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    <title type="text">Culture Making items tagged animals</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
    <link rel="alternate" type="text/html" href="http://www.culture-making.com/author/" />
    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2009-01-07T20:43:49Z</updated>
    <rights>Copyright (c) 2009, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2009:01:07</id>


    <entry>
      <title>Culture&#45;making, underwater edition!</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/culture_making_underwater_edition/" />
      <id>tag:culture-making.com,2009:author/9.1201</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“What happens when you team what are arguably the cutest marine vertebrate and invertebrate, respectively? A fascinating, not to mention fun-to-read-about example of non-human culture-making and -keeping.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/913_thumbnail.gif" alt="image"></div><p>Tool use is rare in wild animals, but of widespread interest because of its relationship to animal cognition, social learning and culture. Despite such attention, quantifying the costs and benefits of tool use has been difficult, largely because <i>if</i> tool use occurs, all population members typically exhibit the behavior. In Shark Bay, Australia, only a subset of the bottlenose dolphin population uses marine sponges as tools, providing an opportunity to assess both proximate and ultimate costs and benefits and document patterns of transmission. We compared sponge-carrying (sponger) females to non-sponge-carrying (non-sponger) females and show that spongers were more solitary, spent more time in deep water channel habitats, dived for longer durations, and devoted more time to foraging than non-spongers; and, even with these potential proximate costs, calving success of sponger females was not significantly different from non-spongers. We also show a clear female-bias in the ontogeny of sponging. With a solitary lifestyle, specialization, and high foraging demands, spongers used tools more than any non-human animal. We suggest that the ecological, social, and developmental mechanisms involved likely (1) help explain the high intrapopulation variation in female behaviour, (2) indicate tradeoffs (e.g., time allocation) between ecological and social factors and, (3) constrain the spread of this innovation to primarily vertical transmission.
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0003868">Why Do Dolphins Carry Sponges?</a>" (article abstract), by Janet Mann, Brooke L. Sargeant, Jana J. Watson-Capps, Quincy A. Gibson, Michael R. Heithaus, Richard C. Connor, and Eric Patterson, <a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0003868">PLoS ONE</a>, 10 December 2008 :: via <a href="http://www.veryshortlist.com/science/daily.cfm/review/913/Other_print_publication/why-do-dolphins-carry-sponges/?tp">VSL: Science</a></div>		

	
			
			
			
		
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    <entry>
      <title>AsLOLn</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/asloln/" />
      <id>tag:culture-making.com,2009:author/9.1148</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“So I made this myself, but since this is apparently LOLCat and Narnia week on this blog, why not combine themes?”</em><br />		
		<a href="http://mine.icanhascheezburger.com/view.aspx?ciid=2912223"><img src="http://culture-making.com/media/128741041406899293.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1"><a href="http://mine.icanhascheezburger.com/view.aspx?ciid=2912223">I Can Has Cheezburger?</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>LOLCat&#45;tharsis</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/lolcat_tharsis/" />
      <id>tag:culture-making.com,2009:author/9.1147</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“Wait, the dogs in New Yorker cartoons aren't just dogs that have gotten smart by reading the New Yorker?”</em><br />
<div class="author" style="font-size: -1">"<a href="http://ideas.blogs.nytimes.com/2008/11/17/the-tragedy-of-the-lolcats/">The Tragedy of the LOLcats</a>," a <a href="http://ideas.blogs.nytimes.com/2008/11/17/the-tragedy-of-the-lolcats/">NYTimes.com Ideas Blog</a> post, 17 November 2008</div><hr />		
		<p><b>Internet |</b> The meaning of LOLcats, <a href="http://www.salon.com/mwt/feature/2008/11/15/pathos_lolcats/index.html">explained</a> by a Psychology Today editor: “Just as the dogs in the New Yorker cartoons don’t represent actual dogs, these cats don’t represent cats at all, but people. By using cats, <a href="http://icanhascheezburger.com/">icanhascheezburger</a> can access themes more tragic and poignant than it could using people.”  [<a href="http://www.salon.com/mwt/feature/2008/11/15/pathos_lolcats/index.html">Salon</a>]
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    <entry>
      <title>Chicken à la Queens</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/chicken_a_la_queens/" />
      <id>tag:culture-making.com,2009:author/9.1087</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A neighborhood halal poultry store inadvertently serves a surprising intersection of communities.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/30HALA.LARGE_210.jpg" alt="image"></div><p>“This is the same chicken we have on the island,” Ms. Pierre said. “When my mother would make the chicken for dinner, I was right there at her feet helping her. Everything I learned to cook, I learned from her in Haiti.” To her surprise, she has found a taste of home and the perfect chicken at the Halal Live Meat and Poultry Market, a short bus ride from her house.</p><p>Muhammad Ali, the 41-year-old Bangladeshi owner of the market, is happy that Ms. Pierre is happy, even if it was never his intention to provide the ingredients for a homey Haitian dish. When he opened Halal Live two years ago, after deciding to forgo a doctorate in international politics, his only goal was to provide the mainly Pakistani Muslim community in the area with meat slaughtered under the traditions set forth in the Koran. Drawn to this bustling corner of Archer Avenue and 168th Street because of the pedestrian traffic — three buses stop outside his door — he had no idea that he would end up with such a polyglot clientele.</p><p> “I would say 50 percent of our business comes from people I never expected to come here,” said Mr. Ali, a shy, small-framed man, talking over the squawks of poultry and the chatter of customers. Among those who are keeping business booming are a Nigerian exchange student heading home from biology class at York College, a Salvadoran mango vendor who stops there after working the sidewalks of Jamaica Avenue, and Orthodox Jews who come accompanied by a shochet, a person trained to slaughter animals according to kosher ritual.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/11/30/nyregion/thecity/30hala.html?partner=permalink&exprod=permalink">In Queens, the Chicken Crossroads of the World</a>," article and photos by Greg Emerson Bocquet, <a href="http://www.nytimes.com/2008/11/30/nyregion/thecity/30hala.html?partner=permalink&exprod=permalink">NYTimes.com</a>, 28 November 2008 :: via <a href="http://delicious.com/amaah">Koranteng</a></div>		

