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    <title type="text">Culture Making Articles items tagged animals</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>The lion and the mouse</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_lion_and_the_mouse" />
      <id>tag:culture-makers.com,2025:author/1.1798</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Christy: </b><em>?Last month the author and artist <a href="http://www.jerrypinkneystudio.com/">Jerry Pinkney</a> was awarded the highest honor for an illustrator of children's books: the <a href="http://www.ala.org/ala/mgrps/divs/alsc/awardsgrants/bookmedia/caldecottmedal/caldecottmedal.cfm">Caldecott Medal</a>. His wordless retelling of the classic Aesop fable, <a href="http://www.amazon.com/Lion-Mouse-Jerry-Pinkney/dp/0316013560/cmcom-20">The Lion and the Mouse</a>, contains stunningly beautiful renderings of this heartwarming story, set in the African Serengeti, that reminds young and old alike that no act of kindness is ever wasted. <a href="http://www.hachettebookgroup.com/_swf/hbgusa_lightwindowFlvPlayer.swf?quickStart=true&swfPath=/_swf/hbgusa_lightwindowFlvPlayer.swf&flvPath=/_swf/video/lbyr/hbg_jpinkney_master.flv&titleCard=&">In this video</a> he invites us into his studio to get a bit of background on this remarkable work of art.?</em><br />
		
		<a href="http://www.hachettebookgroup.com/_swf/hbgusa_lightwindowFlvPlayer.swf?quickStart=true&swfPath=/_swf/hbgusa_lightwindowFlvPlayer.swf&flvPath=/_swf/video/lbyr/hbg_jpinkney_master.flv&titleCard=&"><img src="http://culture-making.com/media/lionmouse.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">from <i><a href="60/cmcom-20">The Lion and the Mouse</a></i>, by Jerry Pinkney, 2010</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Indian schoolroom posters</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/indian_schoolroom_posters" />
      <id>tag:culture-makers.com,2025:author/1.1786</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?Some of my favorite souvenirs from India are posters for schoolchildren of the sort sold in bookshops and street-side newsstands. They're always approachable and informative (you know, for kids!) and in me at least inspire lots of far-reaching thoughts about culture and categories. When you have an outsider's vantage, it's easier to notice the whims of taxonomy: why display this sort of thing, and not that one. The odd notes always seem most resonant and mysterious: is the strange language and selection a product of shoddy research (<a href="http://ibdmaphouse.com/PhotoZoom.aspx?PCode=89">Types of Rocks</a>: Volcanic, Metamorphic, Sedimentary, Igneous, Layerd, Sharp, Small, Big, Smooth), or a sign that the obvious groupings don't always hold up across cultures??</em><br />
		
		<a href="http://ibdmaphouse.com/Catalog_I.aspx?GPID=2&GrpName;=&SGPID=1&SubGrpName=10 X 14 INCH CHARTS"><img src="http://culture-making.com/media/maphouse.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">Newsprint and laminated schoolroom posters, 2–50 Rupees each, from the vast semi-online catalog of <a href="http://ibdmaphouse.com/Catalog_I.aspx?GPID=2&GrpName;=&SGPID=1&SubGrpName=10 X 14 INCH CHARTS">Indian Book Depot (Map House)</a>, New Delhi, India :: via <a href="http://www.thingsmagazine.net/">things magazine</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Always in the Season, by Pomplamoose</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/always_in_the_season_by_pomplamoose" />
      <id>tag:culture-makers.com,2025:author/1.1766</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<p align="center"><object width="420" height="340"><param name="movie" value="http://www.youtube.com/v/Il-OFaFzHQM&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;hl=en_US&amp;feature=player_embedded&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowScriptAccess" value="always"></param><embed src="http://www.youtube.com/v/Il-OFaFzHQM&amp;rel=0&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;hl=en_US&amp;feature=player_embedded&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="420" height="340"></embed></object></p><br />
<b>Nate: </b><em>?Some lovely seasonal bedroom big-band from Pomplamoose, the guy-and-girl duo Andy's <a href="http://www.culture-making.com/post/beyond_beyonce">written about before</a>. The video's show-it-all style is as winsome as usual. As a bonus, once the song ends Jack and Nataly break out of their deadpan to offer an off-the-cuff promotion of the <a href="http://donate.worldvision.org/OA_HTML/xxwv2ibeCCtpSctDspRte.jsp?section=10375">World Vision gift catalog</a> (which Andy's also <a href="http://www.culture-making.com/post/goat_75">posted about</a>). If you make a gift and email Pomplamoose your receipt, you get an mp3 of this song plus a bonus track.?</em><br />
<hr /><span style="font-size: -1">from "<a href="http://www.youtube.com/user/PomplamooseMusic#p/u/0/Il-OFaFzHQM">Always in the Season</a>," by Pomplamoose, 2009 :: via <a href="http://www.boingboing.net/2009/12/18/agnostic-christmas-c.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+boingboing%2FiBag+%28Boing+Boing%29&utm_content=Google+Reader">Boing Boing</a></span>
	
