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    <title type="text">Culture Making items tagged china</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2009-01-07T16:07:34Z</updated>
    <rights>Copyright (c) 2009, Andy Crouch</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>If on a winter&#8217;s night a traveller</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/if_on_a_winters_night_a_traveller/" />
      <id>tag:culture-making.com,2009:author/9.1145</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Andy: </b><em>“James Fallows writes, "My reaction to this and innumerable similar signs in China has become sympathy rather than anything else (frustration, mirth, etc.)." But my reaction is a strange kind of delight in the indirect, vaguely poetic result of this mistranslation.”</em><br />		
		<a href="http://jamesfallows.theatlantic.com/archives/2008/12/one_more_then_giving_this_topi.php"><img src="http://www.culture-making.com/media/halts_420.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://jamesfallows.theatlantic.com/archives/2008/12/one_more_then_giving_this_topi.php">Once more, then giving this topic a rest</a>," by James Fallows, <a href="http://jamesfallows.theatlantic.com/">James Fallows</a>, 18 December 2008 :: via <a href="http://ayjay.tumblr.com/">Alan Jacobs</a></div>		

	
			
			
			
		
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    <entry>
      <title>Viewing the City&#8217;s Places of Interest in Springtime, by Yao Lu</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/viewing_the_citys_places_of_interest_in_springtime_by_yao_lu/" />
      <id>tag:culture-making.com,2009:author/9.1047</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“Another of Yao Lu's photos just won the BMW–Paris Photo prize, which is how I heard about him: "The artist photographs mounds of garbage covered in green protective nets which he assembles and reworks by computer to create bucolic images of mountain landscapes shrouded in the mist inspired by traditional Chinese paintings. Lying somewhere between painting and photography, between the past and the present, Yao Lu’s work speaks of the radical mutations affecting nature in China as is it subjected to rampant urbanization and the ecological threats that endanger the environment."”</em><br />		
		<a href="http://www.798photogallery.cn/EN/photo/photo_1278.html"><img src="http://culture-making.com/media/x85q17B51214381426.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1"><i><a href="http://www.798photogallery.cn/EN/photo/photo_1278.html">Viewing the City's Places of Interest in Springtime</a></i>, digitally manipulated photograph, by Yao Lu, <a href="http://www.798photogallery.cn/EN/photo/photo_1278.html">798 Photo Galley</a>, Beijing :: via <a href="http://www.artdaily.org/index.asp?int_sec=2&int_new=27277">artdaily.org</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Fortune cookies come to China</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/fortune_cookies_come_to_china/" />
      <id>tag:culture-making.com,2009:author/9.859</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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			<p align="center"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/Bp4IGgQoVQE&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/Bp4IGgQoVQE&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="420" height="340"></embed></object>
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<b>Nate: </b><em>“Most people in China have never heard of a fortune cookie—which has its origins in a type of Japanese tea-cake but is, my friend Jenny writes in <a href="http://www.amazon.com/Fortune-Cookie-Chronicles-Adventures-Chinese/dp/0446580074">The Fortune Cookie Chronicles</a>, a very American phenomenon. So what do you get when you bring a bunch of American fortune cookies across the Pacific to their putative homeland? A charming string of cross-cultural surprises.”</em><br /><hr /><span style="font-size: -1">"<a href="http://www.youtube.com/watch?v=Bp4IGgQoVQE">Fortune Cookies Not Found in China?</a>," by Jennifer 8. Lee, 11 August 2008 :: via <a href="http://www.fortunecookiechronicles.com/blog/">The Fortune Cookie Chronicles</a></span>

	
			
			
			