	
			
			
			
		
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    <entry>
      <title>Wild Turkey, by John James Audubon</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/wild_turkey_by_john_james_audubon/" />
      <id>tag:culture-making.com,2009:author/9.1081</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Before Audubon could paint any of his famous North American birds, he had to shoot them first. At least with the case of this one, such "destruction for the sake of preservation" seems a little less tragic, or at least more tasty.”</em><br />		
		<a href="http://www.mass.gov/lib/collections/dc/Audubon/Wild_Turkey.htm"><img src="http://culture-making.com/media/Audubon_Wild_Turkey_Large.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.mass.gov/lib/collections/dc/Audubon/Wild_Turkey.htm"> Wild Turkey</a>," by John James Audubon, 1830 :: via <a href="http://www.mass.gov/lib/collections/dc/Audubon/Wild_Turkey.htm">The State Library of Massachusetts</a></div>		

	
			
			
			
		
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    <entry>
      <title>Necessity &gt; custom &gt; obligation &gt; institution</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/necessity_custom_obligation_institution/" />
      <id>tag:culture-making.com,2009:author/9.970</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“One man's dedicated quest to alter the horizons of the possible in his home region. I like his description of how the project (or how he and his neighbors saw it) changed over time.”</em><br />		
		<p align=center><img src="http://culture-making.com/media/20burro01-600.jpg" alt="biblioburro"></p><p>In a ritual repeated nearly every weekend for the past decade here in Colombia’s war-weary Caribbean hinterland, Luis Soriano gathered his two donkeys, Alfa and Beto, in front of his home on a recent Saturday afternoon. Sweating already under the unforgiving sun, he strapped pouches with the word “Biblioburro” painted in blue letters to the donkeys’ backs and loaded them with an eclectic cargo of books destined for people living in the small villages beyond. His choices included “Anaconda,” the animal fable by the Uruguayan writer Horacio Quiroga that evokes Kipling’s “Jungle Book”; some Time-Life picture books (on Scandinavia, Japan and the Antilles); and the Dictionary of the Royal Academy of the Spanish Language.</p><p>“I started out with 70 books, and now I have a collection of more than 4,800,” said Mr. Soriano, 36, a primary school teacher who lives in a small house here with his wife and three children, with books piled to the ceilings. “This began as a necessity; then it became an obligation; and after that a custom,” he explained, squinting at the hills undulating into the horizon. “Now,” he said, “it is an institution.”</p><p> A whimsical riff on the bookmobile, Mr. Soriano’s Biblioburro is a small institution: one man and two donkeys. He created it out of the simple belief that the act of taking books to people who do not have them can somehow improve  this impoverished region, and perhaps Colombia.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/10/20/world/americas/20burro.html?_r=1&sq=biblioburro&st=cse&oref=slogin&scp=1&pagewanted=print">Acclaimed Colombian Institution Has 4,800 Books and 10 Legs</a>," by Simon Romero, photo by Scott Dalton, <a href="http://www.nytimes.com/2008/10/20/world/americas/20burro.html?_r=1&sq=biblioburro&st=cse&oref=slogin&scp=1&pagewanted=print"><i>The New York Times</i></a>, 19 October 2008 :: via <a href="http://www.boston.com/bostonglobe/ideas/brainiac/2008/10/bookmobile_meet.html">Brainiac</a></div>		

