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    <title type="text">Culture Making items tagged changing+the+world</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <updated>2008-11-21T22:39:26Z</updated>
    <rights>Copyright (c) 2008, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2008:11:21</id>


    <entry>
      <title>Not bashfulness but quiet confidence</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/not_bashfulness_but_quiet_confidence/" />
      <id>tag:culture-making.com,2008:author/9.1036</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
		<p>Is there a way to change the world without falling into one of the many traps laid for would-be world changers? If so, it will require us to learn the one thing the language of “changing the world” usually lacks: humility, defined not so much as bashfulness about our own abilities as awed and quiet confidence in God’s ability.
</p><br />
		<p><small>	&mdash;<i>Culture Making</i>, p.201</small></p>

	
			
			
			
		
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    <entry>
      <title>Rice husk power</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/rice_husk_power/" />
      <id>tag:culture-making.com,2008:author/9.989</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Here's a cool-sounding example of a company developing for-profit "meso-power" stations that take local agricultural waste and use it to generate electricity for rural villages in India.”</em><br />		
		<p><b>NextBillion.net</b>: Tell me about rice husk – what is it, how much is there, where do you find them?&nbsp; What do farmers do with them now?</p><p><b>Chip Ransler</b>: <a target="new" href="http://en.wikipedia.org/wiki/Rice_hulls">Rice husk</a> is the outside of a rice kernel.&nbsp; When you harvest rice, husk represents about 30 percent of the gross weight.&nbsp; As a result, husks are removed and discarded before transport.&nbsp; In a typical village, about 1500 tons of rice are harvested every season, yielding 500 tons of husk and 1000 tons of edible product.&nbsp; The farmers either burn the husk or allow it to rot in the fields.</p><p>Rice husk is <a target="new" href="http://en.wikipedia.org/wiki/Cellulose">cellulosic</a>, which means it can be heated up and released for energy – the gas released is similar to methane.&nbsp; It also contains silica, which is released as a waste product when burned.</p><p>So, why is this interesting?&nbsp; If you took a map of the world’s energy poor areas and compare it to a map of rice producing areas, these two maps would look nearly identical.&nbsp; So we use husk to make electricity.&nbsp; The gas we make out of the husk is filtered, then run through a diesel-like engine to generate power. </p><p>Like I said, farmers throw away or burn rice husk – releasing methane into the atmosphere.&nbsp; This is an opportunity too.&nbsp; We’re working with the Indian government on getting our <a target="new" href="http://en.wikipedia.org/wiki/Clean_Development_Mechanism">Clean Development Mechanism</a> certification to sell carbon credits associated with our plants.&nbsp; And the silica – which is the other waste product – is sold to concrete manufacturers.&nbsp; So we take agricultural waste and turn it into electricity, minerals and carbon credits.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.worldchanging.com/archives/008923.html">Rice Power to the People With Husk Power Systems</a>," by Robert Katz, <a href="http://www.worldchanging.com/archives/008923.html">WorldChanging</a>, 28 October 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Cancer study fail</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/cancer_study_fail/" />
      <id>tag:culture-making.com,2008:author/9.883</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“There must be a culturally-creative way around this sticking point of human (and corporate) nature. Required reporting, as with industrial accidents? Anonymous publication? A Nobel Prize for the best idea that didn't pan out?”</em><br />
<div class="author" style="font-size: -1">"<a href="http://ideas.blogs.nytimes.com/2008/09/26/fewer-than-1-in-5-cancer-trials-published/">Fewer Than 1 in 5 Cancer Trials Published," <a href="http://ideas.blogs.nytimes.com/2008/09/26/fewer-than-1-in-5-cancer-trials-published/">NYTimes.com Ideas Blog</a>, 26 September 2008</div><hr />		
		<p><strong>Medicine |</strong> A <a href="http://www.theoncologist.com/cgi/reprint/theoncologist.2008-0133v1">medical journal</a> says a vast amount of cancer research is never published, perhaps because clinical trials show the drugs or treatments didn’t work. That deprives other researchers of valuable knowledge. Why this happens: scientists, medical journals and drug firms all have an interest in touting breakthroughs and not failure. [<a href="http://www.businessweek.com/technology/content/sep2008/tc20080925_035720.htm?campaign_id=rss_daily">Business Week</a>, <a href="http://www.theoncologist.com/cgi/reprint/theoncologist.2008-0133v1">Oncologist</a>]
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    <entry>
      <title>Public service plotlines</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/public_service_plotlines/" />
      <id>tag:culture-making.com,2008:author/9.863</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Public health researchers worked with TV scriptwriters to see if viewers do, in fact, learn anything lasting about healthcare from watching Grey's Anatomy. A good portion of them do—good news for public health crusaders and advertisers alike.”</em><br />		
		<p>The proportion of viewers who were aware that, with the proper treatment, there is more than a 90% chance of an HIV-positive woman having a healthy baby increased by 46 percentage points after the episode aired (from 15% to 61%). This includes 17% of respondents in the post-show survey who volunteered the specific response that the woman has a 98% chance of having a healthy baby—the statistic that was repeated several times on the show.</p><p>Six weeks after the episode aired, the proportion who gave the correct response had dropped to 45%, but was still substantially higher (by 30 percentage points) than it had been prior to the show. This time around, however, only 3% volunteered the specific fact that the woman would have a 98% chance of having a healthy baby.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.kff.org/entmedia/upload/7803.pdf">Television as a Health Educator: A Case Study of Grey's Anatomy</a>," by Victoria Rideout, <a href="http://www.kff.org/">Kaiser Family Foundation</a>, September 2008 :: via <a href="http://nudges.wordpress.com/2008/09/17/from-product-placement-to-public-service-placement/">Nudges</a></div>		

