Posts tagged architecture
Boxes of worship
The challenges of repurposing big-box stores are not limited to dealing with their unwieldy size. Often, the real estate can be tied up in complicated arrangements. The potential buyer of a big-box store might encounter any number of stipulations on what the building, parking lot, and land can be used for in the future. These stipulations can make it difficult for other businesses to move into an abandoned big-box—but they also open up such spaces for more creative use. The Calvary Chapel in Pinellas Park, Fla., purchased an abandoned Wal-Mart building across the street from its previous home. The deed specified that the structure could not be used by one of Wal-Mart’s various competitors for several decades. But for the moment, at least, churches aren’t on that list. Many former big-box stores have been reclaimed by civic institutions—a library, a courthouse—and by churches. Before moving into this old Wal-Mart, the Calvary Chapel had made its home in an abandoned Winn-Dixie grocery store across the highway.
The teardown may represent a kind of progress: the new house is superior in nearly every technological way to the building it replaced. But it also represents a kind of cultural failure—the failure to make something of the world that was given to the owners of that piece of property. Such failure is sometimes inevitable—the world we must make something of includes, for better or worse, the economic realities of the real estate markets and the construction business, the unwise and slipshod architectural choices of previous generations, and laws governing land use that impose relatively stiff taxes on small buildings. But while the responsibility for the cultural failure that is a teardown may be shared by many parties, it is a failure still.
—Culture Making, p.55
Architecture as anthill madness
The Tower of Babel is a vision of architecture as anthill madness. As the British Museum’s exhibition Babylon: Myth and Reality reveals, Brueghel is not the only artist driven to imagine this fabulous building. Towers of Babel proliferate in this show, be they painted with miniaturist precision or exploding in apocalyptic doom; there’s even one made of shoes, in a 2001 painting by Michael Lassel. Martin van Heemskerk’s, however, is square, in keeping with old sources he studied, but his attempt to visualise what the tower was “really” like does not stop him showing its top smashed apart by divine lightning. In an anonymous Dutch painting—one of a series that riff on Brueghel—the city that surrounds the tower is on fire, the summit of the hubristic edifice menaced by an eerie light coming through the storm clouds. Perhaps the strangest is by Athanasius Kircher, a 17th-century scholar whose light, airy spiral looks prophetically modern, like a blueprint for a skyscraper.
Arabesques
What is it with architects that they don’t—or can’t—retire? In part, it is the nature of their profession. Architecture is a delicate balancing act between practicality and artistry, and it takes a long time to master all the necessary technical skills as well as to learn how to successfully manipulate the thousands of details that compose even a small building. Requisite skills for the successful practitioner include dealing with clients: individuals, committees, communities, boards. The architect, proposing an as-yet-unbuilt vision of the future, must be able to persuade, and it’s easier to be persuasive if you have a proven track record.
For all these reasons, architectural wunderkinds are few and far between; architects have traditionally hit their stride in late middle age. Ludwig Mies van der Rohe was 62 when he started designing the Lake Shore Drive apartments, which became the model for all subsequent steel-and-glass towers; Le Corbusier was 63 when he built the marvelous chapel at Ronchamp, setting the architectural world on its ear; Louis Kahn was 64 when the Salk Institute was built; and Frank Gehry was 68 when he produced the Bilbao Guggenheim. So once you finally get really good at it, why stop?
It’s not so hard for an architect to keep going. Since building is a team endeavor, the old master is surrounded by scores of assistants. For any slowing down that occurs in later years, there are plenty of younger hands and minds to pick up the pace. The younger minds propose, but the master disposes, and the big decisions still benefit from years of practice and experience. From the client’s point of view, since buildings represent large investments, it is safer, by far, to know that a seasoned practitioner is overseeing the process.
Tower of Lego Babel