	
			
			
			
		
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    <entry>
      <title>Gilgamesh for apes</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/gilgamesh_for_apes/" />
      <id>tag:culture-making.com,2009:author/9.909</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I love studies of animal language precisely because, of course, they're generally really just as much about human language and culture. The generous, absurd gesture of translating a Babylonian epic into ape-ish just underscores the point.”</em><br />		
		<p>There’s been <a href="http://www.timesonline.co.uk/tol/news/world/article720546.ece">increased interest</a> lately in monkey languages after discoveries were made about how putty-nosed monkeys combine sounds to create a basic syntax:</p>
<p>* Hack-hack-hack-hack: “There’s an eagle over there!”
<br />
* Pyow-hack-hack-pyow-pyow-pyow: “I’ve seen a leopard, let’s move away!”
<br />
* Hack-hack-hack-pyow-hack-hack-hack-hack-hack “There’s an eagle over there, let’s move away!”</p>
<p>But research at the <a href="http://www.greatapetrust.org/">Great Ape Trust</a> using the sign language <a href="http://en.wikipedia.org/wiki/Yerkish">Yerkish</a> reveals the primates are capable of far more linguistic sophistication. <a href="http://socialfiction.org/index.php">Primate Poetics</a> sets out a manifesto to enrich this new language, starting, ambitiously, with a translation of the epic Gilgamesh:</p>
<p>“We will learn Yerkish.
<br />
We will translate human literature into Yerkish. 
<br />
We will invent words, word-tricks, word-jokes, word-games to show the apes new ways of using (their) language.
<br />
We will become knowledgeable and original enough to be invited by the researchers of the Great Ape Trust to read our Yerkish translation of Gilgamesh to Kanzi, Panbanisha and all the others.</p>
<p>“We are not here to compare and to compete with the ape but to appreciate its language for its own beauty. This is emphatically not about some lone genius monkey penning the Great Primate Novel.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.fedbybirds.com/2008/09/poetry_for_primates.html">Poetry for Primates</a>," <a href="http://www.fedbybirds.com/">Fed by Birds</a>, 20 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Super Kingdom by London Fieldworks</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/super_kingdom_by_london_fieldworks/" />
      <id>tag:culture-making.com,2009:author/9.897</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“From a series of site-specific "show homes" inspired by the hibernation patterns of local animals. "Amazing birdhouses" doesn't quite seem to capture it all, but I think it might be roughly accurate. For me the symbolic resonances that jumped out from this particular image were: the Tower of Babel and Noah's Ark—or, come to think of it—a cross between the Garden of Eden and the New Jerusalem.”</em><br />		
		<a href="http://www.designboom.com/weblog/cat/8/view/4034/super-kingdom-by-london-fieldworks-update.html"><img src="http://culture-making.com/media/sv1.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.designboom.com/weblog/cat/8/view/4034/super-kingdom-by-london-fieldworks-update.html">Super Kingdom</a>," by <a href="http://www.londonfieldworks.com/">London Fieldworks</a> (Bruce Gilchrist and Jo Joelson), opened 21 September 2008 at Stour Valley Arts in Kent, England :: via <a href="http://www.designboom.com/weblog/cat/8/view/4034/super-kingdom-by-london-fieldworks-update.html">designboom</a></div>		

	
			
			
			