			
			
			

		
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    </entry>    <entry>
      <title>Like a cheer for an invisible parade</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/like_a_cheer_for_an_invisible_parade" />
      <id>tag:culture-makers.com,2025:author/1.1594</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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		<p>Frequently the [peacock] combines the lifting of his tail with the raising of his voice. He appears to receive through his feet some shock from the center of the earth, which travels upward through him and is released: <i>Eee-ooo-ii! Eee-ooo-ii!</i> To the melancholy this sound is melancholy and to the hysterical it is hysterical. To me it has always sound like a cheer for an invisible parade.</p><br />
		<p><small>	&mdash;Flannery O'Connor, "<a href="http://www.amazon.com/Mystery-Manners-Occasional-Flannery-OConnor/dp/0374508046/cmcom-20">The King of the Birds</a>"</small></p>

	
			
			
			

		
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    </entry>    <entry>
      <title>Fido and Fifi take to the skies in style</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/fido_and_fifi_take_to_the_skies_in_style" />
      <id>tag:culture-makers.com,2025:author/1.1519</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Christy: </b><em>?The economy may be tanking, but here's one industry that is really "taking off": an airline for pets. Being a devoted pet-owner, I can appreciate this service. But with tickets averaging $250 a pop, plus delivery and overnight boarding costs, I have to wonder: when people from impoverished nations (and impoverished people in our own nation) read about something like this, what conclusions might they draw about our culture??</em><br />
		
		<p>Dan Wiesel and his wife, Alysa Binder, remember the guilt they felt after their Jack Russell terrier Zoe had to fly cross country in the cargo area of a plane when they moved from the San Francisco Bay area to Florida. &#8220;When she came out she just wasn&#8217;t herself,&#8221; Binder said. &#8220;We thought there had to be a better way.&#8221; The couple&#8217;s answer is Pet Airways, a new airline just for cats and dogs that the couple founded. The airline had its inaugural flights Tuesday from several airports, including BWI Marshall Airport.</p><p>There are no human passengers aboard Pet Airways flights, just animals, which are called &#8220;pawsengers&#8230;&#8221; </p><p>The airline is sold out for its first two months, Binder said. Pet Airways serves Baltimore, New York, Chicago, Denver and Los Angeles, but Binder said the company hopes to expand to 25 cities in a couple of years. Ticket prices average $250, Binder said. Other airlines charge $75 to $275 for pets, with prices varying depending on where the pets ride. In May, Southwest began allowing people to bring small pets on board for $75.</p><p>One airline expert said there is a niche for people who want to take their pets on vacation and other travels. But it is unclear if this airline is the answer.</p><p>It may be complicated for passengers to plan their flights with their pet&#8217;s flights, said Robert Mann, president of airline consulting firm R.W. Mann &amp; Co. Inc.</p><p>&#8220;It&#8217;s an interesting concept,&#8221; Mann said. &#8220;There is a need for it. The key question is if this particular concept really meets that need. Time will tell, as it usually does.&#8221; </p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.baltimoresun.com/business/bal-bz.petairways15jul15,0,6472165.story">A new idea in travel: Airline for pets</a>," by Andrea K. Walker, <a href="http://www.baltimoresun.com/">Baltimore Sun</a>, 15 July 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>West African teddies, by Glenna Gordon</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/west_african_teddies_by_glenna_gordon" />
      <id>tag:culture-makers.com,2025:author/1.1466</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?Great photo-essay on the popularity of second-hand stuffed animals—all locally called teddies, no matter the species—in Monrovia, Liberia. "They are popular gifts for birthdays, graduations, even weddings."?</em><br />
		
