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    <title type="text">Culture Making items tagged business</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2009-01-07T16:07:34Z</updated>
    <rights>Copyright (c) 2009, Andy Crouch</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>Not just optimistic</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/not_just_optimistic/" />
      <id>tag:culture-making.com,2009:author/9.1144</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“As an über-blogger, Seth Godin gets a special hyperbole permit not available to the rest of us. But I totally agree. We are exiting the consumption era, where people defined themselves by what they consumed (and took whatever job would pay for it) and entering the era of culture making, where people define themselves by what they contribute to the world. And, by the way, we don't have to "imagine" what would happen if 5,000 investment bankers were to put their talents to doing something else . . . the long-overdue Great Deleveraging will ensure that happens. Not without pain, to be sure, but I, like Seth, am hopeful.”</em><br />		
		<p>Perhaps we&#8217;re on the verge at getting much better at making useful things, spreading ideas that matter and helping people, and not quite so good at leveraging capital for financial institutions. Imagine what would happen if 5,000 investment bankers or 500 M &amp; A lawyers put their talents to work doing something else&#8230;</p><p>As I look through all the notes and applications I received for the program I&#8217;m running next year, I&#8217;m not just optimistic. I&#8217;m thrilled. There must be hundreds of thousands of movers and shakers out there, people of all ages who are smart and get things done. And more and more, they&#8217;re being motivated by the quest, or the outcome, or the people they work with, not just the cash payout. It&#8217;s exciting beyond words. The ten people I&#8217;ve chosen are just astonishing, each and every one of them.</p><p>If you can&#8217;t find people like these, you&#8217;re not looking in the right places. And if you can&#8217;t figure out how to work with them, you&#8217;re missing out.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://sethgodin.typepad.com/seths_blog/2008/12/the-best-and-th.html">The best and the brightest</a>," by Seth Godin, <a href="http://sethgodin.typepad.com/">Seth's Blog</a>, 18 December 2008 :: via <a href="http://deetsjohn.blogspot.com/">Steve Johnson</a></div>		

	
			
			
			