		
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    <entry>
      <title>Nepal Horse Book</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/nepal_horse_book/" />
      <id>tag:culture-making.com,2009:author/9.892</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I love the possibility left by the fourth, blank quadrant, especially if you buck tradition and read it like the page of a comic book. Up till now, my sole bit of horse-related Nepal trivia was that there's a remote valley in the west called Mustang, whose familiar name is entirely a linguistic coincidence but still evocative—I picture a Shangri-La of Fords and horses.”</em><br />		
		<a href="http://bibliodyssey.blogspot.com/2008/09/nepal-horse-book.html"><img src="http://culture-making.com/media/2898764521_0bb5aa2c7d.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">A page from the "<a href="http://www.kb.dk/da/nb/samling/os/fjernost/nepal122">Nepal Horse Book</a>," date unspecified, from the Oriental art collection of Copenhagen's Royal Library :: via <a href="http://bibliodyssey.blogspot.com/2008/09/nepal-horse-book.html">BibliOdyssey</a></div>		

	
			
			
			
		
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    <entry>
      <title>Cultural Relativism: Animal Noises Edition</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/cultural_relativism_animal_noises_edition/" />
      <id>tag:culture-making.com,2009:author/9.871</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
<div class="author" style="font-size: -1">a <a href="http://www.good.is/?p=12109">GOOD</a> post by Andrew Price, 22 September 2008</div><hr />		
		<div style="float:right; margin:15px 5px 5px 5px"><img src="http://culture-making.com/media/1222113518-frogs_210.jpg" alt="Frogs"></div><p>Bzzzpeek is an engaging little website that’ll play you clips of kids from various different countries making the sounds they think dogs, lions, and other common animals make. There seems to be very little disagreement across cultures about what cats say. Frogs, however, are another story entirely. And fair enough: the American “ribbit” is a pretty strange set of syllables to assign to frog noises. <a href="http://www.flat33.com/bzzzpeek/index1.html#" target="_blank">See bzzzpeek here</a>. Via <a href="http://www.veryshortlist.com/vsl/daily.cfm/review/624/Website/bzzzpeek/?tp" target="_blank">VSL</a>.
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    <entry>
      <title>Wooden whales</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/wooden_whales/" />
      <id>tag:culture-making.com,2009:author/9.810</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“I simply liked these whales in shades of wood (provenance unknown—but isn't that the way with whales?), combining both a handmade/natural and graphic-design aesthetic. And these lines I read yesterday in the <i>Literary Review</i>, from a piece on Philip Hoare's <a href="http://www.amazon.com/Leviathan-Philip-Hoare/dp/0007230133"><i>Leviathan, or, The Whale</i></a>: "Right now, as you read this, whale oil lubricates the Hubble Space Telescope, 'while the Voyager probe spins into infinity playing the song of the humpback to greet any friendly aliens—who may wonder at our treatment of the species with which we share our planet.'"”</em><br />		
		<a href="http://ffffound.com/image/4616ca44511cd42021fe4f5377614b07d98cd58a"><img src="http://culture-making.com/media/4616ca44511cd42021fe4f5377614b07d98cd58a_m.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">via <a href="http://ffffound.com/image/4616ca44511cd42021fe4f5377614b07d98cd58a">FFFFOUND!</a></div>		

	
			
			
			
