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    <title type="text">Culture Making items tagged africa</title>
    <subtitle type="text">Culture Making:Main column content</subtitle>
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    <link rel="self" type="application/atom+xml" href="http://www.culture-making.com/tag/atom/" />
    <updated>2008-11-21T22:39:26Z</updated>
    <rights>Copyright (c) 2008, Nate Barksdale</rights>
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    <id>tag:culture-making.com,2008:11:21</id>


    <entry>
      <title>The Station Nigeria</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_station_nigeria/" />
      <id>tag:culture-making.com,2008:author/9.1056</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p align="center"><object width="420" height="340"><param name="movie" value="http://www.youtube.com/v/ZFNZhGObPwg&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/ZFNZhGObPwg&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="420" height="340"></embed></object>
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<b>Nate: </b><em>“Here's a popular Nigerian soap opera, produced with funding from one of my favorite NGOs, <a href="http://www.sfcg.org/">Search for Common Ground</a>: "Developed and written by a team of young Nigerians, The Station addresses issues that have been identified as the main impediments to the country's development, including tribal violence, domestic abuse, corruption, unemployment and HIV/AIDS. About The Station The backdrop of the show is Action News, a fictional Nigerian television news station. Through the eyes of the many people that work at the station—journalists, anchors, cameramen, businesspeople—the viewer experiences the problems and conflicts that exist among Nigeria's ethnically diverse population." Other country-specific radio and tv versions of The Station currently being produced throughout Africa and the Middle East.”</em><br /><hr /><span style="font-size: -1">"<a href="http://www.youtube.com/watch?v=ZFNZhGObPwg">HIV/AIDS episode compilation</a>," <i>The Station Nigeria</i>, produced by Common Ground Productions, Lagos, Nigeria</span>

	
			
			
			
		
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    <entry>
      <title>Secular praise songs from Western Kenya</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/secular_praise_songs_from_western_kenya/" />
      <id>tag:culture-making.com,2008:author/9.1044</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“This is from a really wonderful blog (my <a href="http://www.voanews.com/english/africa/blog/">tax dollars at work</a>!) that posts decades-old African pop music, accompanied by lengthy history and commentary. Here's the brief background: "The Kawere Boys were formed by Cheplin Ngode Kotula in Kericho, Kenya in 1974, and over the next four years became one of the more popular Benga groups in Luo land. ... These recordings were not only popular throughout Luo land, but also sold well in Tanzania, Malawi, South Africa, Nigeria, Cameroun, and West Africa." It's fascinating and heartening to learn these tales of cultural spread that bypass the usual centers of power (Europe, the U.S., heck, even Nairobi). Also—fascinating relationship between artist and patron: the patron doesn't just make the song possible, he is the song's subject.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/pd_africanblog_kaweremuma_420.jpg" alt="image"></div><p><a href="http://www.voanews.com//english/africa/blog/images/Media/KAWERE_BOYS_Muma_Ben.Mp3">The Kawere Boys ‘Muma Ben’ (1974) mp3</a></p>
<p>Most of the songs in the Kawere repertoire seem to be praise songs for patrons who had invited the group to perform. These songs can be thought of as pre-internet age social networking. The singer usually starts by introducing himself, goes on to introduce the object of his praise, as well as the patron’s relatives, friends, and neighbors, before explaining the nature of his relationship to the patron in question. For example, in ‘Muma Ben’, the song starts with an introduction of ‘Muma Ben from Saye Konyango’, then introduces Muma Ben’s family, and ends with praise for the hospitality the singer received when he was invited to Muma Ben’s house. If you were to map out all of the relationships outlined in the Kawere Boys singles in our collection, and if you had a deep understanding of Luo culture, you could get a good idea of the social networks the Kawere Boys relied upon for their livelihood.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.voanews.com/english/africa/blog/index.cfm?mode=entry&entry=9176649F-F9A9-411F-29F74F07F256F725">The Kawere Boys</a>," by Matthew LaVoie, <a href="http://www.voanews.com/english/africa/blog/index.cfm?mode=entry&entry=9176649F-F9A9-411F-29F74F07F256F725">Voice of America African Music Treasures Blog</a>, 12 November 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The Arabic Singing Diaspora, by Brian Eno</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_arabic_singing_diaspora_by_brian_eno/" />
      <id>tag:culture-making.com,2008:author/9.1034</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“In homage to their treasured 1931 blackboard full of Einstein equations, Oxford's Museum of the History of Science asked scientists, artists, etc. to each fill up a blackboard with something interesting. Here's what musician Brian Eno came up with: "This is the depiction of a theory that Arabic singing bounced around the world in several directions creating what we call popular music, and how the British Isles were central to this." Astute geographers will notice that Asia seems to have been omitted ... I'm sure there are plenty of arrows to be drawn up the Silk Road, down into India, across to the Indonesian archipelago ... culture, after all, gets around.”</em><br />		
		<a href="http://www.mhs.ox.ac.uk/blackboard/gallery.htm"><img src="http://culture-making.com/media/eno-l.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.mhs.ox.ac.uk/blackboard/gallery.htm">The Arabic Singing Dispora</a>," by Brian Eno, in the exhibit <i><a href="http://www.mhs.ox.ac.uk/blackboard/gallery.htm">Bye bye blackboard ... from Einstein and others</a></i>, April–September 2005 :: via <a href="http://www.veryshortlist.com/science/daily.cfm/review/791/Website/bye-bye-blackboard/?tp">VSL Science</a></div>		