	
			
			
			
		
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    <entry>
      <title>Grand ideas first,  obstacles later</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/grand_ideas_first_obstacles_later/" />
      <id>tag:culture-making.com,2008:author/9.841</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I'm vaguely disappointed to see Nature jumping on the "Changed the world" bandwagon—not least because their essay series is basically world-changing as reported by the (self-reported) world-changers. In my perfect (changed!) world we'd have counter-narratives by people who attended other, equally-important-seeming meetings at roughly the same time. I should note, though, that if CERN's now-operational Large Hadron Collider defies the physicists' consensus and does wind up spawning a black hole that sucks up the entire planet—well then I'll tip my extremely dense, extremely small hat to CERN's founders as world-changers indeed.”</em><br />		
		<p>Creative ideas are not always solo strokes of genius, argues Ed Catmull, the computer-scientist president of Pixar and Disney Animation Studios, in the current issue of the Harvard Business Review. Frequently, he says, the best ideas emerge when talented people from different disciplines work together.</p><p>This week, Nature begins a series of six Essays that illustrate Catmull’s case. Each recalls a conference in which a creative outcome emerged from scientists pooling ideas, expertise and time with others — especially policy-makers, non-governmental organizations and the media. Each is written by someone who was there, usually an organizer or the meeting chair. Because the conferences were chosen for their societal consequences, we’ve called our series ‘Meetings that Changed the World’.</p><p>This week, François de Rose relives the drama of the December 1951 conference at the UNESCO headquarters in Paris that led to the creation of CERN, the European particle-physics laboratory based near Geneva (see page 174). De Rose, then France’s representative to the United Nations Atomic Energy Commission, chaired the meeting. He had got caught up in the process after becoming friends with Robert Oppenheimer, one of CERN’s earliest proponents. De Rose said in a separate interview with Nature that CERN was the result of the capacity of scientists such as Oppenheimer to propose grand ideas, and worry about obstacles later.</p><p>Although this approach does not always work, the next few weeks will show that it really has changed the world. In the ensuing half-century, CERN has revolutionized our understanding of the subatomic world; with the switching-on this week of the Large Hadron Collider (see page 156) it promises to scale new heights.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nature.com/nature/journal/v455/n7210/full/455137b.html">Brave new worlds: A new series of essays looks back at scientific meetings that had world-changing consequences</a>," editorial, <a href="http://www.nature.com/nature/journal/v455/n7210/full/455137b.html"><i>Nature</i></a>, 11 September 2008 :: via <a href="http://3quarksdaily.blogs.com/3quarksdaily/2008/09/meetings-that-c.html">3quarksdaily</a></div>		