		
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    <entry>
      <title>The encyclopedia of life</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_encyclopedia_of_life/" />
      <id>tag:culture-making.com,2009:author/9.772</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“As Stephen Webb observes in this short but substantive commentary, "the status of taxonomy is pretty low. . . . Why be content to describe the world when you can develop theories to explain it and, better yet, change it?" Yet being able to name and order the world is one of our distinctively human qualities. The Encyclopedia of Life is an invitation to cultivation, and to contemplation.”</em><br />		
		<p>Far from being an ancient myth with no contemporary relevance, the story of Adam’s task has inspired and shaped human endeavor throughout the centuries. Modern science got its start in the golden age of exploration, when collectors began cataloging exotic plants and animals in the hope of restoring Adam’s complete knowledge of the world. Some sixteenth-century scholars, like Benito Montano (1527–1598), gave Hebrew names to the places Columbus discovered, because they assumed that the Bible must contain all the words we need to understand the New World. Others realized that there were more things to know and to be named than they ever imagined. Francis Bacon exhorted gentlemen of means to build gardens “with rooms to stable in all rare beasts and to cage in all rare birds . . . so you may have in small compass a model of the universal nature made private.” Adam’s sin, Christians believed, not only expelled the first couple from the Garden. Plants and animals too had been dispersed, but now scholars could imagine a return to paradise by achieving universal knowledge.</p><p>If God were to bring all the animals before man today, the line would be too long. This scene could only take place on the computer, which is exactly what the new <em>Encyclopedia of Life</em> proposes. This remarkable project aims to gather descriptions of every species known to science on a single website. Harvard biologist Edward O. Wilson has been the driving force behind the <em>Encyclopedia</em>, and his enthusiasm for it is unbounded. “It’s going to have everything known on it,” he said, “and everything new is going to be added as we go along.” Nearly two million species are known, but scientists estimate that ten times that many are yet to be discovered. Most of these unknown species are bacteria, fungi, and insects. We can name them because we know, or want to know, everything about them.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.firstthings.com/onthesquare/?p=1154">Completing Adam’s Task</a>," by Stephen H. Webb, <a href="http://www.firstthings.com/onthesquare/">FIRST THINGS: On the Square</a>, 27 August 2008 :: via <a href="http://ayjay.tumblr.com/">Alan Jacobs</a></div>		

	
			
			
			
		
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    <entry>
      <title>Your church home on the range</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/your_church_home_on_the_range/" />
      <id>tag:culture-making.com,2009:author/9.603</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Well since the first setting for worshiping Jesus involved a stable and a manger, why not?”</em><br />		
		<p>At least 600 cowboy churches are scattered across the U.S., according to leaders in the movement and published accounts. In central and southern Illinois, an estimated two dozen congregations meet in barns and arenas, on the dusty trails and in churches—some decorated with Western memorabilia.</p><p>
Some evangelical Christians have questioned whether the churches only offer gimmicks and fail to provide a meaningful spiritual experience.</p><p>
But pastors and churchgoers said their services are divinely inspired. Like the suburban megachurches that beckon teenagers with gospel-themed rap and rock music, cowboy sanctuaries promote country-western worship while seeking to attract those who find traditional rural church settings unattractive.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.chicagotribune.com/features/religion/chi-cowboy-church-04-aug04,0,1328205.story">Where prayers come with a twang</a>," by E.A. Torriero, <a href="http://www.chicagotribune.com/"><i>Chicago Tribune</i></a>, 4 August 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Who’s a good dog?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/whos_a_good_dog/" />
      <id>tag:culture-making.com,2009:author/9.590</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“This was the top graphical item on today's LA Times website. A little disturbing that something so fluffy is the main news. But it's undeniably fascinating ... and, of course, undeniably cultural.”</em><br />		
		<p>The most common dogs in L.A. County (by number of registrations)</p>
<p>1. Chihuahua named Princess (1,262)
<br />
2. Chihuahua named Chiquita (1,138)
<br />
3. German Shepherd named Lucky (862)
<br />
4. Chihuahua named Lucky (819)
<br />
5. German Shepherd named Max (784)
</p><hr />
<div class="author" style="font-size: -1">from <a href="http://projects.latimes.com/dogs/">LA's Top Dogs</a>, <a href="http://latimes.com/"><i>Los Angeles Times</i></a>, 31 Aug 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Victorian leeches to the rescue!</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/victorian_leeches_to_the_rescue/" />
      <id>tag:culture-making.com,2009:author/9.571</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“I have to admit half the fun in the article are a couple of easy-for-Americans misreads that (erroneously) place the action in the late 19th century. But it's also pleasing to see the old debunked medical "superstitions" rebunked now and again.”</em><br />
<div class="author" style="font-size: -1">a <a href="http://3quarksdaily.blogs.com/3quarksdaily/2008/07/little-suckers.html">3quarksdaily</a> post by Abbas Raza, 26 July 2008</div><hr />		
		<p>Kate Benson in the <em>Sydney Morning Herald</em>:</p><blockquote dir="ltr"><p>When Mehdi Jaffari was told his left carotid artery was so severely blocked he faced the risk of an imminent stroke, he turned the clock back to medieval times.</p>