		
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    <entry>
      <title>Copies</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/copies/" />
      <id>tag:culture-making.com,2009:author/9.1119</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“From a consistently wonderful blog of French signage. I particularly love the handcrafted nature of this particular duplication.”</em><br />		
		<a href="http://vernacular.free.fr/blog/index.php?2008/12/05/548-copies"><img src="http://culture-making.com/media/copies.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Copies," photo by <a href="http://vernacular.free.fr/blog/index.php?2008/12/05/548-copies">Jules Vernacular</a>, 5 December 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Wallpaper</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/wallpaper/" />
      <id>tag:culture-making.com,2009:author/9.1115</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Graffiti (whether the restroom kind or others) sits on this weird junction between creation and vandalism, between anonymity and community. In this particular case, something undertaken primarily to reduce business expenses wound up making a space not just for alternative cultural expression, but for better—and self-improving—forms of community: "the clerk also told me that the men had cleaned up their language quite a bit in five years. The tone of their scribbles had changed from gross and inappropriate to polite and sincere."”</em><br />		
		<p>During a long road trip between California and Missouri, I stumbled on a gas station on Interstate 40 in Adrian, Texas, that had come up with an ingenious way of protecting the walls of their restrooms. In an effort to reduce the number of times the restrooms needed to be painted, someone came up with the idea to tape sheets of butcher block paper to the walls. The sheets were inside every stall and on the walls in both the men and women’s restrooms. On the top of each piece of torn white paper was written “Please tell us about your trip”. What followed on every sheet  were stories about why people were traveling across the country. Some stories were sad, some were happy, some were angry. The whole gamut of emotions was posted on these sheets. (I wish I had a picture.)</p>
<p>The amazing thing was that the real white walls of the restroom were not defaced in any manner, not one piece of graffiti.  After asking at the checkout who came up with the idea, the clerk told me that, to clean up graffiti, the owners had been stuck with a painting the walls of the restrooms twice a year. Since they had put the butcher block paper up five years ago, they had never painted the restrooms.Yet they remained clean and sparkling white. Obviously, the management nudged the public for everyone’s benefit.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://nudges.wordpress.com/2008/12/08/the-best-use-for-butcher-block-paper-ever/">The best use for butcher block paper ever</a>," submitted by reader Margo Mueller, <a href="http://nudges.wordpress.com/2008/12/08/the-best-use-for-butcher-block-paper-ever/">Nudges blog</a>, 8 December 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The business of love</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_business_of_love/" />
      <id>tag:culture-making.com,2009:author/9.1109</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“A lovely and challenging essay from Makoto Fujimura on trout fishing, love, beauty—and business.”</em><br />		
		<p>[If Paul] is right [in 1 Corinthians 13], then all things or systems that work against the principle of love will fail eventually. Sacrificial love, in other words, is the only sustainable operating force in the universe. We can complain that we simply cannot accept the assumptions proposed here; but Christians should not be able to operate, if we do indeed believe these principles, in some halfway land, on one hand claiming to believe the ordinances, but also functionally accepting the worldly systems at work as the only reality.</p><p>The medium of beauty in a business world is the workers that make the businesses run. It’s not the stock options or profit. They comprise far more capacity, and far deeper longing and invigorated promise for future generations than the system gives them credit for. So the question is not whether they are paid enough, or given enough work: the question is, does the workplace enlarge humanity, or endanger humanity.</p><p>Thus, we need to see the market not just as a tool to make money, but a complex labyrinth with a generative creative order. In such an ecosystem, we need to consider investments as a form of stewardship. Conversely, we may redefine investments as a way to create and sustain beauty, rather than gain power for ourselves. And true beauty, at her truest aim, is a humble stream that flows through the heart of a city, re-humanizing its inhabitants, and allowing them to breathe in what would otherwise be unbearable air.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://makotofujimura.blogspot.com/2008/12/refractions-30-trout-dow-and-our-bottom.html">Trout, the Dow and our Bottom Lines</a>," by Makoto Fujimura, <a href="http://makotofujimura.blogspot.com/">Refractions</a>, 7 December 2008</div>		

	
			
			
			
		
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    <entry>
      <title>J. Donovan Storekeeper, Okarito, New Zealand</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/j_donovan_storekeeper_okarito_new_zealand/" />
      <id>tag:culture-making.com,2009:author/9.1108</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p align="center"><iframe width="420" height="240" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" src="http://maps.google.com/maps/sv?cbp=12,128.34395639286885,,0,5&amp;cbll=-43.2222,170.164844&amp;v=1&amp;panoid=&amp;gl=&amp;hl="></iframe>
</p><br />
<b>Nate: </b><em>“It's not the design of these Sunday-drive posts to simply be a litany of the worldwide march of Google Street View, but it does seem to turn out that way. This week I coincidentally started Keri Hulme's novel (and winner of the 1985 Booker Prize) <a href="http://books.google.com/books?id=g-cwXTn1o3EC&dq=the+bone+people+westland&source=gbs_summary_s&cad=0"><i>The Bone People</i></a> and discovered that GSV had finally reached the Antipodes, and I was thus able to get some sense of the novel's setting—and the town where the author lives—on the remote Westland coast of New Zealand's South Island. There I found this bit of local culture, an austere but well-labeled general store. The roadside forest outside town, meanwhile, is as ferny and wild-looking as one would hope and expect.”</em><br /><hr />
<span style="font-size: -1"></span>

	
			
			
			