	
			
			
			
		
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    <entry>
      <title>Eating grasshoppers has gotten so commercial</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/eating_grasshoppers_has_gotten_so_commercial/" />
      <id>tag:culture-making.com,2008:author/9.1030</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Here's some bracing local culture—and cultural change—for you. I first heard about the festive Ugandan grasshopper harvest and consumption from a just-returned biologist who'd done some fieldwork there. He reported that the hoppers, fried in their own fat, tasted like popcorn shrimp. In any case, here's a recent update from a blogger in Kampala.”</em><br />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://www.culture-making.com/media/IMG_1422_5_1_210.JPG" alt="image"></div>
<br />
<p>To those that have acquired the taste, nsenene is the object of undiluted greed for many Ugandans of all ages. A favourite joke is to tease a husband about finding himself on the receiving end of his pregnant wife’s tantrums if she asks for <i>nsenene</i> in the middle of the night, moreover on the wrong month.</p><p>During the month of <i>Musenene</i>, everyone was sure to get a mini harvest and neighbours would freely (maybe grudgingly too) share their catch.</p><p>Well, the romantic story of <i>nsenene</i> of old is no more. Today most of the grasshoppers that make the long trip from the Abyssinian heights end up at commercial harvesting rigs set up by ambitious greedy capitalists who have monopolized the catching of <i>nsenene</i>.</p><p>Weeks before the first insects are expected, building sites with top floors are booked and leased for the sole purpose of catching the most <i>nsenene</i> possible. The ‘combine harvesters’ consist of rows of huge barrels fitted with shiny new iron sheets and crudely wired light bulbs. The fluorescent lights bounce off the iron sheets, at once attracting and blinding the insects. When they hit the iron sheets the nsenene slide all the way down to the bottom of the barrel, literally. Security guards are hired to keep watch, and sometimes live electric cables are wired around the area to deter thieves. This way the monopolists lag home tonnes and tonnes of <i>nsenene</i>, and close out the ordinary people who used to get free ‘manna’ from heaven.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://onyamarks.blogspot.com/2008/11/nsenene-chronicle.html">A Nsenene Chronicle</a>," by Minty, <a href="http://onyamarks.blogspot.com/2008/11/nsenene-chronicle.html">Sunshine</a>, 2 November 2008 :: via <a href="http://globalvoicesonline.org/2008/11/08/uganda-locust-season-brings-crispy-treats/">Global Voices Online</a></div>		

	
			
			
			
		
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    <entry>
      <title>“It isn’t a noise, it’s my language”</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/it_isnt_a_noise_its_my_language/" />
      <id>tag:culture-making.com,2008:author/9.1027</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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			<p align="center"><object width="420" height="340"><param name="movie" value="http://www.youtube.com/v/BF2nG48r-6s&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/BF2nG48r-6s&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="420" height="340"></embed></object>
</p><br />
<b>Nate: </b><em>“Miriam Makeba 1932–2008: Mama Africa gives her audience a much-needed lesson in isiXhosa pronunciation.”</em><br /><hr /><span style="font-size: -1">"<a href="http://www.youtube.com/watch?v=BF2nG48r-6s&feature=related">Qongoqothwane (The Click Song)</a>," by Miriam Makeba (1979)</span>