<p>The 52-year-old counsellor, from Chatswood, bought more than 35 leeches from a Victorian farmer and applied them to his body daily. Within five days, a CT angiogram showed the artery had cleared, stunning staff at Royal North Shore Hospital and his family.</p>

<p>Leech therapy, first documented in Greece more than 4000 years ago, is not new in Sydney. More than 50 <em>Richardsonianus australis</em> leeches are kept in a tank at Liverpool Hospital for use on patients who have had skin grafts or severed digits because their saliva contains hirudin, a chemical that acts as a powerful anticoagulant and vasodilator.</p></blockquote><p dir="ltr">More <a target="_blank" href="http://www.smh.com.au/news/health/little-suckers-clear-the-path-to-the-brain/2008/07/25/1216492732923.html">here</a>.  [Thanks to Susan Anthony.]
</p>
		

	
			
			
			
		
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    <entry>
      <title>Would I be making a stronger statement with willow?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/would_i_be_making_a_stronger_statement_with_willow/" />
      <id>tag:culture-making.com,2009:author/9.506</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Real artists ship, dam it!”</em><br />		
		<p>Messner has already overthought and razed two dams this season alone. He dismissed the proportions of the first as “aesthetically dysfunctional,” and the second was built out of cottonwood, which he called “a mistake.” But, according to Messner, the latter experience got him thinking about different woods in ways he had never considered.</p>

<p>“What woods are the sturdiest, or the most visually pleasing?” Messner said. “What does a birch dam say? Everyone seems to love sugar maple, but it’s such an overfamiliar scrub tree. Would I be making a stronger statement with willow? I don’t want this to be one of those generic McDams.”</p>

<p>“What do I have to say—as a beaver and as an artist?” he added. </p>

<p>After much thought, Messner decided to reconstruct the anterior section of the dam with poplar wood on Tuesday, after he finished “highly necessary” preparatory work chewing the branches into uniform-sized interlocking sticks. Yet such tasks struck fellow lodge members as excessive. </p>

<p>“Get to work, get to work, build the dam, build the dam,” Cyril Kyree said as he dragged a number of logs into the shallow lick of river where the rest of the lodge has built their nests. “Chew-chew-chew. Need a mate. Build the dam.” 

</p><hr />
<div class="author" style="font-size: -1">from ”<a href="http://www.theonion.com/content/news/beaver_overthinking_dam">Beaver Overthinking Dam</a>”, <a href="http://www.theonion.com/"><i>The Onion</i></a>, 19 April 2006 :: via <a href="http://www.3quarksdaily.com/">3quarksdaily</a></div>		

	
			
			
			
		
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    <entry>
      <title>Robot pets vs. bio pets</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/robot_pets_vs_bio_pets/" />
      <id>tag:culture-making.com,2009:author/9.445</id>
      <published>2009-01-07T15:43:49Z</published>
      <updated>2009-01-07T20:43:49Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
<div class="author" style="font-size: -1">a <a href="http://feeds.boingboing.net/~r/boingboing/iBag/~3/309758909/wall-street-journal-1.html">Boing Boing</a> post by David Pescovitz, 11 June 2008</div><hr />		
		<p>We’ve posted previously about the turfwars that can develop between pets and home robots. Today’s Wall Street Journal surveys the battleground in a feature titled “When Dogs and Robots Collide, Somebody Needs A Talking To.” From the WSJ:<blockquote><p>According to Daphna Nachminovitch of People for the Ethical Treatment of Animals, or PETA, introducing robots into a pet household should be done with care. “There’s no way to explain to them that this is not a threat,” she says...<br><br>Sympathetic owners sometimes just retire their new purchases. In other cases, the pets take matters into their own paws. Peter Haney, a university administrator in Lethbridge, Alberta, twice found his Roomba in pieces after letting it clean while his flat-coated retrievers, Macleod and Tima, had the run of the house. “No one is talking,” he says...<br><br>“It comes up constantly,” says Nancy Dussault Smith, a spokeswoman for iRobot Corp., in Bedford, Mass., which makes the Roomba. “Dogs, cats, all animals, they have their own personalities, so they all react differently to the robots.”<br><br>IRobot tested its Roomba designs with pets, she added, incorporating safety measures in the motorized disc-shaped cleaner such as automatic deactivation when it is flipped over or sat on.</p></blockquote>
		

	
			
			
			
		
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