		
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    <entry>
      <title>Eating grasshoppers has gotten so commercial</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/eating_grasshoppers_has_gotten_so_commercial/" />
      <id>tag:culture-making.com,2009:author/9.1030</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Here's some bracing local culture—and cultural change—for you. I first heard about the festive Ugandan grasshopper harvest and consumption from a just-returned biologist who'd done some fieldwork there. He reported that the hoppers, fried in their own fat, tasted like popcorn shrimp. In any case, here's a recent update from a blogger in Kampala.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://www.culture-making.com/media/IMG_1422_5_1_210.JPG" alt="image"></div>
<br />
<p>To those that have acquired the taste, nsenene is the object of undiluted greed for many Ugandans of all ages. A favourite joke is to tease a husband about finding himself on the receiving end of his pregnant wife’s tantrums if she asks for <i>nsenene</i> in the middle of the night, moreover on the wrong month.</p><p>During the month of <i>Musenene</i>, everyone was sure to get a mini harvest and neighbours would freely (maybe grudgingly too) share their catch.</p><p>Well, the romantic story of <i>nsenene</i> of old is no more. Today most of the grasshoppers that make the long trip from the Abyssinian heights end up at commercial harvesting rigs set up by ambitious greedy capitalists who have monopolized the catching of <i>nsenene</i>.</p><p>Weeks before the first insects are expected, building sites with top floors are booked and leased for the sole purpose of catching the most <i>nsenene</i> possible. The ‘combine harvesters’ consist of rows of huge barrels fitted with shiny new iron sheets and crudely wired light bulbs. The fluorescent lights bounce off the iron sheets, at once attracting and blinding the insects. When they hit the iron sheets the nsenene slide all the way down to the bottom of the barrel, literally. Security guards are hired to keep watch, and sometimes live electric cables are wired around the area to deter thieves. This way the monopolists lag home tonnes and tonnes of <i>nsenene</i>, and close out the ordinary people who used to get free ‘manna’ from heaven.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://onyamarks.blogspot.com/2008/11/nsenene-chronicle.html">A Nsenene Chronicle</a>," by Minty, <a href="http://onyamarks.blogspot.com/2008/11/nsenene-chronicle.html">Sunshine</a>, 2 November 2008 :: via <a href="http://globalvoicesonline.org/2008/11/08/uganda-locust-season-brings-crispy-treats/">Global Voices Online</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>An enterprise of world&#45;building</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/an_enterprise_of_world_building/" />
      <id>tag:culture-making.com,2009:author/9.990</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p align="center"><object width="420" height="340"><param name="movie" value="http://www.youtube.com/v/qgErv6M19yY&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/qgErv6M19yY&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="420" height="340"></embed></object>
</p><br />
<b>Nate: </b><em>“OK, so it's not exactly what Peter Berger had in mind when he said "All human society is an enterprise of world-building," but could I resist the charms of this video of the inside of a cardboard-globe factory? I could not. (A video about the manufacture of the clay globe that is the Culture Making logo would, presumably, be a bit simpler.)”</em><br /><hr /><span style="font-size: -1">from "<a href="http://science.discovery.com/video/index.html?playerId=1391584921&titleId=1533029184">Globes</a>," a segment on the Discovery Channel's <a href="http://science.discovery.com/video/index.html?playerId=1391584921&titleId=1533029184"><i>How It's Made</i></a> :: via <a href="http://www.kottke.org">kottke.org</a></span>

	
			
			
			