	
			
			
			
		
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    <entry>
      <title>Getting beyond “I don’t know”</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/getting_beyond_i_dont_know/" />
      <id>tag:culture-making.com,2008:author/9.1021</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Earlier today in Kenya, my friend Megan hosted the Nairobi launch party for her new non-profit, <a href="http://www.zanaafrica.org/">ZanaAfrica</a>, which (in development-speak) focuses on "simple, sustainable business solutions to solve complex health and social problems throughout Africa to alleviate poverty." Or, to quote the page of <i>Culture Making</i> where Andy mentions Megan's work: "So where are we called to create culture? At the intersection of grace and cross. Where do we find our work and play bearing awe-inspiring fruit—and, at the same time, find ourselves able to identify with Christ on the cross? That intersection is where we are called to dig into the dirt, cultivate, and create."”</em><br />		
		<p>This organization, and this sanitary pads project, comes as a result of many years of working with girls in Kenya, seeing problems, and searching for solutions. And it comes from living in Kenya for more than seven years now, and revising the way I see the world in light of new information and new experiences. </p><p>When I worked for five years with former street children, our organization’s biggest costs per child were bread and sanitary pads. I realized this was a national problem, that girls across the country went through horrible things during their periods.</p><p>This to me was a question of social justice. The poverty that mires 64% of Kenyans is unjust. To allow girls and their future families to sink further into poverty because they lack the funds necessary to stem the flow of their monthly menstruation and sit out of school four days a month—I cannot be the person who knows but remains on the sidelines. I believe the words of my high school mentor, Denise Fuller, who said, “the easiest words for someone to say are ‘I don’t know’. Because, once we know, we are required to do something.”
<br />
<br />
</p>
<hr />
<div class="author" style="font-size: -1">from a <a href="http://www.zanaafrica.org/zinner.asp?pcat=&cat=news&sid=31">blog post</a> by Megan White, <a href="http://www.zanaafrica.org/default.asp">ZanaA :: Tools for Transformation</a>, 10 September, 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Tough luck, Mel</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/tough_luck_mel/" />
      <id>tag:culture-making.com,2008:author/9.998</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A fable of conflicting values and the mistaken assumption that Hollywood would have sufficiant cultural clout even in a rugged corner of South Africa—it looks like the forthcoming Biblical film epic <i>The Lamb</i> will have to be staged somewhere else. Best quote from the article not in the excerpt below: "The Rev. Cyril Smith, whose cathedral would have been made into a Mexican village film set, says the consortium miscalculated the level of opposition and the legal status of the land."”</em><br />		
		<p>A filmmaker’s dream of building a Hollywood-style studio in the northern part of South Africa has been blocked after a passionate campaign by the local Khoi-San community. Residents of the remote and desolate town of Pella say they do not care about the millions of dollars promised or the prospect of A-list celebrities flying in on private jets and instead wanted to keep their “sacred” scrubland, which was won in battle by their forefathers.</p<p>Desert Star Studios wanted to transform their ancestral lands into a giant studio featuring biblical and cowboy film sets, production offices, stunt tracks, storehouses, and workshops, plus a luxury resort, golf course, and private landing strip. The consortium planned to spend $14 million on the project which it says would create 18,000 jobs and generate a further $14.2 million income for the area over the next 10 years—a huge sum for a relatively poor province.</p><p>A visit to the semi-desert area can see its potential. The flat scrubland nestles between giant mountains under clear blue skies. There are hidden valleys cut by tributaries to the mighty Orange River, and one mountain resembling the doomed Israeli fortress of Masada.</p><p>But the filmmakers underestimated the will of the local 5,000-strong population who put the spiritual value of the land over any potential economic gain and nixed the plan last month. “No money in the world can buy this land,” says Ina Basson, secretary of the Pella Community Forum. “It is ours and has sentimental value. Our forefathers fought the Germans for this land and had to battle to keep it. They have spilled blood for the land and for us, and it is not for sale. “[The producers] said Mel Gibson and Halle Berry would fly in to do movies, and that Tiger Woods would design the golf course,” adds Ms. Basson. “We don’t care about them. We want to live here.”
<br />