	
			
			
			
		
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    <entry>
      <title>Out of that came the Googles of the world &#8230;</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/out_of_that_came_the_googles_of_the_world/" />
      <id>tag:culture-making.com,2008:author/9.847</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Forty years old, but only four years in publication, the Whole Earth Catalog—and, more to point, the community of its creators and early followers—certainly ranks as one of the more surprising and far-reaching centers of culture-making in recent decades. Not that there isn't ample room for hyperbole in the "oral history" format (which itself seems so ... Whole-Earthy).”</em><br />		
		<p><b>John Perry Barlow:</b> Before the WEC came out, business was big and ugly. It was a kingdom of acronyms like IBM and GE. But Stewart saw sustainable small business as a virtue.</p><p><b>Lloyd Kahn:</b> This wasn’t business as usual. Backyard tool inventors are a real subculture, usually very apart from the mainstream. For these tool guys, the WEC wasn’t just their Bible; it was great advertising. I think we kept a lot of people in business over the years.</p><p><b>Kevin Kelly:</b> The WEC helped rid us of our allergy to commerce. Brand believed in capitalism, just not by traditional methods. He was the first person to embrace true financial transparency. His decision to disclose WEC’s finances in the pages of the catalog had a profound ripple effect. A lot of those hippies who dropped out and tried to live off the land decided to come back and start small companies because of it. And out of that came the Googles of the world.</p><p><b>Fred Turner:</b> The WEC set the stage for all of today’s social networks. This kind of collaborative communication and the emphasis on small-scale technology really hit home in early Silicon Valley. You have to remember that the first Xerox PARC [the Palo Alto Research Center, a division of Xerox credited with inventing laser printing and the Ethernet, among other things] library consisted of books selected from the WEC by computer guru Alan Kay.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.plentymag.com/magazine/the_whole_earth_effect.php?page=5">The Whole Earth Effect</a>," by Stephen Kotler, <a href="http://www.plentymag.com/magazine/the_whole_earth_effect.php?page=5"><i>Plenty Magazine</i></a>, October/November 2008 :: via <a href="http://www.boingboing.net/2008/09/15/oral-history-of-the.html">Boing Boing</a></div>		

	
			
			
			
		
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    <entry>
      <title>Indiana piano</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/indiana_piano/" />
      <id>tag:culture-making.com,2008:author/9.828</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Alexander "Lexo" Toradze is the center of a community of Russian and Georgian pianists—not in one the usual cosmopolitan centers, but in South Bend, Indiana.”</em><br />		
		<p>In 1990, he married an American girl, a fledgling pianist from Florida. In 1991, he accepted a piano professorship at Indiana University at South Bend—a place best-known for Notre Dame’s football team. Transplanted to northern Indiana, he proceeded to recreate the intense mentoring environment he had known in Moscow, as well as the communal social life he had known in Tblisi. To date, he has recruited more than seventy gifted young pianists, mainly from Russia and Georgia. They bond as a family, with Lexo the stern or soft surrogate father. They make music and party with indistinguishable relish. Lexo’s big house, on a suburban street without sidewalks, is their headquarters. Since separating from his wife in 1999, he has densely decorated the downstairs rooms with an assortment of American, Russian, and Georgian books and embellishments; the upstairs walls remain blank. The basement comprises a Ping-Pong room, a table-hockey room, and a Finnish sauna. The swimming pool outside is used in winter for furious ice baths in alternation with languorous sauna sittings.</p><p>South Bend is welcoming, comforting, and incongruous. As new Americans, the members of the Toradze community eat pizza, play basketball, and barbecue salmon in the backyard. They are addicted to such gadgets and amenities as giant TVs and state-of-the-art audio systems. They shop for steak and vodka in the early hours of the morning in vast twenty-four-hour food marts. Their social rituals are Russian or Georgian. So is their informed enthusiasm for jazz, which preceded their arrival. Though they do not attend the football games, Lexo’s excitement was boundless when he discovered that the forward pass was a South Bend invention.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.neh.gov/news/humanities/2008-09/South_Bend_Artists.html">Vodka in South Bend: The life and music of a Soviet defector</a>," by Joseph Horowitz, <a href="http://www.neh.gov/news/humanities/"><i>Humanities</i></a>, September/October 2008 :: via <a href="#">Arts &amp; Letters Daily</a></div>		

