		<p>What the reading yields is the idea of father and mother as the Universal Father and Mother, the Lord‘s dear Adam and His beloved Eve; that is, essential humankind as it came from His hand. There is a pattern in these Commandments of setting things apart so that their holiness will be perceived Every day is holy, but the Sabbath is set apart so that the holiness of time can be experienced. Every human being is worthy of honor, but the conscious discipline of honor is learned from this setting apart of the mother and father, who usually labor and are heavy-laden, and may be cranky and stingy or ignorant or overbearing. Believe me, I know this can be a hard Commandment to keep. But I believe also that the rewards of obedience are great, because at the root of real honor is always the sense of the sacredness of the person who is its object.
</p><hr />
<div class="author" style="font-size: -1">from <i><a href="http://books.google.com/books?id=d-f--2Lth_QC&pg=PA139&lpg=PA139&dq;="but+the+conscious+discipline+of+honor"&source=web&ots=NAqMtAfiR6&sig=FnV9bIaQKMTQ0x5J6XiXMz1d6xw&hl=en&sa=X&oi=book_result&resnum=1&ct=result">Gilead</a></i>, by Marilynne Robinson, p.139</div>		

	
			
			
			
		
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    <entry>
      <title>Give me a telenovela and I’ll give you a nation</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/give_me_a_telenovela_and_ill_give_you_a_nation/" />
      <id>tag:culture-making.com,2008:author/9.968</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Thoughts on drama, production values, and collective therapy from the director of the transglobal, peripatetic Telenovela Institute, studying the effect of Latin American TV soaps in Eastern Europe and around the world.”</em><br />		
		<p>Since the first days of the [Telenovela] institute’s research, I began to notice common patterns in the way each country related to telenovelas, and, at the same time, the way in which a country’s relationship to telenovelas revealed something unique about it. A Canadian researcher, Denise Bombardier, described it perfectly with her phrase “Give me a telenovela and I’ll give you a nation.” In general terms, however, telenovelas implement what the critic Tomás Lopez-Pumarejo (my principal theorist at the Institute) described as “the drama of the subconscious”: They are stories that revolve around ontological questions: “Where is my son?” or “Where is my love?”</p><p>There is a clear relationship in the way in which the telenovela soap operas explore the social tensions of a country and convert them into collective therapy. This process worked very well in countries that had recently emerged from communism, where people were casting about in a psychological search to deal with the class taboos that had dominated for so long. As a result, a drama centered on the impossibility of love because of social or economic obstacles was extremely powerful. Several studies of the time during which <i>Los Ricos También Lloran</i> was broadcast in Russia indicate that programs simultaneously broadcast from the US (such as<i> Dallas</i> and <i>Dynasty</i>) were popular but never generated the same level of interest, because Russians could not identify with the family problems of an oil millionaire in Texas. The higher production quality of those programs didn’t seem to matter either, and so companies like Televisa did not overly concern themselves with investments in production. It was the drama, the emotions worn on the sleeve, and in part the exotic settings that gave the telenovelas a special attraction.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.viceland.com/int/v15n6/htdocs/global-pandemic-telenovelabz-152.php?country=us">The Global Pandemic of the Telenovela</a>," by Pablo Helguera, translated by Megan McDowell, <a href="http://www.viceland.com/">Vice Magazine</a>, Vol. 15 No. 8 (July 2008) :: via <a href="http://www.utne.com/2008-11-01/Media/As-the-World-Turns-On-Its-TV.aspx?page=3">Utne Reader</a></div>		

	
			
			
			