</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.csmonitor.com/2008/1031/p07s01-woaf.html">Africans say 'no deal' to $14 million movie studio</a>," by Ian Evans, <a href="http://www.csmonitor.com/2008/1031/p07s01-woaf.html"><i>Christian Science Monitor</i></a>, 31 October, 2008</div>		

	
			
			
			
		
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    <entry>
      <title>The places we live</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_places_we_live/" />
      <id>tag:culture-making.com,2008:author/9.973</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			
<div class="author" style="font-size: -1">the <a href="http://www.veryshortlist.com/web/daily.cfm/review/712/Photograph/the-places-we-live/?tp">VSL:Web</a> post for 23 October 2008</div><hr />		
		<p>One <i>billion</i> people live in slums. Their numbers are supposed to double over the next quarter-century. So: Who <i>are</i> those people — and what must their lives be like?</p><p>The Norwegian photojournalist Jonas Bendiksen has spent a good deal of time in Indian, Kenyan, Indonesian, and Venezuelan slums, and his website, The Places We Live, features <a href="http://theplaceswelive.com/">dazzling 360-degree photos of homes and shanties, navigable and altogether immersive,</a> along with audio recordings made by the inhabitants. Prepare yourself to gape, gasp, laugh, cry, and experience every emotion in between: In Mumbai, you’ll meet the Shilpiri family (15 people crammed into a tiny space through which floodwater and garbage regularly stream). In Nairobi, the head of the Dirango household takes great pride in his cramped abode, giving a tour that takes just seconds. “You have to visit somewhere before you judge,” he explains. Thanks, Mr. Bendiksen, for starting us on the journey.
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    <entry>
      <title>Arabesques</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/arabesques/" />
      <id>tag:culture-making.com,2008:author/9.940</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“From a lovely French collection of prints of "Arab art from the monuments of Cairo, from the 7th through the 19th centuries." I love how, though this is just a sheet of disparate samples, they've made a sort of pattern of patterns of it.”</em><br />		
		<a href="http://bibliodyssey.blogspot.com/2008/10/lart-arabe.html"><img src="http://culture-making.com/media/2936768421_f9e7204f56_o.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://bibliodyssey.blogspot.com/2008/10/lart-arabe.html">Arabesques: incrustations en stuc sur pierre (du XVIe. au XVIIIe. siècle)</a>," from <i>L'Art arabe d'après les monuments du Kaire depuis le VIIe siècle jusqu'à la fin du XVIIIe par Prisse d'Avennes</i>, <a href="http://bibliodyssey.blogspot.com/2008/10/lart-arabe.html">NYPL Digital Gallery</a> :: via <a href="http://bibliodyssey.blogspot.com/2008/10/lart-arabe.html">BibliOdyssey</a></div>		

	
			
			
			