		<a href="http://news.bbc.co.uk/2/hi/in_pictures/8046756.stm"><img src="http://culture-making.com/media/_45766908_01_img_7513ed_766.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://news.bbc.co.uk/2/hi/in_pictures/8046756.stm">In pictures: West African teddies</a>," photographs and text by <a href="http://www.glennagordon.com/main.php">Glenna Gordon</a>, <a href="http://news.bbc.co.uk/2/hi/in_pictures/8046756.stm">BBC News</a>, 20 May 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Sharp VII, by Frank Gonzales</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/sharp_vii_by_frank_gonzales" />
      <id>tag:culture-makers.com,2025:author/1.1380</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?I love the quasi-digital artifacts that the artist puts into his bird paintings.?</em><br />
		
		<a href="http://www.frankgonzales.net/PAINTINGS.html"><img src="http://culture-making.com/media/SharpVII12x12AcrylicOnCanvasGZ084.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"Sharp VII," 12×12" acrylic on canvas, by <a href="http://www.frankgonzales.net/PAINTINGS.html">Frank Gonzales</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Fujimori Festival</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/fujimori_festival" />
      <id>tag:culture-makers.com,2025:author/1.1349</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?Calligraphy on horseback! Now that would take some serious skill and practice. There's a modern <a href="http://translate.google.com/translate?hl=en&sl=ja&u=http://www.fujinomorijinjya.or.jp/&ei=Ge6_Sa69CJqqtQPG9pmbBA&sa=X&oi=translate&resnum=2&ct=result&prev=/search%3Fq%3D%25E8%2597%25A4%25E6%25A3%25AE%25E7%25A5%25AD%26hl%3Den%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-US:official%26hs%3DpTe">Fujimori Festival</a> at the eponymous shrine, though I dare not lean too hard on auto-translation to proclaim a direct linkage. Still, "<a href="http://translate.google.com/translate?hl=en&sl=ja&u=http://www.fujinomorijinjya.or.jp/&ei=Ge6_Sa69CJqqtQPG9pmbBA&sa=X&oi=translate&resnum=2&ct=result&prev=/search%3Fq%3D%25E8%2597%25A4%25E6%25A3%25AE%25E7%25A5%25AD%26hl%3Den%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-US:official%26hs%3DpTe">Shrine of the horses and learning</a>" sounds about right.?</em><br />
		
		<a href="http://tois.nichibun.ac.jp/database/html2/gyouji/gyouji_59.html"><img src="http://culture-making.com/media/027_1.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://tois.nichibun.ac.jp/database/html2/gyouji/gyouji_59.html">?????????????</a> (Fujimori Festival/Every 10 Years/8th Century" from the <a href="http://tois.nichibun.ac.jp/database/html2/gyouji/itiran.html"><i>Miyako Nenju Gyoji Gajo (Picture Album of the Annual Festivals in the Miyako)</i></a>, hand-painted on silk by Nakajima Soyo (1928) :: via <a href="http://bibliodyssey.blogspot.com/2009/02/miyako-festivals.html">Bibliodyssey</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Culture&#45;making, underwater edition!</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/culture_making_underwater_edition" />
      <id>tag:culture-makers.com,2025:author/1.1201</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?What happens when you team what are arguably the cutest marine vertebrate and invertebrate, respectively? A fascinating, not to mention fun-to-read-about example of non-human culture-making and -keeping.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/913_thumbnail.gif" alt="image"></div><p>Tool use is rare in wild animals, but of widespread interest because of its relationship to animal cognition, social learning and culture. Despite such attention, quantifying the costs and benefits of tool use has been difficult, largely because <i>if</i> tool use occurs, all population members typically exhibit the behavior. In Shark Bay, Australia, only a subset of the bottlenose dolphin population uses marine sponges as tools, providing an opportunity to assess both proximate and ultimate costs and benefits and document patterns of transmission. We compared sponge-carrying (sponger) females to non-sponge-carrying (non-sponger) females and show that spongers were more solitary, spent more time in deep water channel habitats, dived for longer durations, and devoted more time to foraging than non-spongers; and, even with these potential proximate costs, calving success of sponger females was not significantly different from non-spongers. We also show a clear female-bias in the ontogeny of sponging. With a solitary lifestyle, specialization, and high foraging demands, spongers used tools more than any non-human animal. We suggest that the ecological, social, and developmental mechanisms involved likely (1) help explain the high intrapopulation variation in female behaviour, (2) indicate tradeoffs (e.g., time allocation) between ecological and social factors and, (3) constrain the spread of this innovation to primarily vertical transmission.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0003868">Why Do Dolphins Carry Sponges?</a>" (article abstract), by Janet Mann, Brooke L. Sargeant, Jana J. Watson-Capps, Quincy A. Gibson, Michael R. Heithaus, Richard C. Connor, and Eric Patterson, <a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0003868">PLoS ONE</a>, 10 December 2008 :: via <a href="http://www.veryshortlist.com/science/daily.cfm/review/913/Other_print_publication/why-do-dolphins-carry-sponges/?tp">VSL: Science</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>AsLOLn</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/asloln" />
      <id>tag:culture-makers.com,2025:author/1.1148</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?So I made this myself, but since this is apparently LOLCat and Narnia week on this blog, why not combine themes??</em><br />
		