		
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    <entry>
      <title>Holy Monastery of Simonos Petra, Mt. Athos, Greece</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/holy_monastery_of_simonos_petra_mt_athos_greece/" />
      <id>tag:culture-making.com,2008:author/9.947</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A 13th-century Orthodox monastery at twilight. I like how, lit on its craggy outcrop, it signals both precariousness and home. I also like the orange plastic debris chute attached to the corner scaffolding.”</em><br />		
		<a href="http://bighugelabs.com/flickr/onblack.php?id=2677168404&size=large"><img src="http://culture-making.com/media/2677168404_8c2ba0f9e4_b.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://bighugelabs.com/flickr/onblack.php?id=2677168404&size=large">Holy Monastery of Simonos Petra (Simonopetra)</a>," by Flickr user <a href="http://www.flickr.com/photos/lupos/2677168404/">ConstantineD</a>, 1 July 2008 :: via <a href="http://www.flickr.com/groups/intelligent_travel/pool/">Intelligent Travel</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>WRONG—</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/wrong/" />
      <id>tag:culture-making.com,2008:author/9.945</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I just finished reading a copy of <i><a href="http://www.amazon.com/Schindlers-List-Thomas-Keneally/dp/0671880314">Schindler's List</a></i> from my local library. I'd hoped they would have the original, British edition, when the title was still <i><a href="http://en.wikipedia.org/wiki/Schindler%27s_Ark">Schindler's Ark</a></i> but the movie-tie-in US printing did just as well, and included some surprise annotations on the nature of history and fiction, which I don't agree with but find charming nonetheless. Nice to be reminded one's place in a line of book-handlers past and future.”</em><br />		
		<a href="http://www.google.com/reader/view/#stream/user/14727241751034460650/state/com.google/starred"><img src="http://culture-making.com/media/P1010016.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">photo by the blogger, October 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>To make common cause with the losers</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/to_make_common_cause_with_the_losers/" />
      <id>tag:culture-making.com,2008:author/9.939</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Wonderful commentary on a quote from Tracy Kidder's book <a href="http://www.amazon.com/exec/obidos/ASIN/0812973011/partnersinhea-20">Mountains Beyond Mountains</a>, about doctor and anthropologist Paul Farmer and the organization he founded, <a href="http://www.pih.org/home.html">Partners in Health</a>, which works in Haiti and half a dozen other countries to provide "a preferential option for the poor in health care."”</em><br />		
		<p>Late in the book, when Kidder begins — and very skillfully too — to draw together the threads of his narrative and to sum up (as best he can) his understanding of Farmer, he notes Farmer’s fondness for a particular phrase: “the long defeat.” At one point Farmer says to Kidder,</p><p>“I have fought the long defeat and brought other people on to fight the long defeat, and I’m not going to stop because we keep losing. Now I actually think sometimes we may win. I don’t dislike victory. ... You know, people from our background — like you, like most <span class="caps">PIH</span>-ers, like me — we’re used to being on a victory team, and actually what we’re really trying to do in <span class="caps">PIH</span> is to make common cause with the <i>losers</i>. Those are two very different things. We want to be on the winning team, but at the <i>risk</i> of turning our backs on the losers, no, it’s not worth it. So you fight the long defeat.”</p><p>In an <a href="http://www.huffingtonpost.com/mark-klempner/a-conversation-with-tracy_b_91799.html">interview</a> Kidder gave earlier this year about the book, he commented on the phrase, and says that Farmer “probably picked [it] up from reading Camus.” But that’s not right: he got it from what we learn in <i>Mountains Beyond Mountains</i> is his favorite book: <i>The Lord of the Rings</i>. Galadriel says it: “Through the ages of the world we have fought the long defeat.” And Tolkien himself, in letters, adopted and endorsed the phrase: “I am a Christian, and indeed a Roman Catholic, so that I do not expect ‘history’ to be anything but a ‘long defeat’ — though it contains (and in a legend may contain more clearly and movingly) some samples or glimpses of final victory.”</p><p>It seems to me that this philosophy of history, if we may call it that, is the ideal one for anyone who has exceptionally difficult, frustrating, even agonizing, but nevertheless vitally important work to do. For such people, the expectation of victory can be a terrible thing — it can raise hopes in (relatively) good times only to shatter them when the inevitable downturn comes. Conversely, the one who fights the long defeat can be all the more thankful for victories, even small ones, precisely because (as St. Augustine said about ecstatic religious experiences) he or she does not expect them and is prepared to live without them.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://theamericanscene.com/2008/10/13/the-long-defeat">The Long Defeat</a>," by Alan Jacobs, <a href="http://theamericanscene.com/2008/10/13/the-long-defeat">The American Scene</a>, 12 October 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>American Drive</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/american_drive/" />
      <id>tag:culture-making.com,2008:/9.914</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			
<i>Reflections on an exhilarating drive and the future of the American road.</i><br />
<p>The Blue Ridge Parkway winds along the ridges of the Appalachian Mountains, skirting Asheville and Roanoke above the hidden hollows and little towns. And on Thursday afternoon, thanks to Bayerische Motoren Werke, three friends and I were driving along the parkway, scattering wild turkeys left and right, carving turns and going flat out on the straightaways in a BMW 335Ci convertible. It seems that BMW periodically turns up at upscale resorts to let the (presumably free-spending) guests try the company’s cars for free, for no obligation beyond the painful duty of returning it at the end of the drive. We were attending a conference at a such a location, already stretching the limits of our decidedly middle-class budgets, at just the right time. After filling out a surprisingly informal questionnaire, the keys were ours and we were off. </p><p>As we gasped and laughed at the difference between our borrowed joyride and our real-life cars (as the owner of a base-model 2000 VW Passat, I have the most fly car of the bunch), we were well aware of several layers of irony. Down in the valley motorists were waiting in long lines for scarce gasoline at the stations that were open at all, due the supply crunch in the Southeast following Hurricane Ike. We, meanwhile, were burning gas like it was going out of style (which, come to think of it, it soon may). Then there was the improbable identity of the four merry riders: all of us activists in the growing environmental movement within evangelical Christianity, concerned not least with the reality of and remedies for human-induced climate change. That climate change is caused in part, of course, by the carbon dioxide that we were gleefully generating every time the Beemer let out a particularly gratifying growl. Let’s just say there was a hint of guilt in the pleasure.
</p><br />
<a href="http://www.culture-making.com/articles/american_drive#more" >Read more »</a>