		
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    <entry>
      <title>Tree of life</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/tree_of_life/" />
      <id>tag:culture-making.com,2008:author/9.861</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“What's interesting here—aside from the story itself, which sounds hopeful indeed—is the way the moringa tree is being passed between different (though surprisingly overlapping) cultural worlds: Africa and Asia and America, rich and poor, traditional and modern, folk and scientific. My ears prick up at the words that accompany (often in necessary quotation-marks) these handoffs: "discovered," "miracle," "awaits validation."”</em><br />		
		<p>As a child growing up in India, I greeted the appearance of one particular vegetable on my plate with exaggerated distaste: tender seedpods from the moringa tree, locally known as “drumsticks.” Imagine my surprise when I heard a health worker from sub-Saharan Africa describe this backyard tree as a possible solution to malnutrition in tropical countries – he called it a “miracle tree,” no less.</p>
<p>Ounce for ounce, says Lamine Diakite, a Red Cross official from French Guinea in West Africa, moringa leaves contain more beta carotene than carrots, more calcium than milk, more iron than spinach, more Vitamin C than oranges, and more potassium than bananas. Its protein content is comparable to that of milk and eggs, and its leaves are still available for harvest at the end of the dry season, when other food may be scarce. Malnourished children gained weight when put on a timely dietary supplement made from the leaves, Mr. Diakite says. He passed around pouches of the green, hennalike powder at a recent international summit in Boston.</p>
<p>Until a decade ago, moringa was not widely known in Africa. Its leaves (boiled like spinach) were an occasional vegetable. Immigrant Indians prized the long, slender seedpods (stewed or cooked like green beans) as a delicacy. “But its nutritional value, newly ‘discovered,’ has been known for a long time,” says Lowell Fuglie, an international development administrator who has been instrumental in popularizing the moringa in Africa for the past 10 years. Laboratory analysis has corroborated traditional knowledge about the plant. It now awaits further validation by western science.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://features.csmonitor.com/environment/2008/09/19/a-‘miracle-tree’-that-could-feed-sub-saharan-africa/">A ‘miracle tree’ that could feed sub-Saharan Africa</a>," by Vijaysree Ventkatraman, <a href="http://features.csmonitor.com/environment/2008/09/19/a-‘miracle-tree’-that-could-feed-sub-saharan-africa/"><i>Christian Science Monitor</i></a>, 19 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Reconciliation and the oval ball</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/reconciliation_and_the_oval_ball/" />
      <id>tag:culture-making.com,2008:author/9.849</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“One of my favorite Nelson Mandela moments was his brilliant conciliatory gesture when South Africa won the first post-Apartheid Rugby World Cup—donning a Springboks jersey (a symbol par excellance of Afrikaner cultural pride) and coming onto the field to join in the celebrations. I didn't remember the story below, which gets at the beginnings of Mandela's canny and graceful relation to the game.”</em><br />		
		<p>Towards the end of his 27 years in jail, Nelson Mandela began to yearn for a hotplate. He was being well fed by this point, not least because he was the world’s most famous political prisoner. But his jailers gave him too much food for lunch and not enough for supper. He had taken to saving some of his mid-day meal until the evening, by which time it was cold, and he wanted something to heat it up.</p><p>The problem was that the officer in charge of Pollsmoor prison’s maximum-security “C” wing was prickly, insecure, uncomfortable talking in English and virtually allergic to black political prisoners. To get around him, Mr Mandela started reading about rugby, a sport he had never liked but which his jailer, like most Afrikaner men, adored. Then, when they met in a corridor, Mr Mandela immediately launched into a detailed discussion, in Afrikaans, about prop forwards, scrum halves and recent games. His jailer was so charmed that before he knew it he was barking at an underling to “go and get Mandela a hotplate!”
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</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.economist.com/books/displaystory.cfm?story_id=12202525">Nelson Mandela | Rugby's role in his rise</a>," <a href="http://www.economist.com/"><i>The Economist</i></a>, 11 September 2008</div>		

	
			
			
			
		
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    <entry>
      <title>Cell phones and African elections</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/cell_phones_and_african_elections/" />
      <id>tag:culture-making.com,2008:author/9.781</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