	
			
			
			
		
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    <entry>
      <title>Skipping the middle step</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/skipping_the_middle_step/" />
      <id>tag:culture-making.com,2008:author/9.813</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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		<p>When we say, “The Christian vision can transform our world,” something similar is happening. Is it really true that simply perceiving the radical comprehensiveness of the Christian worldview would “transform the world”? Or is there a middle step that is being skipped over all too lightly?
</p><br />
		<p><small>	&mdash;<i>Culture Making</i>, p.62</small></p>

	
			
			
			
		
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    <entry>
      <title>The power of the small</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_power_of_the_small/" />
      <id>tag:culture-making.com,2008:author/9.807</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“An important comment from the eminent (and in many ways the original) "culturally savvy Christian," Dick Staub.”</em><br />		
		<p>Here are some of the themes I see at work in what is happening with Palin (and Obama for that matter).</p><p>1) Every human being is created in God’s image and is responsible for developing their unique capabilities in ways that glorify God.</p><p>2) True power resides in these God-imaged individuals whose power is released and becomes evident when they express their uniqueness.</p><p>3) Because humans are geographically distributed, this power can be found wherever humans are found. Bloom where you are planted!</p><p>These truths were taken by our founding fathers to be self-evident and are also evident in every page of biblical revelation.</p><p>In today’s fallen world we have forgotten these truths. We believe power resides in places and the people in those places. The media, politicians and the wealthy are the powerful, we are led to believe, and they reside in specific places: New York, LA, Chicago, Wall Street, and Hollywood, to name a few.</p><p>Today’s evangelical world has fallen into this trap and regularly develops strategies aimed at the powerful in powerful places. I remember a few years ago, George Barna identified the centers of cultural influence, concluding that the church did not rate very high. He shared a plan to work with large churches (also believed to be the center of power) in strategic cities (coinciding with the “world’s list” of strategic places) to recruit the brightest and the best next-generation evangelical leadership prospects to mentor them and help them enter the most powerful educational institutions (Harvard, Stanford, Yale) so they could enter the most powerful positions in the most powerful companies in the most powerful cities in the world.</p><p>I remember telling George that of the National Book Award winners I had interviewed, most were from small, out-of-the way places, and most hadn’t attended the best schools. They came out of nowhere, riding on the strength of their talent, internal sense of calling, and desire to express who they were in their work, starting where they were in some small farming community tucked away in some unknown village in the Midwest.</p><p>Regardless of your politics, this is surely the most important lesson from Sarah Palin’s debut as a national and global presence.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.dickstaub.com/culturewatch.php?record_id=1198">Palin  & The Power of the Small Ones</a>," by Dick Staub, <a href="http://www.dickstaub.com/">Staublog</a>, 4 September 2008 (slightly copyedited)</div>		

	
			
			
			