			
			
		
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    </entry>

    <entry>
      <title>Odd Fellows Lawn, Sacramento, California</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/odd_fellows_lawn_sacramento_california/" />
      <id>tag:culture-making.com,2008:author/9.912</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p align="center"><iframe width="420" height="240" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" src="http://maps.google.com/maps/sv?cbp=1,265.835479376316,,1,-7.279513348699126&amp;cbll=38.558666,-121.500864&amp;v=1&amp;panoid=RrO17uG23K1_gQknBYaRsg&amp;gl=&amp;hl="></iframe>
</p><br />
<b>Nate: </b><em>“I didn't know the Odd Fellows had their own cemeteries ... as do, apparently, other fraternal orders as well: just north is Masonic Lawn, and to round out the necropolis, the Sacramento City Cemetery.”</em><br /><hr />
<span style="font-size: -1">Odd Fellows Lawn Cemetary and Mausoleum, Sacramento, California, <a href="http://maps.google.com/?ie=UTF8&ll=38.583667,-121.49703&spn=0.049918,0.122566&z=14&layer=c&cbll=38.558666,-121.500864&panoid=RrO17uG23K1_gQknBYaRsg&cbp=2,262.43000000000023,,0,5">Google Street View</a></span>

	
			
			
			
		
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    </entry>

    <entry>
      <title>7–13–50–90–150</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/7_13_50_90_150/" />
      <id>tag:culture-making.com,2008:author/9.882</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“An alternative to Andy's 3–12–120 plotting of  optimal sizes for culture-making (and -disseminating) groups. I don't know if starting with "the seven" totally matches with Andy's idea of an "absolutely small" creative group—seven is more minivan than Mini Cooper.”</em><br />		
		<p><strong>150—"The Exclusive Dunbar Number&#8221;.</strong> Robin Dunbar got much of the discussion of group thresholds started with his <a href="http://www.isrl.uiuc.edu/~amag/langev/paper/dunbar93coevolutionOf.html">article</a>, &#8220;Co-Evolution Of Neocortex Size, Group Size And Language In Humans.&#8221; However, as I&#8217;ve written <a href="http://www.lifewithalacrity.com/2004/03/the_dunbar_numb.html">previously</a>, and as I&#8217;ve described in this article, Dunbar&#8217;s group threshold of 150 applies more to groups that are highly incentivized and relatively exclusive and whose goal is survival.</p>
<p>Dunbar makes this obvious by the statement that such a grouping &#8220;would require as much as 42% of the total time budget to be devoted to social grooming.&#8221; </p>
<p> The result of the grooming requirement is that communities bounded by the Exclusive Dunbar Number are relatively few. You will find hunter/gatherer and other subsistence societies where this is a natural tribe size. You&#8217;ll also find these groups sizes in <a href="http://globalguerrillas.typepad.com/globalguerrillas/2004/03/what_is_the_opt.html">terrorist and mafia</a> organizations.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.lifewithalacrity.com/2008/09/group-threshold.html">Community by the Numbers, Part One: Group Thresholds</a>," by Christopher Allen, <a href="http://www.lifewithalacrity.com/2008/09/group-threshold.html">Life With Alacrity</a>, 24 September 2008 :: thanks, <a href="http://koranteng.blogspot.com/">Koranteng</a>!</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>The omnivore&#8217;s daughter&#8217;s dilemma</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_omnivores_daughters_dilemma/" />
      <id>tag:culture-making.com,2008:author/9.869</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A lovely anecdote (culture-making begins at home!) from a great feature about Berkeley Bowl, a produce-rich Northern California supermarket that sounds a bit like all three sections of the Divine Comedy rolled into one.”</em><br />		