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					<b>Nate: </b><em>“Cell phones are a transformative technology all over the world, but in different ways in different regions. In Africa, the newfound possibility of rapid communication and reporting makes it a lot easier to track—and prevent—election mischief.”</em><br />		
		<p>The humble mobile phone is driving a new revolution which some experts hope could bring fairer elections and democracy to some African states. Many African countries have struggled against rigged elections and authoritarian rule since gaining independence last century.</p><p>However, African observers say the growth of simple communication technologies like cell phones are assisting many states to progress towards open and fair elections in increasingly democratic systems. Senegal is one of a number of African countries to hold successful elections by keeping voting and counting in check through independent communication.</p><p>Former United Nations Secretary-General Kofi Annan said many African nations now had a “very open society” and the increasing success of elections owed a lot to the existence of mobile phones. “With communication and cell phones, this is where it is difficult to cheat in elections now. You are announced at the district level and cell phones go wild so by the time you go to the capital, if you have changed the figures, they will know and you will be caught out.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.cnn.com/2008/WORLD/europe/08/25/Cellphonedemocracy/">Cell phones promise fairer elections in Africa</a>," by Mike Steere, <a href="http://www.cnn.com/">CNN.com</a>, 25 August 2008 :: via <a href="http://polymeme.com/node/64690">Polymeme</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Never mind the propaganda, let’s dance!</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/never_mind_the_propaganda_lets_dance/" />
      <id>tag:culture-making.com,2008:author/9.601</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Sometimes the medium does transcend the message. My friend <a href="http://koranteng.blogspot.com/2005/04/strange-bedfellows-and-journalistic.html">Koranteng</a> notes that the dictatorship of Mobutu Sese Seko stands out among evil regimes for having produced a body of self-serving propaganda that people actually liked, even outside the country and after the fact: lots of very excellent <i>sokous</i> tunes. From the dispatch below, it sounds like the national tradition of ignoring the lyrics is alive and well.”</em><br />		
		<p>A French aid worker in Congo, Cabiau admits that he has trouble telling Werrason apart from Wazekwa, but that he’s “developed a taste for this joyous cacaphony.”</p>
<p><i>Lorsque les décibels s’affolent, impossible de rester assis. Si l’on se donne la peine de s’aventurer sur la piste, au milieu des miroirs et des déhanchements endiablés, on ne peut que succomber. On est alors entraîné dans des chorégraphies délirantes que tout bon kinois connaît sur le bout des doigts. C’est le feu. De la folie furieuse. C’est Kinshasa.</i></p>
<p><i>When the decibels reach a panic, it’s impossible to stay seated.  If make the effort to get out there on the dance floor, among the mirrors and the frenzy of swaying hips, you cannot help but give in.  You are led out into wild dance moves that every good kinois knows at the edge of his fingertips.  It’s on fire.  It’s madness.  It’s Kinshasa.</i></p>
<p>Cabiau also writes about the phenomenon of “libanga.”  Libanga is to Congolese music what product placement is to American film and television.  For a few thousand dollars, “a company, a brand of beer, a politicians, or an officer in the army” can see his name placed in a song.  Several dozen such paid shoutouts might be in a single song.  “Curiously, that doesn’t seem to bother many people,” Cabiau writes.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://globalvoicesonline.org/2008/07/27/kinshasas-baroque-style/">Kinshasa’s 'baroque' style</a>, by Jennifer Brea, <a href="http://globalvoicesonline.org/">Global Voices Online</a>, 27 July 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>DIY country, DIY university</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/diy_country_diy_university/" />
      <id>tag:culture-making.com,2008:author/9.631</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Another example of "if it isn't a colored nation-box on the world map, it doesn't exist" syndrome: a breakaway republic that's much less a basket case than the mother country. And some former refugees who are indeed making something of that corner of the world.”</em><br />		
		<p>Slightly larger than England and Wales, Somaliland has enjoyed relative peace and prosperity and has held democratic elections, with a presidential vote scheduled for next year.</p><p>In a move to lure refugees home, the administration has introduced tax waivers on new investments to fuel more growth.</p><p>Despite its poverty, Somaliland and the region offer investment opportunities for those brave enough to return.</p><p>Half of Somaliland&#8217;s cabinet and lawmakers are former refugees who came back mainly from Europe and America. Former refugees have also become small-factory owners or created businesses, for example, in telecommunications.</p><p>Ibrahim has even bigger dreams: he wants to fashion future leaders. &#8220;We don&#8217;t have leaders in our country but we have managers. Our aim is to produce visionary leaders in future who can bring back hope and amalgamate our people. There is a huge appetite for such leadership and we hope to be the source,&#8221; he said.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.csmonitor.com/2008/0812/p12s01-woaf.html">Former refugees launch university in Somaliland</a>," by Hussein Ali Nur and Guled Mohamed, Reuters :: via <a href="http://www.csmonitor.com/2008/0812/p12s01-woaf.html">csmonitor.com</a></div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>The lion is God</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_lion_is_god/" />