		
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    <entry>
      <title>Security wall mural, Sadr City</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/security_wall_mural_sadr_city/" />
      <id>tag:culture-making.com,2008:author/9.799</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“AP caption: "A painter decorates a security wall sealing off the southern section of the Shiite enclave of Sadr City in Baghdad, Iraq on Wednesday, Aug. 6, 2008." I love the particular choice of scenery, which I'd guess is as foreign to Baghdadis as ... well, as this particular type of wall itself.”</em><br />		
		<a href="http://www.boston.com/bigpicture/2008/09/scenes_from_iraq.html#photo24"><img src="http://culture-making.com/media/iraq25.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">AP Photo by Karim Kadim, from "<a href="http://www.boston.com/bigpicture/2008/09/scenes_from_iraq.html#photo24">Scenes from Iraq</a>," <a href="http://www.boston.com/bigpicture/">The Big Picture</a>, 3 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>DIY country, DIY university</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/diy_country_diy_university/" />
      <id>tag:culture-making.com,2008:author/9.631</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Another example of "if it isn't a colored nation-box on the world map, it doesn't exist" syndrome: a breakaway republic that's much less a basket case than the mother country. And some former refugees who are indeed making something of that corner of the world.”</em><br />		
		<p>Slightly larger than England and Wales, Somaliland has enjoyed relative peace and prosperity and has held democratic elections, with a presidential vote scheduled for next year.</p><p>In a move to lure refugees home, the administration has introduced tax waivers on new investments to fuel more growth.</p><p>Despite its poverty, Somaliland and the region offer investment opportunities for those brave enough to return.</p><p>Half of Somaliland&#8217;s cabinet and lawmakers are former refugees who came back mainly from Europe and America. Former refugees have also become small-factory owners or created businesses, for example, in telecommunications.</p><p>Ibrahim has even bigger dreams: he wants to fashion future leaders. &#8220;We don&#8217;t have leaders in our country but we have managers. Our aim is to produce visionary leaders in future who can bring back hope and amalgamate our people. There is a huge appetite for such leadership and we hope to be the source,&#8221; he said.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.csmonitor.com/2008/0812/p12s01-woaf.html">Former refugees launch university in Somaliland</a>," by Hussein Ali Nur and Guled Mohamed, Reuters :: via <a href="http://www.csmonitor.com/2008/0812/p12s01-woaf.html">csmonitor.com</a></div>		

	
			
			
			
		
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    <entry>
      <title>The Gulag Archipelago&#8217;s first readers</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_gulag_archipelagos_first_readers/" />
      <id>tag:culture-making.com,2008:author/9.611</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“I'm always fascinated by discussions (or really just acknowledgements) of the thing-ness of books, that, apart from being texts, they're objects with a feel and smell and a personal, cultural, individual history to them.”</em><br />		
		<p>Although more than three decades have now passed since the winter of 1974, when unbound, hand-typed, samizdat manuscripts of Alexander Solzhenitsyn&#8217;s <em><a href="http://www.amazon.com/Gulag-Archipelago-Experiment-Literary-Investigation/dp/0061253715/" target="_blank">Gulag Archipelago</a></em> first began circulating around what used to be the Soviet Union, the emotions they stirred remain today. Usually, readers were given only 24 hours to finish the lengthy manuscript—the first historical account of the Soviet concentration camp system—before it had to be passed on to the next person. That meant spending an entire day and a whole night absorbed in Solzhenitsyn&#8217;s sometimes eloquent, sometimes angry prose—not an experience anyone was likely to forget.</p><p>Members of that first generation of readers remember who gave the book to them, who else knew about it, and to whom they passed it on. They remember the stories that affected them most—the tales of small children in the camps, or of informers, or of camp guards. They remember what the book felt like—the blurry, mimeographed text, the dog-eared paper, the dim glow of the lamp switched on late at night—and with whom they later discussed it.
</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.slate.com/id/2196613/?from=rss">How The Gulag Archipelago changed the world</a>, by Anne Applebaum, <a href="http://www.slate.com/"><i>Slate</i></a>, 4 August 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Ugandan hip&#45;hop doc</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/ugandan_hip_hop_doc/" />
      <id>tag:culture-making.com,2008:author/9.600</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p align="center"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/SvRXmm6ZNxk&amp;hl=en&amp;fs=1"></param><param name="wmode" value="transparent"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/SvRXmm6ZNxk&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" wmode="transparent" width="425" height="344"></embed></object>
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<b>Nate: </b><em>“Trailer for "Diamonds in the Rough," a documentary about anti-war and -corruption themed hip-hop in Uganda. Looks fascinating and inspiring, though I'm just a tad troubled that, as with Wim Winders' wonderful "Buena Vista Social Club" film, the transcendent climax involves the musicians from the developing world making a triumphant and adulatory tour in the West.”</em><br /><hr /><span style="font-size: -1">via <a href="http://www.boingboing.net/2008/08/02/diamonds-in-the-roug.html">Boing Boing</a></span>