		<p>Michael Pollan, author of the best-selling book &#8220;The Omnivore&#8217;s Dilemma,&#8221; is a [Berkeley] Bowl regular who calls the store one of his top three places to buy food in the world. Still, he knows there&#8217;s easier shopping.</p><p>One time, Pollan was picking out a box of cereal for his daughter when a fellow shopper interrupted him. &#8220;He said, &#8216;I&#8217;m watching Michael Pollan shop for groceries,&#8217; &#8220; Pollan recalled. &#8220;There was this note of disappointment that I was buying Fruity Pebbles. Berkeley is full of hall monitors. It&#8217;s a small town, and people are looking into each other&#8217;s baskets.&#8221;
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.latimes.com/news/local/la-me-bowl22-2008sep22,0,5955581.story?page=2">At Berkeley Bowl, the nuts are off the shelf</a>," by John M. Glionna, <a href="http://www.latimes.com/news/local/la-me-bowl22-2008sep22,0,5955581.story?page=2"><i>Los Angeles Times</i></a>, 22 September 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>All culture&#45;making is local</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/all_culture_making_is_local/" />
      <id>tag:culture-making.com,2008:author/9.845</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
		<p>All culture-making is local. Every cultural good, whether a new word, law, recipe, song, or gadget, begins with a small group of people—and not just a relatively small group, but an absolutely small group. No matter how many it goes on to affect, culture always starts small.
</p><br />
		<p><small>	&mdash;<i>Culture Making</i>, p.239</small></p>

	
			
			
			
		
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    </entry>

    <entry>
      <title>Reconciliation and the oval ball</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/reconciliation_and_the_oval_ball/" />
      <id>tag:culture-making.com,2008:author/9.849</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“One of my favorite Nelson Mandela moments was his brilliant conciliatory gesture when South Africa won the first post-Apartheid Rugby World Cup—donning a Springboks jersey (a symbol par excellance of Afrikaner cultural pride) and coming onto the field to join in the celebrations. I didn't remember the story below, which gets at the beginnings of Mandela's canny and graceful relation to the game.”</em><br />		
		<p>Towards the end of his 27 years in jail, Nelson Mandela began to yearn for a hotplate. He was being well fed by this point, not least because he was the world’s most famous political prisoner. But his jailers gave him too much food for lunch and not enough for supper. He had taken to saving some of his mid-day meal until the evening, by which time it was cold, and he wanted something to heat it up.</p><p>The problem was that the officer in charge of Pollsmoor prison’s maximum-security “C” wing was prickly, insecure, uncomfortable talking in English and virtually allergic to black political prisoners. To get around him, Mr Mandela started reading about rugby, a sport he had never liked but which his jailer, like most Afrikaner men, adored. Then, when they met in a corridor, Mr Mandela immediately launched into a detailed discussion, in Afrikaans, about prop forwards, scrum halves and recent games. His jailer was so charmed that before he knew it he was barking at an underling to “go and get Mandela a hotplate!”
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.economist.com/books/displaystory.cfm?story_id=12202525">Nelson Mandela | Rugby's role in his rise</a>," <a href="http://www.economist.com/"><i>The Economist</i></a>, 11 September 2008</div>		

	
			
			
			
		
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