      <id>tag:culture-making.com,2008:author/9.588</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“I'll conclude this week of excerpts from Lamin Sanneh's extraordinary book <a href="http://www.amazon.com/gp/product/0195189612?ie=UTF8&amp;tag=cmcom-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0195189612"><i>Disciples of All Nations</i></a> on a positive note: the experience of the Catholic missionary Vincent Donovan among the Masai in Kenya.”</em><br />		
		<p>Just as Jesus the Messiah of the Jews plausibly became Christ the Greek philosopher, just so as the Lion of Judah (Hos 5:14) could he become the Maasai Warrior. In a revealing testimony, a Maasai elder assured Donovan that the Maasai people did not search for him as a priest to come to them. Donovan came to them and followed them into the bush, into the plains, into the steppes where their cattle were, into the hills where they took their cattle for water, into their villages, and into their homes. Donovan told them about the High God, and about how the Maasai must search for Him and try to find Him even if that meant leaving their land and their people.</p><p>At this point the elder came to the punch line: it was not the Maasai who had searched for God, but God who had searched for the Maasai. He continued: God &#8220;has searched <i>us</i> out and found us. All the time we think we are the lion. In the end, the lion is God.&#8221;
</p><hr />
<div class="author" style="font-size: -1">from Lamin Sanneh, <a href="http://www.amazon.com/gp/product/0195189612?ie=UTF8&amp;tag=cmcom-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0195189612"><i>Disciples of All Nations</i></a>, p. 237–238</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>The real thing?</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/the_real_thing/" />
      <id>tag:culture-making.com,2008:author/9.619</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<b>Nate: </b><em>“Here's one of those just-now-roving-across-the-web good ideas that are so simple they just might work. Or, I guess, they could be so simple they won't work after all. Well, here's hoping.”</em><br />
<div class="author" style="font-size: -1">from <a href="http://www.colalife.org/">ColaLife.org</a>, 8 August 2008</div><hr />		
		<p>Our idea is that Coca-Cola could use their distribution channels (which are amazing in developing countries) to distribute rehydration salts to the people that need them desperately. Maybe by dedicating one compartment in every 10 crates as ‘the life saving’ compartment?</p>
<p>
<a href="http://www.colalife.org/about">Find out more</a></p>
<p><a href="http://www.facebook.com/group.php?gid=18947780476#/group.php?gid=18947780476">Join our Facebook Group</a>
</p>
		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Reverence for life, unimpeded by intercultural understanding</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/reverence_for_life_unimpeded_by_intercultural_understanding/" />
      <id>tag:culture-making.com,2008:author/9.586</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Andy: </b><em>“Here is a perspective on Schweitzer best articulated by an African—as Lamin Sanneh, of course, is.”</em><br />		
		<p>The courageous if forlorn career of Dr. Albert Schweitzer . . . is testimony to the reach as well as the gulf of advanced technology and cultural sophistication. The author of the highly influential study, <i>Quest of the Historical Jesus,</i> and the recipient in 1952 of the Nobel Peace Prize, Schweitzer propounded a New Age philosophy of &#8220;reverence for life&#8221; that took little account of African ideas of God or of the Africans themselves, whom he kept at arm&#8217;s length though he lived among them. . . .</p><p>The strange controversy that Schweitzer represented happened to be perfectly consistent with the European idea of religion as reason unimpeded by intercultural understanding. Schweitzer did not believe in evangelizing Africans, only in doing good for them and being somewhat indifferent to their homage and gratitude. For him, Africans lacked the capacity for abstraction . . . and it was the duty and mission of Europeans to remedy that cultural inadequacy without requiring Christianity. It was a strange idea for him that Africans could become Christian without being European, or without possessing the European capacity for universal rationalization. . . . In effect, Europe&#8217;s high intellectual tradition was not transferable even by proximity, and so the very idea of Christian mission was an oxymoron. On the other hand, colonialism might bestow upon the tribes the benefits of modern science and technology without superstitious religious distractions.</p><p>Schweitzer&#8217;s lean prescription of religion as reverence for life—free of creed and sacrament—appealed to the modern mind because of its elegance, its clinical brevity, its inclusive simplicity, and its self-direction, but it left him with no obligation to learn from Africans. It is little surprise that Africans could not otherwise claim him, though they respected him and protected him as a stranger among them.
</p><hr />
<div class="author" style="font-size: -1">from Lamin Sanneh, <a href="http://www.amazon.com/gp/product/0195189612?ie=UTF8&amp;tag=cmcom-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0195189612"><i>Disciples of All Nations</i></a>, p. 140</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>Ugandan hip&#45;hop doc</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/ugandan_hip_hop_doc/" />
      <id>tag:culture-making.com,2008:author/9.600</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