		<a href="http://mine.icanhascheezburger.com/view.aspx?ciid=2912223"><img src="http://culture-making.com/media/128741041406899293.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1"><a href="http://mine.icanhascheezburger.com/view.aspx?ciid=2912223">I Can Has Cheezburger?</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>LOLCat&#45;tharsis</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/lolcat_tharsis" />
      <id>tag:culture-makers.com,2025:author/1.1147</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

			<b><p>Nate</p>: </b><em>?Wait, the dogs in New Yorker cartoons aren't just dogs that have gotten smart by reading the New Yorker??</em><br />

<div class="author" style="font-size: -1">"<a href="http://ideas.blogs.nytimes.com/2008/11/17/the-tragedy-of-the-lolcats/">The Tragedy of the LOLcats</a>," a <a href="http://ideas.blogs.nytimes.com/2008/11/17/the-tragedy-of-the-lolcats/">NYTimes.com Ideas Blog</a> post, 17 November 2008</div><hr />		
		<p><b>Internet |</b> The meaning of LOLcats, <a href="http://www.salon.com/mwt/feature/2008/11/15/pathos_lolcats/index.html">explained</a> by a Psychology Today editor: “Just as the dogs in the New Yorker cartoons don’t represent actual dogs, these cats don’t represent cats at all, but people. By using cats, <a href="http://icanhascheezburger.com/">icanhascheezburger</a> can access themes more tragic and poignant than it could using people.”&nbsp; [<a href="http://www.salon.com/mwt/feature/2008/11/15/pathos_lolcats/index.html">Salon</a>]</p>
		
	
			
			
			

		
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    </entry>    <entry>
      <title>Chicken à la Queens</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/chicken_a_la_queens" />
      <id>tag:culture-makers.com,2025:author/1.1087</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?A neighborhood halal poultry store inadvertently serves a surprising intersection of communities.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/30HALA.LARGE_210.jpg" alt="image"></div><p>“This is the same chicken we have on the island,” Ms. Pierre said. “When my mother would make the chicken for dinner, I was right there at her feet helping her. Everything I learned to cook, I learned from her in Haiti.” To her surprise, she has found a taste of home and the perfect chicken at the Halal Live Meat and Poultry Market, a short bus ride from her house.</p><p>Muhammad Ali, the 41-year-old Bangladeshi owner of the market, is happy that Ms. Pierre is happy, even if it was never his intention to provide the ingredients for a homey Haitian dish. When he opened Halal Live two years ago, after deciding to forgo a doctorate in international politics, his only goal was to provide the mainly Pakistani Muslim community in the area with meat slaughtered under the traditions set forth in the Koran. Drawn to this bustling corner of Archer Avenue and 168th Street because of the pedestrian traffic — three buses stop outside his door — he had no idea that he would end up with such a polyglot clientele.</p><p> “I would say 50 percent of our business comes from people I never expected to come here,” said Mr. Ali, a shy, small-framed man, talking over the squawks of poultry and the chatter of customers. Among those who are keeping business booming are a Nigerian exchange student heading home from biology class at York College, a Salvadoran mango vendor who stops there after working the sidewalks of Jamaica Avenue, and Orthodox Jews who come accompanied by a shochet, a person trained to slaughter animals according to kosher ritual.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/11/30/nyregion/thecity/30hala.html?partner=permalink&exprod=permalink">In Queens, the Chicken Crossroads of the World</a>," article and photos by Greg Emerson Bocquet, <a href="http://www.nytimes.com/2008/11/30/nyregion/thecity/30hala.html?partner=permalink&exprod=permalink">NYTimes.com</a>, 28 November 2008 :: via <a href="http://delicious.com/amaah">Koranteng</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Wild Turkey, by John James Audubon</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/wild_turkey_by_john_james_audubon" />
      <id>tag:culture-makers.com,2025:author/1.1081</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?Before Audubon could paint any of his famous North American birds, he had to shoot them first. At least with the case of this one, such "destruction for the sake of preservation" seems a little less tragic, or at least more tasty.?</em><br />
		