	
			
			
			
		
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    </entry>

    <entry>
      <title>A sofa revolution</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_sofa_revolution/" />
      <id>tag:culture-making.com,2008:author/9.594</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Actually, the throw-the-furniture-in-the-streets model of social protest has a long history, especially in Europe, where narrow streets make barricades easier to set up. Also when "changing the world" means changing your neighborhood, the chances of success are generally better.”</em><br />		
		<p>A group of frustrated neighbors in the Dutch city of Delft finally got fed up about autos speeding down their street. One night, they dragged old couches and tables into the middle of the road, strategically arranging them so that motorists could still pass—but only if they drove slowly. The police eventually arrived and had to admit that this scheme, although clearly illegal, was a good idea. Soon the city was installing its own devices to slow traffic, and the idea of traffic calming was born—an innovative solution now used across the globe to make streets safer.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.worldchanging.com/archives/008293.html">Changing the World One Block at a Time</a>," by Jay Walljasper, <a href="http://www.worldchanging.com/">WorldChanging</a>, 29 July 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Skyscrapers not to scale</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/skyscrapers_not_to_scale/" />
      <id>tag:culture-making.com,2008:author/9.581</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<b>Nate: </b><em>“Of course in this rendering, Asia -- where the real population-concentration action's happening -- is just a bunch of spikes on the horizon.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://blog.longnow.org/2008/07/13/data-globes/">post</a> by Alexander Ross, <a href="http://blog.longnow.org/">The Long Now Blog</a>, 13 July 2008</div><hr />		
		<p align="center"><a href="http://www.flickr.com/photos/arenamontanus/375127836/in/set-72157594509798466/"><img src="http://www.culture-making.com/media/375127836_24ef15f878_420.jpg"></a></p>
<p>I recently came across these amazing data driven globes from <a href="http://gecon.yale.edu/">Yale’s G-Econ group</a>.  The one above represents population density, but their tool allows for <a href="http://www.flickr.com/photos/arenamontanus/sets/72157594509798466/">all kinds of data to drive the topology</a> from average rainfall to distance from coastlines.
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    </entry>

    <entry>
      <title>Eighty percent of success &#8230;</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/eighty_percent_of_success/" />
      <id>tag:culture-making.com,2008:author/9.573</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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		<p>Eighty percent of success is showing up.
</p><br />
		<p><small>	&mdash;Woody Allen</small></p>

	
			
			
			