			<p align="center"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/SvRXmm6ZNxk&amp;hl=en&amp;fs=1"></param><param name="wmode" value="transparent"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/SvRXmm6ZNxk&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" wmode="transparent" width="425" height="344"></embed></object>
<br />

</p><br />
<b>Nate: </b><em>“Trailer for "Diamonds in the Rough," a documentary about anti-war and -corruption themed hip-hop in Uganda. Looks fascinating and inspiring, though I'm just a tad troubled that, as with Wim Winders' wonderful "Buena Vista Social Club" film, the transcendent climax involves the musicians from the developing world making a triumphant and adulatory tour in the West.”</em><br /><hr /><span style="font-size: -1">via <a href="http://www.boingboing.net/2008/08/02/diamonds-in-the-roug.html">Boing Boing</a></span>

	
			
			
			
		
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    </entry>

    <entry>
      <title>A sea of technology</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/a_sea_of_technology/" />
      <id>tag:culture-making.com,2008:author/9.570</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“Like most of you, I saw, and didn't give much thought to, the now-pretty-much-cliche'd photo-from-behind of Obama giving his speech to the crowd in Berlin this week. But when I went back to it and zoomed in, I had the following thoughts: 1) Hey laptop-guy, way to improvise! 2) I'll bet you 500 billion Zimbabwe dollars that this is the most front-page coverage Angola has gotten in the US since, ever; and 3) everybody's holding up a digital camera! I suppose that shouldn't be that surprising, but up close it's like this sea of technology superimposed on (or rather, above -- can you imagine this photo with old-style, press-to-face viewfinder cameras?) the expected sea of humanity.”</em><br />		
		<a href="http://www.latimes.com/news/printedition/asection/la-na-berlin25-2008jul25,0,3942684.story"><img src="http://horizonsofthepossible.com/media/berlincrowd.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">detail from a photo by Jae C. Hong (AP), from "<a href="http://www.latimes.com/news/printedition/asection/la-na-berlin25-2008jul25,0,3942684.story">Obama's Berlin speech appears to resonate with crowd</a>," <a href="http://www.latimes.com/"><i>Los Angeles Times</i></a>, 25 July 2008</div>		

	
			
			
			
		
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    </entry>

    <entry>
      <title>It takes a village to ruin a country</title>
      <link rel="alternate" type="text/html" href="http://www.culture-making.com/post/it_takes_a_village_to_ruin_a_country/" />
      <id>tag:culture-making.com,2008:author/9.563</id>
      <published>2008-11-21T15:30:46Z</published>
      <updated>2008-11-21T22:39:26Z</updated>
      <author>
            <name>Nate Barksdale</name>
            <email>natebarksdale@gmail.com</email>
                  </author>

      <content type="html"><![CDATA[
        
						
			

					<b>Nate: </b><em>“A story that ran a couple of weeks ago, nearer the high-point of Zimbabwe's government-sponsored pre- and post-presidential-runoff violence, one that still stops me short with its eerie echoing to the concept that culture-making (and -breaking) is done less by individuals than by small groups of committed people. I'm still a little baffled as to why the Post's report wasn't picked up by other outlets—is it just that it doesn't fit into the easy, dominant story-arc for describing Zimbabwe's woes (roughly, "evil strongman issues 500-billion dollar bill")?”</em><br />		
		<p>President Robert Mugabe summoned his top security officials to a government training center near his rural home in central Zimbabwe on the afternoon of March 30. In a voice barely audible at first, he informed the leaders of the state security apparatus that had enforced his rule for 28 years that he had lost the presidential vote held the previous day.</p>
<p>Then Mugabe told the gathering he planned to give up power in a televised speech to the nation the next day, according to the written notes of one participant that were corroborated by two other people with direct knowledge of the meeting.</p><p>But Zimbabwe’s military chief, Gen. Constantine Chiwenga, responded that the choice was not Mugabe’s alone to make. According to two firsthand accounts of the meeting, Chiwenga told Mugabe his military would take control of the country to keep him in office or the president could contest a runoff election, directed in the field by senior army officers supervising a military-style campaign against the opposition.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/07/04/AR2008070402771.html">Inside Mugabe's Violent Crackdown</a>," by Craig Timberg, <a href="http://www.washingtonpost.com/"><i>The Washington Post</i></a>, 5 July 2008</div>		

	
			
			
			
		
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