		<a href="http://www.mass.gov/lib/collections/dc/Audubon/Wild_Turkey.htm"><img src="http://culture-making.com/media/Audubon_Wild_Turkey_Large.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.mass.gov/lib/collections/dc/Audubon/Wild_Turkey.htm"> Wild Turkey</a>," by John James Audubon, 1830 :: via <a href="http://www.mass.gov/lib/collections/dc/Audubon/Wild_Turkey.htm">The State Library of Massachusetts</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Necessity &amp;gt; custom &amp;gt; obligation &amp;gt; institution</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/necessity_custom_obligation_institution" />
      <id>tag:culture-makers.com,2025:author/1.970</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?One man's dedicated quest to alter the horizons of the possible in his home region. I like his description of how the project (or how he and his neighbors saw it) changed over time.?</em><br />
		
		<p align=center><img src="http://culture-making.com/media/20burro01-600.jpg" alt="biblioburro"></p><p>In a ritual repeated nearly every weekend for the past decade here in Colombia’s war-weary Caribbean hinterland, Luis Soriano gathered his two donkeys, Alfa and Beto, in front of his home on a recent Saturday afternoon. Sweating already under the unforgiving sun, he strapped pouches with the word “Biblioburro” painted in blue letters to the donkeys’ backs and loaded them with an eclectic cargo of books destined for people living in the small villages beyond. His choices included “Anaconda,” the animal fable by the Uruguayan writer Horacio Quiroga that evokes Kipling’s “Jungle Book”; some Time-Life picture books (on Scandinavia, Japan and the Antilles); and the Dictionary of the Royal Academy of the Spanish Language.</p><p>“I started out with 70 books, and now I have a collection of more than 4,800,” said Mr. Soriano, 36, a primary school teacher who lives in a small house here with his wife and three children, with books piled to the ceilings. “This began as a necessity; then it became an obligation; and after that a custom,” he explained, squinting at the hills undulating into the horizon. “Now,” he said, “it is an institution.”</p><p> A whimsical riff on the bookmobile, Mr. Soriano’s Biblioburro is a small institution: one man and two donkeys. He created it out of the simple belief that the act of taking books to people who do not have them can somehow improve  this impoverished region, and perhaps Colombia.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/10/20/world/americas/20burro.html?_r=1&sq=biblioburro&st=cse&oref=slogin&scp=1&pagewanted=print">Acclaimed Colombian Institution Has 4,800 Books and 10 Legs</a>," by Simon Romero, photo by Scott Dalton, <a href="http://www.nytimes.com/2008/10/20/world/americas/20burro.html?_r=1&sq=biblioburro&st=cse&oref=slogin&scp=1&pagewanted=print"><i>The New York Times</i></a>, 19 October 2008 :: via <a href="http://www.boston.com/bostonglobe/ideas/brainiac/2008/10/bookmobile_meet.html">Brainiac</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Gilgamesh for apes</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/gilgamesh_for_apes" />
      <id>tag:culture-makers.com,2025:author/1.909</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?I love studies of animal language precisely because, of course, they're generally really just as much about human language and culture. The generous, absurd gesture of translating a Babylonian epic into ape-ish just underscores the point.?</em><br />
		