		
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    </entry>

    <entry>
      <title>The right number to watch</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_right_number_to_watch/" />
      <id>tag:culture-making.com,2009:author/9.957</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“I'm thinking about starting a series to track the little-known numbers and indices that provide a clearer picture of various aspects of our culture than the figures that make the headlines. Call it "the numbers that actually count." Sometime soon I'll explain why you should plug your ears and sing, "La la la, I'm not listening," when any politician talks about cutting "income taxes"—it's not income taxes but payroll taxes that take the biggest bite for many Americans, and any serious tax policy needs to treat the two together. In the meantime, here's another important number at the moment: not the overhyped Dow Jones Industrial Average, but the TED Spread, the blood pressure reading of the global economy. Recently it's been, um, a bit high.”</em><br />		
		<p>Generations of Americans have been trained to follow the Dow Jones Industrial Average for a quick snapshot of how the economy is performing or is expected to perform. There&#8217;s a lot that&#8217;s <a href="http://www.slate.com/id/2077785/">ill-advised</a> about that habit, but, most importantly, attending to the ups and downs in the Dow won&#8217;t tell you much about the current financial crisis. Ours is a crisis of credit: Financial firms are unwilling to lend to each other (at all-but-exorbitant rates) for fear that borrowing firms may fail or that they themselves may need the cash to fend off their own crisis.</p><p>Whereas the hourly fortunes of the Dow or any stock index are, at best, indirect reflections of this reluctance to lend, the <a href="http://www.econbrowser.com/archives/2008/09/understanding_t.html">TED Spread</a> measures credit conditions directly. Bloomberg tracks the TED Spread <a href="http://www.bloomberg.com/apps/quote?ticker=.TEDSP:IND">here</a>. What sounds like second-rate Nutella is actually the difference between the interest rate banks charge each other on three-month loans and the interest rate on three-month U.S. Treasury bills.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://tbm.thebigmoney.com/articles/explainer/2008/10/09/dont-watch-dow">Don't Watch the Dow</a>," by Brandon Fuller, <a href="http://tbm.thebigmoney.com/">The Big Money</a>, 9 October 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The afterlife of Gordon Gekko</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_afterlife_of_gordon_gekko/" />
      <id>tag:culture-making.com,2009:author/9.966</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“We can never really predict what the effects, and interpretations, of our cultural offerings will be in the long run, as the man who cowrote (with Oliver Stone) the iconic 1980s film <i>Wall Street</i> has had ample occasion to discover. Sometimes we're even remembered for the opposite of the point we were trying to convey. Every time I see the phrase "Orwellian" used, I feel a similar sort of empathetic pang for old anti-totalitarian George Orwell.”</em><br />		
		<p>Gekko’s character was written to create an engaging, charming, but deceitful and brutal being. I have nevertheless run into quite a number of younger people, who upon discovering that I co-wrote the film, wax rhapsodic about it . . . but often for the wrong reasons.</p><p>A typical example would be a business executive or a younger studio development person spouting something that goes like this: “The movie changed my life. Once I saw it I knew that I wanted to get into such and such business. I wanted to be like Gordon Gekko.”</p><p>The flattery is disarming and ego-stoking, but then neurons fire and alarm bells go off. “You have succeeded with this movie, but you’ve also failed. You gave these people hope to become greater asses than they may already be.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.latimes.com/entertainment/news/movies/la-ca-wallstreet5-2008oct05,0,478549.story">'Wall Street's' message was not 'Greed is Good'</a>," by Stanley Weiser, <a href="http://www.latimes.com/entertainment/news/movies/la-ca-wallstreet5-2008oct05,0,478549.story"><i>Los Angeles Times</i></a>, 5 October 2008 :: via <a href="http://ideas.blogs.nytimes.com/2008/10/19/the-moral-hazard-of-creating-gordon-gekko/">NYTimes Ideas blog</a></div>		

	
			
			
			