		
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    </entry>

    <entry>
      <title>Einstein’s day job</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/einsteins_day_job/" />
      <id>tag:culture-making.com,2008:author/9.549</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“We like to think that our greatest geniuses, especially those who came up with universal theories, operated at a plane removed from a particular cultural (and workaday) context. But in fact, the specifics always seem to play a role.”</em><br />		
		<p>It turns out that this business of the young Einstein’s immersion in questions of train time and clock accuracy was central to his entire development, and that of his theory. I doubt I am particularly unique in long having imagined Einstein’s day job at the Swiss patent office as something akin to Kafka’s, around the same time, in the railway (!) insurance bureaucracy over in Prague: mindless drudge work, something to help pay the bills while the real work of genius transpired late at night and around the margins. It turns out, though, that the central focus of Einstein’s work there at the patent office in Bern around the golden year of 1905-06 (perhaps not surprisingly so, Switzerland after all being famous for being the world’s center for clockmaking) were applications having to do with devices capable of ever more accurate timekeeping. ... [W]hat with his job at the patent office, the young Einstein may have been the world authority on cutting-edge practice and thinking in these regards. He would have been thinking about simultaneity all day long: and at night he just kept on thinking.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.newyorker.com/archive/1992/11/16/1992_11_16_098_TNY_CARDS_000362984">Magritte Standard Time</a>," by Lawrence Weschler, <a href="http://www.newyorker.com/"><i>The New Yorker</i></a>, 16 November 1992 :: collected in Weschler's <a href="http://store.mcsweeneys.net/index.cfm/fuseaction/catalog.detail/object_id/8DFDF415-5DAE-45D1-9A40-3A40B4E97DDF/EverythingThatRisesbrABookofConvergences.cfm"><i>Everything that Rises: A Book of Convergences</i></a>, McSweeney's Books, 2007</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Smash Song Hits by Rodgers &amp;amp; Hart, by Alex Steinweis</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/smash_song_hits_by_rodgers_hart_by_alex_steinweis/" />
      <id>tag:culture-making.com,2008:author/9.499</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Apparently this is the world's first album cover. Before this records came in generic paper sleeves. It's actually far less boring than I'd expect the first album cover to have been.”</em><br />		
		<a href="http://www.undependent.com/blog/2008/01/13/the-worlds-first-album-cover-alex-steinweiss-greatest-hit/"><img src="http://horizonsofthepossible.com/media/coversquare_thumb.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1"><i>Smash Song Hits,</i> cover design by Alex Steinweiss for Columbia Records, 1938, scan posted by <a href="http://www.undependent.com/blog/2008/01/13/the-worlds-first-album-cover-alex-steinweiss-greatest-hit/">Undependant</a> :: via <a href="http://www.kottke.org/remainder/08/07/15981.html">kottke</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Marry or be fired!</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/marry_or_be_fired/" />
      <id>tag:culture-making.com,2008:author/9.425</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A top-down approach to creating that basic unit of culture making: the family.”</em><br />		
		<p>A major Iranian state-owned company has told its single employees to get married by September or face losing their jobs, the press reported on Tuesday. “One of the economic entities in the south of the country has asked its single employees to start creating a family,” the hard-line <i>Kayhan</i> daily reported.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.mg.co.za/article/2008-06-10-marry-or-be-fired-iranian-state-firm-warns">Marry or be fired, Iranian state firm warns</a>", <a href="http://www.mg.co.za/">AFP - <i>Mail & Guardian</i></a> (South Africa), 10 June 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>The Butterfly Effect effect</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_butterfly_effect_effect/" />
      <id>tag:culture-making.com,2008:author/9.427</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A nice parable of unintended consequences.”</em><br />		
		<p>In the 2004 movie “The Butterfly Effect”  - we watched it so you don’t have to  - Ashton Kutcher travels back in time, altering his troubled childhood in order to influence the present, though with dismal results. In 1990’s “Havana,” Robert Redford, a math-wise gambler, tells Lena Olin, “A butterfly can flutter its wings over a flower in China and cause a hurricane in the Caribbean. They can even calculate the odds.”</p><p>Such borrowings of Lorenz’s idea might seem authoritative to unsuspecting viewers, but they share one major problem: They get his insight precisely backwards. The larger meaning of the butterfly effect is not that we can readily track such connections, but that we can’t. 
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</p><hr />
<div class="author" style="font-size: -1">www.boston.com</div>		

	
			
			
			
		
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