		<p>There’s been <a href="http://www.timesonline.co.uk/tol/news/world/article720546.ece">increased interest</a> lately in monkey languages after discoveries were made about how putty-nosed monkeys combine sounds to create a basic syntax:</p>
<p>* Hack-hack-hack-hack: “There’s an eagle over there!”
* Pyow-hack-hack-pyow-pyow-pyow: “I’ve seen a leopard, let’s move away!”
* Hack-hack-hack-pyow-hack-hack-hack-hack-hack “There’s an eagle over there, let’s move away!”</p>
<p>But research at the <a href="http://www.greatapetrust.org/">Great Ape Trust</a> using the sign language <a href="http://en.wikipedia.org/wiki/Yerkish">Yerkish</a> reveals the primates are capable of far more linguistic sophistication. <a href="http://socialfiction.org/index.php">Primate Poetics</a> sets out a manifesto to enrich this new language, starting, ambitiously, with a translation of the epic Gilgamesh:</p>
<p>“We will learn Yerkish.
We will translate human literature into Yerkish. 
We will invent words, word-tricks, word-jokes, word-games to show the apes new ways of using (their) language.
We will become knowledgeable and original enough to be invited by the researchers of the Great Ape Trust to read our Yerkish translation of Gilgamesh to Kanzi, Panbanisha and all the others.</p>
<p>“We are not here to compare and to compete with the ape but to appreciate its language for its own beauty. This is emphatically not about some lone genius monkey penning the Great Primate Novel.”</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.fedbybirds.com/2008/09/poetry_for_primates.html">Poetry for Primates</a>," <a href="http://www.fedbybirds.com/">Fed by Birds</a>, 20 September 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Super Kingdom by London Fieldworks</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/super_kingdom_by_london_fieldworks" />
      <id>tag:culture-makers.com,2025:author/1.897</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?From a series of site-specific "show homes" inspired by the hibernation patterns of local animals. "Amazing birdhouses" doesn't quite seem to capture it all, but I think it might be roughly accurate. For me the symbolic resonances that jumped out from this particular image were: the Tower of Babel and Noah's Ark—or, come to think of it—a cross between the Garden of Eden and the New Jerusalem.?</em><br />
		
		<a href="http://www.designboom.com/weblog/cat/8/view/4034/super-kingdom-by-london-fieldworks-update.html"><img src="http://culture-making.com/media/sv1.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.designboom.com/weblog/cat/8/view/4034/super-kingdom-by-london-fieldworks-update.html">Super Kingdom</a>," by <a href="http://www.londonfieldworks.com/">London Fieldworks</a> (Bruce Gilchrist and Jo Joelson), opened 21 September 2008 at Stour Valley Arts in Kent, England :: via <a href="http://www.designboom.com/weblog/cat/8/view/4034/super-kingdom-by-london-fieldworks-update.html">designboom</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Nepal Horse Book</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/nepal_horse_book" />
      <id>tag:culture-makers.com,2025:author/1.892</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?I love the possibility left by the fourth, blank quadrant, especially if you buck tradition and read it like the page of a comic book. Up till now, my sole bit of horse-related Nepal trivia was that there's a remote valley in the west called Mustang, whose familiar name is entirely a linguistic coincidence but still evocative—I picture a Shangri-La of Fords and horses.?</em><br />
		
		<a href="http://bibliodyssey.blogspot.com/2008/09/nepal-horse-book.html"><img src="http://culture-making.com/media/2898764521_0bb5aa2c7d.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">A page from the "<a href="http://www.kb.dk/da/nb/samling/os/fjernost/nepal122">Nepal Horse Book</a>," date unspecified, from the Oriental art collection of Copenhagen's Royal Library :: via <a href="http://bibliodyssey.blogspot.com/2008/09/nepal-horse-book.html">BibliOdyssey</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Cultural Relativism: Animal Noises Edition</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/cultural_relativism_animal_noises_edition" />
      <id>tag:culture-makers.com,2025:author/1.871</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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<div class="author" style="font-size: -1">a <a href="http://www.good.is/?p=12109">GOOD</a> post by Andrew Price, 22 September 2008</div><hr />		
		<div style="float:right; margin:15px 5px 5px 5px"><img src="http://culture-making.com/media/1222113518-frogs_210.jpg" alt="Frogs"></div><p>Bzzzpeek is an engaging little website that’ll play you clips of kids from various different countries making the sounds they think dogs, lions, and other common animals make. There seems to be very little disagreement across cultures about what cats say. Frogs, however, are another story entirely. And fair enough: the American “ribbit” is a pretty strange set of syllables to assign to frog noises. <a href="http://www.flat33.com/bzzzpeek/index1.html#" target="_blank">See bzzzpeek here</a>. Via <a href="http://www.veryshortlist.com/vsl/daily.cfm/review/624/Website/bzzzpeek/?tp" target="_blank">VSL</a>.</p>
		
