Posts tagged art
More than playgrounds
Since 1995, Boston has reconstructed 71 schoolyards, covering 125 acres and serving more than 25,000 children a day, Mr. Comart says. The yearly capital investment is about $1.2 million from the city and $600,000 from the Funders Collaborative, which also gives about $450,000 for operating expenses and professional development for teachers. By 2010, 87 yards should be complete, he says, and 27 will include outdoor classrooms. The hope now is to complete the 10 remaining elementary- and middle-school yards.
The teachers on hand during the tour made it easy for visitors to imagine children’s delight in the outdoor classroom at the William Monroe Trotter Elementary School in Boston’s Dorchester neighborhood. Third-grade teacher Christine Whittemore’s face lit up as she explained the concept of the garden she stood in: Corn, beans, and squash all grow in one plot – a “three sisters” garden like the kind the Wampanoag Indians showed to the Pilgrims. It ties in well with social studies lessons, she said.
The area used to be a vacant, trashy lot and now nurtures plants that attract butterflies. A square wooden pole sports a weather vane and thermometers, so students can correlate temperature to where the sun is.
“[The kids] sort of recognize this as kind of a special place. They’re quieter, more orderly,” Ms. Whittemore said.
The only really effective apologia for Christianity comes down to two arguments, namely the saints the Church has produced and the art which has grown in her womb. Better witness is borne to the Lord by the splendor of holiness and art which have arisen in the community of believers than by the clever excuses which apologetics has come up with to justify the dark sides which, sadly, are so frequent in the Church’s human history.
—Joseph Cardinal Ratzinger
We, holding Art in our hands, confidently consider ourselves to be its masters; boldly we direct it, we renew, reform and manifest it; we sell it for money, use it to please those in power; turn to it at one moment for amusement — right down to popular songs and night-clubs, and at another — grabbing the nearest weapon, cork or cudgel — for the passing needs of politics and for narrow-minded social ends. But art is not defiled by our efforts, neither does it thereby depart from its true nature, but on each occasion and in each application it gives to us a part of its secret inner light.
—Aleksandr Solzhenitsyn, Nobel Lecture, 1970
Moses writing in Eden
Underground beauty
The next Last Supper
To the strains of modern opera, he used cutting-edge technical trickery to make Leonardo’s Christ appear like a three-dimensional hologram while a radiant sun rose and fell over his head. He turned the original colourful image red, grey and black before the artist’s gentle brush strokes were replaced with a chalk outline of the 13 figures, as if Leonardo had drawn a crime scene. Dawn broke, dusk fell and by the end the disciples had been dramatically cast into the shadow of prison-like bars.
To at least one of the world’s experts on Da Vinci, Greenaway’s work amounted to cultural vandalism. But to others it may have saved The Last Supper’s reputation from The Da Vinci Code, Dan Brown’s blockbuster novel, which frustrated many experts by reducing the painting’s hidden meanings to a plot device.
“It has reconsecrated the painting after Dan Brown deconsecrated it,” said Vittorio Sgarbi, a leading art critic and former head of arts for the Milan local government.
Dancing (2008) First impressions
[The cave at] Chauvet was a bombshell. . . . Its earliest paintings are at least thirty-two thousand years old, yet they are just as sophisticated as much later compositions. What emerged with that revelation was an image of Paleolithic artists transmitting their techniques from generation to generation for twenty-five millennia with almost no innovation or revolt. A profound conservatism in art, [author George] Curtis notes, is one of the hallmarks of a “classical civilization.” For the conventions of cave painting to have endured four times as long as recorded history, the culture it served, he concludes, must have been “deeply satisfying"—and stable to a degree it is hard for modern humans to imagine.
All Known Metal Bands
The 300 page book All Known Metal Bands is a simple listing of every heavy metal band name that exists or has ever existed, in every genre, that I could find, in what turned out to be a year and a half of research. Where a name was used by more than one band, the name is listed once for each band. The pages are black, the type is silver, and it will make you want to do naughty things. Of the 51,000 bands listed, the most commonly used name is Legion. There are 24 bands named Legion. There are 20 bands named Genocide, and 20 called Requiem. There are 2 called Cryptic Stench, but there is only one Black Darkness.
NYT reports on an NEA census: “Among artists under 35, writers are the only group in which 80 percent or more are non-Hispanic white.” Tayari Jones responds, “A question worth thinking about is whether this means times are good or hard for writers of color. On the one hand being so darn rare makes us attractive, or at least it does, theoretically. But on the other hand, the scarcity suggests steep challenges.”