		
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    <entry>
      <title>Out of that came the Googles of the world &#8230;</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/out_of_that_came_the_googles_of_the_world/" />
      <id>tag:culture-making.com,2009:author/9.847</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Forty years old, but only four years in publication, the Whole Earth Catalog—and, more to point, the community of its creators and early followers—certainly ranks as one of the more surprising and far-reaching centers of culture-making in recent decades. Not that there isn't ample room for hyperbole in the "oral history" format (which itself seems so ... Whole-Earthy).”</em><br />		
		<p><b>John Perry Barlow:</b> Before the WEC came out, business was big and ugly. It was a kingdom of acronyms like IBM and GE. But Stewart saw sustainable small business as a virtue.</p><p><b>Lloyd Kahn:</b> This wasn’t business as usual. Backyard tool inventors are a real subculture, usually very apart from the mainstream. For these tool guys, the WEC wasn’t just their Bible; it was great advertising. I think we kept a lot of people in business over the years.</p><p><b>Kevin Kelly:</b> The WEC helped rid us of our allergy to commerce. Brand believed in capitalism, just not by traditional methods. He was the first person to embrace true financial transparency. His decision to disclose WEC’s finances in the pages of the catalog had a profound ripple effect. A lot of those hippies who dropped out and tried to live off the land decided to come back and start small companies because of it. And out of that came the Googles of the world.</p><p><b>Fred Turner:</b> The WEC set the stage for all of today’s social networks. This kind of collaborative communication and the emphasis on small-scale technology really hit home in early Silicon Valley. You have to remember that the first Xerox PARC [the Palo Alto Research Center, a division of Xerox credited with inventing laser printing and the Ethernet, among other things] library consisted of books selected from the WEC by computer guru Alan Kay.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.plentymag.com/magazine/the_whole_earth_effect.php?page=5">The Whole Earth Effect</a>," by Stephen Kotler, <a href="http://www.plentymag.com/magazine/the_whole_earth_effect.php?page=5"><i>Plenty Magazine</i></a>, October/November 2008 :: via <a href="http://www.boingboing.net/2008/09/15/oral-history-of-the.html">Boing Boing</a></div>		

	
			
			
			
		
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    <entry>
      <title>Dave Eggers, 826 Valencia, and the Once Upon a School challenge</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/dave_eggers_826_valencia_and_the_once_upon_a_school_challenge/" />
      <id>tag:culture-making.com,2009:author/9.780</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

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<b>Nate: </b><em>“The secret to creating a successful afterschool tutoring and writing program: a network of talented, passionate friends; lots of one-on-one attention; actually asking the public school teachers what they want for their students; and—of course—pirate supplies.”</em><br /><hr /><span style="font-size: -1">"<a href="http://www.ted.com/index.php/talks/dave_eggers_makes_his_ted_prize_wish_once_upon_a_school.html">Dave Eggers makes his TED Prize wish: Once Upon a School</a>" (2008), <a href="http://www.ted.com/">TED.com</a> :: via <a href="http://www.goodmagazine.com/section/Projects/project_012"><i>GOOD Magazine</i></a></span>

	
			
			
			
		
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    <entry>
      <title>Saudi salons: a brief history</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/saudi_salons_a_brief_history/" />
      <id>tag:culture-making.com,2009:author/9.778</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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			<b>Nate: </b><em>“Here's a fascinating explanation of how various cultural needs and strictures shaped the development of Saudi Arabian hair salons—which are descended from (and still named for) tailor's shops.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://saudiwoman.wordpress.com/2008/08/25/saudi-salons/">Saudiwoman's Weblog</a> post by Eman Al Nafjan, 25 August 2008 :: via <a href="http://globalvoicesonline.org/2008/08/27/saudi-arabia-the-history-of-salons/">Global Voices</a></div><hr />		
		<p>They are called <i>Mashghal</i>  in Arabic which literally means a working place, from the Arabic noun <i>shoogal</i> (work in general). This term was coined to refer to little shops where a group of usually Pakistani tailors make women dresses. About 30 years ago readymade women clothes were mostly unavailable to the general public and women drew designs on paper and took then to these tailor shops with fabric bought by the meter from areas similar to outdoor malls. For measurement, they would give the tailor a previously made dress that fits and he would use it as a measurement model. And that’s to avoid any physical contact between the tailor and the customer. I know now you’re wondering where did women get there first well measured dress and I too wonder.</p><p>These little tailor shops started to evolve into closed women shops where the tailors are women from the Philippines. The shops became bigger and the décor slightly better. However these women only shops are pricier, so the male version stuck around. The women <i>mashghal</i> started to quickly expand into the beauty salon business. So a women could go get her hair done and have a dress made at the same time. But when Al Eissaee, a big name in the fabric import business, started  to also bring in quality readymade clothes, he started a huge trend that snowballed into our current mega malls. This in turn affected the tailor business for both the male and female shops. The male mostly went out of business except for a lucky few and the female shops concentrated more on the beauty salon side of the business, so much so that some even closed the dress making side. But for some unexplainable reason they are still called a <i>mashghal</i>  even on official ministry of commerce licensing papers.
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    <entry>
      <title>The real thing?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_real_thing/" />
      <id>tag:culture-making.com,2009:author/9.619</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