		
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    </entry>

    <entry>
      <title>Tibetans Play Pool</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/tibetans_play_pool/" />
      <id>tag:culture-making.com,2009:author/9.684</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“More on the cultural importance of tables.”</em><br />		
		<a href="http://www.flickr.com/photos/chinapix/93382660/"><img src="http://culture-making.com/media/93382660_04d160d5b3_o.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.flickr.com/photos/chinapix/93382660/sizes/o/">Tibetans Play Pool</a>," by <a href="http://nataliebehring.com/">Natalie Behring</a>, 2006 :: via <a href="http://ffffound.com/image/8a974e993fbcc62928b65bc3ea02cff82a3e0e98">ffffound</a>/<a href="http://www.flickr.com/photos/chinapix/93382660/sizes/o/">Flickr</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>A long way from the rec room</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_long_way_from_the_rec_room/" />
      <id>tag:culture-making.com,2009:author/9.661</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I've been so mesmerized by the online coverage of archery and weightlifting (no joke!) that I've yet to delve much into the table tennis archive at <a href="http://www.nbcolympics.com/tabletennis/index.html">nbcolympics.com</a> Though the action's a bit too quick to show up well on my broadband, alas.”</em><br />		
		<p>Doubles table tennis is so entertaining because it defies the laws of geometry. As anyone who’s played in a rec room fully understands, a Ping-Pong table simply isn’t big enough to accommodate four people. The key skill that every doubles team must master has nothing to do with shot-making or defense. Rather, it’s having the agility to get the hell out of the way of your partner.</p><p>In doubles table tennis, partners must alternate shots. That means the goal of any team is to sow confusion in the enemy—to make it so the player whose turn it is to hit has to get through his or her partner to do so. The highlight of a doubles match is when partners kick, trip, or smash into one another. I once saw a Malaysian duo knock heads so hard the match was delayed nearly half an hour. Also fun: when one player swings for the ball and hits his or her partner instead.</p><p>Sadly, at the Olympic level, the players are too accomplished for this to happen. Maybe it’s just as well, then, that doubles has been eliminated as an Olympic event.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.slate.com/id/2197722/?from=rss">In praise of doubles table tennis</a>," by Robert Weintraub, <a href="http://www.slate.com/id/2197722/?from=rss"><i>Slate</i></a>, 18 August 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Children practicing gymnastics, by Qiu Yan</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/children_practicing_gymnastics_by_qiu_yan/" />
      <id>tag:culture-making.com,2009:author/9.630</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Nate: </b><em>“This image goes well with Mike Hickerson's answer to the question "What new culture is created in response to the Olympics?", over on our <a href="http://www.culture-making.com/five_questions/">five questions</a> page.”</em><br />		
		<a href="http://freakonomics.blogs.nytimes.com/2008/08/11/todays-china-communist-millionaires-kissing-contests-and-oh-yes-the-olympics/"><img src="http://culture-making.com/media/ChinaGym.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Children practicing gymnastics at a special school for athletes in Hubei province" (2004), by Qiu Yan, from <i><a href="http://www.amazon.com/China-Portrait-Country-James-Kynge/dp/383650569X/ref=pd_bbs_sr_1?ie=UTF8&s=books&qid=1218409044&sr=1-1">China: Portrait of a Country</a></i>, edited by Liu Heung Shing :: via <a href="http://freakonomics.blogs.nytimes.com/2008/08/11/todays-china-communist-millionaires-kissing-contests-and-oh-yes-the-olympics/">NYTimes.com Freakonomics blog</a></div>		

	
			
			
			
		
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    <entry>
      <title>Oops</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/oops/" />
      <id>tag:culture-making.com,2009:author/9.587</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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					<b>Andy: </b><em>“There is a real danger that Christians' enthusiasm for God's work in human cultures will lead to simply baptizing whatever the culture is doing. Rarely has this been seen so clearly as in this communiqué from the Lutheran World Federation in 1975. As Sanneh describes it, "The communiqué insisted that the time had passed when Christianity could raise questions for China, pointing out that these questions were already settled for Chinese Christians who had long ago reached the conclusion that Christianity was, at best, irrelevant and, at worst, inimical to China's interests." Thirty years later, of course, we would never be so uncritical about culture. Of course not.”</em><br />		
		<p>&#8220;Love your neighbour to the point of denying yourself&#8221; is the ethical core of the Gospel. &#8220;Fight selfishness; serve the people&#8221; is the ethical core of Mao Tse-Tung Thought. &#8220;By their fruits you shall know them&#8221; is the decisive criterion of the Gospel. Marxism has sworn by the same test of &#8220;fruits&#8221; or &#8220;practice,&#8221; and in the case of China at least has both preached and practiced &#8220;continuing revolution&#8221; in its name. . . .</p><p>The social and political transformations brought about in China through the application of the Thought of Mao Tse-Tung have unified and consolidated a quarter of the world population into a form of society and life-style at once pointing to some of the basic characteristics of the kingdom of God. . . .</p><p>Christians . . . have to free themselves from the parochial Western context in which many of their Churches have developed and realize that the Gospel might be more powerfully expressed and fulfilled in the new type of society which is promoted in China.
</p><hr />
<div class="author" style="font-size: -1">from "The Louvain Consultation on China," <i>Pro Mundi Vita</i> 54 (1975) : : via Lamin Sanneh, <a href="http://www.amazon.com/gp/product/0195189612?ie=UTF8&amp;tag=cmcom-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0195189612"><i>Disciples of All Nations</i></a>, p. 253–254</div>		

	
			
			
			
		
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    <entry>
      <title>Yo&#45;Yo Ma and the Silk Road Ensemble</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/yo_yo_ma_and_the_silk_road_ensemble/" />
      <id>tag:culture-making.com,2009:author/9.614</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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			<p align="center"><object width="420" height="420"><param name="movie" value="http://www.kcrw.com/music/programs/mb/mb050803yo-yo_ma_and_the_sil/embed-video"></param><param name="wmode" value="transparent"></param><embed src="http://www.kcrw.com/music/programs/mb/mb050803yo-yo_ma_and_the_sil/embed-video" type="application/x-shockwave-flash" wmode="transparent" width="420" height="420"></embed></object>
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<b>Nate: </b><em>“As the world (or at least a good 4 billion of us) turn our thoughts towards Beijing this weekend, I recalled this wonderful in-studio performance from 2005, by a musical ensemble led (but by no means dominated -- he's merely a virtuoso among virtuosos) by cellist Yo-Yo Ma. They weave together many of the deep, rich musical cultures along the Silk Road, the ancient trade route linking Europe with the Far East: Persian, Roma, Mongolian, Chinese, etc. It's amazing watching this group of diverse musicians interact with, really listen and respond to, one another.”</em><br /><hr /><span style="font-size: -1"><a href="http://www.kcrw.com/music/programs/mb/mb050803yo-yo_ma_and_the_sil">KRCW's Morning Becomes Eclectic</a></span>

	
			
			
			
		
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