	
			
			
			

		
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    </entry>    <entry>
      <title>Wooden whales</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/wooden_whales" />
      <id>tag:culture-makers.com,2025:author/1.810</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?I simply liked these whales in shades of wood (provenance unknown—but isn't that the way with whales?), combining both a handmade/natural and graphic-design aesthetic. And these lines I read yesterday in the <i>Literary Review</i>, from a piece on Philip Hoare's <a href="http://www.amazon.com/Leviathan-Philip-Hoare/dp/0007230133"><i>Leviathan, or, The Whale</i></a>: "Right now, as you read this, whale oil lubricates the Hubble Space Telescope, 'while the Voyager probe spins into infinity playing the song of the humpback to greet any friendly aliens—who may wonder at our treatment of the species with which we share our planet.'"?</em><br />
		
		<a href="http://ffffound.com/image/4616ca44511cd42021fe4f5377614b07d98cd58a"><img src="http://culture-making.com/media/4616ca44511cd42021fe4f5377614b07d98cd58a_m.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">via <a href="http://ffffound.com/image/4616ca44511cd42021fe4f5377614b07d98cd58a">FFFFOUND!</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The encyclopedia of life</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_encyclopedia_of_life" />
      <id>tag:culture-makers.com,2025:author/1.772</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?As Stephen Webb observes in this short but substantive commentary, "the status of taxonomy is pretty low. . . . Why be content to describe the world when you can develop theories to explain it and, better yet, change it?" Yet being able to name and order the world is one of our distinctively human qualities. The Encyclopedia of Life is an invitation to cultivation, and to contemplation.?</em><br />
		
		<p>Far from being an ancient myth with no contemporary relevance, the story of Adam’s task has inspired and shaped human endeavor throughout the centuries. Modern science got its start in the golden age of exploration, when collectors began cataloging exotic plants and animals in the hope of restoring Adam’s complete knowledge of the world. Some sixteenth-century scholars, like Benito Montano (1527–1598), gave Hebrew names to the places Columbus discovered, because they assumed that the Bible must contain all the words we need to understand the New World. Others realized that there were more things to know and to be named than they ever imagined. Francis Bacon exhorted gentlemen of means to build gardens “with rooms to stable in all rare beasts and to cage in all rare birds . . . so you may have in small compass a model of the universal nature made private.” Adam’s sin, Christians believed, not only expelled the first couple from the Garden. Plants and animals too had been dispersed, but now scholars could imagine a return to paradise by achieving universal knowledge.</p><p>If God were to bring all the animals before man today, the line would be too long. This scene could only take place on the computer, which is exactly what the new <em>Encyclopedia of Life</em> proposes. This remarkable project aims to gather descriptions of every species known to science on a single website. Harvard biologist Edward O. Wilson has been the driving force behind the <em>Encyclopedia</em>, and his enthusiasm for it is unbounded. “It’s going to have everything known on it,” he said, “and everything new is going to be added as we go along.” Nearly two million species are known, but scientists estimate that ten times that many are yet to be discovered. Most of these unknown species are bacteria, fungi, and insects. We can name them because we know, or want to know, everything about them.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.firstthings.com/onthesquare/?p=1154">Completing Adam’s Task</a>," by Stephen H. Webb, <a href="http://www.firstthings.com/onthesquare/">FIRST THINGS: On the Square</a>, 27 August 2008 :: via <a href="http://ayjay.tumblr.com/">Alan Jacobs</a></div>		
	
			
			
			

		
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