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			<b>Nate: </b><em>“Here's one of those just-now-roving-across-the-web good ideas that are so simple they just might work. Or, I guess, they could be so simple they won't work after all. Well, here's hoping.”</em><br />
<div class="author" style="font-size: -1">from <a href="http://www.colalife.org/">ColaLife.org</a>, 8 August 2008</div><hr />		
		<p>Our idea is that Coca-Cola could use their distribution channels (which are amazing in developing countries) to distribute rehydration salts to the people that need them desperately. Maybe by dedicating one compartment in every 10 crates as ‘the life saving’ compartment?</p>
<p>
<a href="http://www.colalife.org/about">Find out more</a></p>
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    </entry>

    <entry>
      <title>Warren Buffet makes $1 million Long Bet</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/warren_buffet_makes_1_million_long_bet/" />
      <id>tag:culture-making.com,2009:author/9.429</id>
      <published>2009-01-07T10:50:34Z</published>
      <updated>2009-01-07T16:07:34Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Culture-predicting = Culture-Making?”</em><br />		
		<p>Kevin Kelly says:<blockquote><p>  Warren Buffett recently bet an ambitious hedge fund operator $1 million that they won&#8217;t beat the returns of S&amp;P 500 after their extremely hefty fees are accounted for. Buffett claims investors will do as well with a no-load index fund over the ten years of the bet. He has long been critical of the performance claims of hedge funds, and his bet is intended to put his money where his mouth is.<p>Buffett’s million dollar bet was made on Long Bets, the accountability mechanism founded in 2002 by Stewart Brand and myself, and operated by Long Now Foundation. The intention of Long Bets is to encourage responsibility in prediction-making (by keeping a public roster of predictions), to encourage long-term thinking (by offering a opportunity to shape a long-term bet), and to sharpen the logic of forecasting (by recording the logic of predictions and bets.)</p><p>In order to make a Long Bet, bettors need to lay out their reasoning. It’s worth reading the two sides’ very short arguments about investing because the two extremes of investment advice are contrasted in them. Buffett, as usual, is stunningly clear in his argument, which ends:</p><blockquote><p>A number of smart people are involved in running hedge funds. But to a great extent their efforts are self-neutralizing, and their IQ will not overcome the costs they impose on investors. Investors, on average and over time, will do better with a low-cost index fund than with a group of funds of funds.</p></blockquote></blockquote><a href="http://kk.org/ct2/2008/06/the-million-dollar-long-bet.php">Link</a><br style="clear:both"><img alt="" style="border:0pt none;height:1px;width:1px" src="http://www.pheedo.com/img.phdo?i=06acce45bbe9323a37c30df2bef2dbf8" border="0" height="1" width="1"><img src="http://www.pheedo.com/feeds/tracker.php?i=06acce45bbe9323a37c30df2bef2dbf8" alt="" border="0" height="1" width="1"><p><a href="http://feeds.boingboing.net/~a/boingboing/iBag?a=WeR4vS"><img src="http://feeds.boingboing.net/~a/boingboing/iBag?i=WeR4vS" border="0"></a></p><img src="http://feeds.boingboing.net/~r/boingboing/iBag/~4/308171010" height="1" width="1">
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<div class="author" style="font-size: -1">a <a href="http://feeds.boingboing.net/~r/boingboing/iBag/~3/308171010/warren-buffet-make-1.html">Boing Boing</a> post by Mark Frauenfelder, 9 June 2008</div>		

	
			
			
			
		
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